636 résultats
2017réf. BN471073Berlin/Boston. Walter de Gruyter GmbH. 2017. 2017. Handbuch Rhetorik und Philosophie. Handbücher Rhetorik Band 9 Handbuch Rhetorik und Philosophie. Handbücher Rhetorik Band 9 Hetzel Andreas Posselt Gerald Hrsg. Berlin/Boston. Walter de Gruyter GmbH. unknown
1875réf. 24366Paris Hetzel 1875 Affiche lithographiée pour la Bibliothèque d'Éducation et de Récréation - Hetzel, signée dans la planche. Paris, Hetzel et Cie, imprimerie Gauthier-Villars, 1875, 66.5 x 50 cm.
1843réf. 17246Paris, Hetzel, 1843 ; grand in-8, demi maroquin à coins à grain long vert lierre, dos lisse à grand décor romantique de rocaille et rinceaux, titre doré (reliure de l'époque) ; (4), 170 pp. , (2) pp. de table ; 63 planches hors-texte y compris le frontispice, nombreuses figures in-texte.
1842réf. 57102Paris: J. Hetzel et Paulin 1842. First Edition. large 8vo. pp. 4 p.l. 386 6; 2 p.l. 390 6. with half-titles. 201 wood-engraved plates incl 2 additional titles numerous head & tailpieces initials & vignettes by Brévière & others after designs by Grandville. All Edges Gilt. Bound in leather backed dark green pebbled cloth. A little light foxing but a very good clean copy. Brivois pp. 364 - 370. Vicaire VII 406 - 416 Ray 194. Originally issued in parts. this is the first book edition. "The moving force behind this book was its publisher P.-J. Hetzel who himself contributed many chapters under the pseudonym of P.-J. Stahl Through Grandville's animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century recalling "the anger to which it gave rise the outbursts of laughter it provoked and the lawsuits of which it ran the risk." These allusions pass largely unnoticed today but Grandville's animals remain as amusing as ever thanks to the wit and verve of his compositions. The types and situations he depicts are indeed "of every period and every country." "The final plate shows the artist at the zoo of the Jardin des Plantes. He is sketching the visiting creatures who in turn are peering at cages containing Hetzel Balzac Jules Janin and other authors of the Scènes de la vie privée et publique des animaux. It should be noted that the engravings for this book are by Brévière the one craftsman whose renderings of his work Grandville refused to criticize." Ray Carteret III 553. Ray The Art Of The French Illustrated Book 1700 to 1914 194 citing incorrect number of plates. J. Hetzel et Paulin unknown books
1871réf. 88961Paris: s. n. 1871. Fine. ""my legs are starting to give out fast I'd be more of a burden than a help to my brave comrades-in-arms"" s. n. Paris 20 floréal an 79 19 mai 19 mai 1871 13 x 20.5 cm 3 pages sur un bifeuillet Autograph letter signed and dated ""20 floréal year 79 19 May"" 19 May 1871 3 pages on a bifolium of blue paper. Small lack of paper affecting a few letters usual folds from mailing. Rare letter by painter and illustrator Gérard-Séguin known for his portrait of Honoré de Balzac Musée des Beaux-Arts de Tours. Written in the midst of the Paris Commune as famine and fighting ravaged the capital the artist delivers a desperate yet spirited plea from the artist. This letter is one of the few surviving manuscripts by Gérard-Séguin whose biography remains largely unknown: ""Little is known about the life and work of Jean Alfred Gérard-Séguin except that he studied under Jérôme-Martin Langlois at the École des Beaux-Arts in Paris exhibited at the Salon between 1831 and 1868 andclose to publisher Pierre-Jules Hetzelprimarily worked as a book illustrator contributing drawings for various publications including Balzac's La Comédie Humaine for which he also painted a portrait of the author. Working with Prosper Mérimée and the first Monuments Historiques commissions he also copied out the church frescoes of Saint-Savin-sur-Gartempe"" Musée de Valence. Staunch Republican Gérard-Seguin supported the Commune and had previously painted a major historical canvas on the French Revolution of 1848 depicting a ""guardian of the peace and the Republic."" Severely impoverished by the siege and already 67 years old he expresses in this letter his regret at not being able to join the ranks of the Communard fighters. ""20 floréal year 79 19 May To the rescue my dear Babik to the rescue. if you can spare a moment amid your acts of heart and devotion spare a thought for a friend a quick thought for this friend. Here's the situation: you know that for lack of quibus I was not exactly forced but felt I had to clear out of the studio you know leaving behind Renaissance furniture and other trinkets. You also know that as a refugee in the home of kind Madame Colins we formed a trioshe her adopted son and myselfand we made it through the siege despite numerous privations and annoyances in a way that was not too dreadful. Our friend Édouard receives 15 francs a month from the Ministry of Public Instruction and I was getting advance payments for a painting I had previously done. We managed to eat. but everything has now changed. The young man has left for Belgium to be with Père Colins pupils and Mademoiselle Colins has just gone to join himpoor girl couldnt take it anymore. The daily slaughter of the proletariat she loves with all her soul the sorrow of being separated from her adopted son the constant cannon fireall this drove her half-mad and I took her to the Gare du Nord in a state of semi-delirium leaving her with my last coins for the journey. Now aside from a few provisions I had stocked up which allow me a meal of some kind I have absolutely nothing left nothing and I don't know what to do. And so my brave friend I turn to you without really knowing whether my letter is truly necessary today. Ah. if we were back in '48if I were 20 years youngerit would all be sorted soon enough. Three weeks spent not playing the fool but at target practice with a rifle. Id be fit for duty. But now that my legs are starting to give out fast Id be more of a burden than a help to my brave comrades-in-arms. So tell me oh Babick whether or not its really worth having a citizen of my kind lingering a few more years on this planetand if so try if you can to lend me a hundred francs just enough to hold on until my friends in Belgium can send me some funds. But dear friend the matter is urgent. desperately urgent. I am flat broke and if you dont want me starving to death. act fast. Ô Baleisko s. n. unknown
Paris, J. Hetzel, 1845-1846. 2 grands volumes petits in-4 (28 x 19,5 cm), brochés sous couvertures illustrées. 1- 6 ff (faux-titre, frontispice, page de titre) - XXXII pp (Histoire de Paris par Théophile Lavallée avec 21 vues de Paris à différentes époques représentant les anciennes enceintes et les principaux monuments, dessinés par CHAMPIN) - 380 pp. 100 planches (frontispice compris). Table des matières. T II. 2 ff (faux-titre et titre)- LXXX (Géographie de Paris par Théophile Lavallée) - 364 pp. 112 planches. Ces deux volumes sont réunis dans un coffret sous plexiglass. Sans le catalogue éditeur. llustrations : " Les Gens de Paris ", séries de gravures avec légendes par Gavarni (212 planches hors texte, 4 étant de Bertall) - Paris comique, très nombreuses vignettes par Bertall - Vue, monuments, édifices particuliers, lieux célèbres et principaux aspects de Paris, par Champin, Bertrand, d'Aubigny et Français (environ 800 vignettes au total). Textes par les plus grands écrivains de l'époque : Honoré de Balzac, George Sand, P.-J. Stahl, Léon Gozlan, Frédéric Soulié, Théophile Gautier, Alfred de Musset, Eugène Sue, Charles Nodier, Alphonse Karr, Taxile Delord, Gérard de Nerval, Théophile Lavallée. Premier tirage de l'ouvrage et surtout des couvertures en tous points conformes à la description de Carteret. La planche N° 2 de la série Oraisons funèbres dans le tome I porte par erreur le N° 3 comme c'est parfois le cas. " Titre emblématique des illustrés romantique, rarissime dans son état originel ". Réf. biblio. : Vicaire II, 241-244 - Carteret III, 203-207. BEL EXEMPLAIRE SANS ROUSSEURS, rare condition.
1993réf. 37735Pittsburgh PA: University Art Gallery of the University of Pittsburgh. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED 156 works catalogued; many black and white illustrations. -- with a bonus offer--; T-Yourina; Youngner Rina; Hetzel Emily; University Art Gallery University of Pittsburgh; et al The Artist Looks at Industrial Pittsburgh 1836 - 1993 . 1993. University Art Gallery of the University of Pittsburgh paperback
1842réf. elala1627Paris: J.Hetzel Et Paulin 1842. 1842. 2 Volumes. large 8vo. pp. 4 p.l. 386 6; 2 p.l. 390 6. with half-titles. 201 wood-engraved plates incl 2 additional titles numerous head & tailpieces initials & vignettes by Brévière & others after designs by Grandville. contemporary half chagrin bit rubbed spines faded occasional light foxing first few leaves in each vol. more heavily affected. First Edition. "The moving force behind this book was its publisher P.-J. Hetzel who himself contributed many chapters under the pseudonym of P.-J. Stahl Through Grandvilles animals Hetzel and his colleagues offered a witty and telling commentary on contemporary politics and personalities. Bouchot described the result as the best satire on French manners during the middle of the century recalling "the anger to which it gave rise the outbursts of laughter it provoked and the lawsuits of which it ran the risk." These allusions pass largely unnoticed today but Grandvilles animals remain as amusing as ever thanks to the wit and verve of his compositions. The types and situations he depicts are indeed "of every period and every country." "The final plate shows the artist at the zoo of the Jardin des Plantes. He is sketching the visiting creatures who in turn are peering at cages containing Hetzel Balzac Jules Janin and other authors of the Scènes de la vie privée et publique des animaux. It should be noted that the engravings for this book are by Brévière the one craftsman whose renderings of his work Grandville refused to criticize." Ray Carteret III 553. Ray The Art Of The French Illustrated Book 1700 to 1914 194 citing incorrect number of plates. 1st Edition. Hardcover. Very Good. Paris: J.Hetzel Et Paulin, 1842. Hardcover
1842réf. 0024641842 Paris, J. Hetzel et Paulin, 1842. Deux volumes grand in-8 (192 X 268 mm) chagrin noir de l'éditeur orné de fers animaliers dorés d'après les dessins de Grandville, dos lisse, titre doré, tranches dorées. Tome I : (4) ff., frontispice, 386 pages, 95 planches hors-texte, (3) ff. de table - Tome II : (2) ff., frontispice, 390 pages, 104 planches hors-texte, (3) ff. de table.
