12 492 résultats
2006réf. 48140Los Angeles: J. Paul Getty Museum 2006. First edition. Hardcover. New in publisher's shrink wrap partially. Folio. 264pp. Original black cloth with blind-stamped lettering on spine in original color-illustrated dustjacket white lettering on spine. Glossy orange endpapers. Color frontispieces. "From the ancient history of decorative stonework comes a very special artistic phenomenon and this richly illustrated large-format volume tells its fascinating story. The phenomenon is is pietre dure or polychrome hardstone marquetry which resurfaced in Rome in the sixteenth century during the artistic flowering of the Italian Renaissance. Rome where art took its inspiration from the cult of antiquity fell in love with the evocative power of hardstones such as verde antico from Thessaly breccia from the island of Skyros and imperial porphyry. The stones decorated table tops were inlaid into delicate floral panels and shone from ovals of opalescent alabaster." Publisher. Extraordinary volume with stunning color photographs throughout many of them double-paged or full page capturing the beauty and craftsmanship of this ancient technique brilliantly. Contains bibliography index and photo credits at rear. J. Paul Getty Museum hardcover
2006réf. 48140Los Angeles: J. Paul Getty Museum 2006. First edition. Hardcover. New in publisher's shrink wrap partially. Folio. 264pp. Original black cloth with blind-stamped lettering on spine in original color-illustrated dustjacket white lettering on spine. Glossy orange endpapers. Color frontispieces. "From the ancient history of decorative stonework comes a very special artistic phenomenon and this richly illustrated large-format volume tells its fascinating story. The phenomenon is is pietre dure or polychrome hardstone marquetry which resurfaced in Rome in the sixteenth century during the artistic flowering of the Italian Renaissance. Rome where art took its inspiration from the cult of antiquity fell in love with the evocative power of hardstones such as verde antico from Thessaly breccia from the island of Skyros and imperial porphyry. The stones decorated table tops were inlaid into delicate floral panels and shone from ovals of opalescent alabaster." Publisher. Extraordinary volume with stunning color photographs throughout many of them double-paged or full page capturing the beauty and craftsmanship of this ancient technique brilliantly. Contains bibliography index and photo credits at rear. J. Paul Getty Museum hardcover books
1979réf. 016307Kunstmuseum Bern 1979. Book. Fine Condition. Cloth. 476 pages. Hardcover bound with gray cloth covered boards and wrapped in an illustrated paper dustjacket. Text in English. Save for a previous bookseller's discreet adhesive sticker on the rear pastedown the book is in crisp tight sharp and clean condition with a bright dustjacket now encased in a Mylar sleeve. Often marketed with the three volume catalogue raisonne of the artist's drawings also published by the Kunstmuseum Bern. Meticulously researched well illustrated. Kunstmuseum Bern Hardcover
1920réf. 28553London: Humphrey Milford; Oxford University Press 1920. First English language edition. Hardcover. vg. Octavo. XXII 161pp English 59pp Hebrew. Original blue cloth with gold lettering on spine. Berechiah ben Natronai ha-Nakdan "ha-Nakdan" meaning "the punctuator" or "grammarian" commonly known as Berachya 13th century was a Jewish exegete ethical writer grammarian translator poet and philosopher. His most famous works are Mishle Shualim Fox Fables and Sefer Hahibbur The Book of Compilation. Very little is known for certain about his life and much discussion has taken place concerning the date and native country of Berachyah. It is possible that he was a descendant of Jewish scholars of Babylonia. He is thought to have lived sometime in the 12th or 13th century with some placing him about 1260 in Provence. Other theories give Northern France as his home while Joseph Jacobs arrived at the conclusion that Berechiah should be located in England toward the end of the 12th century. This was confirmed by Neubauer's discovery that in the preface to his fables Berechiah refers to the "turning of the wheels of fate to the island of the sea = England for one to die and the other to live" clearly a reference to the English massacre of 1190 From WIKIPEDIA. Very minor age-toning on spine. Previous owner's sticker on free front endpaper Abraham Steinmeier. Binding in overall good to very good interior in very good condition. Humphrey Milford; Oxford University Press hardcover
1920réf. 28553London: Humphrey Milford; Oxford University Press 1920. First English language edition. Hardcover. vg. Octavo. XXII 161pp English 59pp Hebrew. Original blue cloth with gold lettering on spine. Berechiah ben Natronai ha-Nakdan "ha-Nakdan" meaning "the punctuator" or "grammarian" commonly known as Berachya 13th century was a Jewish exegete ethical writer grammarian translator poet and philosopher. His most famous works are Mishle Shualim Fox Fables and Sefer Hahibbur The Book of Compilation. Very little is known for certain about his life and much discussion has taken place concerning the date and native country of Berachyah. It is possible that he was a descendant of Jewish scholars of Babylonia. He is thought to have lived sometime in the 12th or 13th century with some placing him about 1260 in Provence. Other theories give Northern France as his home while Joseph Jacobs arrived at the conclusion that Berechiah should be located in England toward the end of the 12th century. This was confirmed by Neubauer's discovery that in the preface to his fables Berechiah refers to the "turning of the wheels of fate to the island of the sea = England for one to die and the other to live" clearly a reference to the English massacre of 1190 From WIKIPEDIA. Very minor age-toning on spine. Previous owner's sticker on free front endpaper Abraham Steinmeier. Binding in overall good to very good interior in very good condition. Humphrey Milford; Oxford University Press hardcover books
1964réf. LPB009432VNArnoldi Mondadori Editore 1964. First Italian Edition/1st Printing. Hardcover. Good/Good. Signed by author. First Edition stated. Signed by author to ffep. In red boards with gilt to type and design motif on spine. Dings to a couple corners and head of spine with small scar to front edge of spine towards bottom. Fading to bottom of front board and heel of spine with a couple scuffs to rear board. Faint moisture stain to bottom of rear board and inside bottom of rear pastedown otherwise clean interior and olid binding. Jacket is unclipped with three short tears to top edge - one with tape repair on inside puncture top front edge of spine near bottom and mopisture stains to bottom inside of rear panel with a few spots/marks to bottom inside of front panel and drip to inside of spine. A couple creases some shallow scratches and edgewear/nicks. Arnoldi Mondadori Editore hardcover
1985réf. 3117050Austin: University of Texas Press. Fine in Fine dust jacket. 1985. First Edition; First Printing. Hardcover. 0292703716 . First edition. Fine in fine dust jacket. 87pp. 7 1/2" X 10 1/4" Superb copy. ; 7 1/2" x 10 1/4" ; 87 pages . University of Texas Press hardcover
1968réf. 023171New York / London: Grossman Publishers / Cape Goliard 1968 First printing of the stated first American bilingual edition with Spanish/English text. Light uneven toning to endpapers and a neat name to front-free endpage else book in fine condition; dust jacket with a short closed tear to upper back spine fold light paper loss to corners and spine ends moderate uneven toning to spine and light uneven toning to covers else fine. Scarce hard cover with only 500 copies printed. Grossman Publishers / Cape Goliard hardcover
1988réf. 744451Asian Humanities Press 1988. Hardcover no dust jacket. VG shelfworn Asian Humanities Press hardcover
1993réf. 02-2014-43Dalkey Archive Press 1993 Normal: Dalkey Archive 1993. First edition. First printing. Hardbound. New/New. Purchased new and opened only for James Sallis to sign no inscriptions just his name. SIGNED BY TRANSLATOR on title page. A pristine unread copy without marks or bruises or smells or any other defect. Comes with acid-free archival-quality mylar dust jacket cover not clipped of course. Shipped in well-padded box. Smoke-free smell-free. Signed by Authors. 1st Edition. Hardcover. New/New. Dalkey Archive Press hardcover
1964réf. F-4300-07Hogarth Press and the Institute of Psycho-Analysis London 1964 Hogarth Press London 1964. First edition first printing. Cloth. A fine bright copy with slight old-book scent in a very good dust jacket that is slightly faded on spine and has some edgewear and a couple of closed tears and small chips. The text is clean and unmarked. This edition was first published in English in 1964. This is the first printing. Prior owner's name on front paste-down. 1st Edition. Hardcover. Near Fine/Very Good. Hogarth Press and the Institute of Psycho-Analysis, London hardcover
1930réf. 78424Argus Books 1930. Hardcover. very good. Quarto. 11" x 7 1/2". Bound in purple cloth. Gilt lettering to spine and gilt design to cover. 390pp. 16 black and white drawings by Pape' with textured tissue guards. Limited to 300 numbered copies each of which is signed by the artist and translator. This is copy #233. A bit of edge rubbing at bottom of spine. Argus Books hardcover
1970réf. 1411262Moscow: State Publishers Music 1970. First Thus. Hardcover. Quarto xvii 278 2 pages. In Very Good condition. In full brown cloth binding with gilt lettering to cover and spine. Very light wear to boards with mild bumping to fore corners. Text block shows light age toning and small sparse scuffs along edges. Lightly age toned throughout. Interior clean. Shelved in Room A Oversized. 1411262. Special Collections - Upstairs. State Publishers Music hardcover
1970réf. 1411262Moscow: State Publishers Music 1970. First Thus. Hardcover. Quarto xvii 278 2 pages. In Very Good condition. In full brown cloth binding with gilt lettering to cover and spine. Very light wear to boards with mild bumping to fore corners. Text block shows light age toning and small sparse scuffs along edges. Lightly age toned throughout. Interior clean. Shelved in Room A Oversized. 1411262. Special Collections - Upstairs. State Publishers Music hardcover books
1988réf. 024796Brussels Belgium: Daled-Goldschmidt 1988. Book. Near Fine. Soft cover. First Edition. Light wear; previous owner's label at top of front end paper; otherwise a solid clean copy with no marking or underlining; collectible condition; illustrated with black and white photographs; text is in French; 166 pages. Daled-Goldschmidt Paperback
1671réf. 49380Paris: Chez Pierre Le Petit 1671. Hardcover. Collectible - Poor/No Jacket. 6.5x3.5x1.25 with 576 pages. full dark brown leather. Appears to be orginial covers. Front cover completely detached but present. Front free endpaper is missing and the upper part of the illustrated frontispiece is torn away. Owners name on title page. Pages have darkened. Text in French. Chez Pierre Le Petit hardcover
1975réf. 2091502135708943Kodansha 1975. Soft Cover. Fine. The book is in fine condition. Kodansha paperback
1993réf. 2090502126801751Asakurashoten 1993. Soft Cover. Fine. Number of books: 1 Asakurashoten paperback
1978réf. 2091502135304495Kodansha 1978. Soft Cover. Fine. Volume: 1 Kodansha paperback
réf. DADAX019878452XNew unknown
1946réf. 3256A near fine copy of Cecil Day Lewis' translation of Paul Valery's poem 'Le Cimetiere marin'. Limited edition number 117/500 signed by Day Lewis. A very clean bright copy in card covers with a marbled paper wrap with titles to the front. There is very slight corner wear. Contents are complete in fine clean condition with signed limitation page at the rear. The book is in its original card folder which is complete and clean. It is browned around the edges with some splitting at the folds the largest split is just over 1 cm. Martin Secker & Warburg
réf. SONG0691088195Used: Good unknown
réf. DADAX0198788800New unknown
1768réf. 31335ABZürich, Orell, Gessner& Comp., 1768?1773. 8°. 378 S.; 262 S.; 348 S. Mit gest. Titel und 3 Vignetten. Halblederbände der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 31335AB|31335AB_2|31335AB_3 3 Bände. [3 Warenabbildungen]
réf. 41534Montpellier.Imprimerie Centrale du Midi.1905.2 vols.in-8 br.385 et 345 pages. BE.Infimes rousseurs.Traces de vers en marge dans les 1ères pages du Tome I,sans gène.
