MERIMEE, ProsperBiblio.com
2793 risultati
1941rif. 010401New York: Limited Editions Club 1941. Hardcover. Bookplate on the front pastedown. Spine a little darkened as usual. Near Fine in a Very Good slipcase with mild staining. Jean Charlot. Quarto 8-3/8" x 11" bound in bright and colorful hand-blocked gypsy silk cloth. Illustrated with 37 beautiful lithographs in color drawn on the plates by Jean Charlot. Copy #1205 of 1500 SIGNED and numbered by the artist. Perhaps the most stunning and underrated of the early books from the press. Limited Editions Club hardcover
1828rif. 42970Paris: Brissot-Thivars 1828. Fine. Brissot-Thivars Paris 1828 12.50 x 20 cm relié First edition of the author's third work printed by Honoré de Balzac. Black paper boards smooth spine tan sheep title-label with two small angular lacks one joint slightly cracked then reglued at head red edges modest contemporary binding. Handsome interior condition. Brissot-Thivars hardcover
1855rif. 89588Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm 2 volumes reliés First edition. Bound in black half shagreen spines with five raised bands decorated with gilt garlands gilt dates at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges. Some foxing mainly at the beginning and end of the volumes. Preface by Prosper Mérimée. Michel Lévy frères hardcover
1930rif. LIQ-3408P. La Pléiade 1930. In-4° broché, couverture rempliée, chemise et étui illustrés en couleurs de l'éditeur.
1928rif. LIQ-6077P. L'estampe Moderne 1928. In-4° broché sous couverture illustrée, chemise et étui.
1928rif. 10202Paris, L'Estampe moderne, 1928. 1 vol. petit in-4. Broché, couvertures imprimées en couleurs, sous chemise et étui.
rif. 8120Paris, F.-G. Levrault, 1827. 15,3 x 11 cm, in-12 de xii-257 pp. Relié plein maroquin, dos lisse richement orné de fleurons, titre doré, plats richement décorés d'encadrements de filets et de fleurons, encadrements de cinq filets dorés sur les contreplats, tête dorée. Reliure signée de René Kieffer, avec aussi son étiquette. Quelques infimes traces de frottements, petite déchirure sur la page de faux titre, sinon très bel exemplaire. Édition originale peu courante du deuxième livre de Mérimée, paru anonymement. Frontispice lithographié représentant le poète compositeur (tout à fait imaginaire) Maglanovitch avec son instrument de musique, la guzla. Carteret, II, 136.
rif. 8120Paris, F.-G. Levrault, 1827. 15,3 x 11 cm, in-12 de xii-257 pp. Relié plein maroquin, dos lisse richement orné de fleurons, titre doré, plats richement décorés d'encadrements de filets et de fleurons, encadrements de cinq filets dorés sur les contreplats, tête dorée. Reliure signée de René Kieffer, avec aussi son étiquette. Quelques infimes traces de frottements, petite déchirure sur la page de faux titre, sinon très bel exemplaire. Édition originale peu courante du deuxième livre de Mérimée, paru anonymement. Frontispice lithographié représentant le poète compositeur (tout à fait imaginaire) Maglanovitch avec son instrument de musique, la guzla. Carteret, II, 136.
rif. 23589Aquarelle sur papier, 21 x 28.7 cm.
1833rif. 181991833 Paris, H. Fournier, 1833, in-8 de (4)-290 pp., rel. d'ép. demi-veau glacé havane, petits coins de veau vert, dos lisse orné de triple-filets et fers romantiques dorés, bel ex.
rif. 622845Imprimé Pour Charles Meunier Paris 1910 In-8 carré ( 240 X 185 mm ) de 95 pages, en feuilles sous étui-boîte. Dix illustrations hors-texte de Daniel VIERGE gravées à l'eau-forte en fac-similé par L. ROBIN. Tirage limité à 175 exemplaires numérotés, celui-ci un des 25 sur papier Japon impérial contenant une suite à part de toutes les gravures sur vélin blanc. Etui-boîte un peu défraichi, livre à l'état de neuf.
1902rif. 2258Paris, L. Carteret, 1902 ; in-8, broché ; (3) ff. (bl., faux-titre, titre), III pp. (avertissement), 58 pp., (2) ff. (bl.) ; 61 aquarelles en couleurs dont 9 aquarelles hors-texte ; couverture à rabats illustrée en couleurs.
1865rif. 90044Reliure demi-maroquin vert. Dos à nerfs. Tête colorée. Petites piqures en début d'ouvrage.
1941rif. 38004Casablanca: Société des Bibliophiles du Maroc / Editions de la Cigogne Jacques Klein 1941. A charming edition of this important "arabaizant" novella by Merimee illustrated with 17 ORIGINAL ETCHINGS BY HUNGARIAN-JEWISH ARTIST LASZLO BARTA. Published for French expatriate bibliophiles in Casablanca during the Occupation the movie came out in 1942 the following year. Edition limited to 110 numbered copies printed on fine Rives wove paper. Complete with the list of members of the Société which is often missing. Folio. Loose as issued in original wraps. FINE AND BRIGHT. Société des Bibliophiles du Maroc / Editions de la Cigogne (Jacques Klein) paperback
rif. 64437P., Editions Littéraires de France, 1945, peti in 4° relié demi-chagrin rouge à bandes, dos lisse avec trois gros nerfs plats en tête et queue du dos, tête dorée, couverture et dos conservés, 162 pages ; frottis à la reliure.
rif. 4594086Short description: In Russian. Merimee, Jean Francois. Ancient technique in oil painting. V.P. Pechatkin. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU4594086
rif. 4594086Short description: In Russian. Merimee Jean Francois. Ancient technique in oil painting. V.P. Pechatkin. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU4594086 unknown
1839rif. 008893London England: Whittaker & Co. 1839. Book. Good-VG. Half-Leather. First U.K. Edition. 12mo - over 6¾" - 7¾" tall. The 1839 London translation of Merimee's book originally published in French in 1830. The standard technical recipe text of the mid-19th century referred to by both Eastlake and Merrifield. First English language first English edition. Half-leather scuffed with exposure and surface loss at various points some loss at spine extremities with marbled paper over boards four raised bands lettered in gilt. Front board detached along joint but still firmly anchored by both binding cords; rear board detached and anchored only by one binding cord. Former owner book plate of Henry D. Gilpin 1801-1860 Quaker lawyer and statesman U.S. Attorney General 1840-41 under President Martin Van Buren on front pastedown. Text block is fully intact. xliv 371 pp. w/ two hand-colored plates the first the frontis. of English Chromatic Scale Moses Harris's colour-wheel the second after p. 244 of the French Chromatic Scale Merimee's both with intact tissue guards. This translation of Merimee's famous French treatise was made at the suggestion of Mulready Etty and Wilkie. This volume contains substantial extracts from the original manuscript of Harris's "Natural History of Colours" which the author describes as a "work . . . so very scarce that I have never seen a copy of it" p.350. Recommended leather restoration would significantly enhance appearance but this copy is still quite presentable "as is" and could be recased to provide a complement to its near-immaculate interior. Noted condition as Good-VG weighs semi-detached boards and chipped leather against the quite tidy state of the text block itself which is solid Near Fine and its former ownership. Published by Whittaker & Co. Ave Maria Lane printed by Gilbert & Rivington in St. John's Square. Exceedingly scarce. Whittaker & Co. Hardcover
1920rif. 1389963Zürich Switzerland: Rascher & Co 1920. Limited Edition #65/150. Hardcover. Large octavo 92 pages. In Good minus condition. Spine is torn beige and red. Boards have mildew-stained covers moderate shelving wear and fraying along extremities cloth binding torn from spine and moderate bumping chipping and fraying to fore corners. Text block age-toned head edge gilded with mild denting along edges; plates are mildly foxed throughout gilt and black endpapers. Signed flat by Alastair Illustrator in purple ink on publisher's limitation page limited edition #65/150. PO Consignment. 1389963. Special Collections - Downstairs. Rascher & Co hardcover
1920rif. 1389963Zürich Switzerland: Rascher & Co 1920. Limited Edition #65/150. Hardcover. Large octavo 92 pages. In Good minus condition. Spine is torn beige and red. Boards have mildew-stained covers moderate shelving wear and fraying along extremities cloth binding torn from spine and moderate bumping chipping and fraying to fore corners. Text block age-toned head edge gilded with mild denting along edges; plates are mildly foxed throughout gilt and black endpapers. Signed flat by Alastair Illustrator in purple ink on publisher's limitation page limited edition #65/150. PO Consignment. 1389963. Special Collections - Downstairs. Rascher & Co hardcover books
1931rif. 51628Paris: Harrison 1931. Limited edition no. 21 of 50 copies on Japanese vellum from a total edition of 665 copies 8vo viii 175 1 pp. 10 illustrations including that to the upper cover. Original maroon quarter morocco spine slightly sunned some light marks to the covers. Paris: Harrison unknown
1829rif. 345092 vol. in-8 reliure postérieure demi-basane à coins bleue, dos lissé orné, Everat Imprimeur de la Revue de Paris (Tome 1), Au Bureau de la Revue de Paris et chez Levavasseur (tome 2), Paris, Avril et Mai 1829, tome 1 : 2 ff. (1 f. portant la mention "Imprimerie d'Everat" et 1 f. de faux-titre), 256 pp. et 4 ff. n. ch. (partition de Rossini sur un texte de Casimir Delavigne) ; Tome 2 : 2 ff., 252 pp.
1872rif. 20217Poulet-Malassis 1872 1 in-12 Nouvelle écrite pour l'Impératrice Eugénie. Seconde édition augmentée. France et Belgique, Chez Tous les Libraires [Poulet-Malassis], imprimerie de la Place de la Monnaie, 1872, in-12, demi-maroquin bleu, dos à 5 nerfs orné, 53 pages.
1848rif. 19075Paris, Charpentier, 1848. In-8 de [4]-386 pages, demi-maroquin vert à coins, à grains longs; dos lisse orné de filets et fleurons dorés, tête dorée.
1956rif. 72847París: Presses de Pierre Gaudin 1956. Cartoné original. Presses de Pierre Gaudin unknown
