Adaptation

Adaptation — marelibri

1857réf. 1857SSParis: Librairie Nouvelle 1857. First Edition. Hardcover. Very Good/no dj as issued. Paris Librairie nouvelle 1857 1st ed. XV11795 Notes and Petit Glossaire des vieux Mots pages. wood-engraved frontispiece. and 11 plates by G. DORÉ contemporary. gilt boards with 2 letterpieces on the spine in 2 of 5 compartments. 11" x 7.5" 27.5x19cm - Slighly foxed; receding waterstain in inner blank margin; blank verso pages of plates browned. Spine slightly sunned/ rubbed. = Rare. Leblanc 204. Illustrated with twelve hors-texte woodcuts by Gustave Doré engraved by W. Meason. Translated from the Occitan into French and prefaced by Jean-Bernard Mary-Lafon Occitan is a Romance language spoken in Southern France Monaco Italy and Spain. It has no standard written form and is endangered by language shift and decline. Sometimes also referred to as Provençal. from the TRANSLATOR'S PREFACE Here is another diamond from the poetic crown of our fathers which after five hundred and fifty years of dust and forgotten shines once again in the light of day. Too careless of its literary riches the France of today was no longer France of yesteryear had never given it a thought. We had a version or rather a crude imitation of the poem in the imitation of the poem in the manner of the story of the four Aymon sons. but this hasty and overly popular transfer onto gray paper rendered neither the meaning nor the color nor the energy nor strictly speaking of the original. Far more eager than France of going back to the sources of our Provençal poetry as early as 1533 Germany had treated the Fierabras novel. However this translation which which was reprinted in 1809 reproduced the incomplete text French manuscripts only approximately and imperfectly reflecting the admirable poem. A Castilian-language version of the poem existed in Spain in the language from which Cervantes drew the subject of one of the most comic episodes of his novel. The Italians have another entitled Romanzo di Fierabraccia e Olivieri Roman de Fierabras et d'Olivier; and the English have one as yet unpublished mentioned by George Ellis in his Extraits des romans de chevalerie Translated with DeepL. Librairie Nouvelle hardcover

WILSON, CTR - THE IMPROVED VERSION OF "WILSONS CLOUD-CHAMBER". C T RBiblio.com

On a Method of making Visible the Paths of Ionising Particles through a Gas.

1911réf. 46922London Harrison and Sons 1911. Small 4to. Contemp. full cloth. Spine gilt and with gilt lettering. A stamp to verso of titlepage and a few other leaves. In: "Proceedings of the Royal Society of London. Series A." Vol. LXXXV. XXIII605XXIV pp. and 11 plates. Entire volume offered. Wilson's paper: pp. 285-288 a. 1 plate. Clean and fine. First appearance of the paper which describes the final version of his invention the famous Cloud-Chamber - the first Cloud Chamber was invented by him in 1896 - for making visible and photographing the paths of charged particles an invention for which Wilson received a share of the Nobel Prize in 1827. By using the Cloud Chamber he was here 1911 able to observe the track of an alpha ray by condensing water drops onto the ions produced by its passage.The Cloud Chamber which Rutherford called "the most original apparatus in the whole history of physics" became standard equipment in physics laboratories and made possible numerous important discoveries in the fields of particle and nuclear physicsAfter 1896 "Wilson continued to experiment with ultraviolet radiation and other techniques for producing condensation effects but soon concentrated on atmospheric electricity not returning to the cloud chamber until December 1910. He designed an improved chamber with new methods of illumination and the possibility of photographing the results. At this time Wilson realized that it might be possible to reveal the track of an a ray by condensing water drops onto the ions produced by its passage. During March 1911 he saw this effect produced in his apparatus. Thus the elucidation of phenomena seen in the Scottish hills led to the possibility of studying the processes of radioactivity and the Wilson cloud chamber became an important piece of laboratory equipment. But it was in the study of cosmic rays that it achieved its full power particularly in the refined form developed by Patrick Blackett in which it was possible to study particles of very high energy and the production of electron-positron pairs with the chamber situated in a strong magnetic field." DSB. hardcover

Herman H. J. Lynge & Søn A/S · Danemark3 500,00 DKK≈ 468,25 €

Jean Delannoy (director); Madame de La Fayette (novel); Jean Cocteau (adaptation); Jean Marais, Marina Vlady, Jean-Francois PoroBiblio.com

Princess of Cleves La princesse de Cleves Archive of 14 original photographs and ephemera from the 1961 film

1961réf. 144012Paris: Cinedis 1961. Archive of 14 original single weight black-and-white photographs and various ephemera from the 1961 film here under the original French title. The photographs numbered on the versos in manuscript pencil detail costumes for starring actors Marina Vlady and Jean Marais an exhibit of film stills and costume designs at a bookshop called "Lavocat" costumes displayed at tge shop "Delvaux" and the ephemera consists of a press packet detailing film credits and biographies an invitation for two to the premiere on March 26 at the Marivaux cinema a small slip with annotations in manuscript ink and a carbon typescript from Maryse Martres to "Madame Armon" at Delvaux regarding the costumes. Housed in a large manila folder. Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. Delannoy directed over 50 films at first well-regarded dissipating at the end of his career with several B-grade films. Costuming for the film was produced by Pierre Cardin and Marcel Escoffier both also worked together on "Beauty and the Beast" 1946 and "Fernandel the Dressmaker" 1956. Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. The Delvaux shop has been producing leather goods mostly handbags since the 19th century with central locations in Belgium. Photos range from 6.75 x 9 inches to 7.25 x 10.5 inches. Ephemera ranges from 3.5 x 4.75 inches to 8 x 10.5 inches. Very Good plus overall with scattered creases and toning. Cinedis unknown