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826 résultats
réf. DADAX0807608807George Braziller 0000-00-00. First U.S. Edition thus. hardcover. New. 10.25x1.50x13.50. Buy with confidence. Excellent Customer Service & Return policy. George Braziller hardcover
2009réf. DADAX0856685631Brand: Aris Phillips 2009-08-01. Bilingual. paperback. New. 8.30x0.80x5.80. Buy with confidence. Excellent Customer Service & Return policy. Brand: Aris Phillips paperback
réf. SONG0807608807George Braziller 0000-00-00. First U.S. Edition thus. hardcover. Used: Good. 10.25x1.50x13.50. Buy with confidence. Excellent Customer Service & Return policy. George Braziller hardcover
1925réf. 324883London: Geoffrey Bles 1925. Hardcover. Very Good. Very good. Translated from the Greek by George Thornley in 1657. Decorations by John Austen. Very good in cream colored cloth with a darkened spine light soiling a small stain spot on the front board. Geoffrey Bles hardcover
1949réf. 6846New York: Pantheon 1949. First trade edition 8vo 174-175pp. illustrations from woodcuts throughout the text by Aristide Maillol. Fine copy in a slightly chipped jacket. Pantheon unknown
1972réf. 2048Barre: Imprint Society 1972. Hardcover. Near Fine. LIMITED EDITION of 1950 copies of which this is numbered 1530 and SIGNED by Felix Hoffmann. Near Fine hardcover quarter blue leather over paper boards with gilt lettering on cover and spine. In decorated slipcase Imprint Society, hardcover
réf. 32774London: Vizetelly & Co. J. Miller and Sons Printers Edinburgh n.d. Extensively illustrated. 9 full-page engravings in two states one blue after designs by Prudhon Baron Gerard and Philippe D'Orleans frontispiece after P. Thomas portrait by Darval after Masson and Rouen title-page by P. Dien of Paris printed in blue many of vignettes and tail-pieces in two states with second state printed in blue several after Charles Eisen blue state generally on china. xi 155 pp. 1 vols. 8vo. Olive green morocco by M. Ritter Rel. with repeating floral diaper pattern of stylized flowers within gilt borders turn-ins elaborately tooled with silk doublures and free endpapers in ribbon pattern. Upper joint skilfully restored some darkening of green head of spine gently bumped else a very good copy. Extensively illustrated. 9 full-page engravings in two states one blue after designs by Prudhon Baron Gerard and Philippe D'Orleans frontispiece after P. Thomas portrait by Darval after Masson and Rouen title-page by P. Dien of Paris printed in blue many of vignettes and tail-pieces in two states with second state printed in blue several after Charles Eisen blue state generally on china. xi 155 pp. 1 vols. 8vo. Vizetelly & Co. [J. Miller and Sons, Printers, Edinburgh] unknown
1972réf. 15072Imprint Society 1972. VG/Slipcase. Imprint Society unknown
1977réf. 61521George Braziller. Very Good in Very Good dust jacket. 1977. Hardback Slipcase. 0283986166 . Card slipcase marked and toned sticker with title and publisher; dust jacket is bright though edgeworn tear to upper spine though no loss one or two handling marks on rear; fawn cloth boards corners sharp; binding is tight; pages are clean with colour illustrations by Marc Chagall. ; 9.75 x 1.2 x 12.9 inches; 222 pages . George Braziller hardcover
2024réf. x-1778784984Royal Classics 2024. Hardcover. New. 84 pages. 6.00x0.31x9.00 inches. Royal Classics hardcover
réf. 1434466248.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1890réf. 81210London Vizetelly 1890. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked and elaborately gilt-bordered cloth. Slightest suggestion only of rubbing and dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 155 pages; Description: xii 155 p. Illus. 22 cm. Printed on hand-made paper. Subjects: Daphnis Greek mythology --Fiction. London, Vizetelly hardcover
1937réf. 193981London: A. Zwemmer 1937. Signed by Aristide Maillol; Numbered 209 of 250. Hardcover. Good Slipcase is worn peeled foxed and smudged with the top open; vellum boards are heavily smudged and darkened; textblock edges are smudged and foxed; interior is super clean; binding is solid. Maillol Aristide. Full white vellum boards with gilt lettering on the spine in a personalized white slipcase that says "for Marion; from Ted 1938." 211 pp. unopened and untrimmed pages; richly illustrated; signature of Maillol in pencil on the final engraved page. Signature page reads "Aristide Maillol engraved with his own hand the wood-cuts which illustrated this book. The text is that of Thornley's translation of 1657 revised and augmented. Philippe Gonin of Paris undertook the achievement of this work and printed it on his hand-press for A. Zwemmer London." Extremely rare. Numbered 209 of 250 numbered signed by Maillol and printed on hand made paper. A. Zwemmer hardcover
1893réf. 1276951893. LAWRENCE T.E. LONGUS. Daphnis and Chloe: A Most Sweet and Pleasant Pastoral Romance for Young Ladies. London: Vale Press 1893. Quarto contemporary full black crushed morocco elaborately gilt-decorated spine and covers raised bands top edge gilt uncut. $15000.An exceptional association copy: the finely printed and beautifully illustrated Vale Press Daphnis and ChloeÑone of only 210 copies 200 of which were for sale with 36 charming woodcuts in the Italian style by Charles Ricketts and Charles Shannon with ""T.E.L.""Ñlikely in T.E. Lawrence's handÑfaintly penciled in the upper right corner of the front free endpaper and a note from recipient Charles Francis Bell describing the circumstances in which Lawrence presented this copy to him. Beautifully bound in full morocco-gilt by C. & C. McLeish.""There are works which will never cease to be reprinted and which artists will ever love to illustrate according to their own individual fancies"" Jules Claretie Preface. This classical Greek work whose author Longus has not been fully identified has been dated to the 2nd or early 3rd century CE. Described by one scholar as ""an unknown best seller"" Giles Barber Daphnis and Chloe is considered ""the original or earliest survivor"" of the idyllic/pastoral romance Hardin Love in a Green Shade 1. This large-format illustrated edition is one of the Vale Press' most impressive books. It uses the quaint 17th-century translation of Thornley designed to convert the lascivious tale into reading matter for young ladies. One homosexual passage is left in the original Greek. In the Art Nouveau style the illustrations by Ricketts and Shannon effectively capture Longus' combination of decadence and sweet innocence.Born in 1859 binder Charles McLeish was apprenticed to Andrew Grieve in Edinburgh then came to London in 1890 to work for Riviere. When Cobden-Sanderson founded the Doves Bindery in 1893 he hired McLeish as the firm's finisher. McLeish held that estimable position until 1909 when he left to go into partnership with his son Charles who had apprenticed under Roger de Coverly. Although the senior McLeish was no longer in the employ of Cobden-Sanderson all of the bindings that were signed ""Doves Bindery"" between 1909 and 1921 were actually done in the McLeish workshop. The work produced by the McLeishes was beautifully designed and impeccably executed as evidenced in the present volume. With publisher's scarce four-page prospectus bound in at rear. Bookplate of recipient art historian Charles Francis Bell with his handwritten note regarding the circumstances of Lawrence presenting this copy to him tipped to the front free endpaper: ""This book was bound by McLeish for Colonel T.E. Lawrence whose initials in pencil in his own writing are in the top corner of the opposite endpaper. It was given by him to me at All Souls College Oxford on November 16 1920. C.F. Bell."" Bell 1871-1966 was curator of the Department of Fine Art in the Ashmolean Museum Oxford where he met Lawrence when the latter had brought fragments of pottery into the Ashmolean for identification. The two became friends and frequently discussed their shared enthusiasm for Medieval art and architecture. Although the brevity and faintness of the initials on the front free endpaper make it difficult to verify it as being in Lawrence's hand it is consistent with Lawrence's known practice of initialing his own books.Mild offsetting from woodcuts; offsetting from morocco turn-ins partially obscuring penciled initials in upper corner of front free endpaper binding beautiful and fine. An excellent association copy with distinguished provenance. hardcover
1977réf. 13795New York: Braziller 1977. First US Edition. Hardcover. Fine/Fine. 4to. Pp. 222. Color frontis. illustration. Illustrated with 41 full-color plates several spreading across two page. Bound in tan cloth with green lettering stamped on spine. In the pictorial dust jacket and the publisher's plain cardstock slipcase that has a small "x" on rear panel. Book and dust jacket are fine. A superb copy of this lavish production with no detracting qualities. First published Paris 1961 by Les Editions Verve. Braziller hardcover
réf. 46614776like new. unknown
réf. 46614776-nnew. unknown
réf. 973048-nnew. unknown
réf. 973048like new. unknown
réf. 47802606-nnew. unknown
réf. 47802606like new. unknown
1977réf. 1824W W Norton & Co Inc 1977. Hardcover. Fine. Fine hardcover in dustjacket and in slipcase W W Norton & Co Inc hardcover
1937réf. 1720691937. MAILLOL Aristide. Les Pastorales de Daphnis and Chloe. By Longus. With 52 woodcuts by Aristide Maillol. Two volumes. 8vo. original illustrated wrappers and publisher's vellum-backed slipcases. Paris: Gonin 1937. A unique copy of the most beloved of all Maillol's books. This is the publisher's copy accompanied by 6 autograph letters from Maillol to the publisher discussin varuious aspects of the making of the book. As with all his books Maillol was closely involved in all aspects of production and the result is an extremely pleasing work "perhaps the most harmonious of Maillol's illustrated books" Garvey. This is copy number 1 of 25 hors commerce copies on large paper containing a double suite of the plates one in black and white and one in sanguine. It is also accompanied by a somewhat foxed example of the wedding invitation which Maillol printed for Gonin and a letter from Gonin to the original purchaser of this copy. Signed by Maillol on the colophon. The Artist and the Book 174. hardcover
2009réf. Q-0856685631Liverpool University Press 2009-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Liverpool University Press paperback
1994réf. Q-3791313738Prestel Pub 1994-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Prestel Pub paperback
