668 résultats
1934RARE! A tri-lingual edition of the Passover Haggadah from the 1930s, with numerous traditional and modern b/w illustrations and a colorful illustrated cover. 245x190mm, 62 unnumbered pages. Illustrated softcover. Cover worn and slightly stained. Cover edges slightly torn. Spine torn and mostly missing; front cover taped to back cover. Binding loose. Pages detached. Pages browning and slightly bumped at edges. Despite the aforementioned wear, this rare Haggadah from the vibrant Jewish community of interbellum Warsaw is in good condition for reading.
1999As New English Paperback. Pbo. Mint. Cr. 8vo. (20 x 14 cm). In English. 342 p. "This book is about the Hoax that nevre ends, of the believing creationists with the naturalist evolutionist heretics, of the muslims with other peoples-of-the-book, being an apt and forceful, a fully persuasionist semantic analysis of the Old Gospel, namely, The Torah. Its contents have been at dispute the past two millenia and one-half and its provides especially the true perspective on the Adliteration Harangue, namely, the possible corruption by The Jews of the Biblical Text. We then feel justified in hoping that it shall provide the flintstone of interreligious dialogue and cooperation. It comes near te being the full expression it the Quranic Enunciation, "Why, the Torah is a full account (of God's uncountable mysteries)" (6/154). All the postulations have been thoroughly substantiated from, verified against authentic, original textual material, namely, the Torah (Old Testament). So, then, this is a full mature venture to discuss the occult and the Revealed God.".
1935réf. 154105New York: The Jewish Anarchist Federation of America 1935. 31p. stapled wraps 6x9 inches wraps worn and soiled front wrap stained else good condition. The Jewish Anarchist Federation of America unknown books
1935réf. 3080New York: The Jewish Anarchist Federation of America 1935. 31p. staplebound pamphlet very good but for address stamp of the Libertarian League on front cover. The Jewish Anarchist Federation of America unknown books
1992Fine English Paperback. Pbo. 4to. (28 x 22 cm). In English. Color and b/w ills. [56] p. Corporate history of foundation. The Quincentennial Foundation was established in 1989 by 113 Turkish citizens, Jews and Muslims alike, to celebrate the 500th anniversary of Sephardim's arrival to the Ottoman Empire.
197615x21.5 cm. 207 pages. Gilt hardcover in dust jacket. In good condition.
2003210x140 mm. 68 pages. Softcover. In good condition.
19171st edition. Original paper wrappers. 8vo. 86 pages, 24 cm. In English. This issue is dedicated to esteemed Yiddish writer, David Pinski. Pinski (1872-1959) is perhaps best known as a playwright. He explored topics that were previously ignored, like urban Jewish workers and sexuality. There are 11 articles dedicated to his work. SUBJECTS: Literature, Modern -- 20th century -- Periodicals. Intellectual life. Wrappers are edge worn. Otherwise very good condition. (YID-41-22)
Original paper wrappers. 8vo; 64 pages. By one of the Bund's key leaders in Poland. Very Good Condition with some markings in first pages. (AC-2-11)
réf. 63424743University of Wisconsin Press . Papeback. New. pp. 408 Maps University of Wisconsin Press unknown
1935IN YIDDISH. 25x18.5 cm. VIII+309 pages. Hardcover. Spine slightly chafed. Pages slightly yellowing. Several pages slightly torn. Else in good condition.
1960IN YIDDISH. 200x145 mm. 278 pages. Hardcover. Cover slightly rubbed. Cover corners rubbed. Spine edges slightly worn. Front inner cover slightly stained. Binding visible at rear inner cover. Pages slightly yellowing. Else in good condition.
201025.5x18cm. XXII+153 pages. Softcover. In good condition.
193922x15 cm. 140 pages. Hardcover. Spine is scuffed and partially torn. Cover is slightly scratched and stained. Spine is partially disconnected between body of book and back cover. Spine is repaired with tape between some pages. Else n good condition.
1965IN YIDDISH. 215x145mm. 17+115 pages. Gilt hardcover with dust-jacket. Jacket slightly tattered. Cover edges slightly bumped. Ex-library copy with usual marks. Pages slightly yellowing. Else in good condition.
1946réf. 43547London: Nay-Idish teater 1946. Paperback. First edition. Original stapled paper wrappers 4to 16 4 pages including illustrations and photos. 29 cm. Text in Yiddish 16 pages and English 4 pages. Monthly periodical published by the New Yiddish Theater in London. Numbering was continuous despite the volume change with the start of the new calendar year. "In 1945 playwright producer and manager Abish Meisels staged an adaptation of Abraham Goldfaden's The Ten Commandments at the New Yiddish Theatre in the East End. An Austrian refugee Meisels immigrated to London in 1938. Five years later he walked down Adler Street and entered Adler Hall. He turned a key unlocking the doors to the New Yiddish Theatre. According to Meisels his mission was 'to present the best in Jewish drama; to keep alive the art of the Jewish theatre and to inculcate into the minds of the younger generation a love and appreciation of their lives customs and language.' .Meisels' production may have been salient for London's post-war Jewish community. Many of his 20-person company were refugees from Nazi-occupied Europe as were others of London's Jewish population. They found in Meisels' theatre as he put it a 'much needed cultural educational and social centre' and a sense of belonging. By the time Meisels opened his theatre in 1943 the Yiddish stage had been in existence for nearly 70 years. Its story began in 1876 when writer Abraham Goldfaden staged the first Yiddish theatrical productions in Romania and Russia. Yiddish plays were first performed in the UK in the 1880s concurrent with the mass migration of Yiddish-speaking Eastern European Jews to Britain. Between 1881 and 1914 nearly 120000 of these immigrants entered the country most settling in the East End. These Yiddish-speaking Jews brought with them the desire for entertainment in their native tongue. Meisels' company was the last theatre in Britain devoted to Yiddish productions. It followed the Hebrew Dramatic Club on Princes Street 1886-1887; the Pavilion Theatre onWhitechapel Road 1906-1934; the Temple of Art known as the Feinman Yiddish People's Theatre on Commercial Road; the Grand Palais on Commercial Road 1934-1970 and the Jewish National Theatre at Adler Hall 1936- 1939. The use of Yiddish declined asthe community became assimilated. In 1947 Meisels locked the doors to the NewYiddish Theatre for the last time." Stefanie Halpern Jewish Renaissance.For more on London's New Yiddish Theatre and Theater Mirror/Teater Shpigl see the London Jewish Museum's interview with Katie Power https://jewishmuseum.org.uk/whats-on/exhibitions-2/pitch-up-community-voices-katie-power. SUBJECTS: Jewish theater -- Periodicals. Jewish theater. OCLC: 35448905. OCLC locates 5 holdings in the US NYPL LOC Columbia HUC UWisc-Madison Archival corner repair rusting to staples. Good Condition. BER-1 YID-48-82A-GGX-'mccel. London: Nay-Idish teater paperback
1950IN YIDDISH. 26x17cm. LVI+933 pages. Gilt hardcover. Front cover slightly scratched. Cover corners and upper edge slightly bumped. Spine slightly wrinkled and curved. Spine upper edge slightly bumped. Front inner cover and first whitepage slightly age-stained. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1950IN YIDDISH. 26x17.5cm. LVI+933 pages. Gilt hardcover. Cover corners slightly bumped. Spine slightly loose and slightly bumped. Pages slightly wavy. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
193819.5x13.5 cm. 421 pages. Gilt hardcover. Cover slightly chafed. Spine slightly chafed. Else in good condition.
1830Later Cloth. 12mo. 88 [i. E. 176]; 131 [i. E. 262] pages. 18 cm. Two volumes in one. In Hebrew. Running title: Tikun lel Shavu? Ot. With: Seder Tikun lel Hosha? Na raba. Zultsbakh: Z. Arnshtain, 1830. Printed in Sulzbach at the press of Arnstein & Sons, begun by Seckel Arnstein in 1751 after his ancestor Ahron Fraenkel in 1645, who established a printing press business in 1699. Seckel Arnstein continued the business of printing of Hebrew bibles, which became famous all over Central and Eastern Europe under the name S. Arnstein & Sons. Bound in later cloth; printed on fine ragpaper. Subjects: Hoshana Rabba - Liturgy - Texts. Judaism - Liturgy - Texts. Hoshana Rabba - Liturgy. Judaism - Liturgy. Shavuot - Liturgy - Texts. Liturgy and ritual. Hosha'nah Rabbah readings. 1830. Shavuot readings. 1830. One listing for the 1830 edition (Univ Michigan) on OCLC; five other holdings for editions from 1827-1835. Light foxing to pages; otherwise fresh and clean. Very good condition. (GER-43-51)
19878°, BROSSURA CON ALI FIG. B.N., PG. 318 (2), A CURA DI CURT LEVIANT, TRAD. DI R. MAINARDI, BUONO STATO. PRIMA EDIZIONE. (C)
1989IN HEBREW. 21.5x14cm. 173 pages. Softcover. In good condition.
1928Later Cloth. 4to. XIII, 903 pages. 27 cm. First edition. In Yiddish; with added title page in German and Belorussian (Zeitschrift = Chasopis) , abstracts in German. Band 2-3, 1928. Academic journal of the Jewish department at the Institute of Belorussian Culture, devoted to Jewish history, folklore, and Yiddish language and literature. Contains maps and materials for a Yiddish dialect atlas and various essays on Yiddish philology, the Jewish workers movement in Belorussia, essay on Sabattai Zevi, etc. Contributions from scholars outside the Soviet Union include essays from Maks Erik, Zalman Reizin, and Max Weinreich. Subjects: Jews - Periodicals. Yiddish literature - Periodicals. Yiddish language - Periodicals. Jews. Yiddish language. Yiddish literature. OCLC lists 27 copies. Rebacked in later cloth, original wraps pastedown; some pages previously repaired with tape; overall clean and fresh. Good condition. (YID-22-49)
1967Original Cloth. 8vo. 414 pages. 24 cm. First edition. In Yiddish. The Yeshiva. "The monumental, two-volume novel Tsemakh Atlas (19671968; translated as The Yeshiva) is Grade's richest work about the Musar world and its attempt to shape the ethical personality. Through the memorable character of Tsemakh Atlas, a tortured teacher of Musar who is trapped between its self-abnegating demands, the enticements of the secular world, and his own elemental desires, readers enter a universe of high religious ideals, intellectual and moral debate, and intense spiritual struggle. " - YIVO Encyclopedia. "Grade was one of the rare interpreters of yeshivah life in modern Yiddish literature, recreating the daily life of the yeshivah student with photographic accuracy, objectivity, and affection, and illustrating it with such scenes as rabbis discussing talmudic law, as in the novel Tsemakh Atlas" - EJ 2008. Printed by Shulsinger Bros, New York. Subjects: Yeshiva Yiddish Fiction. Chaim Grade. Light stain and touch of wear to cloth, about Very good condition. (YID-21-50A) xx
1937réf. 35363New York; Posy-Shoulson Press 1937. 1st edition. Original Wraps. 4to. 4 171 2 23 pages. 28 cm. In Yiddish with English section and title page: Ten years Artef; published for the tenth anniversary of the Artef March 1937. Extensively illustrated publication for the tenth year anniversary of the radical Yiddish theatre company Artef: "the radical Yiddish dramatic troupe based in New York during the heyday of the Yiddish theater in America. Begun in the mid-1920s as a study group of amateur worker-actors at one time there were nine separate studios with over 120 students in the 1930s the troupe went professional putting on at least two and often three new plays per season. With such plays as Jacob Mostel 's Strike Shmuel Godiner 's Jim Kooperkop Avrum Vevioka 's Diamonds and Maxim Gorky 's Egor Bulychev and Dostigaev and Others Artef spread propaganda to the masses. Ideologically Artef was far left; its hope was a Communist society here in America. As a troupe its role was 'agit-prop' to agitate and propagandize to serve as the cultural representative of radical workers. In fact most of its tickets were pre-sold through worker unions and at least in its early years Artef gave presentations at political events. Its first large-scale production was Mass Play and Ballet of the Russian Revolution which appeared at the Lenin memorial celebration in Madison Square Garden on January 21 1928. Artef 's greatest artistic and commercial successes were connected with the talented productions of director Benno Schneider. Schneider who had been active in the Zionist Habima troupe in Moscow wed aesthetic excellence to revolutionary ideology with his interpretation of Aristocrats an adaptation of Sholem Aleichem 's Mentshn. Incidentally Schneider earned such a positive reputation with Artef that he received offers to direct on Broadway a promotion that cost the radical Yiddish theater dearly. The end of the Artef was gradual and its causes were closely associated with the reduced role of Yiddish in American life. But there were bright lights before the darkness. During the 'days of the Popular Front ' when the Communists formed associations with less radical leftist parties the Artef attracted a larger audience which led to an optimistic expansion that later was responsible for huge financial losses. The darkness occurred at the end of the thirties when the number of Yiddish speakers began to diminish. The last performance of the Artef was on July 7 1941." Review by Dr. Brian Horowitz of 'Yiddish Proletarian Theatre: The Art and Politics of the Artef 1925–1940 ' written by Edna Nahshon. Many of the actors and directors in Artef went on to establish solid careers on Broadway Hollywood and for those blacklisted overseas. Bound in brown velour wraps with gilt title. Heavily illustrated. Subjects: Arbeiter theatre verband New York. Jewish theater. Theater - New York State - New York. Artef - Anniversaries etc. OCLC: 19310798. Light wear to edges of wraps otherwise clean and fresh. Good condition. B YID-22-9-LEBWW. New York; Posy-Shoulson Press unknown
