Vittorio AlfieriMareMagnum
2123 risultati
1818Vittorio Alfieri Collezione di tutte le tragedie Vol. V. , Tip. Pietro Nardini 1818, COLLEZIONE DI TUTTE LE TRAGEDIE. Copertina rigida rovinata dal tempo con caratteri in oro incisisi sul dorso. Taglio irregolare con barbe e pagine ingiallite con fioriture. Buono (Good) . 76
1818Vittorio Alfieri Tragedie Vol. VI. , Tip. Pietro Nardini 1818, COLLEZIONE DI TUTTE LE TRAGEDIE. Copertina rigida rovinata dal tempo con caratteri in oro incisisi sul dorso. Taglio irregolare con barbe e pagine ingiallite con fioriture. Buono (Good) . 96
1957Charles Gos Tragedie alpine. , Baldini and Castoldi 1957, Libro usato in buone condizioni. Pagine ingiallite lievemente. Tagli regolari impolverati, Copertina rigida sporca lievemente, con segni d'uso. Buono (Good) . 303
1964Very slight bumping to top of spine. Minor shelfwear. ; 1068 pages
1966Bottom of spine has tear (3 cm) and chipping to spine. Writing in ink to table of contents (page numbers). Text is clean. ; Harper Torchbooks; 157 pages; Is Sophocles the poet "more important" than Sophocles the moralist, Sophocles the student of character, or Sophocles the storyteller? In this work, classicist Richmond Lattimore examines the complex and varied ways in which Greek poetry contributes to Greek drama. While acknowledging the difficulty of separating poetry - especially in translation - from other aspects of language, Lattimore offers insight into plays by Aeschylus ("The Suppliant Maidens", "The Persians", "The Seven against Thebes", "Prometheus Bound") , Sophocles ("Ajax", "Oedipus Tyrannus") and Euripedes ("Medea", "Helen", "The Bacchae").
1999Unwrapped in plastic. ; Beiträge Zur Altertumskunde 122; 216 pages
1970Light tanning to pages. Else book is fine. DJ spine is browned with small stain. A couple of small chips and 1 tear (1 cm) to top edge of DJ. ; Contents: Handley: Conventions of the comic stage and their exploitation by menander; Ludwig: Die Cistellaria und das Verhältnis von Gott und Handlung bei Menander; Sandbach: Menander's Manipulation of Language for dramatic Purposes; Wehrli: menander und die Philosophie; Dedoussi: The Samia; Qesta: alcune strutture sceniche di Plauto e Menandro; Kahil: Remarques sur l'iconographie des pièces de Ménandre. ; Entretiens Sur L'Antiquité Classique Tome XVI; 266 pages
1975Light wear to corners. Scholar's name to ffep (Martin Cropp). ; Studi Di Metrica Classica 6; 240 pages
1957Scholar's name on ffep (Martin Cropp). Corners bumped. Correction to 1 page in blue ink (1 greek word of apparatus). 2 pages with blue checkmark. Light rubbing to boards. ; Commentary for Agamemnon. ; 240 pages
1972Scholar's name to ffep (Martin Cropp). 2 corners lightly bumped. Light rubbing to spine label. DJ has chipping and tears. DJ is somewhat tattered and darkened. ; Studienhefte Zur Altertumswissenschaft, 2; 544 pages
1964Spine very lightly discolored. Minor shelfwear. Bottom corners lightly bumped. ; 1068 pages
1970Light tanning to pages. Bottom corners bumped with light bump to upper edge. DJ is lightly browned. DJ is price-clipped. ; Contents: Handley: Conventions of the comic stage and their exploitation by menander; Ludwig: Die Cistellaria und das Verhältnis von Gott und Handlung bei Menander; Sandbach: Menander's Manipulation of Language for dramatic Purposes; Wehrli: menander und die Philosophie; Dedoussi: The Samia; Qesta: alcune strutture sceniche di Plauto e Menandro; Kahil: Remarques sur l'iconographie des pièces de Ménandre. ; Entretiens Sur L'Antiquité Classique Tome XVI; 266 pages
1969Endpapers tanned. Very light foxing. Else fine. ; 211 pages
2010Faint creasing to lower corners of wraps. Else fine. ; 366 pages
1970Light tanning to pages. Light bump to edge of boards. Book has minor shelfwear. DJ is tatty with tears and chipping and small pieces missing. ; Contents: Handley: Conventions of the comic stage and their exploitation by menander; Ludwig: Die Cistellaria und das Verhältnis von Gott und Handlung bei Menander; Sandbach: Menander's Manipulation of Language for dramatic Purposes; Wehrli: menander und die Philosophie; Dedoussi: The Samia; Qesta: alcune strutture sceniche di Plauto e Menandro; Kahil: Remarques sur l'iconographie des pièces de Ménandre. ; Entretiens Sur L'Antiquité Classique Tome XVI; 266 pages
1996Faint stains to textblock and wraps. Minor shelfwear. Light edgewear to wraps. ; Essays in German, English, and Italian. Contributors: P. Reinders, S. Beta, M. Hose, V. Castellani, G. Vogt-Spira, N. Yaari, A. H. Sommerstein, R. E. Harder, E. Lefèvre, Reviews by M. Silk, S. Beta. ; Drama: Beiträge Zum Antiken Drama Und Seiner Rezeption, Beiheft 2; 380 pages
1889Rebound in 1/4 cloth spine with gilt-lettered spine and decorative boards. Boards are a bit rubbed with some colour loss. Light chipping along edges of boards. Scholar's name to ffep (Christian Habicht). ; Text is in German. ; 388 pages
1928Foxing to endpapers and first few pages (heavy in places). Former owner's name on ffep. ; 394 pages
1960Scholar's bookplate to inner cover (Robert Brown). Tiny chip to upper edge of rear board. Minor shelfwear. DJ has chipping and tears to spine ends and corners. DJ is browned. ; Commentary for Agamemnon. Greek Text with Extensive English Commentary. ; 240 pages
1971Minor shelfwear to book. DJ has a few chips and tears along upper edge. ; xxiii, 175pp.; 175 pages
1900Xix, 170pp. Binding rubbed at extremities, former owners' names inked to front inner cover and ffep. Minor soiling. Greek text heavily marked in pencil, else VG. ; Clarendon Press Series; 170 pages
1948Tiny tears to a few pages, text browned but supple. Wraps are chipped with a few small tears. Very Light foxing ; 2nd ed. 152pp. ; 152 pages
1969Endpapers tanned. Errata page with pen line has been stamped to rear free endpaper. Pencil notes and underlining. Lower edges a bit bumped with small stain to rear board. Else VG. ; 211 pages
1998Very light shelfwear to DJ. Remainder mark to top of the textblock. ; Sather Classical Lectures; 1.12 x 9.25 x 6.25 Inches; 384 pages; Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.
1979Former owner's name on inner cover. Former owner has written the year of birth of the author on title page else Fine. ; This book is an attempt to understand in what senses the tragic odes are lyrical and in what ways their lyricism contributes to tragic drama as a whole. ; 241 pages
