2687 risultati
1833rif. 70286H. Fournier jeune | Paris 1833 | 13 x 20 cm | relié
1896rif. 266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875. With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ." With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown
1896rif. 266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875. With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ." With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown books
rif. 06431London: Hutchinson & Co. 1916. Edition de Luxe One of 100 Copies Signed by René Bull BULL René illustrator. MÉRIMÉE Prosper. Carmen. Translated by A.E. Johnson. With Pictures by René Bull. London: Hutchinson & Co. n.d 1916. Edition de Luxe. Limited to 100 numbered copies this copy being No. 55 signed by the artist. Quarto 10 3/4 x 8 7/16 inches; 273 x 214 mm. 2 blank x 204 pp. With color frontispiece and fifteen fine color plates each with descriptive tissue guard together with seventy-four black and white illustrations in the text. The plates richly colored and often heightened with a decorative sensibility drawn from both Orientalist and theatrical traditions form one of Bull's most accomplished book illustration cycles. Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine a particularly handsome and appropriate binding for a deluxe issue. Gray and white pictorial endpapers all edges gilt. Spine a little darkened as often with vellum; otherwise an excellent and well-preserved copy of this very scarce signed limited edition. A distinguished illustrated edition of Mérimée's Carmen the novella that inspired Georges Bizet's opera here interpreted through Bull's dramatic and highly stylized visual language. His illustrations capture both the exoticism and psychological intensity of the story blending elements of Art Nouveau theatrical design and early twentieth-century decorative illustration. René Bull d. 1942 "was born in Ireland and went to Paris to study engineering but left this for art work in London 1892. After working for various magazines he was appointed 'special' for Black and White 1896 attending the Armenian massacres and the Graeco-Turkish War as artist.He served in the First World War in RNVR 1916 and RAF 1917. Bull was one of the most versatile specials because his stature as an artist was above average. Not only an accurate reporter he was a talented comic draughtsman and a brilliant illustrator of fairy stories" Houfe The Dictionary of 19th Century British Book Illustrators p. 81. Works illustrated by Bull include: La Fontaine's Fables 1905 Uncle Remus by Joel Chandler Harris 1906 The Arabian Nights 1912 The Russian Ballet by A.E. Johnson 1913 Rubáiyát of Omar Khayyám 1913 Carmen by Prosper Mérimée 1916 and Travels into Several Remote Nations of the World by Jonathan Swift 1928. London: Hutchinson & Co., 1916 unknown
rif. 06431London: Hutchinson & Co. 1916. Edition de Luxe One of 100 Copies Signed by René Bull BULL René illustrator. MÉRIMÉE Prosper. Carmen. Translated by A.E. Johnson. With Pictures by René Bull. London: Hutchinson & Co. n.d 1916. Edition de Luxe. Limited to 100 numbered copies this copy being No. 55 signed by the artist. Quarto 10 3/4 x 8 7/16 inches; 273 x 214 mm. 2 blank x 204 pp. With color frontispiece and fifteen fine color plates each with descriptive tissue guard together with seventy-four black and white illustrations in the text. The plates richly colored and often heightened with a decorative sensibility drawn from both Orientalist and theatrical traditions form one of Bull's most accomplished book illustration cycles. Original vellum over boards pictorially stamped and lettered in gilt on front cover and spine a particularly handsome and appropriate binding for a deluxe issue. Gray and white pictorial endpapers all edges gilt. Spine a little darkened as often with vellum; otherwise an excellent and well-preserved copy of this very scarce signed limited edition. A distinguished illustrated edition of Mérimée's Carmen the novella that inspired Georges Bizet's opera here interpreted through Bull's dramatic and highly stylized visual language. His illustrations capture both the exoticism and psychological intensity of the story blending elements of Art Nouveau theatrical design and early twentieth-century decorative illustration. René Bull d. 1942 "was born in Ireland and went to Paris to study engineering but left this for art work in London 1892. After working for various magazines he was appointed 'special' for Black and White 1896 attending the Armenian massacres and the Graeco-Turkish War as artist.He served in the First World War in RNVR 1916 and RAF 1917. Bull was one of the most versatile specials because his stature as an artist was above average. Not only an accurate reporter he was a talented comic draughtsman and a brilliant illustrator of fairy stories" Houfe The Dictionary of 19th Century British Book Illustrators p. 81. Works illustrated by Bull include: La Fontaine's Fables 1905 Uncle Remus by Joel Chandler Harris 1906 The Arabian Nights 1912 The Russian Ballet by A.E. Johnson 1913 Rubáiyát of Omar Khayyám 1913 Carmen by Prosper Mérimée 1916 and Travels into Several Remote Nations of the World by Jonathan Swift 1928. London: Hutchinson & Co., 1916 unknown books
1889rif. mon0000155653Paris: Emile Testard 1889. 1 volume quarto limited to 75 copies on Japon title-page printed in red and black illustrated by Edouard Toudouze. Bound in full red morocco ribbed gilt decorated spine covers ruled in gilt and blind spine and cover panels blind tooled with a repeating crest gilt dentelles all edges gilt by French binder Lortic. "Marcelin Lortic binder and gilder; b. 26 Feb. 1852; d. 2 Sept. 1928; apprenticed and collaborated with his father Pierre Marcelin Lortic 1822-1892; he and his brother Paul b. 30 June 1853 succeeded their father in 1884; worked in conjunction with his brother until 1891 as Lortic fre`res and then alone as M. Lortic and Lortic fils. "rn--from Dictionnaire des relieurs francais ayant exerce de 1800 a` nos jours 1988 Paris: Emile Testard unknown
1884rif. 2561884 in12 , magnifique reliure signée FLAMMARION VAILLANT plein maroquin bordeaux orné d'une plaque de cuir estampé/repoussé avec du mastic coloré représentant une scène de corrida. Tête dorées, gardes jaspées. Plats conservés.
rif. 11498Eleutheropolis, de l’An MLCCCLXIV, de l’Imposture du Nazaréen. [Bruxelles, Poulet-Malassis, 1864] 1 vol. petit in-12. Demi-chagrin bleu, dos à nerfs orné, titre et auteur dorés.
1913rif. 791Deluxe black half-leather binding. Copy no. 161 of 180 on Japan paper. Contains the engravings in two states. Illustrations by Gaston Vuillier. "CARMEN E GABRIEL LAISUE" bookplate. Gilt top edge. A. Ferroud hardcover
1943rif. 46413Paris: Le Vasseur et Cie 1943. Fine. Le Vasseur et Cie Paris 1943 23.30 x 28.70 cm en feuilles sous chemise et étui Edition with illustrations by Jean Traynier printed in 425 copies ours one of the 325 numbered on Arches vellum unnumbered includes a manuscript justification by the illustrator: ""Exemplaire d'artiste réservé pour Monsieur . avec la sympathie de l'illustrateur."" ""Artist's copy reserved for Mister . with the illustrator's regards."" It is also enhanced with an autograph dedication page by Jean Traynier and 20 original watercolors by the artist in the text margins. Spine of the chemise slightly faded. Beautiful illustrated adaptation of Jean Traynier's etchings superbly heightened with watercolors by the artist. Le Vasseur et Cie hardcover
1839rif. 1726411839. MERIMEE M.J.F.L. The Art of Painting in Oil and in Fresco. With Original Observations. By W.B. Sarsfield Taylor. xliv 371 pp. illustrated with 2 hand-coloured plates - the English chromatic scale of M. Harris and the French chromatic scale of Merimee. 8vo 190 x 115 mm. bound contemporary half morocco London: Whittaker & Co. 1839. First Edition in English; originally published Paris 1830; translated into English by W. B. Sarsfield Taylor. It was called by Faber Birren "perhaps the most important book on painting of the early 19th century." History of color in painting p. 55. The subtitle states the work is "a history of the various processes and materials employed from its discovery by Hubert and Jan Van Eyck to the present time.with original observations on the rise and progress of British Art the French and English chromatic scales and theories of colouring by W.B.S.T." Chapter six deals with conservation and restoration and is given a good analysis in Ruhemann/Plesters pp. 384-5. Noted also by Mayer in The Artist's handbook: "one of the first of the carefully written books on methods and materials; an authentic account of the knowledge of the present day." p. 352. Also contains information on pigments; multiple references in R. D. Harley Artist's pigments. Birren Collection 455. The Book of Colour Concepts 170. unknown
1839rif. 1726411839. MERIMEE M.J.F.L. The Art of Painting in Oil and in Fresco. With Original Observations. By W.B. Sarsfield Taylor. xliv 371 pp. illustrated with 2 hand-coloured plates - the English chromatic scale of M. Harris and the French chromatic scale of Merimee. 8vo 190 x 115 mm. bound contemporary half morocco London: Whittaker & Co. 1839. First Edition in English; originally published Paris 1830; translated into English by W. B. Sarsfield Taylor. It was called by Faber Birren "perhaps the most important book on painting of the early 19th century." History of color in painting p. 55. The subtitle states the work is "a history of the various processes and materials employed from its discovery by Hubert and Jan Van Eyck to the present time.with original observations on the rise and progress of British Art the French and English chromatic scales and theories of colouring by W.B.S.T." Chapter six deals with conservation and restoration and is given a good analysis in Ruhemann/Plesters pp. 384-5. Noted also by Mayer in The Artist's handbook: "one of the first of the carefully written books on methods and materials; an authentic account of the knowledge of the present day." p. 352. Also contains information on pigments; multiple references in R. D. Harley Artist's pigments. Birren Collection 455. The Book of Colour Concepts 170. unknown books
1896rif. 4844First edition thus. Octavo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper. Devinne Press hardcover
1896rif. 4844First edition thus. Octavo. Translated and illustrated by Edmund H. Garrett. Memoir of Merimee by Louise I. Guiney. Full gilt stamped yellow morocco by Blackwell spines with raised bands and gilt stamped floral designs within gilt stamped compartments cover with decorative gilt stamped borders and floral designs gilt stamped inner dentelles heavy patterned endpapers t.e.g. uncut. Fine. Black cloth slipcase. Number 47 of 50 numbered copies signed by Garrett on limitation page; also signed and inscribed on third preliminary page by Garrett to Paul Lemperley November 1986 with an original color drawings of several playing cards one pierced by a dagger. Publisher's prospectus laid in loose. Bookplate of Paul Lemperly on the front pastedown. From the library of noted Hollywood director George Cukor with his Paul Landacre bookplate on the front free endpaper. Devinne Press hardcover books
1946rif. 76573Paris: Jean Porson 1946. Cm. 24 pp. 154 6. Con molte litografie a colori d'Antoni Clavé. Bella legatura in pieno marocchino rosso con titoli al dorso ed illustrazioni in tema ai piatti. Dubloures sguardie in seta taglio di testa dorato ed entro custodia illustrata. Preservata la bella brossura originale compreso il dorso ed anche i piatti illustrati che rivestivano la chemise. E' inoltre presente rilegato all'inizio il prospetto editoriale di 4 pagine e comportante altre due illustrazioni. Legatura firmata Gozzi - Modena. Qualche minimo segno d'uso ma complessivamente esemplare in ottimo stato di conservazione. Tiratura limitata a 275 esemplari numerati. Il ns. n. 234 stampato su "pur chiffon à la forme des Papeteries d'Arches". Jean Porson unknown
1825rif. 32030Paris A. Sautelet et Cie, libraires, 1825. In-8 (211 x 134) de 2 ff. n. ch. au Vè nom de l'imprimeur : titre avec une épigraphe empruntée à Miguel de Cervantès; IX pp (notiice sur Clara Gazul, 12 mai 1825 signée : Joseph l'Estrange) ; 337 pp. ; 1 f. n.ch (notes) et 1 f. n. ch. (table) Demi-veau olive, dos lisse orné, tranches mouchetées (reliure de lépoque); Dos passé, frottements dusage. Manque angulaire aux deux derniers feuillets, sans atteinte au texte. Traces brunes sur les gardes. Quelques rousseurs éparses.
1841rif. 185851841 Paris, Magen et Comon, 1841, in-8 de (4)-463-(1) pp., rel. pastiche de l'époque romantique réalisée vers 1900, demi-veau vert, dos lisse (uniformément passé), orné de double-filets dorés soulignés de filets à froid, fleurons romantiques à froid, relativement peu de rousseurs, entièrement non rogné, bon ex.
1946rif. 45356Paris Jean Porson 1946 In-8, en feuilles, couverture illustre (embotage de l'diteur).39 lithographies originales en couleurs de Clav, dont une sur la couverture, un frontispice, 8 hors-texte et 29 in-texte. Tirage limit 275 exemplaires numrots. Un des 185 exemplaires sur vlin d'Arches. Exemplaire dans son embotage d'diteur recouvert de compositions par Clav, et complet du prospectus illustr de l'diteur.
1946rif. 0044911946 Paris, Jean Porson, sans date [1946]. In-8 couronne (200 X 252 mm) en feuilles, couverture rempliée illustrée, étui et chemise illustrés de l’éditeur; 154 pages, (3) ff.. Rousseurs sur l'étui et les plats de la chemise ; quelques rares rousseurs dans les barbes et une petite rousseur répétée en marge du faux-titre, du frontispice et du titre.
1902rif. 664Paris Conquet L.; Carteret & cie 1902 In-4(290x206mm.), cartonnage bradel de toile, fleuron doré sur le dos, non rogné, couverture illustrée. (Reliure de l'époque).
rif. 51759Le Divan.1941-1964.17 vols.br,non coupés. Parfait.A l'état de parution.Complet du dernier volume intitulé -supplément,index et tables.Collection annotée et établie par Maurice Parturier.
1833rif. 38060Reliure demi-maroquin long grain bleu nuit à petits coins. Dos lisse avec mosaïques dorées en long.Tête dorée. Reliure signée THIERRY. Intérieur très frais.
1828rif. 86036Paris: Brissot-Thivars 1828. Fine. Brissot-Thivars Paris 1828 21.20 x 12.70 cm relié First edition from Balzac's printing house. Between 1826 and 1828 Balzac purchased a printing house and partnered with a typographer but the enterprise went bankrupt in 1828. Books printed for Balzac show a concern for typography and fine book production. Bound in half burgundy long-grain morocco with corners ca. 1840. Spine with raised bands decorated with 5 tools blind and gilt fillets head and tail rolls. Double fillet border on boards and corners. Some scattered browning. Louis Gillet bookplate. Very fine copy. La jacquerie and La famille de Carjaval are two dramatic and historical pieces that evoke Schiller's theatre. These dramatic scenes were intended to be read rather than performed. In La Jacquerie Mérimée reverses the vision of this peasant revolt through the prism of new romantic historiography and the peasants are no longer perceived as bloodthirsty barbarians but as victims of absolutism. With economy of means and a clear concise style Mérimée brings this feudal epic to life before our eyes. Brissot-Thivars hardcover
1833rif. 70286Paris: H. Fournier jeune 1833. Fine. H. Fournier jeune Paris 1833 13 x 20 cm relié First edition. Half-shagreen binding of the late 19th century. Smooth spine decorated with repeated romantic tooling title and date in gilt. Top edge gilt. Spine uniformly sunned. Light scattered foxing. Bookplate with crowned cipher Alfred and Blanche de Curzon. Alfred de Curzon was a French painter deceased in 1895. This collection contains important short stories by the author including Mateo Falcone L'enlèvement de la Redoute Vision de Charles XI Le vase étrusque. H. Fournier jeune unknown
2018rif. x-1138554154Taylor & Francis 2018. Hardcover. New. 683 pages. 8.50x5.43x1.18 inches. Taylor & Francis hardcover