BLEGEN,C.W.Livre Rare Book
23 400 résultats
réf. 19411Hilversum, Antw., De Haan, Standaard boekhandel, 1967.
réf. 19747Athènes, Boukoumanis, [cop. 1984] 1 volume 14 x 20,7cm Broché sous couverture au 1er plat orné d'une petite vignette en médaillon. 63p.; 1 illustration in texte à pleine page. Bon état.
réf. 82472Lpz., Tbn., 1929.
réf. 154759München, Berlin, Köhler & Amelang, 2001.
réf. 117437Mainz, Von Zabern, 1994.
réf. 108510Mainz, Philipp von Zabern, 1994.
réf. 115437Mainz, Philipp von Zabern, 1990.
réf. 104600New York, Arno Press, 1976.
réf. 104344N.Y., Arno Press, 1976.
réf. 104838Leiden, Brill, 1971.
réf. 154114Leiden etc., Brill, 2000.
1948réf. 13330Paris Editions du Cerf 1948 in Sources chrétiennes. Un volume in-12 broché, couverture grise, 284 pages, texte en grec et en français. Notes au crayon en marge, dos bruni, néanmoins bon état.
1970Stamp to half-title (Ter Recensie). Notes to rear inner cover in pencil. Light dust-soiling to top of textblock. ; 409 pages
2003Yota Krili was born in Kerastari of Arcadia, Greece in 1937 and migrated to Australia in 1959 and became a teacher and writer . This bi-lingual collection has an introduction by Helen Nickas.161p. [Worldcat copies in Australian libraries] Book
2003réf. 042135Melbourne Australia : Owl Pub. 2003 Book. New. Soft cover. 1st Australian Edition. Yota Krili was born in Kerastari of Arcadia Greece in 1937 and migrated to Australia in 1959 and became a teacher and writer . This bi-lingual Greek- English collection has an introduction by Helen Nickas.161p. Worldcat - copies in Australian libraries / Not in NLG . Owl Pub. paperback
1930Paris, les Belles Lettres, 1930; in-8, 48 pp., broché. Tiré à part. Bon état.
1963Minor shelfwear to book. Former owner's bookplate on inner cover. DJ has a few tears and chipping with some rubbing. ; Mit Fünf Kartenskizzen im Text und einer Einsteckkarte. ; 365 pages
Paris, Gallimard, Collection Du Monde Entier, 1968. In-8, broché, 295 pp. Edition originale de la traduction française. Un des 26 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, n° 10. Bel ex.
1988Very light shelfwear to book else fine. Scholar's name to ffep (R. E. Fantham). Very light edgewear to DJ else fine. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
1988Very light bump to 1 corner. Else book is fine. Sticker residue to front panel of DJ. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
1988Scratch to front panel of DJ. Minor rubbing to DJ else NF. ; 0.88 x 9.48 x 6.38 Inches; 224 pages; By its very nature, the art of oratory involves character. Verbal persuasion entails the presentation of a persona by the speaker that affects an audience for good or ill. In this book, James May explores the role and extent of Cicero's use of ethos and demonstrates its persuasive effect. May discusses the importance of ethos, not just in classical rhetorical theory but also in the social, political, and judicial milieu of ancient Rome, and then applies his insights to the oratory of Cicero. Ciceronian ethos was a complex blend of Roman tradition, Cicero's own personality, and selected features of Greek and Roman oratory. More than any other ancient literary genre, oratory dealt with constantly changing circumstances, with a wide variety of rhetorical challenges. An orator's success or failure, as well as the artistic quality of his orations, was largely the direct result of his responses to these circumstances and challenges. Acutely aware of his audience and its cultural heritage and steeped in the rhetorical traditions of his predecessors, Cicero employed rhetorical ethos with uncanny success. May analyzes individual speeches from four different periods of Cicero's career, tracing changes in the way Cicero depicted character, both his own and others', as a source of persuasion, changes intimately connected with the vicissitudes of Cicero's career and personal life. He shows that ethos played a major role in almost every Ciceronian speech, that Cicero's audiences were conditioned by common beliefs about character, and finally, that Cicero's rhetorical ethos became a major source for persuasion in his oratory.
1969Parallel texts in Greek and English. Translated, with a foreword and notes, by Walter Kaiser 69p. Donor inscription on half title, else fine Book