13 106 résultats
1840réf. 10521Paris Garnier Frères 1840 Un volume in-8 relié plein chagrin noir, dos à nerfs sobre, titre doré, dentelle intérieur, gardes moirées, tranches dorées, frontispice, page de titre en chromolithographie, xv et 543 pages, illustrations hors-texte. Coiffes frottées, importantes rousseurs.
1836réf. 10522Paris Curmer 1836 Un volume in-8 relié plein chagrin noir, dos à nerfs sobre, titre à froid, croix estampée à froid sur les plats, tranches noires, frontispice, page de titre en chromolithographie, viii et 454 pages, illustrations hors-texte. Bel exemplaire, intérieur frais.
réf. 4368Curmer, Paris, 1836. Deux volumes grand in-8 plein chagrin maroquin, dos à nerfs ornés de caissons décorés, titres et tomaisons dorés, double encadrement de filets dorés sur plats à la cathédrale pressés à froid, dentelles intérieures, frises en têtes et en queues, tranches dorées, [1f] faux-titre, [1f] titre en chromolithographie rehaussé dor et de couleurs, [1f] titre, LXXX pp dont 1p de discours préliminaire comportant magnifique bandeau et lettrine rehaussés dor et de couleurs, 263 et [1f] faux-titre, [1f] titre, 441 pp (erreur de pagination : pp 300 à 399 numérotées de 500 à 599), nombreuses gravures hors-texte sous serpentes légendées, texte dans encadrement, lettrines. Graveurs : Langlois et Cyprien Jacquemin. Quelques rousseurs, dos uniformément insolés, légère fente (sur cm) à la charnière du premier plat du premier volume, bel ensemble néanmoins.
1835réf. 4369Paris Curmer 1835-1836 Trois grands volumes in-8 plein veau glacé violine, dos à faux nerfs ornés de caissons dorés, titres et tomaisons dorés, double-filets dorés sur plats, dentelles intérieures, filets dorés sur les coupes, tranches dorées, Evangiles : [1f] faux-titre, [1f] titre en chromolithographie rehaussé dor et de couleurs, [1f] titre, LXXX pp dont 1p de discours préliminaire comportant magnifique bandeau et lettrine rehaussés dor et de couleurs, 263 pp et [1f] faux-titre, [1f] titre, 441 pp (erreur de pagination : pp 300 à 399 numérotées de 500 à 599), Imitation : [1f] faux-titre, [1f] titre en chromolithographie rehaussé de couleurs, [1f] titre, XI pp de préface, 448 pp nombreuses gravures hors-texte sous serpentes, texte dans encadrement, lettrines. Graveurs : Langlois et Cyprien Jacquemin. Quelques pâles rousseurs, très bel ensemble.
réf. 9594New Haven: Editions Wequetequock Cove 2006. Full Leather. Fine binding. Small folio 8.5" x 7". 32 pp. illus. Limited edition number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver dyed calf inlays and onlays as well as onlays in lizard. Subtly titled in blind across one of the onlays at the spine. Paper doublures with dyed calf hinges. Botehlo writes of this book being "filled with etchings of heavy lined and voluptuous shapes with textures and shade all done in black. The poetry evoked for me the verdancy of rogue plants that spring up between the cracks of concrete. It spoke of the appeal of being a snake allusions to original sin. I wanted the green onlays that have been dyed and embossed to be pillowed the stone inviting touch. I intended to create something that invites a sensory exploration." And here she has succeeded with astonishing grace creating a design that draws and keeps the attention. Wonderfully conceived and executed with exceptional skill. Botelho is among a select group of extraordinary design binders who are graduates from the American Academy of Bookbinding Fine Binding program. Editions Wequetequock Cove unknown
1940réf. 68139Albuquerque NM: The University of New Mexico Press 1940. First edition. Hardcover. Good . Odd volume. 319pp. Quarto 27 cm Red cloth over boards with the title in gilt on the backstrip and front board. Covers cocked. Front hinge soft. No dust jacket. The reconquest of New Mexico by Spain took place in the last decade of the seventeenth century under the leadership of Don Diego de Vargas. The documents contained in this volume form the first complete published account of the first phase of the reconquest of New Mexico a brief but dramatic chapter in the history of the American frontier. The University of New Mexico Press hardcover
1940réf. 68139Albuquerque NM: The University of New Mexico Press 1940. First edition. Hardcover. Good . Odd volume. 319pp. Quarto 27 cm Red cloth over boards with the title in gilt on the backstrip and front board. Covers cocked. Front hinge soft. No dust jacket. The reconquest of New Mexico by Spain took place in the last decade of the seventeenth century under the leadership of Don Diego de Vargas. The documents contained in this volume form the first complete published account of the first phase of the reconquest of New Mexico a brief but dramatic chapter in the history of the American frontier. The University of New Mexico Press hardcover books
1948réf. 68860Bruges: Desclée de Brouwer et Cie 1948. French-language edition. Paperback. Very Good. 372pp. Quarto 28 cm Gray wraps printed in black and red. With prominent darkening to the spine and large areas of the wraps. Translated for the first time from Greek into French with an introduction and notes by Paul ver Eecke. Collection de Travaux de l'Académie Internationale d'Histoire des Sciences No. 1. Euclid flourished c. 300 bce Alexandria Egypt was the foremost mathematician of Greco-Roman antiquity. Not much is known about his life. He is most known for his treatise on geometry the "Elements." "Euclid understood that building a logical and rigorous geometry and mathematics depends on the foundation—a foundation that Euclid began in Book I with 23 definitions such as 'a point is that which has no part' and 'a line is a length without breadth' five unproved assumptions that Euclid called postulates now known as axioms and five further unproved assumptions that he called common notions. Book I then proves elementary theorems about triangles and parallelograms and ends with the Pythagorean theorem." - Britannica.com. Desclée de Brouwer et Cie paperback
1948réf. 68860Bruges: Desclée de Brouwer et Cie 1948. French-language edition. Paperback. Very Good. 372pp. Quarto 28 cm Gray wraps printed in black and red. With prominent darkening to the spine and large areas of the wraps. Translated for the first time from Greek into French with an introduction and notes by Paul ver Eecke. Collection de Travaux de l'Académie Internationale d'Histoire des Sciences No. 1. Euclid flourished c. 300 bce Alexandria Egypt was the foremost mathematician of Greco-Roman antiquity. Not much is known about his life. He is most known for his treatise on geometry the "Elements." "Euclid understood that building a logical and rigorous geometry and mathematics depends on the foundation—a foundation that Euclid began in Book I with 23 definitions such as 'a point is that which has no part' and 'a line is a length without breadth' five unproved assumptions that Euclid called postulates now known as axioms and five further unproved assumptions that he called common notions. Book I then proves elementary theorems about triangles and parallelograms and ends with the Pythagorean theorem." - Britannica.com. Desclée de Brouwer et Cie paperback books
réf. 5001P., Guy Trédaniel, Editions de la Maisnie, 1980, 1 vol. petit in-8 br. sous couv. à rabats, de 120 pp.
1994réf. 14675Rome: Cinecitta' International. Near Fine. 1994. Second Edition. Softcover. French wrappers nice clean copy with just faint surface wear to covers. B&W and color photographs Tribute book prepared in conjunction with the restoration and promotion of Fellini's entire ouevre a project in which the director was participating at the time of his death in October 1993. This "Second Edition" was issued the following year. Essentially an elaborately-illustrated filmography supplemented with comments about him by other filmmakers a brief chronology of his Fellini's life and career and an interview conducted in April 1993. . Cinecitta' International paperback books
1869réf. 40874Paris, Librairie Internationale, 1869. Kl.-8°. Mit einer mont. Orig.-Portraitphotographie des General Marquez als Frontispiz. 334 S., 1 Bl., Blindgepr. Lwd. d. Zt. m. Rückenverg., goldgepr. Rückentitel u. dreiseitig marmor. Schnitt.
1921réf. 68951Duluth Minnesota: Workers Socialist Publishing Co 1921. Pamphlet. Very Good . 60 pp. Duodecimo 19 cm; saddle-stapled in printed self-wrappers. Three pages of ads for other Finnish IWW Duluth etc. publications at the rear. Some minor age-toning and edgewear. A nice copy. Rare; in our searches April 2025 we located only three institutional holdings via OCLC and found no other copies offered in the trade. Finnish language edition of Alexandra Kollontay's "The Workers' Opposition in Russia / The Workers' Opposition in the Communist Party" ref: Miles 4280. Printed by the Allied Printing Trades Council of Duluth MN with their union label device printed on the rear wrap. Alexandra Kollontai/Kollontay 1872–1952 was an influential member of the Bolshevik Party that held several positions within the Soviet system throughout her life. Indeed she was amongst a very select few who remained involved in the Soviet halls of power from the earliest revolutionary times through to the latter Stalinist years. Workers Socialist Publishing Co unknown
1921réf. 68951Duluth Minnesota: Workers Socialist Publishing Co 1921. Pamphlet. Very Good . 60 pp. Duodecimo 19 cm; saddle-stapled in printed self-wrappers. Three pages of ads for other Finnish IWW Duluth etc. publications at the rear. Some minor age-toning and edgewear. A nice copy. Rare; in our searches April 2025 we located only three institutional holdings via OCLC and found no other copies offered in the trade. Finnish language edition of Alexandra Kollontay's "The Workers' Opposition in Russia / The Workers' Opposition in the Communist Party" ref: Miles 4280. Printed by the Allied Printing Trades Council of Duluth MN with their union label device printed on the rear wrap. Alexandra Kollontai/Kollontay 1872–1952 was an influential member of the Bolshevik Party that held several positions within the Soviet system throughout her life. Indeed she was amongst a very select few who remained involved in the Soviet halls of power from the earliest revolutionary times through to the latter Stalinist years. Workers Socialist Publishing Co unknown books
1537réf. 14607Paris, Simon de Colines, 1537 ; in-8 ; plein veau foncé à nerfs, dos muet, fleuron central à froid dans un encadrement à froid avec fleurons en écoinçons (reliure de l'époque) ; (16), 115, (1) ff., marque au titre, errata au dernier feuillet, belles lettrines à fond criblé.
réf. 17350Genève, GJ. Gay et fils, 1867. In-12, XII-130 pp., demi-maroquin bleu nuit, double filet doré sur les plats, dos à nerfs orné de caissons dorés, tête dorée (petites épidermures et frottements).
1837réf. 4370Paris J.J. Dubochet 1837 Un volume grand in-8 plein maroquin noir, dos à faux nerfs décoré de caissons estampés à froid, titre doré, plats ornés d'un encadrement et croix à froid, tranches dorées, [3f] faux titre, frontipice et titre en chromolithographie, 719 pp, lettrines (certaines rehaussées de couleurs), texte dans encadrement, nombreuses illustrations hors-texte et pour chaque évangile: page de titre, première et dernière pages rehaussées de couleurs. Ex-libris de la bibliothèque de l'Ambassadeur de France au Vatcan et de la Vicomtesse de Fontenay. Quelques rousseurs. Très bel exemplaire.
1835réf. 4374Paris Sapia 1835 Un volume grand in-8 plein maroquin bordeaux, dos lisse à riche décor romantique et titre doré, frise dorée en tête et queue, plats à encadrements de dentelles dorées et à froid, tranches dorées, 364 pp, texte dans encadrement, lettrines, nombreuses illustrations hors-texte sous serpentes. Très bel exemplaire malgré faible charnière du premier plat et possible manque du premier feuillet.
1969réf. 38378Northampton Massachusetts: The Gehenna Press 1969. Hardcover. Fine. Hardcover. Number 34 of 200 copies signed by the famed illustrator and founder of the press Leonard Baskin. Leonard Baskin 1922 - 2000 was an American sculptor draughtsman and graphic artist as well as founder of the Gehenna Press 1942-2000. One of America's first fine arts presses it went on to become "one of the most important and comprehensive art presses of the world" often featuring the work of poets such as Sylvia Plath Ted Hughes Anthony Hecht and James Baldwin side by side with Baskin's bold stark energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times Baskin is also known for his wood limestone bronze and large-scale woodblock prints which ranged from naturalistic to fanciful and were frequently grotesque featuring bloated figures or humans merging with animals Wikipedia. Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles he is one of the three authors of Greek tragedy for whom any plays have survived in full. His play Hippolytos is an Ancient Greek tragedy by Euripides based on the myth of Hippolytus son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. This may be one of the most stunning of the many fine works published by this famous press. It is accompanied by a separate folder of ten prints with illustrations taken from the text. Bound in brown cream and black marbled paper boards with a brown leather spine with the author and title names in small gilt letters. The types are Monotype Centaur and Arright. The pressman was the well known printer Harold McGrath. Baskin's etchings were printed from the plates by Emiliano Sorini. In the colophon thanks are given to John Moore of Amherst College George Dimock of Smith College and Wililiam Arrowsmith James Hynd and Thomas Gould of the University of Texas for their comments on the text. The text was taken frin W.S. Barrett's edition of the play as published by the Oxford University Press. Housed in a slipcase that also holds the folder of prints. The slipcase has the same marbled papers that were used on the book.It also has a brown leather spine with the titling in gilt. There are two small stains on the leater spine. Other than that this work is in fine condition. Measores 13 x 20 inches. Unpaginated. PRI/080326. The Gehenna Press hardcover
1969réf. 38378Northampton Massachusetts: The Gehenna Press 1969. Hardcover. Fine. Hardcover. Number 34 of 200 copies signed by the famed illustrator and founder of the press Leonard Baskin. Leonard Baskin 1922 - 2000 was an American sculptor draughtsman and graphic artist as well as founder of the Gehenna Press 1942-2000. One of America's first fine arts presses it went on to become "one of the most important and comprehensive art presses of the world" often featuring the work of poets such as Sylvia Plath Ted Hughes Anthony Hecht and James Baldwin side by side with Baskin's bold stark energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times Baskin is also known for his wood limestone bronze and large-scale woodblock prints which ranged from naturalistic to fanciful and were frequently grotesque featuring bloated figures or humans merging with animals Wikipedia. Euripides was a Greek tragedian of classical Athens. Along with Aeschylus and Sophocles he is one of the three authors of Greek tragedy for whom any plays have survived in full. His play Hippolytos is an Ancient Greek tragedy by Euripides based on the myth of Hippolytus son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. This may be one of the most stunning of the many fine works published by this famous press. It is accompanied by a separate folder of ten prints with illustrations taken from the text. Bound in brown cream and black marbled paper boards with a brown leather spine with the author and title names in small gilt letters. The types are Monotype Centaur and Arright. The pressman was the well known printer Harold McGrath. Baskin's etchings were printed from the plates by Emiliano Sorini. In the colophon thanks are given to John Moore of Amherst College George Dimock of Smith College and Wililiam Arrowsmith James Hynd and Thomas Gould of the University of Texas for their comments on the text. The text was taken frin W.S. Barrett's edition of the play as published by the Oxford University Press. Housed in a slipcase that also holds the folder of prints. The slipcase has the same marbled papers that were used on the book.It also has a brown leather spine with the titling in gilt. There are two small stains on the leater spine. Other than that this work is in fine condition. Measores 13 x 20 inches. Unpaginated. PRI/080326. The Gehenna Press hardcover books
1960réf. 15362. Paris, Michel Lubineau, 1960 ; petit in-4 en feuilles sous couverture crème rempliée imprimée en rouge, gris et noir, chemise et étui de l'éditeur, titre doré en long ; 138, (4) pp., (2) ff. blancs, frontispice et 15 grandes compositions gravées à doubles pages en couleurs. Traduction de Jean Prévost, Jules Supervielle, Claude Cousson, Bernard Sesé et André Belamich.
2012réf. 2081502111907510Sanmin Book Office TW 2012. Soft Cover. Fine. The book is in fine condition. Sanmin Book Office (TW) paperback
1984réf. 202006628Paris, Berg internationnal, 1984 ; in-8, 507 pp., reliure pleine toile d'éditeur, jaquette illustrée. Édition bilingue français-occitan reproduction en fac-similé du manuscrit intégral. Ouvrage imprimé sur vergé ivoire.
réf. 11635Newark VT: Janus Press 2006. Original Wrappers. Fine binding. Quarto. 40 4 pp. pop-up. Limited edition one of 150 numbered copies. Signed by Van Vliet Holden Miller-Brown. Bound by Audrey Holden in pulp-painted covers by Van Vliet and Katie MacGregor. who also created the pulp painting background for the centerpiece pop-up. Text is printed in Victor Hammer's American Uncial with wraparound commentary in Monotype Plantin by Andrew Miller-Brown. All housed in a paste-paper over boards clamshell with birch sides; boldly titled on the spine. A fine copy. A remarkable rendering of the 2nd century Gnostic Gospel. Van Vliet's edition is a wonderful marriage of early and modern printing: the design echoing early printing islands of text within a sea of commentary. Similarly the choice of American Uncial a typeface modeled by Hammer after early letterforms from a century near to the time of this gospel's composition recalls early books. But this is a remarkably modern printing with modern abstracted embellishments where we would expect to find illuminated illustration in an early manuscript. Every page of the scholarly edition is visually engaging-a rare marriage indeed! As if this exceptional design was not enough "the reader" in the words of John A. Buchtel "reaches the center of the book and unexpectedly the pop-up explodes out of the mottled purple and blue pulp painted page spread in the vivid multiple colors of Katie MacGregor's handmade papers. Its abstract design echoes the diagrams elsewhere in the book and its sense of rising expansiveness is reinforced by the radiating silver paper strips woven through the surface of the pulp painting. . . . The pop-up is emblematic perhaps of a sudden realization-an epiphany-as the soul moves 'upward from its bondage to the flesh and the lower world to its liberation in the higher celestial realm.'" p. 48. A stunning work. Buchtel John A. The Art of Paper: Claire Van Vliet and the Janus Press: Papermaking Collaborations 2024. Janus Press unknown
1983réf. LFA00887N° 150 - Décembre 1983 Une revue d'environ 140 pages, format 295 x 220 mm, brochée, illustrée