Loti, PierreBiblio.com
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réf. 2675325Short description: In Russian. Loti Pierre. Collection of essays. Moscow: V. M. Sablin 1910-. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU2675325 unknown
réf. 2675325Short description: In Russian. Loti, Pierre. Collection of essays. Moscow: V. M. Sablin, 1910-. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU2675325
1890réf. bf5162Calmann Lévy Bibliothèque contemporaine, Sélection Abraxas-libris Relié 1890 "EDITION ORIGINALE--RARE RELIURE JAPONISANTE. AVEC DESSIN AQUARELLÉ. Paris, Calmann lévy, 1890. In-12 (12,5 x 19 cm), IV-358 pages, reliure bradel recouverte de deux papiers cuir japonisant aboutés au dos, édition originale du beau livre de Pierre Loti sur le Maroc, exemplaire du tirage courant (pas de grand papier) qui fut publié après ""Madame Chrysanthème"" et ""Japoneries d'automne"". Remarquable reliure japonisante de Paul Vié composée de deux papiers cuirs différents aboutés au dos de l'ouvrage et présentant chacun, autour d'un décor de motifs géométriques, deux paysages. Cette iconographie aux paysages est, à notre connaissance, d'une grande rareté. La majeure partie des papiers cuirs japonisants présente soit des éléments purement décoratifs, des objets, des animaux ou des motifs végétaux. L'adjonction d'une esthétique japonisante sur un ouvrage concernant le Maroc pourrait paraître incongrue, ce qu'elle n'est pas car il y a là notamment un rappel de l'attrait de Pierre Loti pour le Japon. Ce dernier séjourna cinq ans avant dans le pays du Soleil-Levant, où il épousa une jeune Japonaise. Deux romans en suivirent, ""Madame Chrysanthème"" et ""Japoneries d'automne"", tous deux publiés juste avant ""Au Maroc"". Par ailleurs, le présent exemplaire a sans doute appartenu à Madeleine Burty, la fille du critique d'art Philippe Burty, dont on sait le rôle joué pour la diffusion du japonisme. Madeleine Burty fut l'épouse du faïencier Charles de Haviland. L'exemplaire est enrichi d'un dessin aquarellé de la structure décorative d'une babouche marocaine avec une indication détaillée des couleurs. Nous n'avons pas été en mesure d'identifier l'auteur de ce dessin, mais il n'est pas impossible que ces indications aient servi pour un décor de faïence de la maison Haviland ; quelques piqûres sur les premiers feuillets et la tranche latérale, bel exemplaire. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1925réf. 33414Paris: Edition Excelsior 1925. 1st Edition. Soft cover. 1st Edition. Soft cover. "Madame Butterfly" the opera was influenced by Pierre Loti's 1887 novel Madame Chrysanthème. First edition in the Rare ORIGINAL Plain printed wrappers.1 of 400 numbered copies on papier Arches of 425. Majestically illustrated by Foujita with numerous colour in-texte and full page format drawings each pasted delicately on the paper. A very good or better example of this scarce precious and much sought after work. Of the entire edition 55 copies were printed on Japon Imperial of which 25 are numbered 1-25 25 lettered A-Z with an original eau forte & 5 H-C. In addition 65 copies were printed on Hollande Van Gelder of which 50 are numbered 26-75 & 15 H-C. 425 copies were printed on Arches of which 400 are numbered 76-475 & 25 H-C. This lovely copy is example # 149 is therefore one of the 400 of 425 copies on Arches. Total copies all papers 545: 55 Japon 65 Holland 425 Arches A very Good copy indeed. Edition Excelsior unknown
1927réf. 006395Paris: Librairie Lemercier 1927. Limited Edition. First Edition thus. Three Quarter Morocco. Wooden boards. Fine. No. 54 of 255 copies in limitation on velin pur fil Lafuma. Beautiful 3/4 morocco binding with unusual wood or wood veneer boards and matching wood veneer endpapers. And leather painted "onlay" illustration mounted onto spine! 4to. 28 by 22 cm. 208 pp. with 18 color plates and twelve vignettes and a second suite of all the illustrations in just outline form bound in at the end along with the spine to the wraps. The wrap cover serves as one of the three title pages. In its original title "Raharu" this is the novel that put Loti on the map in 1880 and it served as the inspiration for Leo Delibes' once popular opera "Lakmé" which premiered just three years later. Essentially Loti was the authorial counterpart to Gauguin in plunging whole into Tahitian society and his pen-name "Loti" followed from this novel. Without question one of Loti's greatest strengths as a writer was the color he brought to his descriptions and exotic subject matter and these pochoirs most definitely honor and capture that mastery. The bright plates and vignettes could be mistaken for actual painting and they are a feast to the eye. Apparently scarce with the only copy we could locate at the BNF -- no copies of this edition were found at all on OCLC or in commerce. Light rubbing of front joint. Librairie Lemercier unknown
1927réf. 004618Paris: Librairie Lemercier 1927. Limited Edition. First Edition thus. Three Quarter Morocco. Marbled Boards. Near Fine. 1 of 12 copies to the limitation this being a presentation copy to Madame de Becque the wife of the illustrator. Beautiful 3/4 morocco binding by Saulnier. 4to. 28 by 22 cm. 208 pp. with 18 color plates and twelve vignettes and a second suite of all the illustrations in just outline form bound in at the end along with the spine to the wraps. The wrap cover serves as one of the three title pages. In its original title "Raharu" this is the novel that put Loti on the map in 1880 and it served as the inspiration for Leo Delibes' once popular opera "Lakmé" which premiered just three years later. Essentially Loti was the authorial counterpart to Gauguin in plunging whole into Tahitian society and his pen-name "Loti" followed from this novel. Without question one of Loti's greatest strengths as a writer was the color he brought to his descriptions and exotic subject matter and these pochoirs most definitely honor and capture that mastery. The bright plates and vignettes could be mistaken for actual painting and they are a feast to the eye. Apparently scarce with the only copy we could locate at the BNF -- no copies of this edition were found at all on OCLC or in commerce. A few tiny specks of discoloration on the spine and very light edgewear. Otherwise clean and pristine inside. Librairie Lemercier unknown
1927réf. 006395Paris: Librairie Lemercier 1927. Limited Edition. First Edition thus. Three Quarter Morocco. Wooden boards. Fine. No. 54 of 255 copies in limitation on velin pur fil Lafuma. Beautiful 3/4 morocco binding with unusual wood or wood veneer boards and matching wood veneer endpapers. And leather painted "onlay" illustration mounted onto spine! 4to. 28 by 22 cm. 208 pp. with 18 color plates and twelve vignettes and a second suite of all the illustrations in just outline form bound in at the end along with the spine to the wraps. The wrap cover serves as one of the three title pages. In its original title "Raharu" this is the novel that put Loti on the map in 1880 and it served as the inspiration for Leo Delibes' once popular opera "Lakmé" which premiered just three years later. Essentially Loti was the authorial counterpart to Gauguin in plunging whole into Tahitian society and his pen-name "Loti" followed from this novel. Without question one of Loti's greatest strengths as a writer was the color he brought to his descriptions and exotic subject matter and these pochoirs most definitely honor and capture that mastery. The bright plates and vignettes could be mistaken for actual painting and they are a feast to the eye. Apparently scarce with the only copy we could locate at the BNF -- no copies of this edition were found at all on OCLC or in commerce. Light rubbing of front joint. Librairie Lemercier unknown books
1927réf. 004618Paris: Librairie Lemercier 1927. Limited Edition. First Edition thus. Three Quarter Morocco. Marbled Boards. Near Fine. 1 of 12 copies to the limitation this being a presentation copy to Madame de Becque the wife of the illustrator. Beautiful 3/4 morocco binding by Saulnier. 4to. 28 by 22 cm. 208 pp. with 18 color plates and twelve vignettes and a second suite of all the illustrations in just outline form bound in at the end along with the spine to the wraps. The wrap cover serves as one of the three title pages. In its original title "Raharu" this is the novel that put Loti on the map in 1880 and it served as the inspiration for Leo Delibes' once popular opera "Lakmé" which premiered just three years later. Essentially Loti was the authorial counterpart to Gauguin in plunging whole into Tahitian society and his pen-name "Loti" followed from this novel. Without question one of Loti's greatest strengths as a writer was the color he brought to his descriptions and exotic subject matter and these pochoirs most definitely honor and capture that mastery. The bright plates and vignettes could be mistaken for actual painting and they are a feast to the eye. Apparently scarce with the only copy we could locate at the BNF -- no copies of this edition were found at all on OCLC or in commerce. A few tiny specks of discoloration on the spine and very light edgewear. Otherwise clean and pristine inside. Librairie Lemercier unknown books
1888réf. 740Reliure demi-maroquin marine à coins. Dos lisse richement orné de fleurs mosaïquées rouges, marrons et dorées, date dorée en pied. Tête dorée sur témoins. Couverture et dos conservés. Nombreuses compositions aquarellées reproduites en noir. Dos légèrement éclairci. Infimes frottements d'usage. Reliure signée STROOBANTS.
réf. 51-7084Paris: Les Editions d'Art Devambez 1926. 4to. 22 x 27cm. Original green and black morocco with gilt floral designs on the covers; Mabled endpapers and slipcse. Spine repaired. .17 color etchings by Foujita. Comprising the complete set of 17 etchings and aquatints printed in colors fine impressions on Arches laid paper; total edition of 458 on the justification page with text in French by Pierre Loti printed by R. Coulouma at 'La Roseraie' published by Les Éditions d'Art Devambez leather-bound and gilded by Ren Kieffer Paris bound as issued within the original marbled paper-covered slipcase;.Luc Monod Manuel de l'amateur de livres illustrés modernes no. 7341; OCLC Number / Unique Identifier:1020894233. Paris,: Les Editions d'Art Devambez, 1926 hardcover
1927réf. 52027Paris Aux Aldes 1927 In-4, maroquin lie-de-vin orn sur chaque plat d'une miniature reproduite en couleurs sur une plaque rectangulaire en ivoire, dispose dans un dcor style Art dco compos de jeux de filets dors verticaux et horizontaux; dos sans nerfs portant le titre de l'ouvrage en petites capitales pousses or sur une pice de titre en maroquin noir qui se prolonge lgrement sur les plats; encadrements intrieurs orns d'un filet dor, doublures et gardes de daim vert, tranches dores sur brochure, couverture illustre. Chemise, tui (Yannick Gauduchon-Marion Blin).Trs belle dition illustre de 11 miniatures en couleurs dont une sur la couverture, un frontispice, un hors-texte et 8 in-texte. L'ouvrage comporte galement 5 petites vignettes imprimes en trois couleurs. Tirage limit 103 exemplaires numrots. Un des 90 exemplaires sur vieux papier verg de Hollande, enrichi du prospectus illustr de l'diteur.
1922réf. 51794Paris Carteret Editeur 1922 In-8, maroquin rouge, armoiries pousses or au centre des plats encadrs d'un listel mosaqu en maroquin brun entre deux filets dors avec un petit motif floral pouss or et mosaqu en maroquin vert chaque angle; rappel du dcor sur le dos nerfs; doublures de maroquin citron encadres d'un listel mosaqu en maroquin brun et de trois filets dors, gardes de soie moire citron, doubles gardes de papier marbr, tranches dores sur brochure, couverture imprime. Etui (Canape et Corriez).Nouvelle dition de ce clbre roman basque, illustre par Jacques Camoreyt de 26 gravures in texte en couleurs. Tirage unique limit 200 exemplaires numrots sur vlin du Marais.
réf. 24657Paris Les Editions d'Art Devambez 1926 in 4 (27,5x22,5) 1 volume broché en faux-feuillets, couverture rempliée, 175 pages [1], avec 17 compositions originales gravées à l'eau-forte en couleurs par Léonard-Tsuguharu Foujita (6 en-têtes de chapitre et 11 planches hors-texte). Notre exemplaire renferme de plus un bandeau gravé à l'eau-forte pour un feuillet préliminaire d'avant-propos de Pierre Loti. Léonard Tsugouharu Foujita, Tokyo 1886 - Zurich 1968, peintre, dessinateur et graveur français. Edition originale tirée à 458 exemplaires numérotés, celui-ci un des rares exemplaires hors-commerce entiérement imprimé sur papier Japon, justifié ''exemplaire d'auteur'', il renferme l'état définitif des 17 eaux-fortes, accompagné de 2 états de toutes ces eaux-fortes, dont un avec remarques, et le bandeau gravé à l'eau-forte pour le feuillet preliminaire d'avant-propos, accompagné de 2 états (soit un total de 54 eaux-fortes tirées sur papier Japon). On joint une enveloppe manuscrite à la plume par Foujita (avec le nom et l'adresse de l'expéditeur, le nom et adresse du destinataire sont partiellement effacés). Bel exemplaire, et très rare exemplaire imprimé sur papier Japon renfermant 18 eaux-fortes, avec pour chacune 2 états ajoutés ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 2092902141302855Duvanpe Art Publishing 1926 N.A. Soft Cover. Fine. Number of books: 1 Duvanpe Art Publishing 1926 paperback
1840réf. 54531840 Paris de l'Imprimerie Royale , 1840, gros volume in-4 maroquin rouge à longs grains , encadrement filets angles ornés de larges feuillage filets dorés, dos orné , doublé de tabis bleu , dentelle interieure , titre doré - reliure de l'epoque - toutes tranches dorées - Exceptionnelle reliure tres decorative au chiffre de Ferdinand-Philippe, Duc d'Orleans, fils ainé de Louis Philippe. Cachet de sa bibliotheque sur la page de faux-titre.Dedicace de Pierre Loti à qui a du appartenir ce livre : " Mon meilleur remerciement et une bien sympathique poignée de main . Pierre Loti "
2000réf. 9615France: Published for PRIX de la 6 Biennale Mondiale de la Reliure d'Art 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Limited Edition. Hardcover. Hand carved hand blown glass in the front and back covers by Dalibor Nesnidal. The binding won First Prize of the "Ville d'Urrugne" in the category "Livre Objet". Text in French. Tight bright and unmarred. Unique binding structure dark green goatskin for covers and doublures beige goatskin for middle boards green glass insert at front and rear board leather endpages; archival box shows minor shelf/edge wear. Small 4to. 205pp. Illus. Numbered limited edition this being DVI. Published for PRIX de la 6 Biennale Mondiale de la Reliure d'Art hardcover
2000réf. 9615France: Published for PRIX de la 6 Biennale Mondiale de la Reliure d'Art 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Limited Edition. Hardcover. Hand carved hand blown glass in the front and back covers by Dalibor Nesnidal. The binding won First Prize of the "Ville d'Urrugne" in the category "Livre Objet". Text in French. Tight bright and unmarred. Unique binding structure dark green goatskin for covers and doublures beige goatskin for middle boards green glass insert at front and rear board leather endpages; archival box shows minor shelf/edge wear. Small 4to. 205pp. Illus. Numbered limited edition this being DVI. Published for PRIX de la 6 Biennale Mondiale de la Reliure d'Art hardcover books
réf. 27023Paris, Les Editions d'Art Devambez, 1926. In-4°, 175p. Reliure plein maroquin havane, plats ornées d'un décor floral doré à la plaque, dos lisse avec titre doré à froid, tête dorée, couverture et dos conservés. [reliure signée René Kieffer].
1934réf. 34882Paris aux dpens d'un Amat 1934 In-4, maroquin bleu orn sur les plats en passant par le dos d'une grande composition de jeux de filets obliques et verticaux voquant les cordages d'une mture d'un navire pousss l'Sser noir et se dtachant sur l'tendue d'une mer suggre par neuf filets horizontaux pousss or et survole par des mouettes pousses au palladium, dos sans nerfs portant le titre de l'ouvrage en grandes capitales pousses au palladium; larges encadrements intrieurs orns d'un filet dor; doublures et gardes de soie moire grise, tranches dores sur brochure, couverture imprime. Chemise, tui (Crett).50 compositions en couleurs de Lucien Simon graves sur bois par Pierre Bouchet, dont un frontispice et 49 in-texte. Tirage unique limit 150 exemplaires numrots sur vlin d'Arches. Exemplaire enrichi de 2 suites des illustrations, l'une en premier tat et l'autre l'tat dfinitif, et du fac-simil sur papier bleu du manuscrit autographe de la prface.
