1 693 résultats
1857réf. 500047160London: W. Kent & Co & Bradbury and Evans 1857. 1st Edition . Hardcover. Fair. Original decorated . Lime green cloth spineSome marks to boards foxed especially corner of plates W. Kent & Co & Bradbury and Evans hardcover
1818réf. 75623Newcastle: Printed by E. Walker for T. Bewick and Son 1818. First edition; Royal octavo issue; Variant B. contemporary old polished calf; all edges marbled; both covers detached and spine absent. Three attractive old bookplates on pastedown; aside from the binding flaws noted a very attractive copy. . 8vo. Added engraved frontispiece portrait; illustrated throughout from wood engravings by Thomas Bewick. Roscoe 45b. With the "thumb-mark receipt" page with printed facsimile signatures of Thomas Bewick and Robert Elliott Bewick and seaweed in red over wood-engraved landscape bound before title. This is one of the few copies that bear the autograph signature of Thomas Bewick above the thumb-mark. Printed by E. Walker, for T. Bewick and Son, unknown
1975réf. 006539London: Paddington Press. A reprint of the 1818 edition with a new intro by Michael Marqusee. Attractive half-leather binding with marbled boards and matching endpapers. Without dustwrapper as issued . Fine. Hardcover. 1st thus. 1975. Paddington Press hardcover
1894réf. mon0000080149Macmillan 1894-01-01. Hardcover. Good. in x in x in. On green decorative cloth gilded lettering and bird motif to frontis 1894 edition with some light staining to bottom of first few pages Macmillan hardcover
1909réf. C105700London: Hodder & Stoughton 1909. First Edition Thus. Hardback. Hardcover Hardcover. Very Good. First Edition Thus. Hardback. 4to. 26 by 32 cms. Limited Edition. This edition limited to 750 copies numbered and signed by the artist of which this is No. 146. Unpaginated. 25 fine tipped-in colour illustrations by Detmold all with captioned paper guards and all in very good indeed condition. Including two extra plates not found in the trade edition. Original publisher's cream buckram binding with gilt lettering and decoration to spine and front cover. Original end papers with tiny scarab beetle motif to the centre. Enpapers very slightly tanned covers bright and clean slight brown stain to top corner of rear end paper plates and text very clean; very good indeed or better. Hodder & Stoughton, hardcover
1909réf. 39157London: Hodder & Stoughtond 1909. Very good plus. First edition out of series copy of this large paper edition of Detmold's beautifully illustrated interpretation of Aesop's fables with an original watercolor on parchment signed by Detmold tipped in. In his vibrant and stylish illustrations for this limited edition of Aesop's Fables Edward Detmold exhibits aesthetic influences drawn from a variety of sources including Japanese and Chinese paintings Art Nouveau and classical Western art. This copy is supplemented with an original watercolor by Detmold apparently an early iteration of an illustration of a redshank chick that would appear in his circa 1912 BOOK OF BABY BIRDS. 12.5'' x 10.25''. Original white gilt pictorial cloth. Top edge gilt other edges machine deckle. 25 tipped-in color plates. Unpaginated. Bookplate of Sir Francis Carruthers Gould to front pastedown. Original Detmold watercolor on parchment tipped onto verso of front flyleaf; likely an artist's copy no limitation page present. Binding with light bumping to corners and spine ends a few tiny spots of soil to rear; spine sunned. Watercolor with margins marked-up for framing. Endpapers with mild toning leaves with occasional tiny spots of soil or foxing. Sound with vibrant colors. Hodder & Stoughtond unknown
1865réf. 6735New York: printed at The Riverside Press for Hurd and Houghton 1865. 130 engravings based on designs by Herrick. 8vo. original brown cloth decorated in gilt. Top of spine rather worn and front hinge split. printed at The Riverside Press for Hurd and Houghton hardcover
1793réf. 6744London: John Stockdale 1793. Two volumes. 112 engraved plates with protective tissue by Thomas Stothard J. Landseer Hunt Medland Lovegrove Skelton Powell Eastgate W. Grainger Clarke L. Chapman A. Smith J. Saunders Audinet et al. Pp. lxi publisher’s ad. leaf 198; xii 248. Large 8vo. original cloth backed marbled paper covered board with printed paper spine labels. Some rubbing light browning to end of volume II and a bit shaken.An excellent untrimmed copy pretty well preserved in the original binding of Stockdale’s well printed and deliciously illustrated Aesop. This is a true first of the great 1793 Stockdale edition with the advertisement leaf for Stockdale’s Gay’s Fables and the misprinted p.891 for p.198 of the first vol. The text is by Samuel Croxall. Booklabels of Carleton Richmond. In the original publisher’s binding John Stockdale hardcover
1668réf. A-110Volume I--Second Edition The Fables of Aesop Paraphras'd in Verse: Adorn'd with Sculpture. London: Printed by Thomas Roycroft for the Author 1668. Second edition with new title page a re-issue of the 1665 edition sheets. This volume contains the frontispiece engraved vignettes and initials missing Ogilby portrait and has all eighty-one full-paged plates in fabulous condition. Light yellowing/browning of initial few pages as regular. Volume II--Second Edition Aesopics or a Second Collection of Fables illustrated with sixty-eight full-paged plates in early issue before captions were added. Pages are remarkably clean without any browning. Large folio volumes both illustrated throughout; Wenceslaus Hollar 1607-1677 engraved eighty-eight of the illustrations for these works the others were executed by Dirck Stoop c. 1610-1686 and Francis Barlow c. 1626-1704. Both volumes are uniformly re-bound with original leather panels inset in full brick morocco bindings with gilt titles. Thomas Roycroft for the Author, 1668 hardcover
réf. 173076Verona: Officina Bodoni 1973. A fine set First Officina Bodoni edition number 86 of 160 copies on handmade Magnani paper. The Officina Bodoni was founded in 1922 by Hans Mardersteig and his press became the most important 20th-century private press on the Continent. This edition was published to mark the fiftieth anniversary of its founding. John Barr notes that this edition was Mardersteig's "reinterpretation of a fine illustrated book printed in Verona in 1479 by Giovanni Alvise. For the Officina Bodoni edition the original woodcuts were. recut by a contemporary engraver and coloured by hand". This copy includes five leaves of prospectuses issued by the press or The Bodley Head who were the sole agent for distribution in the UK. It is recorded that 70 copies each were reserved for The Bodley Head and the Chiswick Book Shop Sandy Hook Connecticut. All other copies were reserved for the Officina Bodoni. 2 vols octavo. With 66 hand-coloured woodcut illustrations by Anna Bramanti after Liberale da Verona. Original green morocco-backed vellum boards spines and front covers lettered in gilt covers with decorative borders in gilt top edges gilt. With acetate dust jackets and brown paper slipcase. List of woodcuts loosely inserted. Acetate slightly toned at spine: a fine set in near-fine jackets and fine slipcase. Barr 91. hardcover
réf. 163103Verona: Officina Bodoni 1973. with the woodcuts newly engraved and coloured after a copy in the British Museum. Epilogue in English by Giovanni Mardersteig. Two volumes. Volume I: Pp. 2782blank colophon 68 pochoir woodcuts attributed to Liberale da Verona recut by Anna Bramanti; Volume II: THE FIRST THREE BOOKS OF CAXTON'S AESOP containing the fables illustrated in the Verona Aesopus of MCCCCLXXIX. Pp. 1202blank colophon; med. 8vo; green morocco spines lettered and decorated in gilt 'cloudy' vellum boards lettered and decorated in gilt the spines uniformly faded; t.e.g. others uncut; together within a brown card slipcase edges slightly worn; bookseller's small stamp at top edge of upper pastedowns; Officina Bodoni Verona 1973. One of 130 sets thus total edition 160. Barr 91. Printed on handmade paper watermarked with a goose like that of the original edition this reinterpretation of an early illustrated book printed in Verona in 1479 by Giovanni Alvise was published to mark the 50th anniversary of the Officina Bodoni. A list of the woodcuts with page numbers is loosely inserted in Volume I together with the publisher's prospectus. Volume I contains the Latin text of the 1479 edition with Accio Zucco's Italian translation. Volume II contains the fables in Caxton's translation with the first fable and the final six of the Veronese edition which Caxton did not include translated from the Latin by Betty Radice. The illustrations were coloured by hand at the Atelier Daniel Jacomet Paris. 'The Aesop cuts show a rich spectrum of colours with delicate hues that recall miniatures. Mardersteig maintained that only a great master could have made the preliminary drawings for the fable illustrations and had in mind at the outset the colouring which would give life to the linear woodcuts. This artist he identified on stylistic grounds with the miniaturist Liberale da Verona whose paintings are to be seen in the large choir-books in the Piccolomini Library in Siena Cathedra and elsewhere' Barr page 90. Officina Bodoni unknown
1837réf. 962Z27Halifax: William Milner 1837. Leather. Near Fine. 5" by 3.5". None stated. A pocket sized edition of Samuel Croxall's noted edition of Aesop's fables bound in full suede and adorned with many wood engravings. A nineteenth century edition of Samuel Croxall's edition. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with a folding wood engraved frontispiece an engraved title page and over one hundred wood engraved vignettes throughout. Collated complete.A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in full modern suede endpapers and blanks renewed and housed in a cloth clamshell box. Bound in full modern suede endpapers and blanks renewed and housed in a cloth clamshell box. Externally excellent with only front hinge starting after the frontispiece. Internally firmly bound with bright and generally clean pages with only the odd minor spot. The clamshell is lovely. Near Fine William Milner hardcover
1887réf. 962Z19London: Frederick Warne and Co c1887. Cloth. Fine. 7.5" by 5". None stated. A strikingly bound copy of Aesop's fables with charming illustrations throughout bound by Eric Sweet with moire cloth panels and a cloth chemise and slipcase. A new edition. Part of the 'Chandos Classics' series. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with one hundred and ten monochrome illustrations including a frontispiece and an illustrated title page. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition has been translated by Samuel Croxall and Sir Roger L'Estrange and contains George Fyler Townsend's and L. Valentine's 'new applications morals etc'. Bound in cloth with moire cloth panels endpapers and blanks renewed with a cloth chemise and slipcase. Bound in cloth with moire cloth panels endpapers and blanks renewed with a cloth chemise and slipcase. Externally lovely. The chemise is lovely and the slip excellent with light damp staining to the head. Internally firmly bound with bright and generally clean pages with the odd minor spot only. Light owner's stamp to the title page. Fine Frederick Warne and Co hardcover
1835réf. 962Z25Halifax: William Milner 1835. Leather. Very Good Indeed. 5" by 3". None stated. A pocket sized edition of Samuel Croxall's noted edition of Aesop's fables smarty bound in quarter calf and adorned with many wood engravings. A nineteenth century edition of Samuel Croxall's edition. Illustrated with an engraved title page and over one hundred wood engraved vignettes throughout. Lacking the folding frontispiece. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in quarter calf with paper to the boards Endpapers and blanks renewed. Bound in quarter calf with paper to the boards Endpapers and blanks renewed. Externally excellent with minimal rubbing to the extremities. Internally lacking frontispiece otherwise firmly bound with generally bright and clean pages with only the odd minor spot and handling mark. Very Good Indeed William Milner hardcover
2000réf. ABE-1725453035132FOLIO LONDON 2000 Classic illustrated edition - looks new and unread. Slipcase also in new condition. Absolutely enchanting edition. Hardcover. New. FOLIO LONDON hardcover
1995"The text of the elegantly designed edition, reworked into modern English, is enhanced with evocative engravings by John Tenniel" 147p. Illus [ B & W] Text is clean and unmarked, but the name of a previous young owner is on the front cover and ffep. Some minor stains and small chips to dj. Book
1926réf. 288630Waltham Saint Lawrence: Golden Cockerel 1926. Limited. hardcover. near fine. Celia M. Fiennes. Translated by Sir Roger L'Estrange. Wood engraved illustrations by Celia M. Fiennes. 94 pages. Tall 8vo linen-backed brown boards uncut edges. Waltham Saint Lawrence: The Golden Cockerel Press 1926. Limited Edition - number 267 of 325 copies. A fine copy lacking the dust wrapper. One of 350 numbered copies. Golden Cockerel unknown books
1975réf. 329498Boston: Gambit 1975. First. hardcover. near fine/very good-. David Levine. Selected and illustrated by David Levine with 50 humorous line drawings. 104 pages. Thin 8vo black cloth with red printed labels on cover and spine d.w. price-clipped and lightly chipped at edges with one small stain. Boston: Gambit 1975. First edition. A near fine copy in a very good- dust wrapper; inscribed by the artist on the half title along with a large original pen and ink drawing of a lion. Gambit unknown books
1931réf. RO60070068Three Sirens Press. 1931. In-8. Relié. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Intérieur frais. 222 pages. Dessin en noir et blanc en frontispice. Illustré de nombreux dessins en noir et blanc hors texte. Petit tampon et annotations au crayon en page de garde (ex-libris).. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1998réf. 600010London: Folio Society 1998. Hardcover. Fine condition in a fine slipcase. Decorative Cloth. 152 pp. with 23 color plates plus text illustrations. In handsome slipcase. Folio Society hardcover books
1909réf. 39157London: Hodder & Stoughtond 1909. Very good plus. First edition out of series copy of this large paper edition of Detmold's beautifully illustrated interpretation of Aesop's fables with an original watercolor on parchment signed by Detmold tipped in. In his vibrant and stylish illustrations for this limited edition of Aesop's Fables Edward Detmold exhibits aesthetic influences drawn from a variety of sources including Japanese and Chinese paintings Art Nouveau and classical Western art. This copy is supplemented with an original watercolor by Detmold apparently an early iteration of an illustration of a redshank chick that would appear in his circa 1912 BOOK OF BABY BIRDS. 12.5'' x 10.25''. Original white gilt pictorial cloth. Top edge gilt other edges machine deckle. 25 tipped-in color plates. Unpaginated. Bookplate of Sir Francis Carruthers Gould to front pastedown. Original Detmold watercolor on parchment tipped onto verso of front flyleaf; likely an artist's copy no limitation page present. Binding with light bumping to corners and spine ends a few tiny spots of soil to rear; spine sunned. Watercolor with margins marked-up for framing. Endpapers with mild toning leaves with occasional tiny spots of soil or foxing. Sound with vibrant colors. Hodder & Stoughtond unknown books
1950188 pages. Undated. Well-worn. From the Young People's Libary. Circa 1950? Book
réf. 23025London: Warne And Co Nd. Hardcover. Orig. navy cloth spine and illustrated boards lettered in red and black. Very good. 152 pages. 15.5 x 11.5 cm. With 80 original illustrations and colored engraved frontispiece and vignette. Rubbing to extremities. National Nursery Library. Warne And Co hardcover books
1798réf. 1407258London: Printed for C. Dilly . et al. 1798. Sixteenth edition carefully revised and improved. Hardcover. 12mo xxiv 329 pages. In Fair plus condition. Spine is brown without print. Boards in brown leather; worn spine caps and corners torn hinges toning. Text block has cracked hinges light amount of occasional foxing creasing to corners of final pages tear to rear flyleaf. Illustrated: b&w frontispiece and text engravings. NOTE: Shelved in Netdesk office Case #4. 1407258. FP New Rockville Stock. Printed for C. Dilly ... [et al.] hardcover books
1823réf. 75538Newcastle: T. Bewick & Son. Very Good. 1823. Fine Binding. This book has been re-bound hard-bound in a fine binding of smooth green leather with gilt-stamping raised bands and gilt stamped leather labels on the spine. The covers show some light scuffing and sunning edge-wear and light rubbing to the corners and spine-ends. The spine is lightly sunned. The binding is solid. The contents are bright and legible with vignette illustrations but also with some damp-staining to the outer edge of some of the pages. Limited # 243 with a facsimile signature and "thumbprint" of Thomas Bewick on the Limitation Page. . T. Bewick & Son unknown books