3 499 résultats
1744réf. 58901Chez C. Marsh et T. Payne | à Londres 1744 | 20.50 x 26 cm | relié
réf. albc3eda5ae6624e011Perrault C. Tales. In Russian (ask us if in doubt)/Perro Sh. Skazki. Short description: In Russian (ask us if in doubt).translation by I. Turgenev drawings by Dore G. S.P.-M. Wolf 1867. 75 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbc3eda5ae6624e011
1734réf. D4425Paris: Par La Compagnie des Libraires 1734. Hardcover. Very Good. Three volumes comprising Vol. III parts I to III of Memoires de lAcadémie Royale des Sciences depuis 1666 jusquà 1699. Paris: Par La Compagnie des Libraires 1733-1734. Part I: 231pp.; Part II: 294pp.; Part III: 215pp. 97 engraved folding plates depicting animals and skeletal diagrams. Engraved portrait frontispiece of Claude Perrault in first volume. Contemporary French calf spines gilt edges red; some occasional browning; repairs to joints some rubbing. Unidentified armorial bookplate to front pastedown beneath monogrammed bookplate D.P. with chipmunk and two mice. A later reduced format edition of Perraults Memoires of 1671-1676 Perraults study of this nature was first published in 1669 with the results of investigations of five animals and later expanded with studies of over forty animals. Prior to 1670 most descriptions of animals paid little attention to their internal structure and there were very few images in natural history encyclopedias that depicted skeletons or muscles. That changed with the establishment of the Académie des Sciences in Paris in 1666 by Jean-Baptiste Colbert with the approval of King Louis XIV. The Academy functioned with neither statutes nor regulations until 1699. At that time the Academy used the term mathématique to encompass the fields that are now called astronomy mathematics and physics and the term physique to encompass the fields that are now called anatomy botany zoology and chemistry. In January 1699 Louis reorganized the Academy giving it first regulations. The effect was to give the King more control over their activities in exchange for becoming an official institution under his protection with the new name Académie Royale des Sciences. One of the original academicians the physician Claude Perrault organized regular sessions at which participants could dissect deceased animals from Louis XIVs royal menagerie and record all they observed. Lions chameleons bears gazelles wolves ostriches crocodiles monkeys eagles tigers porcupines and salamanders among some were all laid open by the academics scalpels. These superb folding plates record in great detail the pioneering work at the Academy. These three volumes in three parts focus on the transformative and foundational years of the French Royal Academy of Sciences and Claude Perraults efforts which had made comparative anatomy a vital tool for the classifying naturalist. Par La Compagnie des Libraires hardcover
1734réf. D4425Paris: Par La Compagnie des Libraires 1734. Hardcover. Very Good. Three volumes comprising Vol. III parts I to III of Memoires de lAcadémie Royale des Sciences depuis 1666 jusquà 1699. Paris: Par La Compagnie des Libraires 1733-1734. Part I: 231pp.; Part II: 294pp.; Part III: 215pp. 97 engraved folding plates depicting animals and skeletal diagrams. Engraved portrait frontispiece of Claude Perrault in first volume. Contemporary French calf spines gilt edges red; some occasional browning; repairs to joints some rubbing. Unidentified armorial bookplate to front pastedown beneath monogrammed bookplate D.P. with chipmunk and two mice. A later reduced format edition of Perraults Memoires of 1671-1676 Perraults study of this nature was first published in 1669 with the results of investigations of five animals and later expanded with studies of over forty animals. Prior to 1670 most descriptions of animals paid little attention to their internal structure and there were very few images in natural history encyclopedias that depicted skeletons or muscles. That changed with the establishment of the Académie des Sciences in Paris in 1666 by Jean-Baptiste Colbert with the approval of King Louis XIV. The Academy functioned with neither statutes nor regulations until 1699. At that time the Academy used the term mathématique to encompass the fields that are now called astronomy mathematics and physics and the term physique to encompass the fields that are now called anatomy botany zoology and chemistry. In January 1699 Louis reorganized the Academy giving it first regulations. The effect was to give the King more control over their activities in exchange for becoming an official institution under his protection with the new name Académie Royale des Sciences. One of the original academicians the physician Claude Perrault organized regular sessions at which participants could dissect deceased animals from Louis XIVs royal menagerie and record all they observed. Lions chameleons bears gazelles wolves ostriches crocodiles monkeys eagles tigers porcupines and salamanders among some were all laid open by the academics scalpels. These superb folding plates record in great detail the pioneering work at the Academy. These three volumes in three parts focus on the transformative and foundational years of the French Royal Academy of Sciences and Claude Perraults efforts which had made comparative anatomy a vital tool for the classifying naturalist. Par La Compagnie des Libraires hardcover books
1744réf. 58901à Londres London: Chez C. Marshet T. Payne 1744. Fine. Chez C. Marsh et T. Payne à Londres London 1744 20.50 x 26 cm relié Illustrated first edition. Faerno's verses appeared for the first time in 1564 and Perrault's version in 1699. This edition gives for the first time Faerno's original text followed by Perrault's translation. It is illustrated with a frontispiece by Claude du Bosc representing Aesop among animals and 100 unsigned headpieces 9 x 11 cm. The preliminary leaves contain some poems by the neo-Latin poet and some letters. Full aubergine morocco binding from the late 19th century signed Chatelin in the frieze. Richly ornamented spine with raised bands. Title date and place in gilt. Central framing à la Du Seuil with fleurons in the corners and 4 large fleurons inside the rectangle. Triple fillet frame. Rich interior frieze with fleur-de-lys. Gilt edges. Red peacock-tail paper slipcase with blue felt interior. Perfect freshness of the paper. Sumptuous copy lavishly bound in a master binding. Superb work of fables very close in its illustration to emblem books. The book is moreover catalogued as such in several collections of emblems as emphasized by the art historian Mario Praz although it is not strictly speaking one. 19th-century engraved bookplate of A. Hornung. Chez C. Marshet T. Payne hardcover
1742réf. 047109Amsterdam: Chez Jaques Desbordes 1742. Early Edition. Hardcover Half Leather. Near Fine Condition. Rebound in 19th century half red morocco over marbled boards marbled endapers with old bookplate and bookseller ticket. Half trimmed alternating trimmed and untrimmed signatures. Very slight occasional soiling but just about fine overall - a lovely copy of a rare Amsterdam edition with the illustrationsafter Clouzier but new engravings from the earlier Desbordes editions. With frontis and 8 headpieces. 6 184pp. First published in 1697 Perrault's fairy tales are some of the most timeless ever written. In an attractive binding by L. Claessens of Brussels. Desbordes published unauthorized editions in 1697 1708 1721 and 1729 as well Brunet Supp. 2 206; all Desbordes editions are rare. This one was no doubt occasioned by a new 1742 edition in Paris. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Children; Literature & Literary. Inventory No: 047109. Chez Jaques Desbordes hardcover
1777réf. 86384Chez Bassompierre, libraire & imprimeur, A La Haye, et se trouve à | à La Hayeet se trouve à Liège 1777 | 11.60 x 17.30 cm | un volume relié
1696réf. 44496Paris, Antoine Dezallier, 1696. 2 tomes en 1 vol. in-folio, maroquin rouge, doublé de maroquin rouge, dos orné, double rangée de filet, tranches dorées (Fairbain and Armstrong).
réf. 457Paris : Jean-Baptiste Coignard, 1688. L'UN DES OUVRAGES IMPORTANTS DANS L'HISTOIRE DU XVIIE SIÈCLE
1777réf. 86384à La Hayeet se trouve à The Hague Liège: Chez Bassompierre libraire & imprimeur A La Haye et se trouve à 1777. Fine. Chez Bassompierre libraire & imprimeur A La Haye et se trouve à à La Hayeet se trouve à The Hague Liège 1777 11.60 x 17.30 cm un volume relié Charming edition illustrated with a frontispiece a framed title and 9 half-page illustrations reproducing vignettes by Fokke after De Sève - with the final illustration for L'Adroite Princesse newly added. Complete with the Épître dédicatoire by P. Darmancour Charles Perrault to 'La Grande Mademoiselle' Anne-Marie d'Orléans cousin of Louis XIV. Half-sheep binding smooth spine ruled in gilt and a diagonally stamped gilt title. Beige paper boards speckled edges. Small paper defect in the margin of page 75 scattered foxing a small brown stain affecting the illustration of Cinderella. A name written in ink in the lower margin of page 21. This edition contains eight famous tales by Perrault: Le Petit Chaperon Rouge Little Red Riding Hood Les Fées The Fairies La Barbe Bleue Bluebeard La Belle au bois dormant Sleeping Beauty Le Chat Botté Puss in Boots Cendrillon Cinderella Riquet à la Houppe Ricky of the Tuft and Le Petit Poucet Hop-o'-My-Thumb as well as The Clever Princess or Finette by his niece Marie-Jeanne L'Héritier de Villandon wrongly attributed to Perrault. The collection ends with La Veuve et ses deux filles by Marie Leprince de Beaumont. Cohen 789; Brunet Supplément II 206 ; Provenance: Henry Betrand library blind stamp on verso of frontispiece. Chez Bassompierre, libraire & imprimeur, A La Haye, et se trouve à hardcover
1808réf. 23443London: J. Harris successor to E. Newberry 1808. Wraps. 12mo. Printed wrappers. 16pp. Eight hand-colored original plates including the frontispiece. Some edge-fraying to plates contemporary ms. ownership name on reverse of frontispiece original printed blue wrappers rubbed and faded edge-frayed in places old ms. price at head of upper cover Housed in a custom clamshell case. A presentable copy in spite of the wear. Moon 618. The rare first edition of the first versification of the story of Cinderella. Marjorie Moon locates only two copies of this edition. Not in Osborne. . J. Harris, successor to E. Newberry unknown
1808réf. 23443London: J. Harris successor to E. Newberry 1808. Wraps. 12mo. Printed wrappers. 16pp. Eight hand-colored original plates including the frontispiece. Some edge-fraying to plates contemporary ms. ownership name on reverse of frontispiece original printed blue wrappers rubbed and faded edge-frayed in places old ms. price at head of upper cover Housed in a custom clamshell case. A presentable copy in spite of the wear. Moon 618. The rare first edition of the first versification of the story of Cinderella. Marjorie Moon locates only two copies of this edition. Not in Osborne. . J. Harris, successor to E. Newberry unknown books
1742réf. 103622Amsterdam, Jacques Desbordes, 1742, in-12, Front, [6]-184 pp, Maroquin rouge postérieur, plats ornés à la Du Seuil, dos à nerfs fleuronné et orné de filets à froid et dorés, tranches dorées, Jolie et rare édition des Contes de Perrault, augmentée d'une nouvelle à la fin : L'Adroite princesse de Mlle l'Héritier. Elle est illustrée d'un frontispice "Contes de ma mère l'Oye" et de huit vignettes en tête des contes, gravées par Fokke d'après Jacques de Sève. Seule la dernière nouvelle n'est pas illustrée. Cette édition est inconnue à Cohen, Brunet ou encore Tchemerzine. Il s'agit d'une contrefaçon de l'édition illustrée par De Sève, publiée à La Haye 1742 (c.à.d. à Paris, chez Coustelier). Les illustrations sont des copies inversées, dans un style plus "naïf". Gumuchian note que la copie d'Amsterdam est certainement beaucoup plus rare que l'originale de La Haye. Une note manuscrite attribue la reliure à Thierry successeur de Simier; or, la signature dorée en bordure du contreplat supérieur a été grattée. Ex-libris gravé de L. van Malderen, annotation manuscrite à la p. 182 datée du 28 avril 1786. Charnières légèrement frottées. Bel exemplaire dans une jolie reliure de maroquin à la Du Seuil. Gumuchian n° 4411. Couverture rigide
1786réf. 69167London: Printed for W. Osborne and J. Griffin 1786. MOTHER GOOSE. . With Morals. Translated from the French. The Twenty-second Edition. London: Printed for W. Osborne and J. Griffin 1786. Full Description: PERRAULT Charles. MOTHER GOOSE. The Tales of Passed Times by Mother Goose. With Morals. Translated from the French. The Twenty-second Edition. London: Printed for W. Osborne and J. Griffin 1786. An early rare edition. The "Twenty-second" edition. Small sixteenmo 3 7/8 x 2 9/16 inches; 98 x 65 mm. With woodcut frontispiece with large engraved signature "A" on verso. Eight half-page woodcut vignettes one for each story. Bound with the two final blank leaves. We could find only two records of this at auction in the past one of which is the present copy and the other record may also be this present copy. This edition does not show up in the ESTC and we could only find one library copy at Princeton. Contemporary Dutch floral boards heightened in gilt. Endpapers renewed. Some leaves with light spotting. Previous owner Ann White's contemporary ink signature on verso of frontispiece. Bound a bit tight at inner margin but still readable. Overall a very good copy. The stories included in this volume are as follows: Little Red Riding-Hood. The Fairy. Blue Beard. The Sleeping Beauty in the Woods. The Master Cat; or Puss in Boots. Cinderilla sic; or The Little Glass Slipper. Riquet with the Tuft. Little Thumb. Perrault's fairy tales were first collected together and published in 1697. The continuing popularity of these tales is attested to by the large number of editions that have appeared since that time in many languages. Among the most well-known of Perrault's tales are Sleeping Beauty Little Red Riding Hood Blue Beard Cinderella and Puss in Boots. HBS 69167. $7500. Printed for W. Osborne and J. Griffin unknown
1786réf. 69167London: Printed for W. Osborne and J. Griffin 1786. MOTHER GOOSE. . With Morals. Translated from the French. The Twenty-second Edition. London: Printed for W. Osborne and J. Griffin 1786. Full Description: PERRAULT Charles. MOTHER GOOSE. The Tales of Passed Times by Mother Goose. With Morals. Translated from the French. The Twenty-second Edition. London: Printed for W. Osborne and J. Griffin 1786. An early rare edition. The "Twenty-second" edition. Small sixteenmo 3 7/8 x 2 9/16 inches; 98 x 65 mm. With woodcut frontispiece with large engraved signature "A" on verso. Eight half-page woodcut vignettes one for each story. Bound with the two final blank leaves. We could find only two records of this at auction in the past one of which is the present copy and the other record may also be this present copy. This edition does not show up in the ESTC and we could only find one library copy at Princeton. Contemporary Dutch floral boards heightened in gilt. Endpapers renewed. Some leaves with light spotting. Previous owner Ann White's contemporary ink signature on verso of frontispiece. Bound a bit tight at inner margin but still readable. Overall a very good copy. The stories included in this volume are as follows: Little Red Riding-Hood. The Fairy. Blue Beard. The Sleeping Beauty in the Woods. The Master Cat; or Puss in Boots. Cinderilla sic; or The Little Glass Slipper. Riquet with the Tuft. Little Thumb. Perrault's fairy tales were first collected together and published in 1697. The continuing popularity of these tales is attested to by the large number of editions that have appeared since that time in many languages. Among the most well-known of Perrault's tales are Sleeping Beauty Little Red Riding Hood Blue Beard Cinderella and Puss in Boots. HBS 69167. $7500. Printed for W. Osborne and J. Griffin unknown books
1670réf. 451266London : Printed for John Starkey 1670. First Edition. Hardcover. Poor copy in a later half leather binding over cloth boards. Front panel lacking. The title page and subsequent two leaves lack some of their upper corners which have been partly repaired by hand. Some damp staining to the fore-edge. The text block itself remains quite tight and is legible throughout. For its age an internally well-preserved copy. Physical description; 30 392 pages. Notes; Attributed to Nicholas Perrault. Translation by Ezerel Tonge. Subjects; Jesuits--Controversial literature--Early works to 1800. Christian ethics--Catholic authors--Early works to 1800. London : Printed for John Starkey hardcover
réf. LCS-17649Précieux exemplaire conservé dans ses reliures strictement de l’époque, avec, fait particulièrement rare, des fers absolument identiques sur les trois premiers volumes. Paris, Veuve Coignard et Jean Baptiste Coignard fils, 1692‑1693-1696. 4 volumes in-12 de : I/ (20) ff., 252 pp., 8 pp. ch. 27-34, 34 pp., (1) f.bl.; II/ (9) ff., 399 pp. et (1) p. de privilege; III/ (6) ff., 335 pp., (1) p. de privilège, 1 cahier bruni ; IV/ (8) ff., 321 pp., (1) f. d’errata, 1 figure gravée sur cuivre entre les pp. 296 et 297 de « l’arbre de Porphyre ». Cachet en marge inf. des p. 13 du tome 1, p. 12 du tome 2, pp. 1 et 13 du tome 3, pp. 1 et 13 du tome 4. Plein veau moucheté de l’époque, dos à cinq nerfs ornés de fleurons dorés, roulette dorée sur les coupes, tranches mouchetées rouges. Reliure de l’époque. 164 x 92 mm.
1742réf. 0052521742 La Haye [Paris], s.n.e. [Coustelier], 1742. In-12 (100 X 169 mm) veau fauve marbré, encadrement de double filet noir sur les plats, dos cinq nerfs, caissons dorés ornés d'un fleuron doré, pièce de titre maroquin rouge, tranches rouges (reliure de l'époque) ; frontispice, (3) ff., 137 pages.
1475réf. 5547Basle Switzerland : Michael Wenßler Wenssler 1475 1475. Hardcover. Very Good. Folio - over 12 - 15" tall. 169 Folio leaves ; 31 cm. ; 2° ; bound in quarter suede with three raised bands hand-written titles on spine ; an incunable from the early and important press of Michael Wenssler of Basel Switzerland ; this partial copy without title page or colophon ; Hain 12383 Proctor 7464 British Museum 15th century III 722 IB.37053 Polain 3034 Goff P-83 Walsh 1114 ; single column 36 line Gothic type with conventional 15th century printing ligatures and with rubricized initials throughout; some generally minor edge staining and tears ; a few worm holes in the margins ; a few pages with larger stains ; this copy with no chapter headings or signature marks ; begins at Quintæ Partis Principalis Tractatus de Beatitudinibus with the section on Patience and the temptations of demons and ends the Beatitudes with the discourse on Peace; rubics in the same hand that executed those for the 1474 Quennell edition at the University of Darmstadt ; Michael Wenssler floruit 1472-1497 name variations: Wensler Wensel Vrenssler Wenkler or Wenßler was originally from Strasbourg but became a citizen of Basel in 1473 and was active from 1475 to 1488 when he had to sell his press to pay off his debts. He then leaves Basel for Cluny while his family remained behind in penury and he does not return until 1499 when he retires ; this publication amongst the earliest for Basle is of the celebrated work of William of Auvergne ca. 1180-1271 : the Summa de Virtutibus or The Summation of Virtues the first of the famous two-part tract whose second part published separately treats of the vices. William was born in the former Province of Auvergne about 1180 and by 1223 he was master of theology at the University of Paris and a canon at Notre Dame. He was consecrated Bishop and given the See of Paris in 1228 by Pope Gregory IX and he remained there until his death in 1249. The Summa de Virtutibus et Viitis On the Virtues and Vices a massive work is itself part of a much larger work the Magisterium Divinale et Sapientiale The Teaching on God in the Mode of Wisdom. The style of the work is somewhat rambling moving off into many tangents as it explores related concepts and makes the work appear as an extemporaneous discourse often making a point and then immediately raising objections to that point which William then proceeds to refute. It was reprinted many times and was a monumental Dominican theological work. name variants for William of Auvergne: Guilelmus Peraldus Guillermus Parisiensis Guilielmus Peraldus Guilelmus Peraldus Guillaume Perrault Guilelmus Peraldus Willelmi de Peraldo Wilhelm Peraldus Guilelmus de Petra Alda Guillaume de Peyraud Ardeche G. Lugdunensis G. de Peyrauta G. de Peraudus G. Parisiensis Guil. de Lugduno Guillelmus Peraltus Fr. Guil. a Peira Fr. Guillermo Peraldo Wilhelmus Ep. Lugdun. and Willelmus Arch. Lug. ; extremely rare edition ; VG [Basle, Switzerland : Michael Wenßler (Wenssler), 1475] hardcover
1855réf. 33603Paris: Théodore Lefèvre s.d. c. 1855 1855. First Thus. Hardcover. DESANDRE Jules-Marie. DESANDRE Jules-Marie. First Thus. Hardcover. One Of only 10 Copies On Vergé With Two States Of The Engravings. Extremely Rare. Only 1 other copy has surfaced in the last 30 years and it's uncertain if it included the engravings. Les Contes de Perrault. Paris: Theodore Lefevre circa 1855. Royal octave contemporary three-quarter crimson Morocco raised bands marbled boards and endpapers top edge gilt. Very rare mid-19th-century French illustrated edition of "the basis for the modern canon of fairy tales" with engraved frontispiece and 11 engraved plates by Lefrancq after Desandré numerous in-text wood-engraved vignettes and wood-engraved borders on every page. Twelve tales in all. This is copy number 5 of only ten copies on Vergé paper with two states of the full-page engravings one of each a mounted proof before letters on Chine. Inspired by the fables of La Fontaine Perrault began writing his own. His Accounts began their career in 1695 "as a five-story presentation manuscript dedicated to Princess Élizabeth-Charlotte Louis XIV's niece" Clute & Grant 752. When first published two years later the book contained eight stories. Perrault's Contes "La Belle au bois dormant" Sleeping Beauty "Le Petit Chaperon rouge Little Red Riding-Hood "La Barbe bleue" Blue Beard "Le Maistre Chat ou le Chat botté" Puss in Boots "Les Fées" The Fairies "Cendrillon" Cinderella "Riquet à la Houppe" Ricky with the Tuft and "Le Petit Poucet" Tom Thumb "provided the basis for the modern canon of fairy tales" Bottigheimer 3. "The backdrop of his fairy tales is a combination of an old and beloved France of courtly manners and costumes and the sunshine of pure imagination" Meigs 112. These original eight classic tales are all present in this collection which also includes "Peau d'Ane en prose" Donkey Skin in prose "Les Souhaits Ridicules" The Ridiculous Wishes "L'Adroite Princesse" The Discreet Princess and "Peau d'Ane en verse" Donkey Skin in verse. This copy includes two states of the frontispiece and ten full-page engravings one final and one a mounted proof before letters. With Preface by JT de Saint -Germain. Text in French. Gumuchian 4446: "Édition recherchée et peu commune." Evidence of bookplate faint library stamps on text block edges. Text generally quite clean with only the occasional spot of foxing and offsetting; plates clean and fine with crisp impressions. A few minor rubs to extremities of desirable contemporary Morocco binding. An excellent copy of this very rare issue. Perrault's wonderful Fairy Tales have continued to be printed and adapted to opera ballet and in blockbuster animations such as Puss 'n Boots and Sleeping Beauty. Grand in-8. 2 ff.n. c h. xviii pp. et 119 ff.n.ch. Demi-maroquin rouge à coins dos à nerfs janséniste tête dorée Reliure d'époque. Cachet de bibliothèque à froid sur un feuillet cachet gratté sur le titre et cachet humide sur deux tranches. Quelques rousseurs. Edition très rare illustrée de 12 bois hors-texte avec encadrement gravé par Lefrancq d'après Desandré et également de vignettes dans le texte. Un des 10 ex. num. sur papier vergé contenant les hors-texte en deux états épreuve avant la lettre tirée sur Chine collé et état définitif. Edition très rare mentionnée ni par Vicaire ni par Carteret et citée seulemant dans le catalogue Gumuchian Les livres de l'Enface. no. 4446. L'exemplaire Gumuchian était également un des 10 ex. sur vergé mais ne semblait pas contenir de gravures. Cette édition est qualifiée par Gumuchian de "recherchée" et peu commune". Exemplaire de bibliothèque d'un livre rare. A lovely copy. Théodore Lefèvre, s.d. (c. 1855) hardcover
réf. LCS-2785Édition originale absolument rarissime de « La Marquise de Salusses, ou la patience de Grisélidis » de Charles Perrault, conservée dans sa reliure de l’époque. Paris, chez la Veuve de Jean-Baptiste Coignard et Jean-Baptiste Coignard Fils, 1691. In-12 de (6) ff., 324 pp., (1) f.bl. Petit trou de vers dans la marge blanche des 5 premiers feuillets, sans la première garde blanche. Relié en plein veau brun de l’époque anciennement restauré, dos à nerfs orné de fleurons dorés, tranches mouchetées. Mors et dos frottés. Reliure de l’époque. 166 x 91 mm.
1708réf. 69350Amsterdam: Chez Jaques Desbordes 1708. Full Description: PERRAULT Charles. Histoires ou Contes du Tems Passe. Avec des Moralitez Par le Fils de Monsieur Perreaul. de l'Academie Francois. Amsterdam: Chez Jaques Desbordes 1708. A very early rare edition of the "Mother Goose" fairy tales of Charles Perrault which is an exact reprint of the Dutch counterfeit published the same year as the first edition of Paris 1697. Twelvemo 4 5/8 x 2 13/16 inches; 119 x 71 mm. 6 175 1 table pp. With engraved frontispiece title-page vignette engraved head-and-tail-pieces and initials and with eight engraved vignettes one for each tale. Besides this copy we could only find one other copy at auction in the past 40 years. This edition features the eight tales found in the first edition each illustrated with a vignette: Sleeping Beauty Little Red Riding Hood Bluebeard Puss in Boots The Fairies Cinderella Riquet with the Tuft and Tom Thumb. Beautifully bound by M. Godillot in full tan morocco. Boards triple-ruled in gilt. Spine elaborately stamped and lettered in gilt. Gilt dentelles. Marbled endpapers. All edges gilt. Top margin occasionally trimmed close just touching headline. Previous owner's bookplate on front free endpaper. Housed in a morocco lined marbled paper slipcase. About fine. "The title gives the author as the Son of Monsieur Perrault of the Academie François sic as in the 1697 forgery. The dedication to Mademoiselle is signed P. Darmancour. In fact the participation in the writing of the Tales of Perrault's youngest son Pierre Perrault Darmancour 1678-1700 is now attested." According to Alde "This edition is extremely rare; it is missing from the BnF and all French public libraries. Tchemerzine mentions it without having seen it according to Brunet's supplement who himself only cites it from Baron Pichon's catalog 1869 I no. 766: "Rare Edition" a red morocco copy by Trautz-Bauzonnet acquired for 145 francs by Techener. It was not included in the collection of the Count of Lignerolles who nevertheless owned eleven editions of the Tales published between 1697 and 1781 1894 II nos. 1911-1921." HBS 69350. $17500. Chez Jaques Desbordes unknown
1708réf. 69350Amsterdam: Chez Jaques Desbordes 1708. Full Description: PERRAULT Charles. Histoires ou Contes du Tems Passe. Avec des Moralitez Par le Fils de Monsieur Perreaul. de l'Academie Francois. Amsterdam: Chez Jaques Desbordes 1708. A very early rare edition of the "Mother Goose" fairy tales of Charles Perrault which is an exact reprint of the Dutch counterfeit published the same year as the first edition of Paris 1697. Twelvemo 4 5/8 x 2 13/16 inches; 119 x 71 mm. 6 175 1 table pp. With engraved frontispiece title-page vignette engraved head-and-tail-pieces and initials and with eight engraved vignettes one for each tale. Besides this copy we could only find one other copy at auction in the past 40 years. This edition features the eight tales found in the first edition each illustrated with a vignette: Sleeping Beauty Little Red Riding Hood Bluebeard Puss in Boots The Fairies Cinderella Riquet with the Tuft and Tom Thumb. Beautifully bound by M. Godillot in full tan morocco. Boards triple-ruled in gilt. Spine elaborately stamped and lettered in gilt. Gilt dentelles. Marbled endpapers. All edges gilt. Top margin occasionally trimmed close just touching headline. Previous owner's bookplate on front free endpaper. Housed in a morocco lined marbled paper slipcase. About fine. "The title gives the author as the Son of Monsieur Perrault of the Academie François sic as in the 1697 forgery. The dedication to Mademoiselle is signed P. Darmancour. In fact the participation in the writing of the Tales of Perrault's youngest son Pierre Perrault Darmancour 1678-1700 is now attested." According to Alde "This edition is extremely rare; it is missing from the BnF and all French public libraries. Tchemerzine mentions it without having seen it according to Brunet's supplement who himself only cites it from Baron Pichon's catalog 1869 I no. 766: "Rare Edition" a red morocco copy by Trautz-Bauzonnet acquired for 145 francs by Techener. It was not included in the collection of the Count of Lignerolles who nevertheless owned eleven editions of the Tales published between 1697 and 1781 1894 II nos. 1911-1921." HBS 69350. $17500. Chez Jaques Desbordes unknown books
réf. LCS-18452Très bel exemplaire en maroquin rouge de l’époque aux armes et au chiffre couronné du roi Louis XIV. Paris, Imprimerie Royale, 1670. In-folio de (4) ff., 8 pp. de texte, 11 gravures sur 7 double-pages, pp. numérotées 17 à 67 comportant pour la plupart une grande eau-forte, 9 planches de devises reliée entre les ff. 29 et 30, entre les ff. 35 et 36, 37 et 38, 43 et 44, 45 et 46, 51 et 52, 53 et 54, 60 et 61, 62 et 63, (1) f., pp. 65 à 104. Une seconde version de la planche 58 a été ajoutée au début du volume, coloriée à la main à l’époque et enluminée. Nombreux bandeaux, vignettes, initiales. 4 ff. brunis. Est jointe au volume une table des illustrations manuscrite d’une main contemporaine. Ainsi complet. Maroquin rouge, double encadrement de triple filet doré, armoiries frappées or au centre, chiffre couronné aux angles, dos à nerfs orné de fleurs de lys dorées et de chiffres couronnés dans les entrenerfs, roulette dorée sur les coupes, roulette fleurdelysée intérieure, tranches dorées sur marbrures. Reliure de l’époque. 560 x 410 mm.