1 281 résultats
1814réf. 78613Philadelphia:: Printed by James Maxwell 1814. The Second Edition Improved. . old full sheep. Old ink names on the front pastedown; text age-toned throughout; boards a little bowed and leather scuffed; corners rounded; tight and sound. 12mo. With an English Translation as Literal as Possible Answering line for line throughout the Roman and Italic characters being alternately used; so that it is next to an impossibility for the student to mistake. With a Compend of Latin Prosody. Printed by James Maxwell, hardcover
réf. FORT770347The Franklin Library. Used - Very Good. Fully-bound in leather with gilt decorations; Raised bands and gilt lettering on spine. Silk moire endpapers with matching sewn-in bookmark. All outer edges are gilt. The Franklin Library hardcover
1714réf. 29251London: Sawbridge; B. Tooke; and G. Strahan. Poor with No dust jacket as issued. 1714. 6th Edition Corrected. First Printing. Unbound. Contents include: The Preface Frontispiece of portrait of LEstrange missing; Life of Aesop 29 pages; the index; Section of Fables 550 pages 548 as follows: Aesop Barlandus Anlanus Abstemius Poggius and Miscellany Fables. No. 500 missing - supplied with print-out . Covers lacking. Binding copy. . 12mo 7" - 7½" tall. 548 pp . Sawbridge; B. Tooke; and G. Strahan unknown
1954réf. 1004349New York: Museum of Modern Art 1954. First trade edition of one of the most graphically striking modern editions of Aesop adapted from the limited edition of the same year signed and dated by Antonio Frasconi. Featured fables include "The Hare with Ability and the Tortoise with Staying Power" "The Jackdaw with Eclectic Plumage" and "The Flattered Raven and the Crafty Fox." Bursting with energy Frasconi's linocut images provide a comic counterpoint to Glenway Wescott's deadpan "narration" of the fables: the stag "took refuge springing amid the underbrush where his proud headgear entangled him. There as he struggled with the desolate sound of the hound coming closer and closer in a flash he developed a better sense of values." The Books of Antonio Frasconi 9. A near-fine copy in original publisher's envelope scarce signed. Side-stapled pamphlet measuring 8.25 x 6 inches: 32. Original buff pictorial wrappers printed in red and black. Linoleum block illustrations printed in black throughout text. Signed and dated "July 9 '75" by Antonio Frasconi at title. Upper corner lightly bumped. Housed in publisher's red envelope with ghost of price label. Museum of Modern Art unknown
1954réf. 1004349New York: Museum of Modern Art 1954. First trade edition of one of the most graphically striking modern editions of Aesop adapted from the limited edition of the same year signed and dated by Antonio Frasconi. Featured fables include "The Hare with Ability and the Tortoise with Staying Power" "The Jackdaw with Eclectic Plumage" and "The Flattered Raven and the Crafty Fox." Bursting with energy Frasconi's linocut images provide a comic counterpoint to Glenway Wescott's deadpan "narration" of the fables: the stag "took refuge springing amid the underbrush where his proud headgear entangled him. There as he struggled with the desolate sound of the hound coming closer and closer in a flash he developed a better sense of values." The Books of Antonio Frasconi 9. A near-fine copy in original publisher's envelope scarce signed. Side-stapled pamphlet measuring 8.25 x 6 inches: 32. Original buff pictorial wrappers printed in red and black. Linoleum block illustrations printed in black throughout text. Signed and dated "July 9 '75" by Antonio Frasconi at title. Upper corner lightly bumped. Housed in publisher's red envelope with ghost of price label. Museum of Modern Art unknown books
1856réf. 76772Boston:: J. Buffum 1856. publisher's tan cloth extra gilt on the spine and front cover; a.e.g. Some smudges and light stains to some text pages; light use to cloth; tight and sound. 16mo. Illustrated from engravings. J. Buffum, hardcover
réf. 63-4551Mill Valley CA: Sunflower Press 1974. Micro-Miniature Book. 64mo. Oblong. 18 pp. Pictorial String-Bound Wraps Letterpress Illustrations. Cunningham's retelling of Aesop's fable. Bradbury Sunflower Press 8 p. 288. Near Fine. Fine miniature books from the Sunflower Press 1972 - 1989. Mill Valley, CA: Sunflower Press, 1974. paperback
1865réf. 023496Hurd 1865. No Binding. Near Fine. New York: Hurd and Houghton 1865. Hardcover. Condition: Very Good. No Jacket. 1st Edition. Illustrated with 111 engravings from original designs by Herrick . First edition thus. 12mo. green and gilt boards with period yellow end papers 311 pp. All edges gilt very ornate binding with animals and decorations all in blind-stamped gilt very attractive and conditionally near fine. Date on title page matches date of copyright true first printing thus. Hurd unknown
réf. 025203192X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1087810205.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3388591644.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1868réf. 962H31London: Frederick Warne and Co. c1868 . Cloth. Very Good Indeed. 6.5" by 5". Various. A very scarce edition of The Fables of Aesop translated by Samuel Croxall featuring eighty woodcut illustrations. In the publisher's original in mahogany cloth binding with blind stamp decorations. Undated dated from inscription from previous owner. This edition is notable for featuring eighty woodcut illustrations alongside two hundred and two fables. These fables include titles such as "The Frog and the Ox" "The Peacock and the Crane" "The Lion in Love" "The Wolf and the Lamb" "The Fox Without a Tail" "The Fox and the Lion" The Wolf and the Crane" "The Wolves and the Sheep" "The Cock and the Jewel" and "The Boy and the Nettle" to name a few. This copy has 14 pages of the publisher's advertisements to rear cataloguing their popular novels priced at one shilling each. Aesop was a storyteller who is thought to have lived in ancient Greece around the 6th century BCE. He is best known for his collection of fables featuring anthropomorphic animals that illustrate moral lessons of honesty wisdom and kindness. These fables have become enduring classics continuing to be shared with generation after generation. In the publisher's original cloth binding. Externally very smart. Slight rubbing and bumping to extremities and spine. Very slight cockling to rear panel. Internally firmly bound. Pages bright and clean with one or two handling marks and spots towards fore edge. Very Good Indeed Frederick Warne and Co. hardcover
réf. 55926New York: Castle Books N.D. First Edition Thus; First Printing. Hardcover. Very Good in a Good dust jacket. Chips and tears creases to jacket. All corners of flaps are slightly clipped. No date. Scarce in a dust jacket.; 4to - over 9¾" - 12" tall. Castle Books hardcover
1927réf. 4iiiDg0026New York & London: Blue Ribbon Books/ Harper & Brothers 1927. Book. Good. Decorative Cloth. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 194 pp. Solidly bound copy with moderate use. A great reading copy. Occassional crayon markings on text. No dj. Last free end page detached from spine. Top and bottom of spine frayed. Blue Ribbon Books/ Harper & Brothers Hardcover
1754pp. xlviij, 305 + Engraved Frontis. Fine headpieces and tail pieces engraved by Fessard, Sornique, and others. Foxed. 12mo. Disbound. All edges gold gilt. Brunet V/1788; Cohen 798. Gaius Julius Phadrus (1st century), was a Thracian slave who translated Aesop's fables into Latin verse. He was certainly more than a reproducer of Aesop, and can be credited with adding many fables of his own. A brief history of the Barbou Classics is given by Schweiger (II 1269). In 1742 Lenglet de Fresnoy persuaded Coustelier to start a series which was meant to be a French rival to the Elzeviers - even surpassing them in terms of scholarship and typography. Though this effort soon exhausted itself, it was revived by Jean Joseph Barbou in 1753. Seven of these attractive little books appeared in 1753-1755, and though there were more issued in the next decade, there was not enough market interest to support a sustained publishing program. They still stand as a monument to French scholarship and typography. This copy is priced low enough to allow for a nice new binding. **PRICE JUST REDUCED! SMALL BOX 5
1988réf. 11852Jean de Bonnot 1988 1988, Jean de Bonnot, in-8 plein cuir de 343 pages, titrage, tête et décors sur le dos dorés à l'or fin 22 carats, signet, sur papier vergé filigrané à la forme, nombreuses gravures noir et blanc. Illustrées de discours moraux, philosophiques et politiques, avec des réflexions morales de J.Baudouin. Réédition de celle de 1669 chez François Coppens. | Etat : Très bon état général (Ref.: ref6611)
1807réf. APHI0194Wien, ohne Verlag 1807. 8°. Gest. Tit., 184 S. Mit e. Front. u. 45 Tafeln in Kupferstich nach S[igismund Ferdinand von] Perger gest. v. Jos Belling, M. Po?ltzel u. J. Gerstner. Halblederband der Zeit m. marmor. Überzugspapier sowie Titel (auf mont. Papierschi.), Bandnr. u. Zierleisten in Goldpräg. auf Rücken. Einband etw. berieben, hint. Rü.kante angeplatz, im Text etwas braunfleckig. Ausgabe in vier Sprachen (Deutsch, Französisch, Italienisch, Latein). Zweiter Band [v. 2] apart mit 45 hübschen Kupfern nach Sigismund Ferdinand von Perger (1778-1841). Spätere Ausgaben in gleicher Ausstattung sind im Verlag von Heinrich Friedrich Müller erschienen. Hier vermutlich die erste dort erschienene Ausgabe ohne Verlagsimpressum.
1857réf. 500047160London: W. Kent & Co & Bradbury and Evans 1857. 1st Edition . Hardcover. Fair. Original decorated . Lime green cloth spineSome marks to boards foxed especially corner of plates W. Kent & Co & Bradbury and Evans hardcover
1884réf. 9917William L. Allison NY 1884. HBNODJ issued 1884 1st Revised Edition Burgundy cloth with Paper Label on Spine with Gold Gilt Cover minor wear tiny chips & tiny ding Extremities with Red ribbon bookmrk F/NF NODJ Interior Nice Tight Clean 250 pgs Table Contents Top pgs edges Gold Gilt . First Thus. Hard Cover. William L. Allison NY hardcover
1926réf. 963Z4London: John Lane The Bodley Head 1926. Cloth. Very Good Indeed/Very Good Indeed. 7.5" by 5". M. Maitland Howard. The first edition of M. Maitland Howard's very scarce beautifully illustrated edition of Aesop's fables with the original illustrated dust wrapper. The first M. Maitland Howard illustrated edition. Illustrated with a colour frontispiece monochrome line vignettes and seven coloured plates. Collated complete. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition has been beautifully illustrated by Marjorie Maitland Howard. In the publisher's original cloth with the original unclipped dust wrapper. In the publisher's original cloth with the original unclipped dust wrapper. Externally very smart with minimal edge wear slight fading to the spine and very small closed tears to the head of the spine. Lacking front free endpaper. Offsetting to the rear. The wrap is smart with sunning to the spine slight handling marks small closed tears and chips to the extremities with very minimal loss to the head and tail of the spine. Internally firmly bound with bright and generally clean pages with the odd spot. Very Good Indeed John Lane The Bodley Head hardcover
1902réf. 962T55London: George Routledge & Sons 1902. Cloth. Near Fine. 8" by 5.5". Harrison Weir. A smart copy of this illustrated collection of fables attributed to Aesop with a clamshell by Eric Sweet. Illustrated with four colour plates and one hundred and fourteen in-text images. Collated complete. A collection of three hundred of the fables attributed to Aesop a Greek fabulist and storyteller noted for his tales characterized by anthropomorphic animal characters. Many of the tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Translated by George Fyler Townsend a British translator noted for the standard English edition of Aesop's Fables. Illustrated by Harrison William Weir a British artist. With a clamshell bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style. In the original full cloth binding. Externally very smart with minor wear to the extremities. Additional cloth covered clamshell by Eric Sweet is in excellent condition. Internally firmly bound. Pages are very bright with the odd small spot. Light age toning to the endpapers. A contemporary ink inscription to the front endpaper. Near Fine George Routledge & Sons hardcover
1855réf. 963Z13London: T. Allman 1855. Cloth. Very Good Indeed. 5" by 3". None stated. Two pocket sized copies of Samuel Croxall's noted edition of Aesop's fables one in the original cloth and the other smartly bound by Eric Sweet in gilt cloth and both housed in a cardboard clamshell casing. A two volume set featuring one copy in the original cloth and another bound by Eric Sweet in modern cloth with gilt details and endpapers and blanks retained. Both housed in the original clamshell casing. One copy bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with monochrome wood engraved vignettes. Two charming collections of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Undated dated by the binder's date to the clamshell and copies held institutionally. The copy bound by Eric Sweet is lacking the original title page and has been renewed with a facsimile with the original vignette laid down. One volume bound in the original cloth the other is bound in modern cloth with endpapers and blanks renewed and both housed in a cardboard clamshell casing. Externally the original cloth copy is very smart with with minimal bumping and wear to the extremities and a mark to the front board and front hinge starting after blanks. The second copy is lovely. Internally the original cloth copy is generally firmly bound with title page tender with a closed tear pages lightly age toned with occasional light spotting. The second copy is lacking the title page renewed with facsimile otherwise firmly bound with generally clean and lightly age toned pages. The clamshell is lovely. Very Good Indeed T. Allman hardcover
1801réf. 124201Paris.: Billois. 1801. Hardcover. Good. 14 x 9 cm. 2 tomos encuadernados en un volumen. Encuadernación en plena piel de época lomo dorado con tejuelo hierros y ruedas. contiene trece láminas de grabados originales. Idioma francés. Literatura. 82 82 Billois. hardcover
1811réf. 78045Padova: Nel Seminario 1811. Cm. 235 pp. xx 193 3. Frullone della Crusca al frontespizio e 2 tavole f.t. incise in rame. Solida legatura coeva in piena pergamena dorso liscio con titoli in oro su doppio tassello. Ex libris nobiliare. Esemplare particolarmente marginoso genuino e ben conservato. Edizione condotta su di un antico codice esopiano appartenuto alla famiglia Mocenigo curata dall'abate Pietro Berti. Nel Seminario unknown
réf. DADAX0531057429Orchard Books 0000-00-00. Reissue. hardcover. New. 8.50x0.75x11.50. Buy with confidence. Excellent Customer Service & Return policy. Orchard Books hardcover