11 233 résultats
1983réf. RO2027726710/18 Serie Domaine Etranger N°1587 / UNION GENERALE D EDITIONS / PLON. 1983. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 229 PAGES - Quelques rousseurs. . . . Classification Dewey : 810-Littérature américaine
1951réf. 22318Montreal Editions Modernes, Collection Petit Format 181 1951
1964réf. RO20274106PLON. 1964. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Quelques rousseurs. 247 PAGES - dos fané / charnières intérieures fendues. . . . Classification Dewey : 810-Littérature américaine
1884réf. 890132New York: Cassell & Company Ltd. Very Good with No dust jacket as issued. 1884. Hardcover. Yellow cloth with bright gilt and black cover illustration - a beautiful binding with light wear / rubbing to corners and spine ends. All edges gilt. Heavy stock paper is bright. Exceptionally nice Dore item. ; 4to 11" - 13" tall; 172 pages . Cassell & Company, Ltd. hardcover
1884réf. 067450Cassell & Company. Fair shape only or by small to medium stretch would be good. 3rd edition of this original produced in 1884 with only that date on copyright page. But it has a third edition Preface as the latest preface in the text. Git decorated blue hardcover with Indian chief and maiden on front cover in gilt along with other gilt titles and decorations. Inside hinges cracked - yet tight. Complete but wear is obvious and some of the plates have a little edge and slight other wear also - yet all in all a decent enough condition and kind of cool looking thus and worthwhile if not a perfectionist: with the great Dore' illustrations as full plates. Price adjusted and will include the cost of extra safe and prompt shipping via USPS media mail. . Fair to Good. Hardcover. 1884. Cassell & Company hardcover
1985réf. 2111902154602798Sankei Publishing 1985. Soft Cover. Fine. The book is in fine condition. Sankei Publishing paperback
1952réf. 217267London: Hollis & Carter 1952. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Rubbing along panel edges. Chip at spine heel and top/bottom of front panel. Faint soiling along top of rear panel. Hollis & Carter hardcover
1971réf. 2111902154604561Japan Management Publishing Association 1971. Soft Cover. Fine. The book is in fine condition. Japan Management Publishing Association paperback
1934réf. 131389The Limited Editions Club 1934. Book. Fine-. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. Folio - over 12 - 15" tall. Oversize hardcover bound in natural cloth; orange panel on spine with gilt lettering; gilt illustration on front; decorated endpapers; color illustrations; limited edition 1393/1500; signed by Richard Floethe. Book in fine minus condition: spine slightly toned; lower front corner slightly bumped; otherwise like new. Slipcase in poor plus condition: splitting scuffing soiling. Will require extra for priority or international shipping. The Limited Editions Club Hardcover
1922réf. 70554Doubleday. Page and Co. 1922. First edition. Hardcover. good. Two volume set. Octavo. 8 1/2 x 5 1/2". English text. Green paper over black cloth. Paper title labels to spines. Tear at top edge of spine of volume one. Spotting to covers. Edge rubbing to boards. Gutters tight. De Coster was one of many 19th-century nationalist writers who made use of – and considerably adapted and changed – pre-existing folk tales. Doubleday,. Page and Co. hardcover
1966124p. 8vo. Original black cloth spine over pale lilac cloth boards. Soiled and faded. First English edition. Hardbound. Very good. PHILOSOPHY BOX 2
1970réf. 2110502150908433Shinchosha 1970. Soft Cover. Fine. Volume: 1 Shinchosha paperback
1960réf. 66822Paris: Les Editions Roger Dacost. Very Good in Fair dust jacket. 1960. Limited Edition. Hardcover. Tight clean crisp book unmarked but for inscription to front blank endpaper; in brown cloth with colour illustration pasted to front board. In mylar dust jacket with loss to two corners. Numbered edition of 2000 copies.; 141 pages . Les Editions Roger Dacost hardcover
2003réf. ic26032003 252 pages clean sound copy shows light general wear; free of name notes etc carefully packaged and dispatched from UK within two working days Intercollegiate Studies Institute paperback
2002réf. Q-1570629420Shambhala 2002-09-24. Hardcover. New. In shrink wrap. Looks like an interesting title! Shambhala hardcover
2005réf. Q-1590300092Shambhala 2005-02-08. Paperback. New. In shrink wrap. Looks like an interesting title! Shambhala paperback
2010réf. 5457Tokyo: Hayakawa Books 2010. First Edition. A key translation by Haruki Murakami of Chandler's sixth novel - the apex of 20th century detective fiction winner of the Edgar Award for Best Novel in 1955 and basis for Robert Altman's 1973 film starring Elliott Gould and Sterling Hayden. While Murakami is world-renowned for his fiction and essays he has enjoyed a parallel career doing translation work including translations of Raymond Carver F. Scott Fitzgerald J.D. Salinger Ursula K. LeGuin and Truman Capote. His biographer and primary translator Jay Rubin notes Murakami developed a fondness for hard-boiled literature while attending high school in Kobe devouring works by Chandler Ross Macdonald and Ed McBain and Murakami himself acknowledged his debt to Chandler's influence on his novel A Wild Sheep Chase: "The structure of A Wild Sheep Chase was deeply influenced by the detective novels of Raymond Chandler. I am an avid reader of his books and have read some of them many times. I wanted to use his plot structure in my new novel. This mean first of all that the protagonist would be a lonely city dweller. He would be searching for something. In the course of his search he would become entangled in various kinds of complicated situations. And when he finally found what he was looking for it would already have been ruined or lost. This is obviously Chandler's method and it is what I wanted to use in A Wild Sheep Chase. One West Coast reader saw the connection. Referring to Chandler's The Big Sleep he called my novel The Big Sheep. I felt honoured by this" Rubin Haruki Murakami and the Music of Words p.81. Uncommon one of a few signed copies offered through Japanese bookstores to promote the new translation. Hubin p.76. First Impression. Octavo 15.75cm; pale grayish-green wrappers with titles printed in dark purple; dustjacket and publisher's original wraparound advertising band; 67-64511pp; text is entirely in Japanese. Signed by Murakami in Japanese on the title page directly above his English-language rubber-stamp. Fine in a Fine dustjacket and wraparound band. Hayakawa Books unknown
1929réf. 033087London: Victor Gollancz 1929. First UK Edition 1st Printing. Hardcover. Fine/Fine DJ. 128 Pp. Black Cloth Spine Printed In Yellow. First Uk Edition With Gollancz Review Slip For Oct. 7 1929 Publication. Fine With Slight Browning To Endpapers In Fine Yellow And Black Dj Two Tiny Closed Tears At Bottom Edge Of Spine Panel Unfaded And Unworn. "The Story Of A French Conscientious Objector Of 1914. Who Escapes Into The Mountains Where He Lives For Over Three Years Alone And Amid Terrible Privations. He Is Eventually Caught And Imprisoned But Not Before He Has Become An Almost Supernatural Figure In The Eyes Of His Folk. It Is Based Upon An Actual Case Now Fast Becoming A Legend. Roux The Bandit Though Essentially A Work Of Art And Not In Any Sense Propaganda Embodies The Only Kind Of Pacifism Which In The End Can Prevail- The Pacifism That Knows That War Is Spiritually Wrong And Not Merely Wrong Because It Is Horrible" From The Dj. Per Wikipedia. Chamson 1900 - 1983 Was A French Archivist Novelist And Essayist. Chamson Was The Founder-Director Of The Journal Vendredi And A Museum Curator Before The Second World War. As An Activist In The Popular Front He Founded In 1935 With Jean Guehenno And Andree Viollis The Weekly Friday. During The Spanish Civil War He Joined The Side Of The Republicans. After The War He Was On The Editorial Board Of The Magazine Europe At The Time Of Its Revival In 1946; He Was A Curator At The Musée Du Petit Palais And From 1959 To 1971 Director Of The Archives De France. He Was President Of Pen International The Worldwide Association Of Writers From 1956 To 1959. He Was Elected To The Académie Française On 17 May 1956 By 18 Votes - Including Jules Romains André Maurois And Georges Duhamel - To Succeed Ernest Seillière. In 1958 He Was Elected Mainteneur Of The Académie Des Jeux Floraux. A Protestant Generous And Sociable In Both His Life And His Writing He Set Most Of His Tales In The Cévennes His Birthplace Roux Le Bandit 1925; Les Hommes De La Route 1927; Le Crime Des Justes 1928; L'auberge De L'abîme 1933; La Neige Et La Fleur 1951; La Tour De Constance 1970. He Was The Father Of The Novelist Frédérique Hébrard. Victor Gollancz hardcover
1929réf. 033088London: Victor Gollancz 1929. First UK Edition 1st Printing. Hardcover. Very Good/Very Good DJ. 128 Pp. Black Cloth Spine Printed In Yellow. First Uk Edition. Very Good Light Wear At Corners With Some Browning To Endpapers And Small Foxing Spots On Foredge Of Page Block In Very Good Yellow And Black Dj Browning To Spine And Edges A Few Short Tears At Ends Of Spine A Few Minute Losses At And Around Top Of Spine And Small Brown Tape Interior Reinforcement At Foot Of Spine. Entire Dj Is About 1/16" Shorter Than The Book Probably Trimmed Long Ago. "The Story Of A French Conscientious Objector Of 1914. Who Escapes Into The Mountains Where He Lives For Over Three Years Alone And Amid Terrible Privations. He Is Eventually Caught And Imprisoned But Not Before He Has Become An Almost Supernatural Figure In The Eyes Of His Folk. It Is Based Upon An Actual Case Now Fast Becoming A Legend. Roux The Bandit Though Essentially A Work Of Art And Not In Any Sense Propaganda Embodies The Only Kind Of Pacifism Which In The End Can Prevail- The Pacifism That Knows That War Is Spiritually Wrong And Not Merely Wrong Because It Is Horrible" From The Dj. Per Wikipedia Chamson 1900 - 1983 Was A French Archivist Novelist And Essayist. Chamson Was The Founder-Director Of The Journal Vendredi And A Museum Curator Before The Second World War. As An Activist In The Popular Front He Founded In 1935 With Jean Guehenno And Andree Viollis The Weekly Friday. During The Spanish Civil War He Joined The Side Of The Republicans . After The War He Was On The Editorial Board Of The Magazine Europe At The Time Of Its Revival In 1946; He Was A Curator At The Musée Du Petit Palais And From 1959 To 1971 Director Of The Archives De France. He Was President Of Pen International The Worldwide Association Of Writers From 1956 To 1959. He Was Elected To The Académie Française On 17 May 1956 By 18 Votes - Including Jules Romains André Maurois And Georges Duhamel - To Succeed Ernest Seillière. In 1958 He Was Elected Mainteneur Of The Académie Des Jeux Floraux. A Protestant Generous And Sociable In Both His Life And His Writing He Set Most Of His Tales In The Cévennes His Birthplace Roux Le Bandit 1925; Les Hommes De La Route 1927; Le Crime Des Justes 1928; L'auberge De L'abîme 1933; La Neige Et La Fleur 1951; La Tour De Constance 1970. He Was The Father Of The Novelist Frédérique Hébrard. Victor Gollancz hardcover
1983réf. 736j2104London: Zed Press. Very Good. 1983. First English Edition. Paperback. 0862321603 . "Provides the essential and up-to-date background to the recent spate of assassinations of Turkish diplomats that have taken place all over Europe. These assassinations by supporters of Armenian nationalist organizations have refocussed attention on a genocide that for years was covered up. In this book the authors bring together a selection of documents that testify irrefutably to the facts. They describe the tragedy illustrated by contemporary photographs and discuss its consequences right up to today's resurgence of armed action." - back cover. Translated from the French. 125 p. Select bibliography chronology footnotes. Clean tight and unmarked with light wear. A high-quality example. ; 8vo . Zed Press paperback
1962réf. 81278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication. Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown books
1962réf. 81278New York: George Braziller 1962. First English Language Edition. First Printing. Folio 33.5cm; red cloth with titles stamped in gilt on spine and front cover; photo-illustrated endpapers; publisher's dustjacket and original acetate overlay; publisher's slipcase; 1011-2106pp; illus. Fine in a Fine unclipped dustjacket priced $35 showing some trivial wear at the crown; acetate overlay is a bit wavy else Near Fine; gentle sunning to slipcase extremities else very Near Fine. Pre-eminent modern artist Marc Chagall was nearly 70 when he began working on his first major stained glass projects during the mid-to-late 1950's. In 1959 he was commissioned to create a set of stained glass windows for Abbell Synagogue at the Hadassah-Hebrew University Medical Center in Jerusalem. Upon completion the Jerusalem Windows enjoyed two short exhibitions in Paris and New York before their permanent installation in the synagogue in 1962. These twelve masterpieces in stained glass each representing one of the twelve tribes of Israel are showcased in this lush folio which also includes two original lithographs Chagall created exclusively for this publication. Readers may observe the development of the windows through a procession of preparatory sketches in pencil ink and watercolor; the final models are represented on full page color plates 36 total. Additional commentary by Jean Leymarie explains the religious significance of each subject as well as Chagall's artistic intentions. An additional chapter details the assembly of the windows themselves and the book concludes with a selection of sketches and paintings related to the project. George Braziller unknown
1967réf. 13951967 Sl [Leicester], Toni Savage and Duine Campbell [Offcut press], 1967. 20 x 12,5 cm, 1 plaquette de 2 ff., portant un bois en noir par Ros Smith avec, en regard, la traduction de la première partie du poème "Les Trois soeurs" donnée par Paris Leary et Peter Hoy, couverture brune imprimée.
1956réf. 11624ÉDITIONS CORRÉA BUCHET CHASTEL 1956 364 pages in8. 1956. broché. 364 pages.
1997réf. xc137Jean de Bonnot Reliure d'éditeur 1997 In-4 (21,5 x 27,5 cm), reliure d'éditeur pleine peau, décor doré aux plats et au dos, tête dorée, 555 pages ; frottements au quatrième plat et sur les bords des contreplats, par ailleurs intérieur frais, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.