3 500 résultats
1948réf. 86418Jean Porson | Paris 1948-1950 | 16 x 24.50 cm | 3 volumes en feuilles sous étuis oblongs
1789réf. 44731Avignon, Seguin Fils, 1789. In-16 de VII-(1)-152 pp., basane havane marbrée, dos lisse orné, pièce de titre en maroquin rouge (reliure de l'époque).
1697réf. 104032Paris, Veuve de Jean-Baptiste Coignard et fils, 1692 1697 4 volumes in-12, veau moucheté ép., dos à nerfs orné, p. de titre en maroquin citron., 22 ff., 252- 34 pp.- 8 ff., 399- 1 p-. 5 ff., 331- 1 pp., 8 ff.- 321 pp. Accroc à une coiffe en tête. Bon exemplaire.
1919réf. 45Paris: Librarie Hachette 1919. Signed Limited Edition. Cream Parchment over Boards. Very Good. Arthur Rackham. Number 414 of 500 signed special editions: French Edition de Luxe. Parchment-covered boards feature gilt title and silhouette figure of the titular Cendrillon Cinderella. Spine features gilt title and two gilt mice. Edition contains tipped-in color frontispiece; not featured in trade edition 3 double page illustrations with color one single page illustration with color as well as numerous full and half page illustrations throughout the text. Classic Rackham border designs also ornament the title page and frontispiece. A Very Good copy shows mottling of boards and edgewear. Quarto. 110pp. Librarie Hachette hardcover
1859réf. 9637Illustrated with 10 hand-colored lithographs including the frontispiece after Auguste Hadamard; plus additional engravings throughout the text. Quarter brown morocco over blindstamped cloth. Four raised bands and gilt compartments to spine. All edges gilt. Previous owner's inscription neatly to the front fly. Staining to endpapers. Front hinge cracking at foot of spine see image but board remains attached. Some wear to corners see image otherwise this remains a clean bright copy. Scarce Hadamard illustrated edition with currently only one copy located on OCLC. 5.5 x 8.25 in 14 x 21 cm J. Vermot hardcover
réf. 51-4522Londres i.e. Paris: Cazin 1778. 18mo. 7.2 x 12cm. Contemporary calf with gilt edges and spineworn along spine edges but solid. Manuscript poem and notes in contemporary hand on 2 of 6 blank leaves in vol. 1.Cohen-De Ricci p. 859; OCLC Number: 54303869:"Les figures ont eÌteÌ longtemps attribueÌes à Duplessi-Bertaux seul; mais on a deÌcouvert depuis sur la figure de la page 15 du 4e volume la signature Dreppe; et il semble en outre qu'un certain nombre a dû être exeÌcuteÌ par Durand peintre en miniature du duc d'OrleÌans le dessinateur des vignettes du Fond du sac et graveÌ par Delvaux"-.Fictitious place of publication and date from individual title pages. Weller E.O. Falsche Druckorte p. 206 gives "Liège" as the actual place of publication. Cohen-De Ricci gives "Paris Cazin" as place and publisher.Description: 4 volumes : illustrations ; 14 cm 12moContents: T.1.-t.2. Contes et nouvelles en vers / par M. de La Fontaine --t. 3. Contes et nouvelles en vers / par MM. Voltaire Vergier SeÌneceÌ Perrault Moncrif & le P. Ducereau --t. 4. Contes et nouvelles en vers / par MM. GreÌcourt Autereau Saint-Lambert Champfort Piron Dorat La Monnoye & François de Neufchateau.4 volumes in-16 veau moucheté filets dorés tranches dorées reliure de l'époque.Célèbre recueil dit des " Petits conteurs " publié par Cazin et la plus belle réussite de ce dernier. Les quatre volumes sont très joliment illustrés d'un portrait de La Fontaine et de 116 vignettes gravées à mi-page parfois libres et illustrant La Fontaine Voltaire Grécourt. Dos passés charnières faibles. Cohen 859.DE LA BIBLIOTHEQUE D'ANDRE CADE AVEC EX-LIBRIS. Londres [i.e., Paris]: [Cazin], 1778. unknown
réf. 51-5871Paris: Caillot early 19th Century. Oblong 8vo. . 19 x 11.1cm. Later half vellum . 11 handcolored engraved plates. Reliure postérieure demi-vélin à coins. mouillures et taches. Titre illustré et 11 planches en couleurs:List of Plates:.La Barbe Bleue;Le petit Chaperon Rouge;Conte des Fées;La Belle au Bois Dormant;Le Maître Chat ou le Chat Botté;Cendrillon;Riquet à la Houpe;Le Petit Poucet;L’Adroite Princesse ou les Aventures de Finette;Peau d’Ane;Les Souhaits Ridicules;Physical Description:128 pages 11 unnumbered leaves of plates : illustrations ; 12 x 19 cmOCLC Number / Unique Identifier:1430573139Printed in 2 columns per pageAfter each story there is a "Moralite.".Provenance: Estate of Joaquin Romero Maura. Mr Maura great-grandson of a five-time prime minister of Spain lived in the UK for most of his life and co-directed the Iberian Centre with the illustrious historian Sir Raymond Carr. Joaquín Romero Maura – died lin June 2022 at the age of 81 at a senior home in Zaragoza Spain. The historian – who held a PhD from Oxford University – was widowed and childless. He had been a confidante of the former Spanish king.Joaquín Romero Maura Niza 1940-Zaragoza 5 de junio de 2022 fue un historiador español. Destacó por su obra La rosa de fuego un estudio sobre el obrerismo barcelonés de la primera década del siglo xx. Paris: Caillot, [early 19th Century] hardcover
2017réf. SBBIH-AKB6SX4U3BE6Rosmen 2017. hardcover. Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Rosmen hardcover
2011réf. SBBIH-VH4MM4ZWM5INFabbri 2011. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Fabbri hardcover
2023réf. SBBI-mon0000092436Big and Small Publishing 2023. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Big and Small Publishing paperback
1948réf. 3451Paris Jean Porson 1948 grand in-8 en feuilles Paris, Jean Porson, 1948-1950. 3 volumes grand in-8, 26 x 18 cm, 41 (6) pp. - 25 (6) pp. - 33 (7) pp., en feuilles, sous couvertures crème imprimées et rempliées et sous coffrets cartonnés de l'éditeur ornés d'une large pièce de titre illustrée en couleurs. Au total, 109 miniatures en couleurs, dont 4 à pleine page. En-têtes, bandeaux, lettrines et culs-de-lampe gravés sur bois.
1928réf. 899Cassell & Company Limited/ Charles Scribner's Sons 1928. De Luxe Edition Signed and Limited to 1000 Copies. Publisher's Blue Cloth Backed with Vellum. Gilt Stamping to Spine. Near Fine. Edmund Dulac. A Near Fine Book without a Dust Jacket in its Original Decorative Box Signed by the Illustrator Edmund Dulac. Book has trace wear to bottom corners and foxing throughout though plates intact. Gilt to top edge. Box is heavily foxed and has been repaired to maintain integrity. Book and box indicate the book is number 929 of 1000 copies released as a De Luxe Edition signed by Dulac on the limitation page. Intact and complete with 12 full color bound-in illustrations by Dulac. Glassine intact. Hardcover. Quarto. 4 5-251 pp. A stunning collection of French fairy tales illustrated by renowned illustrator Edmund Dulac. Scarce in original box. Cassell & Company, Limited/ Charles Scribner's Sons unknown
1667réf. 066569No place listed: A Mons : chez la Vefve Waudret a la Bible d'Or 1667. First Edition. Hardcover. Very Good. 10.25" x 7.75" x 2. RARE. ANTIQUARIAN FIRST EDITION FROM 1667. WRITTEN IN FRENCH. Title very loosely translated into English: "The Moral Of The Jesuits Faithfully Taken From Levrs Books Print With Permission And Approval Of The Svperievrs Of Le Levr Compagnie. By A Doctor Of Sorbonne. The Progress that these Men will make will have its limits; for their folly will be known to everyone. 2. Epist. from S. Paul to Timothy Chap. 3 v.9." Hardback. All vellum leather binding. Handwritten lettering on the spine presumably from the period. Printed on laid paper. Introductory pages contain advertisements preface table of contents all unpaginated. Illustrated with lovely ornamented engravings and flourishes in black and white throughout. The last unpaginated page contains "Fautes a corriger dans le corps du livre" or loosely translated "Errors to be corrected in the body of the book". Several pieces of handwritten antiquarian ephemera laid in throughout. 755 pp. ABOUT THE AUTHOR: "The renewal of the Church of France in the seventeenth e century owes a lot to personalities such as Jean Duvergier de Hauranne Abbot of Saint-Cyran mother Angélique Arnauld or the theologian Antoine Arnauld but also to figures as endearing as Angélique Arnauld d'Andilly Jacqueline Pascal or Nicolas Perrault. More or less well-known figures of a new generation which will help to profoundly change the face of a Church in the grip of an essentially political power struggle and bring it back to its primary spiritual and theological duties. Almost exactly contemporary the theologian born in 1624 and the nun Jacqueline Pascal one year his junior who died less than a month apart in 1661 have marked each in their own way the universe. in which they lived the Faculty of Theology for the first the world of the convent for the second. . A last work published anonymously attests to the roots of N. Perrault's reflection: La Morale des Jésuites faithfully extracted from their books print with the permission and approval of the Superiors of their Company . By a doctor from the Sorbonne In Mons chez la Veuve Waudret 1669 in-4 ° 757 p. With a…. Denouncing the accommodating morality of the Jesuits the book was referred by the Archbishop of Paris Hardouin de Péréfixe to the Faculty of Theology which there raised outrages and lies: it was condemned by a decree of the Parliament of May 13 1670." Nicolas Perrault theologian of Port-Royal 1624-1661 byJean Lesaulnier CAIRN.INFO CONDITION: This antiquarian edition is in overall "very good" condition with wear and discoloration to the vellum with two 1/2" wear-through gouges to the front cover. Label on the spine bears the name "Inside endpapers show wear. Perrault" written in ink. Front hinge is weak yet binding is remarkably tight. Some moderate crumple to the front flyleaves but does not compromise any text. Vintage note written in French taped to the recto side opposite the title page. Pages are predominantly free from marginalia except for the name of a previous owner written in ink within the front pastedown also presumed from the period. All edges have toned as expected. Even as several areas throughout bear light dampstain and pages hold a slight wave the leaves have absolutely beautifully and evenly toned with very little foxing or discoloration for being over 350 years old. An absolutely gorgeous edition. Beautiful to add to any antiquarian book collection. At over 3 lbs. due to the size and weight of this edition additional postage may be necessary. Additional photos available upon request. Full refund if not satisfied. A Mons, : chez la Vefve Waudret, a la Bible d'Or hardcover
1824réf. 19168Paris: Huzard and others 1824. FIRST EDITION. Contemporary calf-backed marbled boards gilt spine; small portions of joints starting. Presentation inscription from the author on the half-title. An excellent copy. First edition of this scarce agronomic treatise on wool. The first part of the text gives an overview of sheep farming and describes different kinds of wool and their properties including texture durability drape ease of use and feel. The second part addresses merino wool specifically and the last section compares the value of different species and suggests economic strategies for sale. OCLC locates 3 copies in the U.S. Northwestern Boston Public Univ. of Rhode Island. Quérard VII: 62. Huzard and others unknown
1824réf. 19168Paris: Huzard and others 1824. FIRST EDITION. Contemporary calf-backed marbled boards gilt spine; small portions of joints starting. Presentation inscription from the author on the half-title. An excellent copy. First edition of this scarce agronomic treatise on wool. The first part of the text gives an overview of sheep farming and describes different kinds of wool and their properties including texture durability drape ease of use and feel. The second part addresses merino wool specifically and the last section compares the value of different species and suggests economic strategies for sale. OCLC locates 3 copies in the U.S. Northwestern Boston Public Univ. of Rhode Island. Quérard VII: 62. Huzard and others unknown books
1902réf. 179187London: Printed at the Eragny Press for Hacon & Ricketts 1902. First edition thus one of 230 copies beautifully illustrated and printed at the Eragny Press of Lucien and Esther Pissarro. Lucien became acquainted with the Arts and Crafts movement in the 1890s and founded the Eragny Press in 1894. Perrault's telling of the folk tale of Donkey Skin was published in 1695. The Pissarros produced over 30 books at the Eragny Press their productions notable for their woodcuts and the Pissarros' focus on the interplay of illustration and text. Thomas Sturge-Moore the poet playwright and designer was introduced to the Pissarros in 1891 by Charles Ricketts of the Vale Press and became a regular choice for the Eragny Press's illustrations. Octavo. Woodcut title page three further woodcuts by T. Sturge Moore and decorative initials. Printed in red and black. Original blue quarter boards blue patterned paper sides front cover lettered in gilt fore and bottom edges untrimmed. Bookplate of Robert Elwell on front pastedown. Spine browned and rubbed wear to ends and corners offsetting to endpapers else contents clean and crisply printed: a very good copy. Ransom 'Eragny' 13; Marcella D. Genz A History of the Eragny Press 1894-1914 2004 EP14. hardcover
1948réf. 86418Paris: Jean Porson 1948. Fine. Jean Porson Paris 1948-1950 16 x 24.50 cm 3 volumes en feuilles sous étuis oblongs First printing of the 109 colored wood miniatures by Henry Lemarié one of the numbered copies on Rives laid paper for each of the volumes. Small tear at foot of spine of the Bluebeard slipcase very light rubbing without significance to the slipcases two small tears at foot of second board of the silent wrapper encasing Cinderella. We include the illustrated catalogue of Jean Porson editions as well as the catalogue printed on Rives announcing the collection of Charles Perrault tales illustrated by Henry Lemarié. This descriptive catalogue is decorated with the frontispiece of Sleeping Beauty in black two vignettes and two in-text illustrations by Henry Lemarié. Each slipcase features an illustration by Henry Lemarié on the first board. Pleasant and rare set complete with its illustrated slipcases which was originally intended to comprise six tales but of which only three were published. Jean Porson unknown
1928réf. 659P24London: Cassell & Company Limited 1928. Vellum. Very Good. 11.5" by 9". Edmund Dulac. A signed limited edition of Edmund Dulac's beautifully illustrated collection of French short stories illustrated in colour throughout. A signed limited edition being numbered five-hundred and eighty of one-thousand copies. Signed by the illustrator to the edition page. Illustrated with twelve colour plates. Collated complete. A collection of classics children's French fairy tales including 'Puss in Boots' 'Princess Rosette' 'Green Dragon' 'The Fairy Song' and more. These stories show the beginning of the trend for fairy tales which have reminded at the forefront of literature since the seventeenth century. The stories were written by Charles Perrault Madame d'Aulnoy and Count Anthony Hamilton. Perrault is known to have laid the foundation for the literary genre of fairy tales with his publication 'Histoires ou Contes de Temps Passe' of which the best known 'Puss in Boots' is included in this volume. d'Aulnoy is known for coining the phrase 'fairy-tales' and she names her works 'Contes de Fees'. Hamilton was a soldier as well as a writer and was exiled from France for siding with James II against the Prince of Orange. Illustrated by Edmund Dulac a well known book illustrator of natural sciences. His first commision was to illustrated editions of the Bronte novels. He also illustrated many fairy tales such as 'The Sleeping Beauty' and a collection of stories by Hans Christian Andersen. A colourful collection of old French fairy tales illustrated throughout. In the original publisher's quarter vellum binding with cloth to the boards. Externally smart. Light discolouration and marks to the vellum as is usual. A few light marks to the boards. Minor bumping to the extremities. The odd spot to the fore edge. Internally firmly bound. Pages are bright and generally clean with the odd scattered spot. Very Good Cassell & Company, Limited hardcover
1902réf. 123847London: Printed at the Eragny Press for Hacon & Ricketts 1902. Hardcover. Very Good. London Printed at the Eragny Press for Hacon & Ricketts 1902 first thus. Octavo 40 pages printed in red and black on Arches handmade paper with a wood-engraved vignette for the Mother Goose stories title vignette borders initials and printer's device plus 2 wood-engraved illustrations. Original quarter contrasting plain and patterned papered boards lettered in gilt; edges uncut and partially unopened; covers lightly sunned and rubbed with brown marks to the rear cover apparently from prolonged contact with another book; endpapers browned; a very good copy internally in fine condition. One of only 230 copies of which 200 were offered for sale printed at the Eragny Press of Lucien and Esther Pissarro. The title vignette and two illustrations were drawn and engraved by T. Sturge Moore; the frontispiece borders and initials were designed by Lucien and engraved by him and Esther. This is the fourteenth book of the press. Printed at the Eragny Press for Hacon & Ricketts hardcover
Paris, Jean Porson, 1942-1950. 3 volumes grands in-8°, en feuilles, sous couvertures crème illustrées en couleurs, imprimées et rempliées, chaque conte sous coffret individuel (rouge, bleu et gris-bleu) orné d'une large pièce de titre illustrée en couleurs . [I] 41 pp. + 3 ff. n. ch.- [II] 25 pp. + 3 ff. n. ch.- [III] 33 pp. + 3 ff. n. ch. 110 bois en couleurs illustrent les trois contes, charmantes et fines miniatures dessinées par Henry Lemarié. Edition limitée à 2010 exemplaires numérotés. Exemplaire sur vélin de Rives (n° 652) enrichi d'un touchant envoi autographe de l'Artiste " à Monsieur Saguet ces " Trois contes " de Perrault une des oeuvres de jadis que je préfère en cet automne de ma vie amicalement Henry Lemarié Bruxelles le 24 octobre 1968 ". L'exemplaire de La Belle au Bois dormant est accompagné d'un spécimen des illustrations tiré en noir accompagné du catalogue des Editions d'Art Jean Porson. le catalogue de l'éditeur (8 ff n. ch., plaquette à l'italienne, cousue). Bel exemplaire très frais.
réf. 22026Paris, Jean Porson, 1942-1950. 3 volumes grands in-8°, en feuilles, sous couvertures crème illustrées en couleurs, imprimées et rempliées, chaque conte sous coffret individuel (rouge, bleu et gris-bleu) orné d'une large pièce de titre illustrée en couleurs . [I] 41 pp. + 3 ff. n. ch.- [II] 25 pp. + 3 ff. n. ch.- [III] 33 pp. + 3 ff. n. ch.
1928réf. 22673Paris, Au Sans Pareil, René Hilsum, 1928 ; petit in-4°, maroquin bleu nuit, dos rond, titre doré, chiffres 1,1,1-0 mosaïqués en jaune, rouge, bleu et blanc, disposés verticalement au centre, tête dorée, couverture et dos conservés, contreplats et gardes de daim jaune vif, étui bordé (reliure moderne) ; 199, [3] pp. Outre les gravures placées en frontispice de chaque conte, elle contient deux suites de planches : 11 lithographies dues à Alexeïeff, Yves Alix, Georges Annenkoff, Maurice Berdon, André Dignimont, Raphaël Drouart, Adrien Ekman, Berthold Mahn, Jacqueline Marval, Touchagues et Germaine Willard ; et 11 gravures sur bois en deux tons, signées par Angéline Beloff, René Ben Sussan, Lucien Boucher, Jacques Boullaire, Pierre Falké, D.Galanis, Louis Jou, Alfred Latour, Constant Le Breton, Frans Masereel et Pierre Pinsard.
réf. 15581Paris, Curmer, 1843, [le frontispice placé avant les feuillets gravés est daté de 1842] ; in-8. 2 ff.-LII pp.-53 ff. non chiffrés montés sur onglets. Plein maroquin brun jansénistes, dos à nerfs, titre et caissons dorés, quadruples filets dorés d'encadrement sur les plats, roulette dorée sur les chasses, contreplats doublés de maroquin bleu nuit avec bordure de maroquin brun et ornés d'une série de roulettes et filets dorés encadrant une dentelle faites aux petits fers avec au centre de chacun des côtés une coupe sur laquelle sont posés deux oiseaux, l'un s'abreuvant, l'autre tenant un rameau d'olivier dans son bec. Premières gardes doublées en soie bleue moirée. Tranches dorées. Malgré la qualité d'exécution la reliure n'est pas signée mais pourrait se rattacher à l'atelier de Victor Champs (?). Très légers frottements sur les coins. Quelques pâmes rousseurs. Très bel exemplaire.
1759réf. 44369Avignon, , 1759. In-12 de de (4)-204 pp., basane marbrée, dos orné à nerfs, pièce de titre en maroquin fauve, tranches rouges (reliure de l'époque).
réf. 107960Paris, Boussod-Valadon &Cie, 1886-1887, 2 volumes in-folio de 395x315 mm environ, 34 feuillets et 42 feuillets montés sur onglets, reliures signées Magnin, demi maroquin à coins bleu ardoise (Cendrillon) et rouge cerise (Barbe-bleue), titres dorés rsur dos lisses, ornés de caissons à motifs dorés et mosaïqués, cuir souligné d'un double filet doré, gardes marbrées, têtes dorées. Les deux volumes sont iIllustrés de 74 aquarelles dEd. de Beaumont, admirablement reproduites en fac-similé et imprimées en couleurs par les Editeurs Boussod Valadon & Cie, et na été tiré quà petit nombre sur velin fort. Frottements et petites épidermures sur le cuir, avec manques sur les coins, intérieur parfait état.
