2 527 résultats
1898réf. 198896NY: Selmar Hess. 1898. good. Hardcover. Topic is birds; 12.5" tall; 316pp index; 6 beautiful tipped in plates. 15 full-page b/w wood engravings many b/w ils with text; brown cover. with gilt lettering & decoration front & spine & additional black. decoration; all edges gilt; heavy wear to corners of cover; chips top of. spine & split along back gutter; fading to cover along edges; foxing to. free front endpage; frontis is pulling away from spine with ragged edge. but can be trimmed for framing. Selmar Hess hardcover
réf. 71475London: British Broadcasting Corporation 1998. Detective fiction drama An original production-used script for the Radio 4 'Saturday Play' adapted from the best-selling novel The Body in the Library by Agatha Christie directed by Enyd Williams starring June Whitfield as Miss Marple with Richard Todd Pauline Jameson and Graham Crowden. Quarto 31 x 22cm pp.119 with pp.6-8 of an additional scene bound in at rear. Simply bound without covers secured with split pin to top left corner. Title page reassigned to rear. Housed in manilla folder with title label. Actor's notations in pencil and red ink. Expected handling occasional corner turned generally well preserved. First broadcast 22nd May 1999. The working copy of Graham Crowden his scenes as Sir Henry Clithering are heavily annotated. Three pages of an additional scene featuring Clithering are bound in at the rear; that scene's pages prior to Clithering's entrance are not present. Radio scripts seldom make it out of the studio their work being done in a day or two and complete annotated copies are scarcer still. Graham Crowden 1922-2010 was a Scottish actor part of the Royal Court's repertory company under George Devine a leading member of the legendary Old Vic/National Theatre companies of the 1960s and 70s. He was known for his many appearances on screen often playing eccentric scientist teacher and doctor characters. Television credits include Black Beauty Father Brown Porridge Doctor Who Rumpole and Foyle's War. His film appearances include The Little Prince Jabberwocky For Your Eyes Only and Out of Africa. London: British Broadcasting Corporation, [1998] unknown
réf. 71489Burbank: Warner Bros. 1984. Film material Vintage original production-used script for the film adaptation based on the best-selling novel by Agatha Christie. Octavo 28 x 22cm pp.117 mimeograph in textured light blue card wrappers with die-cut title window bound internally with two clasps. Minor annotations to title page. Accompanied by a 7pp. shooting schedule for the film with a few annotations. Numbered copy 38 to front wrapper which bears a presentation inscription in an unknown hand. A used yet well preserved copy. Stated 'Final Draft. August 27 1984'. A Warner movie based on Agatha Christie's novel starring Helen Hayes as Miss Marple and a cast of suspects including Bette Davis John Mills Dorothy Tutin and Leo McKern. This was Helen Hayes' second outing in the role after A Caribbean Mystery in 1983 and her final film. She made her first in 1910. The unsigned and less than complimentary presentation across the front wrapper is appropriately a mystery but reads like the inscription of either a self-deprecating writer or an exasperated actor The presence here of the film's shooting schedule suggests the latter. Burbank: Warner Bros., 1984 unknown
réf. 71488Sydney: Burbank Films 1987. Film material Vintage original script for the unmade film adaptation based on the best-selling novel by Agatha Christie. Octavo 28 x 22cm pp.93 mimeograph in textured orange card wrappers with die-cut title window bound internally with two clasps. Studio details to title page redacted with Tippex title inked to lower edge of text block. A fine clean copy with a folder of associated paperwork location notes contacts etc. Plans for this film adaptation of Murder in Mesopotamia were very far advanced when the project collapsed. The screenplay was written by Julian Bond fresh from his recent success with The Whistle Blower 1986 starring Michael Caine; Christopher Miles whose project this was was in place to direct; and Peter Ustinov who by then had already played Hercule Poirot five times on screen was to be the film's star. However relations between Australian studio executives and the project's Japanese backers soured just as the project was about to be green lit and the film was never made. This copy has had the Australian studio details Burbank Films Paddington Sydney Tippexed from the title page presumably in anticipation of submitting the screenplay to other studios in the hope of reviving the vehicle. But no such salvation was found. Murder in Mesopotamia finally reached the screen in 2002 in a version by Clive Exton and starring David Suchet as Poirot. A very scarce piece of Christie arcana and a well preserved copy. Sydney: Burbank Films, 1987 unknown
réf. 45718897like new. unknown
1964réf. 323673Kansas: Heirloom Bible Publishers 1964. Bible. Hardcover. Near Fine in leatherbound boards. Gilded text block edges. Heirloom Bible Publishers hardcover
1965réf. 130135Los Angeles: Twentieth Century-Fox 1965. Final script for the 1966 film. The 1960s remake of the classic 1939 John Ford Western in which a group of ten unlikely traveling companions on a stagecoach to Cheyenne must fight together when beset upon by both outlaws and Native Americans. Shot on location in Colorado. Blue titled wrappers noted as Final on the front wrapper production No. 58 dated April 9 1965. Title page present dated April 9 1965 noted as Final with credit for screenwriter Landon. 137 leaves Multilith duplication with blue revision pages throughout dated 6-9-75. Pages Near Fine wrapper Near Fine internally bound with three gold brads. Twentieth Century-Fox unknown
1785réf. 173867Bath: printed by R. Cruttwell; and sold by Rivingtons' Dilly Robson & Robinsons' 1785. With three Biblical fore edge paintings An imposing Bible handsomely bound by Edwards of Halifax in their celebrated "Etruscan" style. The set is unusual in featuring motifs relevant to the contents on all three fore-edges - scenes from the Old and New Testaments - as opposed to the more typical landscapes. Edwards famously almost never signed their bindings and their style was very frequently reproduced by others. This set is cited by Weber in his Annotated Dictionary of Fore-Edge Paintings as "a notable Bible from the Edwards bindery" Weber 2010 p. 118-9 and it is used as an example in a chapter devoted to distinguishing genuine Edwards bindings and paintings from imitations. The technique of concealing a painting under the gilt fore edge of books was revived in England by William Edwards about 1780. "The Edwards family not only carried on the art but enlarged it from the mainly floral and heraldic early efforts with occasional religious scenes and royal portraits to embrace views of well-known country houses set in landscapes" Marks p. 194. They were the originators of the bucolic English fore-edge painting which became standard in the 19th century. Scholars believe that the paintings were made in Halifax rather than in London by artists both within and outside the family and under the supervision of Thomas Edwards. Inspiration for the images was taken from various sources often engravings appearing in other books; for landscapes the favourite artist was William Gilpin a pioneer of the "picturesque". Volume I features a moment from Genesis: Abraham welcoming three angels into his home an act of hospitality which moved the Lord to bless Abraham and his wife with a son despite she was far beyond childbearing age. On Volume II is an episode from Exodus: an Egyptian princess and her attendants discover the infant Moses in the bulrushes of the Nile. Volume III displays an animated scene from the life of St. Paul as he preaches in Rome. The "Etruscan" style binding with a border of palmettes and other classical ornaments stencilled in black on brown calf was one of the firm's most popular designs. The origin of this style is debated: some 19th-century writers attributed the invention to John Whitaker while others ascribe it to the Edwards firm. It is known that Edwards employed it from at least 1775. Provenance: a Herman Frasch Whiton probably the American sailor and Olympic champion 1904-1967 with his elaborately designed bookplate featuring his arms and a ship on the verso of an initial blank in each volume. b Randall J. Moskovitz MD American collector from Memphis Tennessee with his bookplates loosely inserted. 3 vols large quarto 306 x 238 mm. Contemporary "Etruscan" calf by Edwards of Halifax spines with raised bands compartments tooled in gilt with flower and urn centerpieces and pediment cornerpieces black morocco labels covers with gilt pentaglyph and metope border stencilled frame of palmettes central panel of tree calf enclosed by gilt Greek key roll board edges and turn-ins tooled in gilt marbled endpapers each vol. with a contemporary fore-edge painting depicting a Scriptural scene edges gilt green silk bookmarkers. Spines uniformly darkened binding judiciously refurbished joints and spine ends repaired gilt retouched on spine light rubbing to palmettes design in places intermittent foxing and slight toning else clean the fore-edge paintings beautifully preserved. A handsome set. P. J. M. Marks "The Edwards of Halifax Bindery" British Library Journal vol. 24 no. 2 1998; Jeff Weber Annotated Dictionary of Fore-Edge Painting Artists & Binders 2010. See also: G. E. Bentley The Edwardses of Halifax 2015; Carl J. Weber Fore-Edge Painting 1966. hardcover
réf. 321439Editions D'Art J P Barthelemy 1997. TEXT IN FRENCH & ENGLISH oblong quarto illus glossy heavy boards red & white lettering to spine 207pp illus/photos VG sl bruising to extrems light chafing to boards in slipcase VG light bruising & chafing Editions D'Art J P Barthelemy 1997 hardcover
2006réf. 1-0309100445Natl Academy Pr 2006. Hardcover. New. 1st edition. 504 pages. 9.25x6.25x1.50 inches. Natl Academy Pr hardcover
2021réf. SKU0581183IVP 2021-08-31. paperback. Good. 6x0x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking IVP paperback
2021réf. SKU0628690IVP 2021-08-31. paperback. New. 6x0x9. New Textbook Ships with Tracking IVP paperback
réf. SONG1473674964Hodder & Stoughton 2018-10-18. International Edition. hardcover. Used: Good. 6.65x1.57x7.24. Buy with confidence. Excellent Customer Service & Return policy. Hodder & Stoughton hardcover
1897réf. 191899Portland ME: Thomas B. Mosher. 1897. good. Hardcover. 4th ed. on Van Gelder laid paper consists of 925 copies; 7" tall x. 3.75"; 126pp including bibliography; off-white buckram is soiled; paper. overhangs boards on fore edges; uncut fore edge; prev. owner's name. dated 1897 on first page. Thomas B. Mosher hardcover
2023réf. 1-0829771840Vida Pub 2023. Hardcover. New. lea lrg edition. 1312 pages. Spanish language. 9.50x7.00x1.00 inches. Vida Pub hardcover
1989réf. 1424Madrid: Miraguano Ediciones 1989. NAP. Softcover. Very Good. 6 1/8 x 8 1/4. Sewn binding French flaps. Tight binding with square uncreased spine. No marks. Some cover wear. Miraguano Ediciones paperback
2010réf. 1-9685566100Berbera Editores 2010. Paperback. New. 2nd. edition. 267 pages. Spanish language. 9.00x6.60x0.70 inches. Berbera Editores paperback
réf. GOR011341230Paperback. Good. paperback
1950réf. 145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive manuscript annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs. Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism. Set in France. Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown
1984réf. GB000KOJLW4I5N00International Bible Society 1984. Paperback. Acceptable. Disclaimer:Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. International Bible Society paperback
1956réf. 147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in manuscript ink. Production number adjusted in manuscript pencil with ."5." "#3" in manuscript in on edge of spine. Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia. Ingrid Bergman won an Academy Award for her lead role. Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads. Twilight Time 203. Twentieth Century-Fox unknown
2012réf. x-1461424658Springer 2012. Paperback. New. 465 pages. 9.20x6.10x1.10 inches. Springer paperback
1995réf. x-0521557933Cambridge Univ Pr 1995. Paperback. New. 128 pages. 8.50x5.50x0.25 inches. Cambridge Univ Pr paperback
2011réf. x-9048177065Springer 2011. Paperback. New. 256 pages. 10.50x8.00x0.61 inches. Springer paperback
1954réf. 144698N.p.: N.p. 1954. Original borderless photograph of director Jean Renoir and actors Henri Vidal and Jean-Pierre Aumont on the set of the 1954 theatre production. With manuscript annotations and an agency stamp on the verso. Staged for a single showing in the Roman Arena in Arles on the occasion of the 2000th anniversary of the foundation of the city by Julius Caesar. 11 x 8 inches Near Fine. N.p. unknown