Yiddish

Yiddish — marelibri

• 09 [Includes Very Early Yiddish Sci-Fi] Cutler, Yosel, text and illustrationsBiblio.com

MUNTERGANG

1934réf. 43320Nyu York New York: Farlag Signal 1934. Original illustrated paper wrappers 8vo 190 pages including illustrations. 20 cm In Yiddish. The title translates as “Underground” or “Success.” Nazi-era Poetry and fiction by Yosl Cutler with illustrations by the author. “A mish-mosh of wildly creative stories and illustrations by Yosl Cutler one of the most original and unique characters in Yiddish cultural life. Includes one of the first Yiddish science fiction stories ‘Afn shtern mars’ On the Planet Mars as well as a great deal of left wing political work in prose poem and cartoon.” Yiddish Book Center. “Cutler was born in Troyanets Volhynia. He studied in religious elementary school. He was orphaned in his youth and at age eleven he became a server in a tavern. He mastered sign painting and in 1911 departed for the United States. He pursued his study of painting and in 1925 he created with the artists Zuni Maud and Jack Tworkov a Yiddish marionette theater called “Modicut” which proved successful in the United States and Europe but didn’t last long because of the great expenses involved. Under the influence of Moyshe Nadir in 1922 he began writing poetry humorous sketches stories and short plays… Of his short plays that were published in journals: Di sokhrim fun fefer Merchants of pepper; Der kindermark The children’s market; and Mayn filozofisher vesher My philosophical laundry; among others. In book form: Muntergang Success New York 1934 190 pp. ‘Yosl Kotler worked in three realms’ wrote M. Olgin ‘which merged into one: writer of humor cartoonist and marionette operator.’ He died in Memphis.” Leksikon Fun Der Nayer Yidisher Literatur SUBJECTS: Yiddish wit and humor. Jewish wit and humor. Short stories Yiddish. Yiddish drama. OCLC: 23578196 Clean copy with some worn edges. Good Condition YID-48-75-MLX-’ggecc. Nyu York [New York]: Farlag Signal unknown

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50 [A Rare Soviet Yiddish Literary Journal Edited by Itsik Fefer] Fefer, Itsik, editor; Alukraynisher Orgkomitet fun di SovetishBiblio.com

FARMEST: LITERARISH KINSTLERISHER UN KRITISH-BIBLIOGRAFISHER ZSHURNAL. 1935: NO. 12 DECEMBER.

1935réf. 43308Kharkov: Ukrmelukhenatsmindfarlag 1935. First edition. Original illustrated paper wrappers 8vo 156 pages.Includes illustrations. 21-23 cm. In Yiddish. Title translates roughly as “Challenge: A Literary Artistic and Critical Bibliographical Journal.” At the time the only Yiddish literary periodical in Ukraine. Farmest 1933–1937 was a monthly Yiddish literary magazine published in Kharkhiv Ukraine by the Ukrainian Committee for Soviet Writers. “Edited by the poet Itsik Fefer 1900–1952 it was continued in Sovetishe literatur: Literarish-kinstlerisher un kritish-bibliografisher zhurnal Soviet Literature: Literary-Artistic and Critical-Bibliographical Journal; 1938–1941. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929. From 1933 to 1937 he edited the Kiev periodical Farmest Challenge; known as Sovetishe literatur Soviet Literature between 1938 and 1941 which replaced Prolit and Di royte velt and was thereafter the only Yiddish literary periodical in Ukraine.” YIVO. Avrom Gontar was also involved in the collective and editorial committee. The editor Itsik Fefer 1900–1952 “began writing poems in 1918 and in 1922 joined Vidervuks New Growth in Kiev a group of young Yiddish literati whose mentor was Dovid Hofshteyn. That same year the appearance of Fefer’s small collection Shpener Splinters established him as a rising literary star. His poetry amalgamated the Kultur-lige poets’ revolutionary romanticism with the propagandist objectives of the workers’ movement. Fefer was known for his literary credo of proste reyd simple speech a concept he formulated in 1922. In the early 1920s poetry particularly avant-garde poetry swamped the literary pages of Soviet Yiddish periodicals. This phenomenon worried editors and critics who were wary of the fact that Yiddish readers usually could not identify with this style of literature. All Yiddish readers by contrast could understand Fefer’s proste reyd. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929” Gennady Estraikh. For more see: Gennady Estraikh “The Kharkiv Yiddish Literary World 1920s–Mid-1930s” East European Jewish Affairs 32.2 2002: 70–88; Chone Shmeruk “Yiddish Literature in the U.S.S.R.” in The Jews in Soviet Russia since 1917 ed. Lionel Kochan pp. 242–280 London and New York 1970. SUBJECTS: Yiddish literature -- Ukraine -- Periodicals. Yiddish literature. OCLC: 35051038. Pages toning as expected some sunning and stains to cover Good Condition. BYID-46-2A-LGG-’excc. Kharkov: Ukrmelukhenatsmindfarlag unknown

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64 [The Founder of Modern Yiddish Linguistics Discusses Shabbethai Tzevi and the Chmelnitski Pogroms] Weinreich, MaxBiblio.com

SHTUREMVINT: BILDER FUN DER YIDISHER GESHIKHTE IN ZIBTSNTN YORHUNDERT

1927réf. 43261Vilne: Tamar 1927. First edition. Original boards. 8vo 220 pages 21 cm. In Yiddish. Title translates as “Storm Winds: Images from Yiddish History in the 17th Century.” Max Weinreich’s historical work on Jews in Europe in the 17th Century focusing on the Chmelnitski pogroms. “While Weinreich was first and foremost a linguist other topics he wrote about included psychology he translated Freud into Yiddish sociology economics theater studies literary history education ethnography and philosophy. He had a second career as a writer of popular articles in the Yiddish Forward frequently under the unlikely pseudonym Sore Brener. His linguistic interests included the history of linguistics orthography grammar he coauthored an early Yiddish grammar etymology and the etymological components of Yiddish dialectology stylistics and the influence of traditional Jewish culture in all its facets on the development of the Yiddish language. In 1925 on the initiative of the linguist Nokhem Shtif the Yidisher Visnshaftlekher Institut Yiddish Research Institute; YIVO was founded in Berlin and began its work in Vilna; its first headquarters was located in a room in Weinreich’s apartment. Weinreich quickly became the driving force behind the new institute which was originally to have been known as an academy but Weinreich insisted on institute. Although YIVO may not have been Weinreich’s brainchild it was his child in every other way even after it acquired its own building on Wiwulski Street in Vilna.” SUBJECTS: Jews -- Poland -- History -- Persecutions. Chmelnicki massacres. Blood accusation -- Lithuania -- Vilnius. Blood accusation. Jews -- Persecutions. History. OCLC: 649090568. OCLC lists 8 copies worldwide AJHS SUNY- Albany YIVO AJU Stanford Harvard NYBC Penn Spine separation and some markings but text block is in good condition. Good Condition. Important and somewhat scarce. YID-48-62-BX'L-’emccgg. Vilne: Tamar unknown

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36 [A Rare Soviet Yiddish Literary Journal Edited by Itsik Fefer] Fefer, Itsik, editor; Alukraynisher Orgkomitet fun di SovetishBiblio.com

FARMEST: LITERARISH KINSTLERISHER UN KRITISH-BIBLIOGRAFISHER ZSHURNAL. 1935: NOS. 11-12 NOV. DEC. ; 1936: NO. 2 FEB; 1937: NOS. 3-5 & 12 MARCH APRIL MAY DEC. 7 ISSUES TOTAL

1937réf. 43101Kharkov: Ukrmelukhenatsmindfarlag 1937. First edition. Original illustrated paper wrappers 8vo issues range from 129-196 pages each. Includes illustrations. 21-23 cm. In Yiddish. Title translates roughly as “Challenge: A Literary Artistic and Critical Bibliographical Journal.” At the time the only Yiddish literary periodical in Ukraine. Farmest 1933–1937 was a monthly Yiddish literary magazine published in Kharkhiv Ukraine by the Ukrainian Committee for Soviet Writers. “Edited by the poet Itsik Fefer 1900–1952 it was continued in Sovetishe literatur: Literarish-kinstlerisher un kritish-bibliografisher zhurnal Soviet Literature: Literary-Artistic and Critical-Bibliographical Journal; 1938–1941. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929. From 1933 to 1937 he edited the Kiev periodical Farmest Challenge; known as Sovetishe literatur Soviet Literature between 1938 and 1941 which replaced Prolit and Di royte velt and was thereafter the only Yiddish literary periodical in Ukraine.” YIVO. Avrom Gontar was also involved in the collective and editorial committee. The editor Itsik Fefer 1900–1952 “began writing poems in 1918 and in 1922 joined Vidervuks New Growth in Kiev a group of young Yiddish literati whose mentor was Dovid Hofshteyn. That same year the appearance of Fefer’s small collection Shpener Splinters established him as a rising literary star. His poetry amalgamated the Kultur-lige poets’ revolutionary romanticism with the propagandist objectives of the workers’ movement. Fefer was known for his literary credo of proste reyd simple speech a concept he formulated in 1922. In the early 1920s poetry particularly avant-garde poetry swamped the literary pages of Soviet Yiddish periodicals. This phenomenon worried editors and critics who were wary of the fact that Yiddish readers usually could not identify with this style of literature. All Yiddish readers by contrast could understand Fefer’s proste reyd. In 1927 Fefer was a founding member of the Jewish Section of the All-Ukrainian Union of Proletarian Writers and from 1928 one of the editors of its Kharkov-based journal Prolit Proletarian Literature. He also coedited the nonproletarian Kharkov journal Di royte velt The Red World from 1929” Gennady Estraikh. For more see: Gennady Estraikh “The Kharkiv Yiddish Literary World 1920s–Mid-1930s” East European Jewish Affairs 32.2 2002: 70–88; Chone Shmeruk “Yiddish Literature in the U.S.S.R.” in The Jews in Soviet Russia since 1917 ed. Lionel Kochan pp. 242–280 London and New York 1970. SUBJECTS: Yiddish literature -- Ukraine -- Periodicals. Yiddish literature. OCLC: 35051038. Some pages brittle some wear to spines. Overall Good Condition. Rare. YID-46-2-LGG-’excc. Kharkov: Ukrmelukhenatsmindfarlag unknown

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01 [Set Inscrbed by the Yiddish "Poet Laureate of Labor," Morris Rosenfeld, to Fellow Yiddish Poet and Playwright Mark Schweid]Biblio.com

GEVEHLTE SHRIFTEN VOL. 1-3 WARMLY INSCRIBED BY AUTHOR COMPLETE IN THREE VOLUMES

1912réf. 43120Nyu York New York: Forverts 1912. First edition. Original boards 8vo 266 266 268 pages. 20 cm. In Yiddish. Title translates as “Collected Writings.” Full set of Morris Rosenfeld’s collected works. Volume 1 contains poetry Volume 2 and 3 contain stories. Warmly inscribed by Rosenfeld in 1913 to Yiddish actor and director Mark Schweid 1891-1969: “To my dearest friend actor and poet Mark Shvayd. From Morris Rosenfeld 3. 2nd i.e. 3 of Feb 1913.” “Rosenfeld known as the ‘Poet Laureate of Labor’ was a pioneer of Yiddish poetry in the US. Born in Russian Poland he came to New York by way of London in 1889 and worked as a presser in a sweatshop. His sweatshop songs were often sung by Jewish workers in factories and at mass meetings. Moshe Starkman notes in the EJ that when his Lider-Bukh ‘The Book of Songs’ 1897 was translated in 1898 by Leo Wiener under the title Songs from the Ghetto his fame spread to non-Yiddish circles. Starkman also notes that ‘his proletarian poems and national songs stirred the Jewish masses during their early struggles in the New World and at the beginning of the Jewish national renascence’ sic. Aaron Kramer notes as well that ‘Of all Yiddish poets Morris Rosenfeld alone.was acknowledged by the non-Jewish literary world as a notable singer;’ Wiener's translation of Songs from the Ghetto ‘immediately established Rosenfeld's reputation among America's literati.” EJ 1971 14: 285-286; Kramer trans: The Teardrop Millionaire and Other Poems 1955. Mark Shveyd Schweid 1891-1969 to whom Rosenfeld inscribed this copy was a “playwright poet translator and artist born in Warsaw. His original Jewish given name was Volf-Mortkhe.…in 1911 he graduated from a Polish drama school in Warsaw and went on to act in Yiddish theaters and on the Polish stage as well. In 1911 he emigrated to the United States performed in New York’s Yiddish theaters and from 1921 was one of the principal artists in Maurice Schwartz’s Yiddish Art Theater. From 1926 he was also acting on the English-language stage. He wrote poetry drama studies one-act plays plays and longer articles on theater. He debuted in print in 1907 with poems in Roman-tsaytung….From 1946 he was an internal contributor to Forverts Forward in New York. Shveyd wrote adapted or translated roughly fifty plays” as well as 9 books. “Shveyd also translated novels from Polish Russian German and English some of which were published such as: Israel Zangwill Troymers fun’m geto Dreamers of the ghetto vol. 1 New York: M. Yankovitsh 1929 341 pp.; Stanislaw Przybyszewski Fun’m obgrund Out of the depths original: De Profundis New York n.d. 79 pp.; Fyodor Dostoevsky Erniderigte un baleytigte Humiliated and insulted original: Unizhennye i oskorblennye New York: Max Jankovitz 1920s 2 vols. Two novels he adapted were published in Warsaw’s Moment” Yekhezkl Lifshits in Leksikon Fun Der Nayer Yidisher Literatur. Schweid was director of the Bronx Art Theatre in 1930-1931; a partial collection of his papers is at the Center for Jewish History in New York. SUBJECTS: Yiddish language. Yiddish poetry. Short stories Yiddish. OCLC: 3758034 Vol I with inscription has unobtrusive number on spine and old Yiddish institutional stamp at bottom of inscribed endpaper with gutter taped at contents page. Otherwise a Very Good Condition set with important inscription. YID-46-36--’cc. Nyu York [New York]: Forverts unknown

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45 · [Impotant Yiddish Linguistics Journal from the USSR] Katedr far Yidisher Kultur ba der Ukr Visnshaftl Akademye, FilologisheBiblio.com

DI YIDISHE SHPRAKH. WHOLE NRS 1 MAR-APR 1927 2 3/4 5/6 7 8/9 10 16 17/18 19 21/22 23/24 & 25 NOV-DEC 1930 FINAL ISSUE NEARLY COMPLETE RUN OF 19 NRS. IN 13 ISSUES INCLUDING FIRST AND IMPORTANT FINAL ISSUE

1930réf. 42139Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye Filologishe Sektsye 1930. Paper Wrappers. 1st edition. Original printed publisher’s color paper wrappers 4to large ca 72-116 columns ca 36-58 pages per issue. 28 cm. In Yiddish. Title translates roughly as “The Yiddish Language.” Succeeded in 1931 by “Afn shprakhfront.”Di Yidishe Shprakh was a “Yiddish linguistic journal published in Kiev from 1927 to 1930. A bimonthly journal Di yidishe shprakh The Yiddish Language was published by the cooperative publishing house Kultur-lige and was the main philological publication of the Kiev Yiddish academic center. Its editor was the veteran Yiddishist Nokhem Shtif a founder of YIVO who had returned to Kiev from Germany in 1926. The journal’s inaugural issue March–April 1927 was published under the auspices of the Central Yiddish Bureau of the Ukrainian Commissariat for Education. With the next issue Di yidishe shprakh was an organ of the Chair and from July to October 1929 it was an organ of the Institute for Jewish later Proletarian Jewish Culture at the Ukrainian Academy of Sciences. Initially defined as a 'journal for practical Yiddish linguistics' from May to June 1927 it appeared as simply a 'journal for Yiddish linguistics. 'Shtif distinguished three language registers: the vernacular of the old generation partly represented in the works of Sholem Aleichem and predecessors; the highbrow language of modern writers such as Dovid Bergelson; and the contemporary 'culture language' most notably of the press. Although Shtif sought to target speakers of the mass 'culture language' the journal’s circulation hovered around 500 copies read mainly by Yiddish teachers.Apart from Shtif who published articles on various language-planning problems the most active contributors to Di yidishe shprakh were Ber Slutski Ayzik Zaretski Elye Falkovitsh Lipe Reznik and Shimen Dobin. In early 1929 Moscow literary critic Aron Gurshteyn criticized the journal for its purist approach to language planning. In the July–October 1929 issue Shtif published his article 'Di sotsyale diferentsiatsye in yidish' The Social Differentiation in Yiddish heralding an intensification of Soviet linguists’ anti-Hebraist campaign. That issue of Di yidishe shprakh adopted completely reformed Soviet spelling omitting for example final consonant letters.Although the last—twenty-fifth—issue of the journal was dated November–December 1930 it included materials from the First All-Union Yiddish Language Conference convened in Kiev from 8 to 13 February 1931 that issue is present here. Published under the imprint of the Central Publishing House this issue also signaled the demise of the remaining vestiges of the Kiev Kultur-lige. Yoysef Liberberg’s article 'Far parteyishkayt in der yidisher visnshaft-arbet' For a Party Approach to Yiddish Linguistics marked a full break with YIVO scholars particularly with YIVO director Max Weinreich whom Liberberg ridiculed for presenting Yiddish as an emanation of the Ashkenazic Jews’ soul. The Yiddish Language Conference decided to change the name of the journal. Between 1931 and 1939 it appeared sporadically under the title Afn shprakhfront On the Language Front reflecting its new more aggressive and politically charged approach' Gennady Estraikh in YIVO Encyclopedia of Jews in Eastern Europe 2010. For more see David Shneer “Yiddish and the Creation of Soviet Jewish Culture 1918–1930” Cambridge and New York 2004. SUBJECTS: Yiddish language -- Periodicals. Title also listed on covers in Russian “Ievreis'ka Mova” and German “Jiddische Sprach”. OCLC: 22840298. Most holdings in OCLC appear to be fragmentary. Covers are browning and fragile as expected but are otherwise very well preserved with very little edgewear. Internal text pages are also toning but remain relatively strong as pulp paper. Very important journal scarce in this degree of completeness Note that Estraikh suggests a circulation of only 500!. B YID-43-5-E. Kiev: Katedr far Yidisher Kultur ba der Ukr. Visnshaftl. Akademye, Filologishe Sektsye unknown

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16 · [Radical Yiddish Theater Celebrates its 10-Year Anniversary] Artef Jubilee CommitteeBiblio.com

TSEN YOR ARTEF: AROYSGEGEBN TSUM TSEN-YORIKN YUBILEY FUN ARTEF

1937réf. 35363New York; Posy-Shoulson Press 1937. 1st edition. Original Wraps. 4to. 4 171 2 23 pages. 28 cm. In Yiddish with English section and title page: Ten years Artef; published for the tenth anniversary of the Artef March 1937. Extensively illustrated publication for the tenth year anniversary of the radical Yiddish theatre company Artef: "the radical Yiddish dramatic troupe based in New York during the heyday of the Yiddish theater in America. Begun in the mid-1920s as a study group of amateur worker-actors at one time there were nine separate studios with over 120 students in the 1930s the troupe went professional putting on at least two and often three new plays per season. With such plays as Jacob Mostel 's Strike Shmuel Godiner 's Jim Kooperkop Avrum Vevioka 's Diamonds and Maxim Gorky 's Egor Bulychev and Dostigaev and Others Artef spread propaganda to the masses. Ideologically Artef was far left; its hope was a Communist society here in America. As a troupe its role was 'agit-prop' to agitate and propagandize to serve as the cultural representative of radical workers. In fact most of its tickets were pre-sold through worker unions and at least in its early years Artef gave presentations at political events. Its first large-scale production was Mass Play and Ballet of the Russian Revolution which appeared at the Lenin memorial celebration in Madison Square Garden on January 21 1928. Artef 's greatest artistic and commercial successes were connected with the talented productions of director Benno Schneider. Schneider who had been active in the Zionist Habima troupe in Moscow wed aesthetic excellence to revolutionary ideology with his interpretation of Aristocrats an adaptation of Sholem Aleichem 's Mentshn. Incidentally Schneider earned such a positive reputation with Artef that he received offers to direct on Broadway a promotion that cost the radical Yiddish theater dearly. The end of the Artef was gradual and its causes were closely associated with the reduced role of Yiddish in American life. But there were bright lights before the darkness. During the 'days of the Popular Front ' when the Communists formed associations with less radical leftist parties the Artef attracted a larger audience which led to an optimistic expansion that later was responsible for huge financial losses. The darkness occurred at the end of the thirties when the number of Yiddish speakers began to diminish. The last performance of the Artef was on July 7 1941." Review by Dr. Brian Horowitz of 'Yiddish Proletarian Theatre: The Art and Politics of the Artef 1925–1940 ' written by Edna Nahshon. Many of the actors and directors in Artef went on to establish solid careers on Broadway Hollywood and for those blacklisted overseas. Bound in brown velour wraps with gilt title. Heavily illustrated. Subjects: Arbeiter theatre verband New York. Jewish theater. Theater - New York State - New York. Artef - Anniversaries etc. OCLC: 19310798. Light wear to edges of wraps otherwise clean and fresh. Good condition. B YID-22-9-LEBWW. New York; Posy-Shoulson Press unknown

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51 [Part of the Attempt to Make Kharkhiv a Yiddish Literary Center]Biblio.com

DI ROYTE VELT. VOL 6 NR. 5 ONLY 1930

1930réf. 17315Kharkov Ukraine: Ukrinishn Melukhe-Farlag 1930. 1st edition. Original Paper Wrappers lacks front wrapper 8vo 160 pages. 21 cm. In Yiddish. Di Royte Velt was a monthly Yiddish literary magazine which began publication in 1924. “The Yiddish literary journal Di royte velt The Red World published in 1924-33 in Kharkiv Kharkov in Russian then the Ukrainian capital was one of the strongholds of 'anti-Litvakovism'. In general terms the story of Di royte velt represents an insightful chapter in the history of Soviet Yiddish literary life of the 1920s and 1930s. In 1924 there arose the question of moving the Yiddish literary centre from Kiev to Kharkiv and of launching a Kiev-based Yiddish literary journal. This matter was discussed in a special memorandum of the Press Department of the Central Committee of the Ukrainian Communist Party. The head of the department M. Ravitsh-Cherkasky was Jewish. Motl Kiper the head of the Ukrainian Jewish Section backed this proposal arguing that Yiddish literature would benefit immensely from the capital's proletarian environment where it would liberate itself from the nationalist and Yiddishist hang-ups of Kiev. In reality the Kharkiv Jewish proletariat was more acculturated than elsewhere in Ukraine: only 36 per cent of Kharkiv Region's Jewish trade unionists were Yiddish-speakers compared with 89 per cent in the Berdichev Region 55 per cent in the Kiev Region and 42 per cent in the Odessa Region. It was no easy matter to create overnight a literary centre in a city which had a number of journalists but no literary lions. Moshe Taitsh for instance had been transferred to Moscow to reinforce the editorial staff of Der emes. For all that the apparatchiks' initiative resulted in creating in Kharkiv a new Yiddish literary journal Di royte velt. The first editors of Di royte velt were Henekh Kazakevich and M. Ravitsh-Cherkasky. While the latter was a king for a day in Yiddish literatureKazakevich was a remarkable figure in Soviet Yiddish journalism…. The first issue of the new journal appeared in September 1924 with a print-run of 2000. It was labelled a 'political-social literary-scientific bi-weekly journal'. Indeed the first issue contained only two literary works: a poem by Itsik Fefer and a story by Shmuel Persov. The other materials were devoted to theatre politics cosmology and literary criticism. Significantly the journal stressed its international character. Among its potential contributors we find the names of the editors and writers of the New York communist Yiddish daily Frayhayt Freedom Moshe Olgin Morris Vinchevsky Shakhne Epshtein Moshe Kats and Moshe Nadir. Also it was announced that the Vilna-based Boris Kletskin publishing house was preparing for publication books by four Soviet writers listed among the journals' contributors: Arn Kushnirov Moshe Khashtshevatsky Ezra Finninberg and Nokhum Oislender” Gennady Estraikh 2002: 'The Kharkiv Yiddish literary world 1920s-mid-1930s'East European Jewish Affairs 32: 2 70 — 88; for Estraikh’s extensive discussion of the importance of Di Royte Velt see the full article at https://www.yiddishweb.com/wp-content/uploads/2018/01/Kharkiv-Yiddish_Estra ikh.pdf. SUBJECTS : Yiddish literature -- Periodicals. OCLC: 10594044. Lacks Yiddish cover and 1st 2 leaves. Russian cover is present. YID-47-6. Kharkov [Ukraine]: Ukrinishn Melukhe-Farlag unknown

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