Rigoli Luigi (a cura di)MareMagnum
1691 risultati
1818(Favolisti greci - Esopo Frigio - Testo Riccardiano - Vocabolario della Crusca - Filologia) In 16° grande (cm 18,5x11,5), legatura coeva in mezza pelle, titolo e filetti ornati impressi in oro al dorso, carta marmorizzata ai piatti, pp. 118,(2), marca tipografica al frontespizio ed in fine (Il Frullone con motto ''Il più bel fior ne coglie''). Alcune pagine di dedica a Girolamo Forteguerri di Angiolo Garinei ed una introduzione di Luigi Rigoli seguite da LIII favole di Esopo e da una ''Tavola Delle voci dell'Esopo più notabili, e i nuovi modi di dire Non registrati nel Vocabolario''. Esemplare ben conservato.
1811rif. 101787Padova Nel Seminario 1811. In 8° mezza pelle coeva con fregi filetti e titoli oro al dorso. Pp. XX 1 tavola pp. 193 3 n.n. 1 tavola in fine. Simbolo dell'Accademia della Crusca al frontespizio ed in ultima. Qualche giallitura ma molto buono lo stato di conservazione unknown
1968cm. 18 x 25,5, xvi-444 pp. con ill. n.t. Edizione di 700 copie numerate. 1430 gr. xvi-444 p.
1505rif. 684L10Venice: Apud Aldum 1505. First edition. Fine Binding. Very Good Indeed. 10" by 7". None. A very scarce early Aldine work regarding Greek allegorical techniques. A highly sought after first edition printing from the famous Aldine Press. Rebound in a lovely morocco binding by C and C McLeish. McLeish started his binding career at the Doves Bindery before starting a partnership with his sons as C & C Mcleish from 1909 to 1949. This book is from the Spencer library at Althorp Northamptonshire. With the bookplate of the Earl of Spencer's arms and pressmark B65. The Aldine Press was the printing office started by Aldus Manutius in 1494 in Venice. The first book appearing under his name was published in 1495. The press was the first to issue printed books in octavo and is also famous for introducing italics. In Greek. Adams A278; Ahmanson-Murphy 93; Renouard 49:6. Early manuscript title to the second blank with original woodcut Aldine printer's device laid down. Marginalia in Greek and Latin by an early hand throughout. This work contains 85 leaves only and therefore is lacking the first sixty-five leaves. Lacking the fables and life of Aesop. Retaining leaves d6-o4. This work retains the accompanying text including the 'editiones principes' of Cornutus/Phurnutus 'De Natura Deorum' by Cicero 'Palaephatus' on disbelieving histories'De Non Credendis Historiis' Heraclitus Ponticus' 'De Allegoriis Apud Homerum and Horapollon' 'Hieroglyphica' as well as a collection of proverbs. Many of the works to this volume appear in their first edition here. A very scarce work beautifully produced by the Aldine Press and with fascinating provenance. In a full morocco binding. Externally very smart with light rubbing to the joints. Internally firmly bound. Front endpaper is chipped to the edges with handling marks and prior owner's notes as well as bookplate. Second blank has a manuscript title with the Aldine Press printer's device pasted. Pages are bright. Occasional ink inscriptions to the margins in Greek and Latin. Very Good Indeed Apud Aldum unknown
rif. 68393Basel Froben 1518. Kl.8° 262 S. 1 Bl. mit Holzschnitt-Titelbordüre u.Druckermarke am Schluss.; 126 S. 1 Bl. mit 4 wiederh.Holzschnitt-Titelbordüren. u. 4 2 verschied.Druckermarken. Unter Verwendung alter blindgeprägter Deckelbezüge sauber restaurierter Lederband mit 4 Schliessbändern. Das erste Titelblatt im Unterrand angestückt etw. gebräunt u. teils mit kl. Feuchträndern die letzten Bl. mit kl. Einrissim Oberrand; flieg. Vorsatz fehlt hinten. VD 16 A 415 - IA. 101.002 - Hieronymus GG 19 - Schweiger I 13. - Erste Froben-Ausgabe des Aesop und einigen kleineren klassischen Texten „vier davon zweisprachig alle für den fortgeschrittenen Griechischunterricht gedacht.“ Hieronymus. - Die beigedruckten Texte jeweils mit eigenem Titelblatt jedochdurchgehend paginiert. „Für den griechischen Text hat Froben eine neue Kursive nach dem Vorbild derjenigen des Aldus Manutius verwendet“ebd. - Provenienz: Exlibris Janet and C. R. Ashbee sowie Exlibris Edmund Mc Clure auf Spiegel. 010 Basel, Froben, 1518 unknown
1700rif. 4112Venice and Bassano: Gio. Antonio Remondini 1700. 12mo 134 x 67 mm. Collation: A-R12. 394 14 pp. 2 parts separately titled second title-page on F5r. Woodcut printer’s device on titles 120 text woodcuts a very few repeated. A few cuts with black dots e.g. on p. 257 apparently from wormed blocks. Fol. K12 with short closed tear touching a woodcut a few headlines shaved; some light discoloration. Late 18th-century English green calf covers with gilt intertwining feather and pointillé border smooth spine gold-paneled and tooled with 3 different all-over patterns red calf lettering piece gilt edges marbled endleaves worn: spine cracked headcaps gone. Provenance: a member of the Fletcher family: engraved armorial bookplate two gryphons as supporters motto “Dieu pour nous” the shield described by Burke as “sable a cross flory argent between four escallops. Crest a bloodhound azure ducally gorged or.” An illustrated pocket edition of 400 fables from Aesop and other traditions specifically intended for children preceded by Giulio Landi’s life of the semi-mythic fabulist. The charming simple but decisively cut woodcut illustrations are typical of the early productions of the Remondini firm who used the blocks as well in several Latin editions of the fables. Giovanni Antonio Remondini 1634-1711 an enterprising businessman whose earliest commercial successes were in wool production was the founder of the long-lived Bassano print publishing firm later known for its paper production. Specialized at first in the production of popular prints mainly engravings the firm’s typographic activities were circumscribed until the mid-18th century by the Venetian monopoly of book production; thus the Remondinis’ earlier typographical output was limited to popular chapbooks and devotional works for a local readership usually in small formats and often illustrated with quickly but skillfully cut woodcuts as here. This undated edition corresponds with the below-cited ICCU record in its pagination and fingerprints but several mispaginations described in ICCU were here corrected. The ICCU editors note two variants one with the place of publication given as Bassano only and this state or issue with imprint “In Venetia et in Bassano” dubbed variant B. ICCU ITICCULO1E04628; cf. M. Infelise I Remondini di Bassano 1980 pp. 23-33 and 132-3. Gio. Antonio Remondini unknown books
1718rif. ABC_45405Florence: Giovanni Gaetano Tartini 1718. Plain vellum. 12mo. With 90 incl. repeats woodcuts ca. 4.5 x 6 cm. One of the many editions of this extended collection of 400 fables collected and translated in Italian by Giulio Landi 1498-1580 an Italian author philosopher and classical scholar well-known for his description of the Island Madeira. As mentioned on the title the Vita of Aesop comes first composed in Italian on the basis of Max. Planudes Life by Giulio Landi. The corpus of the Fables includes no less than 400 animal fables some collected from other sources including Fables by Landi himself. The Fables are illustrated with 90 anonymous woodcuts. Several woodcuts are repeated especially at the end for the fables taken from other sources. All fables close with a moral here called Sentenza intended for the instruction and amusement of the youth.The first edition of the Vita appeared in 1545 that of the Fables in 1569 based on the Aesopus Dorpii followed by many editions till far into the 19th century.In good condition.l Cf. Bodemann 52.1-52.4 edd. of 1581 1585 1673 and 1818. Giovanni Gaetano Tartini, hardcover
1643rif. 5227Trevigi: Girolamo Righettini 1643. Contemporary sheepskin parchment. 12mo. With 137 small woodcuts in text illustrating the fables including some repeats. 2 parts in 1 volume. Rare edition of the Italian translation by the philosopher Giulio Landi 1498-1579 of Aesop's fables and the Life of Aesop including no less than 400 animal fables some collected from other sources. The fables are illustrated with numerous small anonymous woodcuts that appeared for the first time in 1569 in the fables collected by Cesare Pavesi and became very popular through Landis translations of Aesop beginning in 1580. They have been attributed to Johann Krieger a German working in Italy where he was known as Giovanni Chrieger. Several woodcuts are repeated especially at the end for the fables taken from other sources. All fables close with a moral here called "Sentenza" intended for the instruction and amusement of the youth.With 2 holes in the last few pages some water stains throughout and some restorations with now discoloured tape. With the binding slightly stained partly detached from the bookblock and with 2 holes in the back board.l WorldCat 2 copies; cf. Fabula docet 14. Girolamo Righettini, unknown
1647rif. 70815In Salò.: Per Antonio Comincioli 1647. Cm. 145 pp. 413 15. Con moltissime incisioni xilografiche nel testo. Legatura novecentesca in piena pelle con titoli impressi al dorso in stile fascista e forse in accordo con il luogo di stampa. Entro custodia. Frontespizio con piccoli difetti e tracce di polvere peraltro esemplare internamente ben conservato. Edizione assai rara e non riscontrata nei principali repertori seicenteschi. Solo in: Spini U. "Le edizioni bresciane del Seicento: catalogo cronologico delle opere stampate a Brescia e a Salò" p. 208-209. Per Antonio Comincioli unknown
1700rif. 4112Venice and Bassano: Gio. Antonio Remondini 1700. 12mo 134 x 67 mm. Collation: A-R12. 394 14 pp. 2 parts separately titled second title-page on F5r. Woodcut printer’s device on titles 120 text woodcuts a very few repeated. A few cuts with black dots e.g. on p. 257 apparently from wormed blocks. Fol. K12 with short closed tear touching a woodcut a few headlines shaved; some light discoloration. Late 18th-century English green calf covers with gilt intertwining feather and pointillé border smooth spine gold-paneled and tooled with 3 different all-over patterns red calf lettering piece gilt edges marbled endleaves worn: spine cracked headcaps gone. Provenance: a member of the Fletcher family: engraved armorial bookplate two gryphons as supporters motto “Dieu pour nous” the shield described by Burke as “sable a cross flory argent between four escallops. Crest a bloodhound azure ducally gorged or.” An illustrated pocket edition of 400 fables from Aesop and other traditions specifically intended for children preceded by Giulio Landi’s life of the semi-mythic fabulist. The charming simple but decisively cut woodcut illustrations are typical of the early productions of the Remondini firm who used the blocks as well in several Latin editions of the fables. Giovanni Antonio Remondini 1634-1711 an enterprising businessman whose earliest commercial successes were in wool production was the founder of the long-lived Bassano print publishing firm later known for its paper production. Specialized at first in the production of popular prints mainly engravings the firm’s typographic activities were circumscribed until the mid-18th century by the Venetian monopoly of book production; thus the Remondinis’ earlier typographical output was limited to popular chapbooks and devotional works for a local readership usually in small formats and often illustrated with quickly but skillfully cut woodcuts as here. This undated edition corresponds with the below-cited ICCU record in its pagination and fingerprints but several mispaginations described in ICCU were here corrected. The ICCU editors note two variants one with the place of publication given as Bassano only and this state or issue with imprint “In Venetia et in Bassano” dubbed variant B. ICCU ITICCULO1E04628; cf. M. Infelise I Remondini di Bassano 1980 pp. 23-33 and 132-3. Gio. Antonio Remondini unknown
2001rif. 020889Ludwig Reichert, Wiesbaden 2001. Leinen Wie Neu
rif. 18590Editions Nord-Sud, 1980. In-4, cartonnage couleurs.
1780rif. 016165Berne: Chez La Nouvelle Societe Typographique 1780. Book measures 19.5x13.cm. 460pp 18 plates including frontis. Bound in modern quarter calf marble boards paper title label on top cover. Binding in fine condition. Internally some light spotting light creasing to some pages probably the quality of paper but not aesthetically distracting . Pages and plates in good clean condition. A very nice well bound copy. Housed in a modern cloth drop-back box.F. Hardcover. Very Good Plus. 8vo. Chez La Nouvelle Societe Typographique Hardcover
2006pp. 265, cm 21, brossura, collana "La Roue a livres".
2004rif. 166553San Francisco: Chronicle Books Llc 2004. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. Light bumping at bottom of front panel.; 12.5 X 9.9 X 0.7 inches; 64 pages. Chronicle Books Llc hardcover
Incisione (mm. 90 x 145: rifilata al margine sup.) Tratta dalle "Favole esopiane" (Tomo 4°, Fav. VII) dell'abate Giancarlo Passeroni nell'edizione di Milano, Batelli e Fanfani, 1823, in 7 voll. Il poeta nizzardo Passeroni (1713-1803) fu istitutore del giovane figlio dei marchesi Lucini, Cesare Alberico, a Milano.
rif. 54445058like new. unknown
rif. 1791158994.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1928rif. 5422London: Ernest Benn. Very Good with no dust jacket. 1928. Hardcover. No signatures. Boards protected in loose-fitting non-adhesive plastic jacket. ; Number 45 of an edition of 50 numbered copies printed on hand-made paper and specially bound. vi 52 pages. Blue boards with vellum spine. Gilt border decoration on front board. Page dimensions: 255 x 195mm. Top page edges gilt. Selected contents: A Fox and a Raven; A Lion and a Mouse; A Dog and a Shadow; A Sheep and a Crow; A Smith and his Dog; A Man and a Satyr; A Bull and a Ram; A Bat Birds and Beasts; A Wolf in a Sheep's Skin; Death and an Old Man. ; 4to . Ernest Benn hardcover
1991rif. 963H12Unknown: Joie Inc. 1991. First edition. Cloth. Near Fine. 6.5" by 7". Shogo Hirata. Eight vibrantly illustrated volumes of Aesop"s Fables skillfully rebound into a single volume. Rebound in brown cloth with charming gilt star decoration.This edition comprises eight volumes each containing a selection of fables by Shogo Hirata published in 1991 by Joie Inc. in the UK. First UK edition. First edition thus.These volumes have been bound into a single volume by Eric Sweet.These volumes consist of:A Mouse's Gratitude The Foolish Tiger & the Foolish Leopard Outsmarting the Cat.A Crow in Borrowed Feathers The Boy Who Cried Wolf.A Greedy Dog The Gold Axe and the Silver Axe.A Mouse's Wedding A Fox and Grapes An Ant and a Dove.A Cowardly Bat A Donkey and a Foolish Wolf A Crow that was Tricked.Country Mouse and Town Mouse The Money King.The Hare and the Tortoise A Foolish Miller and his Donkey.Ants and Grasshoppers Three Oxen and a Lion.Each work features numerous vibrant full-page and in-text illustrations from Shogo Hirata a Japanese illustrator renowned for his adaptations of classic fairy tales and fables.Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style. Rebound in brown cloth. Externally lovely. One or two very faint handling marks to boards. Previous owner's bookplate to front paste down. Internally firmly bound. Pages bright and clean. The odd spot close to fore edge. Near Fine Joie, Inc. hardcover
1928rif. 5856London United Kingdom: Ernest Benn Limited 1928. First Edition. hardcover. Near Fine. Marcus Gheeraerts the Elder. Publication: London Ernest Benn Limited 1928 Formatting: 4to pp. 52. Condition Report: Near Fine. The publisher’s original blue cloth binding remains exceptionally sharp with the elaborate gilt foliate borders and spine titling remarkably bright and unoxidised. The boards are tight and square showing only the faintest whisper of shelf-wear to the extremities. Internally the volume is remarkably clean and fresh; the text block is firm and the pages are entirely free from the foxing often found in titles of this period preserving the crispness of the Alcuin Press typography and the depth of Gheeraerts’s etchings. The rare original dust wrapper has survived well though it displays characteristic even tanning and minor dust-soiling across the panels alongside some slight creasing and nibbling to the fragile edges. Unclipped and highly presentable it remains a robust example. Catalogue Note: A highly attractive 1928 edition of Aesop's fables presenting twenty-four classic tales translated by the influential seventeenth-century journalist and pamphleteer Sir Roger L'Estrange. L'Estrange's translation noted for its vernacular vigour and colloquial charm was originally published in 1692. Here it is brilliantly paired with the celebrated illustrations of Marcus Gheeraerts the Elder. Gheeraerts's etchings first published in 1567 are considered masterpieces of early Netherlandish printmaking noted for their exquisite rendering of flora fauna and contemporary domestic details. This edition is notable for its handsome production values. The text was beautifully set and printed by the Alcuin Press of Chipping Campden a prominent Private Press of the era while the illustrations were delicately reproduced by the Collographic Art Printers. Copies retaining the original dust wrapper which promotes Ernest Benn's other 'Gift Books' including William Blake facsimiles on the rear panel are notably scarce in commerce. This elegant 1928 production revitalises twenty-four of Aesop's most enduring fables pairing the earthy vigorous seventeenth-century prose of Sir Roger L'Estrange with the masterful intricate etchings of Marcus Gheeraerts the Elder. Printed with typographical excellence by the Alcuin Press it offers a sophisticated timeless reading experience where classic moral instruction meets the height of early modern book illustration. Ernest Benn Limited hardcover
1928rif. 1025G42London: Ernest Benn Limited 1928 . First edition. Cloth. Very Good. 10" by 7.5". Marcus Gheeraerts. A first edition copy of this illustrated English translation of twenty four of Aesop's fables. The first edition. In the publisher's original purple cloth binding. Twenty-four of Aesop's Fables a collection credited to Aesop a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Translated to English by Sir Roger l'Estrange an English pamphleteer author courtier and press censor of the seventeenth and early eighteenth centuries. Illustrated throughout from the etchings of Marcus Gheeraets the elder a Flemish painter draughtsman print designer of the sixteenth century. In the publisher's original cloth binding. Externally fading to spine with bumping to the head and tail. Odd mark to rear board. Ink inscription to front free endpaper. Internally firmly bound. Pages are bright and clean. Very Good Ernest Benn Limited hardcover
1928rif. 962T68London: Ernest Benn Limited 1928. First edition. Cloth. Very Good. 10" by 7.5". Marcus Gheeraerts. A smart first edition of this collection of fables and myths adorned with lovely illustrations after Marcus Gheeraerts. Twenty-four fables of Aesop and others collected into one volume the first trade edition. Illustrated throughout. Including classic tales of 'A Fox and a Raven' 'The Hares and the Frogs' 'A Fox and Grapes' and 'A Man and a Satyr' among many others. Rendered into English by Sir Roger L'Estrange an English pamphleteer author courtier and press censor best known for his polemical pamphlet 'An Account of the Growth of Knavery'. Illustrated after the designs of Marcus Gheeraerts a Flemish artist working at the Tudor court described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck". In the original full cloth binding. Externally smart with light wear to the extremities and minor fading to the spine and board edges. Internally firmly bound. Pages are very bright with the odd small spot. Light age toning to the endpapers. Very Good Ernest Benn, Limited hardcover
1980rif. 1308134E Rutherford New Jersey U.S.A.: Putnam Pub Group 1980. 1st Edition. Hardcover. Fine/Fine. A fine first edition in a fine dust jacket inscribed by Carle with an original hand drawing. E Rutherford, New Jersey, U.S.A.: Putnam Pub Group hardcover books
1980rif. G0399207538I3N10Penguin Publishing Group 1980. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Penguin Publishing Group hardcover
