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1969Best.-Nr. 38378Northampton Massachusetts: The Gehenna Press 1969. Hardcover. Fine. Hardcover. Number 34 of 200 copies signed by the famed illustrator and founder of the press Leonard Baskin. Leonard Baskin 1922 - 2000 was an American sculptor draughtsman and graphic artist as well as founder of the Gehenna Press 1942-2000. One of America's first fine arts presses it went on to become "one of the most important and comprehensive art presses of the world" often featuring the work of poets such as Sylvia Plath Ted Hughes Anthony Hecht and James Baldwin side by side with Baskin's bold stark energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times Baskin is also known for his wood limestone bronze and large-scale woodblock prints which ranged from naturalistic to fanciful and were frequently grotesque featuring bloated figures or humans merging with animals Wikipedia. Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles he is one of the three authors of Greek tragedy for whom any plays have survived in full. His play Hippolytos is an Ancient Greek tragedy by Euripides based on the myth of Hippolytus son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. This may be one of the most stunning of the many fine works published by this famous press. It is accompanied by a separate folder of ten prints with illustrations taken from the text. Bound in brown cream and black marbled paper boards with a brown leather spine with the author and title names in small gilt letters. The types are Monotype Centaur and Arright. The pressman was the well known printer Harold McGrath. Baskin's etchings were printed from the plates by Emiliano Sorini. In the colophon thanks are given to John Moore of Amherst College George Dimock of Smith College and Wililiam Arrowsmith James Hynd and Thomas Gould of the University of Texas for their comments on the text. The text was taken frin W.S. Barrett's edition of the play as published by the Oxford University Press. Housed in a slipcase that also holds the folder of prints. The slipcase has the same marbled papers that were used on the book.It also has a brown leather spine with the titling in gilt. There are two small stains on the leater spine. Other than that this work is in fine condition. Measores 13 x 20 inches. Unpaginated. PRI/080326. The Gehenna Press hardcover
1969Best.-Nr. 38378Northampton Massachusetts: The Gehenna Press 1969. Hardcover. Fine. Hardcover. Number 34 of 200 copies signed by the famed illustrator and founder of the press Leonard Baskin. Leonard Baskin 1922 - 2000 was an American sculptor draughtsman and graphic artist as well as founder of the Gehenna Press 1942-2000. One of America's first fine arts presses it went on to become "one of the most important and comprehensive art presses of the world" often featuring the work of poets such as Sylvia Plath Ted Hughes Anthony Hecht and James Baldwin side by side with Baskin's bold stark energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times Baskin is also known for his wood limestone bronze and large-scale woodblock prints which ranged from naturalistic to fanciful and were frequently grotesque featuring bloated figures or humans merging with animals Wikipedia. Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles he is one of the three authors of Greek tragedy for whom any plays have survived in full. His play Hippolytos is an Ancient Greek tragedy by Euripides based on the myth of Hippolytus son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. This may be one of the most stunning of the many fine works published by this famous press. It is accompanied by a separate folder of ten prints with illustrations taken from the text. Bound in brown cream and black marbled paper boards with a brown leather spine with the author and title names in small gilt letters. The types are Monotype Centaur and Arright. The pressman was the well known printer Harold McGrath. Baskin's etchings were printed from the plates by Emiliano Sorini. In the colophon thanks are given to John Moore of Amherst College George Dimock of Smith College and Wililiam Arrowsmith James Hynd and Thomas Gould of the University of Texas for their comments on the text. The text was taken frin W.S. Barrett's edition of the play as published by the Oxford University Press. Housed in a slipcase that also holds the folder of prints. The slipcase has the same marbled papers that were used on the book.It also has a brown leather spine with the titling in gilt. There are two small stains on the leater spine. Other than that this work is in fine condition. Measores 13 x 20 inches. Unpaginated. PRI/080326. The Gehenna Press hardcover books
2012Best.-Nr. 932700Seattle WA: Ouroboros Press / Ars Obscura Bookbinding 2012. NEW / Rosencreutz Edition - Full scarlet leather with raised spine bands gilt title and Rose Cross device. Handmarbled endsheets and silk ribbon bookmark. Limited to 120 copies only. Title in Full - "The Rosicrucian Manifestos : The Foundation Documents Of The Brotherhood Of The Rosy-Cross Being the Fama and Confessio Fraternitatis to which is appended A Letter from the Brothers of R. C. Concerning the Invisible Magical Mountain & the Treasure therein Contained." From the Publisher see image - "Early in seventeenth century Germany two anonymous manuscripts were in circulation which would cause a stir in intellectual and spiritual communities in Europe with calls for reformation and a focus on the Hermetic-Cabalist tradition. The manuscripts were finally printed as the Fama Fraternitatis and Confessio Fraternitatis and told the story of the founding of a mysterious society; the Brethren of the Rosy Cross which eschewed religious dogma and called for the study of Alchemia Magia and Cabala. Considered a ludibrium by many including the supposed author Johann Valentin Andreae who later said he wrote them as a 'youthful jest' the Manifestos nonetheless ignited a firestorm of controversy which resulted in the rise of many forms of Rosicrucianism. Some of these movements have come down to us today in the form of magical orders such as the Hermetic Order of the Golden Dawn the Builders of the Adytum or AMORC now based in San Jose California. As the Master Therion wrote in Liber LXI vel Causae concerning purported Rosicrucian manuscripts; "You will readily understand that the genuineness of the claim matters no whit such literature being judged by itself not by its reputed sources." Seventeenth century Europe was expectant of political and religious change as two new stars appeared in firmament as discussed by Johannes Kepler in his De Stella nova in pede Serpentarii; De Stella incognita Cygni which was printed in Prague two years after the stars appeared in 1604. This unique celestial event depicted in the Temple of the Rosy Cross print fortified the call for political and spiritual renewal 'trumpeted' by the manifestos. This invisible college as the Rosicrucian Order was sometimes refered to is represented in the print as a temple on wheels 'under the shadow of the wings of the Lord.' Schweighardt was a supporter of Rosicrucian ideas but he was by no means alone in these endeavours as his reference to Julianus de Campis wielder of the sword shows. Of course there were other supporters such as Michael Maier Robert Fludd and Thomas Vaughan the latter causing to be printed the first English edition of the Manifestos. The Rosicrucian Manifestos describe the early life of Christian Rosencreutz his pilgrimage to the East in search of occult knowledge and his eventual founding of the mysterious Brothers of the Rosy Cross. The enigmatic and axiomatic writing style places the texts firmly into the western esotericism and includes critiques upon the 'closed minds' of society be it political religious or intellectual and includes the legend of the founder CRC and gives very detailed descriptions of the Hidden Symbolical Vault wherein the secrets of the order were secured along with the body of Christian Rosencreutz laid in restful repose under an Everburing Lamp. The appended Letter from the Brothers of R.C. describes the Invisible Magical Mountain of the Adepts how to get there and what to expect while 'visiting'". Limited Edition. Hard Cover/Full Leather/Sewn. New. Illus. by Frontis Portrait of Andreae and 2 Engraved Plates Entirely Reset In Classic Typefaces. Small 8vo - over 7¼" tall. Ouroboros Press / Ars Obscura Bookbinding hardcover
1936Best.-Nr. 76089Paris, Institut International de Coopération Intellectuelle, 1936, 15x19cm, broché avec grande vignette de titre verte contrecollée sur le premier plat, 145p. 4 gravures en couleurs à pleine page de FOUJITA, portrait de Bashô par Kyoroku et une vignette de Kiyoshi HASEGAWA en couverture. Un des exemplaires sur vélin après 55 exemplaires sur Japon Impérial. Intérieur de toute fraîcheur. Couverture présentant quelques marques du temps, une tache de qq. mm.sur le premier plat au coin supérieur droit, dos jauni, frotté et légèrement fendu en un point. Néanmoins brochage solide.
1828Best.-Nr. PHO-1950Paris, Firmin Didot, 1828, 2 tome en 1 volume in-4, VII-461pp.-435pp., sans couverture, manque les pages de titres (copie), quelques rousseurs.
Best.-Nr. 003242in-12 (13,6 x 8 cm), 430 pp. Reliure d'époque veau brun, dos à cinq nerfs orné,pièce de titre maroquin rouge, tranches rouges. (Date entre 1620 et 1629). Quelques bandeaux et lettrines. Tampon de colportage. Quelques notes manuscrites anciennes dans les marges et sur les feuillets blancs. Provenance manuscrite : "Charles Henichart" Marques de l'imprimeur sur la page de titre et le colophon.
Best.-Nr. 109650Lugduni (Lyon), Apud Ant. Vincentium, M.D.LIII (1553), 1 volume in-12 de 175x105x55 mm environ, 1f.blanc, 40 ff. (titre en rouge et noir avec vignette à la marque de l'imprimeur Antoine Vincent)-1f.blanc-539 feuillets, 2ff.blancs, (un numéro pour 2 pages), plein veau brun de l'époque, dos à nerfs, titres à peine visible sur pièce de titre grenat, orné de fleurons aux entrenerfs et un motifs en losange au centre des plats (dorure en effacée). Exemplaire entièrement réglé, avec colophon en dernière page : Lugduni Excudebat Petrus Fradin, M.D.LV. Avec la Marque de l'imprimeur Antoine Vincent gravée sur bois et des Lettrines gravées sur bois. Sig. |-|||||8, a-z, A-O8, P4, Q-Y8, Aa-Yy8, (Yy8 le dernier feuillet réglé est un feuillet blanc). Reliure abimée avec manque de cuir sur le dos les coupes et les coins, des annotations manuscrites par endroits dans les marges et sur la page de titre, rares manques de papier, petites taches et cernes dans les marges, galeries de ver marginales en début et fin de volume (sans atteinte au texte). Rare impression lyonnaise réalisée par FRADIN pour Antoine VINCENT; Janus Cornarius (Johann Hainpol ou Hagenbut), ami d'Erasme, professeur de Médecine qui donna plusieurs traductions d'Hippocrate.
1682Best.-Nr. 73301682 "Suivant la copie imprimée à Paris Chez Claude Barbin." . [Hollande], 1682. 2 volumes in-12, a la sphère Nouvelle traduction par La Valterie, Paris, Barbin, avec lettre à : Monseigneur l'abbé Lyonne, en epistre par l'éditeur (4 pages), une préface (8 pages) et Les Arguments (8 pages) 576 pages. 1682, 2 volumes en deux parties, in12. Reliure veau brun, dos à nerfs orné. Faux titre gravé. 24 gravures dessinées par SchoonebeckEtat superbe dans une reliure d'époque
1976Best.-Nr. 014591Paris Gallimard NRF - Collection "Du Monde entier" 1976 In-8 Broché, jaquette illustrée Dédicacé par l'auteur
1746Best.-Nr. 72511746 La Haye, [au Croissant], 1746. In-12; basane brune, dos lisse orné, pièce de titre marron, Armes sur les plats " Bibliotheque de Mr et Mm DE MAY, filets sur les plats, tranches rouges , 183 pp. Edition originale de la traduction française. Ex-libris :Henri Edouard Weber Un deuxieme roman à la suite du premier : Les deux cousines ou le mariage du Chevalier de *** sans auteur a Constantinople 1747. in-8;
Paris, Denoël, 20 février 1961. In-12, broché, 227 pp. Edition originale. Un des 20 exemplaires numérotés sur vélin pur fil, seul tirage en grand papier. Bel exemplaire en parfait état.
1804Best.-Nr. 21278Lyon, Bruyset aîné et Buynand, an XII-1804 - an XIII-1805 ; 5 tomes in-8, veau porphyre, dos à nerfs décoré de croisillons et fleurons dorés, pièces rouges, dentelle d’encadrement des plats, tranches jaunes (reliure de l’époque) ; LXXIX, [1], 532; 467 ; 648 ; 518; XVIII (Table Alph. Franç. des Genres), XVIII (Table Alph. Latine des Genres), XVI (Table Franç. numérique des Genres), XXXII (Table Alphab. Nosologique), XXII (Table Alph. Pharmaceutique), VIII (Table des Plantes nutritives), XXXIV (Tables Plantes colorantes), CXIV (Table Alph. Lat. des Synonymes de Bauhin), XVI (Table Alph. Lat. des Synonymes des genres), LXIV (Table Alph. des auteurs de Botanique cités), VI (Table Chrono. des Auteurs de Botanique), XLIV (Table Alph. des Etymologies des Genres), [2] pp. Errata. Portrait de Charles Linné gravé par Boily, en frontispice.
1766Best.-Nr. 21550Paris, Pierre-François Didot, le Jeune, 1766 ; in-12, veau marbré, dos lisse à faux nerfs dorés, décoré et doré, pièce de titre grenat, tranches rouges (reliure de l’époque) ; [8], 392 pp.
1972Best.-Nr. 82762Ediciones Poligrafa S. A 1972-01-01. Hardcover. Very Good. Large format hardcover in jacket with text in Spanish light chip to head of spine of the jacket. All 11 original lithographs are intact. Tight binding no marks. oversized and overweight. Please email for photos. Ediciones Poligrafa, S. A hardcover
Best.-Nr. 66277Paris, Librairie Renouard 1918, 408x285mm, XII - 519pages, demi-chagrin noir, dos à nerfs, auteur et itre dorés, bords du haut du dos fendus sur une dizaine de centimetre, reliure solide. Tirage limité, exemplaire numéroté n.° 273 / 550.
Best.-Nr. 117972Paris, de l’imprimerie de Didot jeune, chez Bleuet père 1793 (an 2e. de la République) 240x160mm, reliure maroquin rouge, dos à cinq nerfs doré, étiquette verte, plats encadrés de quelques motifs et filets dorés, superexlibris doré au centre des deux plats, tranches dorées, bordures fleuries, dentelles intérieures, garde papier marbré. Bel exemplaire. Les superexlibris représentent les armes du Marquis de Villeneuve : “A tout premier Maroquis de France”.Voir le Vapereau Dict. univ. des littératures sur les louanges à l’adresse de Delille pour son oeuvre principale.Brunet V, col. 1303-4 mentionne la première édition (1770, Paris, Bleuet) de cette excellente traduction, une édition de Didot, 1783, et celle-ci (an II, 1793).
1927Best.-Nr. 40636Tel Aviv: Devir Dvir 1927. First Hebrew Edition. Hardcover. g- to vg. Small Folio. Unpaginated 17pp. White buckram spine over brown boards. Gold leaf debossed lettering on lithographic illustrated plate on front cover. The beautifully produced children's book is the Hebrew language translation of "Der Vogel Wandelbar" by German poet Richard Dehmel originally published in 1923. The book is illustrated with seven gorgeous full-page color lithographs cover image by J. Gleitsmann. The poem uses the image of the bird metaphorically to describe the trials and tribulations of growing up and being handicapped. Text in Hebrew. Binding with some staining to front and back with a 3 x 1/2" stain to upper left corner of front cover and a 1 1/2 x 1/2" stain to upper right corner of back cover. Corners lightly rubbed. Minor water stains to front lithograph else fine. Crease to upper right corner of front cover. Interior with some minor smudges. Binding in overall good- interior in very good condition. Devir (Dvir) hardcover
1927Best.-Nr. 40636Tel Aviv: Devir Dvir 1927. First Hebrew Edition. Hardcover. g- to vg. Small Folio. Unpaginated 17pp. White buckram spine over brown boards. Gold leaf debossed lettering on lithographic illustrated plate on front cover. The beautifully produced children's book is the Hebrew language translation of "Der Vogel Wandelbar" by German poet Richard Dehmel originally published in 1923. The book is illustrated with seven gorgeous full-page color lithographs cover image by J. Gleitsmann. The poem uses the image of the bird metaphorically to describe the trials and tribulations of growing up and being handicapped. Text in Hebrew. Binding with some staining to front and back with a 3 x 1/2" stain to upper left corner of front cover and a 1 1/2 x 1/2" stain to upper right corner of back cover. Corners lightly rubbed. Minor water stains to front lithograph else fine. Crease to upper right corner of front cover. Interior with some minor smudges. Binding in overall good- interior in very good condition. Devir (Dvir) hardcover books
1791Best.-Nr. 59297Printed For J. Johnson N.72 St. Paul’s Church Yard 1791. First Edition. Hardcover. Very Good Solid Copy Some Wear and loss At Extremities Generally Very Clean Each Volume Has At The Front Paste Down The Amusing Bookplate Of Lewis Perry Curtis an Apparent Bibliophile and perhaps the Yale Historian of that name. Two Quarto Volumes Contemporary Mottled Calf Gilt Color Decoration And Lettering At Spine Six Compartments with Two with Original Leather Lables Laid Onto Newer Calf Reback Original Covers Have a Gilt Color fern Motif Edging alternating with Tapering Bubble pattern and inner edge with floral and diamond alternating decoration Marbled End Papers. Illiad complete in Vol. I and Odyssey in Vol. I I; ; This Homer Translation is Considered a Classic Contribution to English Speaking Readers Cowper Wrote a Poem The Negro’s Complaint in 1788 as an Anti-Slavery Advocate Printed For J. Johnson, N.72, St. Paul’s Church Yard hardcover
1609Best.-Nr. 625650Ginevra: Apud Iohan 1609. Hardcover. Very Good. Thick 32mo. 8 894pp. 40 index. Contemporary vellum flexible boards with the title faintly written on the spine. Parallel text in Greek and Latin. Boards worn and rubbed some soiling to the page edges pastedowns worn with some contemporary writing in pen minor edgewear to the pages and two pages of the index with tears still very good with the binding sound. Apud Iohan hardcover
1609Best.-Nr. 625650Ginevra: Apud Iohan 1609. Hardcover. Very Good. Thick 32mo. 8 894pp. 40 index. Contemporary vellum flexible boards with the title faintly written on the spine. Parallel text in Greek and Latin. Boards worn and rubbed some soiling to the page edges pastedowns worn with some contemporary writing in pen minor edgewear to the pages and two pages of the index with tears still very good with the binding sound. Apud Iohan hardcover books
1723Best.-Nr. 47525Lugduni Lyon: Jacobum Certe 1723. Editio Novissima New edition. Hardcover. g- to vg. Quarto. 20 412 62 table and indices 11 plates 10 folding bound in 1 folding alphabet 11 plates at rear. Full vellum with brown lettering on spine. Title page with publisher's device. Decorative head- and endpieces historiated initials. In this work Bernard Lamy the renowned French Oratorian mathematician and theologian calls in question the historical character of the book of Tobias and book of Judith and maintains that even after the Council of Trent a difference of authority should be recognized between the proto-canonical and deutero-canonical books of the Bible. This study examines also such subjects as the history of the Hebrews and the Holy Land a description of the Tabernacle and Temple a history of the scriptures and a great many tangential matters like the plants animals minerals diseases and customs mentioned in the Bible. This book is exquisitely illustrated with 22 fine copper plate engravings ten of them folding in block one folding plate with Greek and Hebrew alphabet and eleven plates bound at rear. The eleven plates at rear depict animals and plants the others include two maps a plan of Jerusalem a detailed temple plan a priest with garments a rabbi with tefillin and 3 charts of coinage and measurements. Text in Latin. Binding with some wear few small chips slightly wavey some staining and light scuffing at spine. Some parts of book with stains at top margins due to water exposure. Binding in overall good- interior and plates in very good condition. About the author: Bernard Lamy 1640-1715 was a French Oratorian mathematician and theologian. Jacobum Certe hardcover books
1805Best.-Nr. 2583# AUTEUR: Hulot M. et Berthelot M. pour la traduction # ÉDITEUR: Behmer et Lamort - Metz - Rondonneau - Paris # ANNÉE ÉDITION: 1805 (an XIII) # ENVOI, BEAUX PAPIERS: Vergé # COUVERTURE: 1/2 basane marron - dos plat - pièces de titre marron clair tomage noir - faux nerfs décor dorés # DÉTAILS: 9 tomes reliés en 4 volumes In 4° T1-2: 28pp.+ 597pp.+ 1ff (index). 603pp.+ 2ff (index). T3-4: 552pp.+ 10ff (index, actionnaires, souscripteurs) 607pp.+ 2ff (index). T5-6: 567pp.+ 4ff (index, actionnaires, souscripteurs) 616pp.+ 4ff (index). T7-8: 675pp.+ 2ff (index) les 7 volumes du Digeste sont complets. reliés à la suite(8) Les institutes de l'empereur Justinien 2ff+ 335pp. Le trésor de l'ancienne jurisprudence romaine ou collection des fragmens qui nous restent du droit romain, antérieur à Justinien traduit par A. Tissot et A.G. Daubanton 277pp.+ 1ff (index). Texte sur deux colonnes français- latin. # PHOTOS visibles sur www.latourinfernal.com
Best.-Nr. BB110256Two volumes with identical half leather bindings bindings with damages but still attractive. Goldprint and decorations on the spine. In -4 25 x 21 cm. Complete set of two volumes. From the female author Naatje van Streek-Brinkman. With provenance Museum Willem Twee initiated by bookdealer Anthony van Tetroode in The Hague. 12 songs of Virgil's Aneis with explanations Aanteekeningen.First volume with stamp on the flyleaf of Museum Willem Twee 's Gravenhage and the name A.J. van Tetroode. Stamp on the titlepage top right of Bibl. Gymn. Soc. Jesu Amstelodam IHS Jesuits Jezuïeten.Second volume with stamp on the flyleaf of the same former museum but then in French: Musée Guillaume-Deux à La Haye.NL Museum Willem Twee was een museum in Den Haag. Het museum werd opgericht door boekhandelaar Anthony A.J. van Tetroode Toon Tetteroo ook wel Tetterode die een bewonderaar was van deze koning. Het museum was gevestigd aan de Lange Voorhout en werd geopend in 1856 zeven jaar na de dood van de koning. Het museum heeft op die locatie slechts een jaar bestaan. Baron van Brienen kocht in 1858 het perceel en bouwde er een grote woning een paleis dat het latere Hotel Des Indes zou worden. Van Tetroode adverteerde voor zijn commerciële activiteiten met de aanduiding ""Museum Willem Twee"" soms met de Franstalige naam Musée Guillaume-Deux. Wat er gebeurde met de inboedel van het museum is niet bekend.Dichteres Naatje van Streek-Brinkman werd geroemd om haar nauwgezette vertaling van de oorspronkelijke tekst door Virgilius waarbij ze dicht bij de oorspronkelijke tekst bleef. In een recensie uit 1809 in DBNL staat dat zij de oude dichter weer terug gegeven heeft zoals hij is met alle schone vindingen en nu en dan schrik-verhevene beschrijvingen. Vooral de vertaling van het stuk waar Aeneas langs de Italiaanse kunst Sicilië nadert de beschrijving van de vuurbrakende Etna en de bedolven reus Encelades worden geroemd. Naar algemeen oordeel waren de vertalingen van Vondel en Westerbaen niet geheel gelukt en was dit de beste vertaling in het Nederlands. Naatje Brinkman Anna Catharina Brinkman 1760-1828 trouwde 1784 met Coenraad van Streek en berijmde ook de vertaling van de Fransche Catechismus. Ze was in 1800 redactrice van de Constitutioneele opregte Woensd. Bataafsche Courant. Ze gaf in 1804 een roman in 2 delen uit: Charakaters en lotgevallen van Adelson Heloïse en Elius nabootsing van La Nouvelle Heloïse van Rousseau en van de romans van Wolff en Deken. Zij dichtte op de ramp van Leiden 1807 en begroette koning Lodewijk met een welkomstgroet na de watersnood in 1809 en in 1813 De Souvereine Vorst enz. hardcover
1937Best.-Nr. 118455Paris : Philippe Gonin 1937 - 1948 - 1950. VIRGILE P. VIRGILIUS MARONIS. - DELILLE Abbé Jacques traduction de. - MAILLOL Aristide illustrations de.Les Géorgiques. P. Virgilii Maronis Georgica. Texte latin et version française de l’Abbé Jacques Delille gravures sur bois d’Aristide Maillol. Tome I et tome II. 2 Volumes. Paris Philippe Gonin1937 - 1948 - 1950 335x250mm édition bilingue : français - latin collation effectuée : titre gravé - 2 pages de titres illustré - 174 pages avec 5 lettrines gravées 7 petites vignettes in texte et 45 gravures sur bois in texte titre gravé - 2 pages de titres illustré - 154 pages avec 5 lettrines gravées et 53 gravures sur bois in texte complet des 120 gravures en feuille couverture rempliée sous chemise demi-parchemin avec emboîtage cartonné. Justification du tirage : J’ai tiré moi-même les gravures à la presse à bras sur les bois qu’Aristide Maillol avait dessinés et gravés de sa propre main. Le texte latin des Géorgiques et la version française de l’abbé Delille collationnés et revus par madame Michel Roussier archiviste paléographe ont été composés avec une fonte nouvelle de caractères du XVème siècle. Le papier créé pour cette édition est de pur chanvre et lin à grandes fibres exempt de produits chimiques. Le livre a été composé à Paris dans la Typographie Dumoulin sous ma direction puis imprimé avec la collaboration de Henry Barthélemy. Philippe GONIN. Un des 750 exemplaires numéroté n.° 463. Hormis rousseurs marginales des pages 6 à 10 du tome II très bel exemplaire. Achevé d’imprimer le 21 mars 1950 premier jour du printemps. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Philippe Gonin unknown