7 180 résultats
réf. 500349293Zylo 13 6x17 1x1 1cm. Sans date. blu_ray.
réf. 500467120Warner Home Video 13 8x4x17 4cm. Sans date. blu_ray.
réf. 84930aafParis, J.-P. Roret, 1829, in-8vo, 2 ff. + 1 planche gravée + 301 p., non rogné, quelques rousseurs, non rogné, demi-toile récente simple, pièce de titre (de la rel. originale) au dos.
2009réf. 54992Warner Bros., 2009. DVD DVD
réf. 0259011207.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972A clean, unmarked book with a tight binding. 104 pages."A clown is asexual, interracial and ageless. He [sic] can touch, at one time, all ages, all intellects, all strata of society, the living and the dying. Instant communication."
1960Nicely printed, title page in red and black. Some browning to spine and edges of wraps. Faint soiling to wraps. ; Ii+116pp. ; 116 pages
195996 pages. Features: Dean Martin has the Last Laugh (without Jerry Lewis); The Beast of Belsen and the Dragon Tattoo; The Shrinking Violet - a story for lads with taller sweeties; Sucker in Paradise; Those Brooklyn Indians - 5,000 Mohawks in New York's most famous borough - Iron Workers, Big Chiefs of High Steel Construction; "My Favourite Girl" Photo Contest; The Man Who Married Annie Oakley - Frank Butler; The Great Football Swindle; Chinatown's Bloody Emperor - Fung Jing Toy evaded 200 attempts on his life; The Real-Life Drama of Willie the Actor - Willie Sutton; Yankee Lynch Mob - an angry crowd goes berserk at Port Jervis, New York; A Sight for Tired Eyes - Gale Fagan; Killer Trail of the Glanton Gang. Many nostalgic ads. Above-average wear. Unmarked. Binding intact. Magazine
2019réf. 500301129Warner Bros 2019 14 8x18x3 4cm. 2019. blu_ray.
réf. 500329364Warner Bros 14 1x19x3 4cm. Sans date. DVD.
1961réf. 500128919CliffsNotes 1961 90 pages 13 97x21 59x0 5334cm. 1961. Broché. 90 pages.
1987Scholars' bookplate to inner cover. Very light chipping to base of spine. One small closed tear to back wrap (0.5 cm). ; 104 pages; "A thorough reexamination of an often analyzed text, producing excellent results through close attention to the choice of words, ideas, and images. This book marks decisive progress in our understanding Aristophanes' Knights. "
1987light foxing to top of textblock. ; 104 pages; "A thorough reexamination of an often analyzed text, producing excellent results through close attention to the choice of words, ideas, and images. This book marks decisive progress in our understanding Aristophanes' Knights. "
1692Sm. 4to., First Edition, some mild age-staining and spotting throughout; modern grey boards, paper label lettered in black on upper board, one or two upper margins closely shaved else a crisp, firm copy. Dryden's second-to-last play, and according to MacDonald partially completed by Southerne. Its first performance should have been early in April 1692, but on the 9th it was prohibited; it was acted out on or before 16 April at the Theatre Royal. In his Dedication Dryden attributes the lifting of the ban to Rochester (the dedicatee), who had represented the drama to the Queen as 'wholly innocent of those Crimes which were laid unjustly to its Charge'. The Life of Cleomenes is supplied by Creech (from Plutarch; see MacDonald 131). In this copy, as often, the Prologue and Epilogue appear before the 'Life'. CBEL II, p.267; MacDonald, 92.
1960réf. 6300La Table Ronde 1960 218 pages in8. 1960. broché. 218 pages. Clem raconte l'histoire d'Armand un comptable parisien sérieux et honnête qui rencontre une jeune femme nommée Clem. Le roman décrit leur relation amoureuse vouée à l'échec où deux êtres qui s'aiment ne parviennent pas à se comprendre malgré les efforts d'Armand pour atteindre les attentes idéalisées de Clem
1979réf. 94648Stuttgart: Verlag Philipp Reclam jun., 1979. 15 cm ; kart.
1965Book is slightly cocked. Dustjacket has minor shelfwear and rubbing. ; Collection of essays range over the whole field of Drama from the function of the mask in the Greek Theatre to the undermining of the Classical Ideal in the Fair Theatres of Paris in the eighteenth century. ; 277 pages
1965Foxing/dustsoiling to top of textblock. Foxing passim. DJ a bit yellowed. ; Collection of essays range over the whole field of Drama from the function of the mask in the Greek Theatre to the undermining of the Classical Ideal in the Fair Theatres of Paris in the eighteenth century. ; 277 pages
1940208p., illus. Illus. with b/w photographs from a New York theatre performance. Hardcover Good condition; spine ends & edges worn
2015réf. 53780Studio Hamburg Ent., 2015. 2 DVD DVD
réf. 79106aafSchweizerische Bibliophilengesellschaft, 1949/ 50, gr. in-8vo, 76 S. illustr. mit Originallithographien, unbeschnitten, Nr. 309 von 766 Exemplaren auf Zerkall-Bütten, Original-Pappband.
réf. 1721In 12 broché,faux-titre,titre,107 pages.A la librairie théâtrale.E.Balchard éditeur 1851 édition originale.
1980réf. 011509Firenze: Centro Di 1980. This is a very good 2 volume complete softcover set with just light wear. Completely clean inside and out. Text in Italian. A comprehensive survey of the fine and decorative arts of 18th century Naples. Essays by various scholars including Anthony Blunt Mario Praz Francis Haskell Domenico de Marco Raffaele Ajello Giancarlo Alisio Mario de Cunzo Valentina Maderna Flavia Petrelli Oreste Ferrari Nicola Spinosa Raffaello Causa Marina Causa Picone Cesare de Seta Teodoro Fittipaldi Alvar Gonzalez-Palacios Margherita Siniscalco Vega de Martini Guido Donatone Salvatore Abita Renata Ruotolo Elio e Corrado Catello Giuseppe Mauri Mori Luigi Buccino Grimaldi Rubina Cariello Alberto Guarino Franco Mancini Franco Carmelo Greco Renato Bossa and Steffi Rottgen. Hundreds of illustrations in black & white also some color. Biographical sketches of artists architects designers etc. Bibliography. Indices of names places. 9" high X 8" wide 445 & 493 pages. Overseas shipping extra postage for this heavy 2 volume set. These books will be securely wrapped and packed in a sturdy box and sent with tracking. . Soft Cover. Very Good. Centro Di Paperback
réf. 127434aafEditions de l’Aire, 2011, in-8vo, env. 250 p. par vols., richement ill. n./b., brochure originale avec étui original.
2013Very faint shelfwear. Gift inscription from author to Jenifer Neils on ffep. ; After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens' imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus' Eumenides, Euripides' Children of Heracles, and Sophocles' Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians' sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology. ; 206 pages; Signed by Author