20.749 resultados
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown books
1964ref. 141468Paris: Les Editions du Presse du Miroir 1964. Four issues and one supplemental issue of "le miroir de l'information" roughly "Mirror of Information" a Parisian periodical published for press relations including coverage on the press itself radio film television and other various media. Little is documented on "le miroir" with only a few held in institutions and libraries. The magazine seemingly focused on collecting various bulletins regarding contemporary press topics like relations between the press and its journalists presumably distributed to regional theaters television and radio studios film companies like Cinedis and others. Often featured were full-page ads for other press-related publications books films photography studios women's magazines even Reader's Digest. Included are issues for April 20 1962 No. 227 Jean Cocteau on front wrapper to commemorate the opening of La Belle Jardiniere department stores May 4 1962 No. 229 Rapho front wrapper photo with a supplemental issue for this number July 2 1964 No. 338 Monte Carlo feature French publicity organization pamphlet laid in and July 9 1964 Nylfrance front wrapper photo international film festival pamphlet laid in. All issues saddle-stapled in monochrome photo-illustrated wrappers high-quality stock varying between 38 and 58 pages 8.5 x 11.5 inches. Near Fine overall. Scarce. Les Editions du Presse du Miroir unknown
1964ref. 141468Paris: Les Editions du Presse du Miroir 1964. Four issues and one supplemental issue of "le miroir de l'information" roughly "Mirror of Information" a Parisian periodical published for press relations including coverage on the press itself radio film television and other various media. Little is documented on "le miroir" with only a few held in institutions and libraries. The magazine seemingly focused on collecting various bulletins regarding contemporary press topics like relations between the press and its journalists presumably distributed to regional theaters television and radio studios film companies like Cinedis and others. Often featured were full-page ads for other press-related publications books films photography studios women's magazines even Reader's Digest. Included are issues for April 20 1962 No. 227 Jean Cocteau on front wrapper to commemorate the opening of La Belle Jardiniere department stores May 4 1962 No. 229 Rapho front wrapper photo with a supplemental issue for this number July 2 1964 No. 338 Monte Carlo feature French publicity organization pamphlet laid in and July 9 1964 Nylfrance front wrapper photo international film festival pamphlet laid in. All issues saddle-stapled in monochrome photo-illustrated wrappers high-quality stock varying between 38 and 58 pages 8.5 x 11.5 inches. Near Fine overall. Scarce. Les Editions du Presse du Miroir unknown books
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown books
1983ref. 144573Paris: Gaumont 1983. Two vintage borderless photographs of director Andrzej Wajda on the set of the 1983 Polish-French film. With manuscript annotations on the verso. Based on the 1929 play "The Danton Case" by Polish writer Stanislawa Przybyszewska. Set in 1793 Georges Danton has returned to Paris from his solitary residence in the countryside just as the Committee for Public Safety under the direction of Maximilien Robespierre his former ally begins a massive series of executions. Danton meets his fate before a revolutionary tribunal and is eventually sent to the guillotine. The film drew connections between the Reign of Terror during the French Revolution and the contemporary Polish "solidarity" movement against the Soviet-backed Polish government. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 464. Gaumont unknown
1983ref. 144573Paris: Gaumont 1983. Two vintage borderless photographs of director Andrzej Wajda on the set of the 1983 Polish-French film. With manuscript annotations on the verso. Based on the 1929 play "The Danton Case" by Polish writer Stanislawa Przybyszewska. Set in 1793 Georges Danton has returned to Paris from his solitary residence in the countryside just as the Committee for Public Safety under the direction of Maximilien Robespierre his former ally begins a massive series of executions. Danton meets his fate before a revolutionary tribunal and is eventually sent to the guillotine. The film drew connections between the Reign of Terror during the French Revolution and the contemporary Polish "solidarity" movement against the Soviet-backed Polish government. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 464. Gaumont unknown books
1973ref. 162256N.p.: New World Pictures 1973. Vintage studio still photograph from the 1973 film. Provenance stamp on the verso. Curvaceous blond and lethal private detective and race car driver Stacey Hanson is hired to investigate the extremely affluent Chambers family by the family's matriach Florence Chambers. Re-released in 1975 as "Stacy and Her Gangbusters." Director Andy Sidaris reworked and remade the film in 1984 as "Malibu Express." Shot on location in Los Angeles and Malibu California. 8 x 10 inches. Near Fine. New World Pictures unknown
1973ref. 162256N.p.: New World Pictures 1973. Vintage studio still photograph from the 1973 film. Provenance stamp on the verso. Curvaceous blond and lethal private detective and race car driver Stacey Hanson is hired to investigate the extremely affluent Chambers family by the family's matriach Florence Chambers. Re-released in 1975 as "Stacy and Her Gangbusters." Director Andy Sidaris reworked and remade the film in 1984 as "Malibu Express." Shot on location in Los Angeles and Malibu California. 8 x 10 inches. Near Fine. New World Pictures unknown books
1973ref. 152859Beverly Hills CA: Bryanston Pictures 1973. Vintage pressbook for the 1973 film. An X-rated Andy Warhol-produced take on Mary Shelley's 1818 classic novel featuring Warhol superstar Udo Kier as Baron von Frankenstein a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Rome Italy and Vojvodina Serbia. Three pages partially bound with a single staple at the top right corner 19 x 12 inches. Very Good plus with a horizontal crease affecting the center of the book and a few small creases to the bottom left corner of the first leaf. Restored and released in 4K UHD format by Vinegar Syndrome in 2021. Bryanston Pictures unknown
1973ref. 152859Beverly Hills CA: Bryanston Pictures 1973. Vintage pressbook for the 1973 film. An X-rated Andy Warhol-produced take on Mary Shelley's 1818 classic novel featuring Warhol superstar Udo Kier as Baron von Frankenstein a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Rome Italy and Vojvodina Serbia. Three pages partially bound with a single staple at the top right corner 19 x 12 inches. Very Good plus with a horizontal crease affecting the center of the book and a few small creases to the bottom left corner of the first leaf. Restored and released in 4K UHD format by Vinegar Syndrome in 2021. Bryanston Pictures unknown books
1987ref. 141282Quebec City: Radio-Quebec 1987. Draft script for the 1987 French film seen here under the English title "Deaf to the City." Text in English. Based on the 1979 novel by Marie-Claire Blais. A wealthy woman's husband leaves her so she moves into a dilapidated boarding house where she befriends the optimistic landlord and tends to a terminally ill deaf young man. Set in Quebec. Black and white titled illustrated wrappers. Title page present with credits for screenwriters A. Mazouz and Sylvie Melancon author Marie-Claire Blais and translator Raymond Y. Chamberlain. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a spiral binding. Radio-Quebec unknown
1987ref. 141282Quebec City: Radio-Quebec 1987. Draft script for the 1987 French film seen here under the English title "Deaf to the City." Text in English. Based on the 1979 novel by Marie-Claire Blais. A wealthy woman's husband leaves her so she moves into a dilapidated boarding house where she befriends the optimistic landlord and tends to a terminally ill deaf young man. Set in Quebec. Black and white titled illustrated wrappers. Title page present with credits for screenwriters A. Mazouz and Sylvie Melancon author Marie-Claire Blais and translator Raymond Y. Chamberlain. 119 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a spiral binding. Radio-Quebec unknown books
1982ref. 162752Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 3 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie is drawn into a dangerous construction scheme while investigating a suspected murder. Originally aired on February 12 1982 on NBC. Self wrappers. Title page present dated January 8 1982 noted as FINAL DRAFT and production No. 1818 with credit for screenwriter Mark Rosenthal. 71 leaves with last page of text numbered 68. Xerographic duplication on pink stock rectos only with yellow green and white revision pages throughout some undated and some dated 1/22/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown
1982ref. 162751Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 6 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie's secretary is framed in a robbery case. Originally aired on June 22 1982 on NBC. Blue titled wrappers noted as production No. 1827 on the front wrapper. Title page present dated February 28 1982 noted as FINAL DRAFT and production No. 1827 with credit for screenwriter Robert Crais. 65 leaves with last page of text numbered 57. Xerographic duplication on blue stock rectos only with pink yellow green and white revision pages throughout dated variously between March 1 and 11 1982. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982ref. 162752Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 3 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie is drawn into a dangerous construction scheme while investigating a suspected murder. Originally aired on February 12 1982 on NBC. Self wrappers. Title page present dated January 8 1982 noted as FINAL DRAFT and production No. 1818 with credit for screenwriter Mark Rosenthal. 71 leaves with last page of text numbered 68. Xerographic duplication on pink stock rectos only with yellow green and white revision pages throughout some undated and some dated 1/22/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1982ref. 162736Studio City CA: Private Eye Productions 1982. Revised Final Draft script for Season 1 Episode 8 of the short-lived 1982 television series. The series followed Cassie Holland a scrappy former police officer turned private eye. In this episode Cassie looks into the murder of a successful lawyer only to discover the lawyer's widow is the mistress of her mentor. Originally aired on July 6 1982 on NBC. Self wrappers. Title page present dated February 2 1982 noted as REVISED FINAL DRAFT and production No. 1814 with credit for screenwriter Abram S. Ginnes. 65 leaves with last page of text numbered 58. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 2/10/82 and 2/18/82. Pages Near Fine wrapper Near Fine bound with two gold brads. Private Eye Productions unknown books
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1963ref. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown books
1963ref. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown books
1958ref. 160346Burbank CA: Warner Brothers 1958. Six vintage British front-of-house cards from the 1958 film noir. A man goes to visit a woman he says is his sister except her only brother died a year ago. While everyone accepts his story she feels like she is losing her mind. Set in Spain partially shot on location in Catalonia Spain. Generally 10.25 x 8 inches trimmed. Very Good plus. Grant UK. Selby UK. Selby US. Spicer UK. Warner Brothers unknown
