8 110 résultats
2012réf. 98901Hatje Cantz. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and German. 44 pp. ; 26 color illustrations. -- with a bonus offer-- . 2012. 3775728996 . Hatje Cantz paperback
1996réf. 76075Prestel Pub. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Text in English. 252 pp. With 169 ills. 71 col. . 29 x 24 cm. -- with a bonus offer--; Art & Design . 1996. 3791316249 . Prestel Pub hardcover
2000réf. 14368Ewing New Jersey U.S.A.: Princeton Univ Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless -- with a bonus offer--; 014368; ARISTOTLE CATEGORIES PHILOSOPHY HISTORY SURVEYS . 2000. 069101020X . Princeton Univ Pr hardcover
1978réf. 36967New Haven Connecticut U.S.A.: Art Resources of Connecticut. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - 71 works catalogued; many illustrated in black and white. Among the artists represented: Alexandra Grave; Mal Luber; Jonathan Scoville; Norman Ives; and many others. -- with a bonus offer--; T-Haggin; McLaughlin Joseph S. III; Haggin Virgina Mann; et al Connecticut Painting Drawing and Sculpture 1978 - Carlson Art Gallery University of Bridgeport - Bridgeport CT - 15 January - 19 February 1978 Alexandra Grave; Mal Luber; Jonathan Scoville; Norman Ives; and many others . 1978. Art Resources of Connecticut paperback
1998réf. 52176San Francisco CA: Pomegranate. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked - 64 pages beautifully illustrated in color. -- with a bonus offer-- . 1998. 0764906186 . Pomegranate hardcover
1971réf. 19962London England / Princeton NJ: Routledge & Kegan Paul / Princeton Univ. Press - Bollingen Series LXXV. As New in As New dust jacket. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 512 pages -- Interior text is clean tight and unmarked. Pages are intact and tight to the spine. Very slight dust soiling to top fore-edge and one small dust smudge to vertical fore-edge; DJ slightly shelfworn along top edge one nick some folding/creasing and slightly dust soiled on front panel of DJ; else an extremely fine copy. -- with a bonus offer--; TEMP005411; Patton Lewis ed.; Mann Peter ed. The Collected Works of Samuel Taylor Coleridge - Volume I: Lectures 1795 on Politics and Religion BRITISH HISTORY POLITICS RELIGION . 1971. Routledge & Kegan Paul / Princeton Univ. Press - Bollingen Series LXXV hardcover
1981réf. 84513Galleries. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 12 pages 3 illustrations; 8vo. -- with a bonus offer-- . 1981. Galleries paperback
2010réf. 87623Museum; Aperture. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 204 pages; 126 illus. -- with a bonus offer--; Sally Mann: The Flesh and The Spirit is the first in-depth exploration of this world-renowned artist's approach to the body. Throughout her career Mann has fearlessly pushed her exploration of the human form tackling often difficult subject matter and making unapologetically sensual images that are simultaneously bold and lyrical. This beautifully produced publication includes Mann's earliest platinum prints from the late 1970s Polaroid still lifes early color work of her children haunting landscape images recent self-portraits and nude studies of her husband. These series document Mann's interest in the body as principal subject with the associated issues of vulnerability and mortality lending an elegiac note to her images. In bringing them together author and curator John Ravenal examines the varied ways in which Mann's experimental approach including ambrotypes and gelatin-silver prints made from collodian wet-plate negatives moves her subjects from the corporeal to the ethereal. Ravenal also supplies a comprehensive introduction as well as individual entries on each series and essays by David Levi Strauss "Eros Psyche and the Mendacity of Photography" and Anne Wilkes Tucker "Living Memory" add different but equally illuminating perspectives to this work. Sally Mann: The Flesh and The Spirit is a must for any serious library of photographic literature students scholars collectors and others interested in her work. Sally Mann born 1951 is one of America's most renowned photographers. She has received numerous awards including NEA NEH and Guggenheim Foundation grants and her work is held by major institutions internationally. Mann's many books include What Remains 2003 Deep South 2005 and the Aperture titles At Twelve 1988 Immediate Family 1992 Still Time 1994 and Proud Flesh 2009. She lives in Lexington Virginia. . 2010. 1597111627 . Museum; Aperture hardcover
1935réf. 13914Paris: Harrison of Paris 1935. Limited Edition. Hardcover. Near fine. Square small octavo 69pp. A crisp clean copy near fine in the publisher's brown paper over boards with vellum spine and top edge gilt. Thin split at the gutter of pp. 8-9 but an otherwise very sharp fresh copy. In the publisher's plain fragile slipcase with some partial splits but still sound and with matching number in very light pencil on the spine panel. This is number L of 75 limited copies printed on Imperial Japan vellum and issued in this binding and SIGNED by Mann on the limitation page. Though the colophon states an edition of 50 copies of this limitation a tipped-in notice indicates that Dr. Mann's largesse allowed for a total of 75 not 50 copies to be made. The fourth publication by Harrison of Paris which was designed by Monroe Wheeler. Printed in Darmstadt in Mann's native Germany. A handsome little book. Harrison of Paris hardcover
1959réf. 21243ELos Angeles: Metro-Goldwyn-Mayer 1959. First Edition. Original shooting script for the classic Anthony Mann western film Cimarron dated November 13 1959. This was actress Mercedes McCambridge’s personal copy with the following acting notes about how to play her character Mrs. Sarah Wyatt written in pencil by Miss McCambridge on the summary page: “Brown Bird! Play her like Ella talks - to us to the boys - to the cats! When she is soft - when she is mad. Remember her ‘Whoo!’ and the weary ‘Well.’ And the way her head moves out of sync with the cadence of her speech. Back and forth like Keely - like a bird.” McCambridge has made various line edits in pencil at her speaking parts in the script. This copy is custom bound in full dark green gilt stamped leather with raised bands on the spine marble endpapers and with her name gilt-stamped to the lower right corner of the front board. With “COMPLETE” stamped to the bottom of the front cover and with “McCambridge” and her character’s name “Sarah Wyatt” written in pencil at the top of the front cover. Fine. The film tells the story of the Oklahoma land run of 1889 was directed by the great Anthony Mann written by Arnold Schulman based on the novel by Edna Ferber and stars Glenn Ford Maria Schell Anne Baxter Arthur O’Connell Russ Tamblyn Mercedes McCambridge Vic Morrow Robert Keith Charles McGraw and Harry Morgan. The film received two Oscar nominations for Best Art Direction - Set Direction and Best Sound. Some of Miss McCambridge’s other films include All the King’s Men 1949 and Giant 1956 for which she won Best Supporting Actress Oscars Johnny Guitar 1954 and the voice of the Demon in The Exorcist 1973. She also won two Golden Globes for All the King’s Men: Best Supporting Actress and Most Promising Newcomer - Female. One of her trademarks was her distinctive sultry deep voice which inspired Orson Welles to refer to her as “the world’s greatest living radio actress.” Metro-Goldwyn-Mayer hardcover
1928réf. 84803Martin Secker. London. 1928. Martin Secker. London. 1928. DW. First edition first issue UK with the price to the spine of the DW. Original green cloth gilt upper board sunned. Head and tail of spine slightly crumpled. Edges and endpapers lightly foxed pages 47/8 have a close tear to outer margin pages 121/122 and 123/124 lack portions to margins due to being carelessly opened. Other margins have a few small close tears none affecting the text. Small ownership inscription to front free endpaper otherwise a clean and sound copy in a wrapper that is sunned and rubbed to spine lacks portions to head and tail of spine and has a 7cm split to top of front joint. hardcover
2000réf. 45255HEYNE WILHELM 04-08/2000. 1. softcover. Land für Helden Ein HEYNE, WILHELM paperback
réf. 1427-26Stockholm Bermann- Fischer 1948. 3 Bde. Komplett. 737 S. 2 Bll.; 684 S. 1 Bl.; 617 S. 1 Bl. OLn.-Bde. m. Goldpräg. Ex Libris. In gutem Zustand - Stockholmer Gesamtausgabe der Werke W.-G.² 75; Potempa D.9.1 - Mit der eigenhändigen Signatur Th. Manns im ersten Band. Stockholm, Bermann- Fischer 1948. unknown
1937réf. 004546London: Left Review 1937. 32p. Original card covers n.d. but 1937. Covers lightly browned with some small light abrasions towards to top edge of upper cover lightly stained to bottom edge of lower cover staples slightly rusted internally quite bright and clean. One hundred and forty-eight authors replied to a questionnaire sent out by Nancy Cunard and friends with one hundred and twenty-eight responses being for the government five being against with the remainder being neutral. Prominent authors asked included George Bernard Shaw H. G. Wells Aldous Huxley Liam O'Flaherty C. Day Lewis Samuel Beckett V. Sackville-West and T. S. Eliot. Selected bibliographic references include for G. B. S. Laurence B255; for Auden Bloomfield and Mendelson B18; for T. S. Eliot Gallup Bl3; for Beckett Federman and Fletcher 490; and for H. G. Wells H. G. Wells Society page 54. First Edition. Card Covers. Good. 8vo. Pamphlet. Left Review Hardcover
1920réf. 098814München: Phantasus-Verlag 1920. Zweiter Phantasusdruck herausgegeben von Georg Martin Richter; 4 Bl. 58 S. 3 Bl.; mit 11 Holzschnitten u. 4 kolorierten Initialen von Otto Nückel-Aibling; gesetzt u. gedruckt auf handgeschöpftem Büttenpapier bei C. Wolf & Sohn München; Kopfgoldschnitt; Expl. der 150 in Halbpergament gebundenen Exemplare von insgesamt 220 hier # 85 im Impressum jew. mit eigenhändiger Unterschrift von Thomas Mann und Otto Nückel; Rodenberg 4572 ; Ecken etwas gestaucht u. teils leicht angeplatzt innen tadellos. Vom Autor u. vom Künstler signiert. Erste Auflage dieser Ausgabe. Halbpergament. Befriedigend. 251 cm. Pressendruck. Phantasus-Verlag Hardcover
1913réf. 58552Seattle WA: Bungalow Publishing Co. Inc.; Otis Publishing Co. Oct. 1913-March 1918. Sixteen vols. Tall 8vo. 7.5 x 10.5 in. 80; 4-A 747-812 5-A - 14-A w/ large folding “Supplement Bungalow” plan 24 x 36 in.; 4-A 67 6-A-14-A w/ Plan; 4-A 65-132 5-A - 12-A; 4-A 133-200 5-A-12-A w/ Plan; 4-A 201-266 5-A - 14-A w/ Plan; 4-A 207-332 5-A - 12-A w/ Plan; 4-A 333-398 5-A - 14-A w/ Plan; 4-A 399-451 6-A - 12-A; 4-A 451-506 9-A-12-A; 4-A 507-560 5-A - 10-A; 4-A 629-697 6-A - 12-A w/ Plan; 4-A 697-765 6-A - 12-A w/ Plan; 80 w/ Plan; 80 w/ Plan; 64 pp. With 100’s of photo illustrations diagrams floor plans 10 issues include the large Supplement folding working plans sized 24 x 36 in. Colour-illustrated softcovers all w/ colour photos of bungalows minor dustsoiling edgewear some occasional chipping at Head & foot of spine creasing a couple w/ folds at corners toning to plans occasional offset toning still a VG set of original periodicals from the library of Millard Armstrong 1874-1958 longtime Portland Oregon millwright carpenter home builder and later high school teacher and Albany OR dairy farmer. First editions of 16 original issues of this Craftsman bungalow promotional magazine issued by noted Seattle entrepreneur and real estate developer Jud Yoho 1882-1968 known as “The Bungalow Craftsman” in Seattle’s active market prior to World War I. Bungalow Magazine had been originally launched 1908-1912 by Henry Wilson in Los Angeles but Yoho took over the magazine moved the publishing to Seattle and during its 6 year run attracted a nationwide audience. With the slogan of “an illustrated monthly magazine devoted exclusively to artistic bungalow homes” modeled on Gustav Stickley’s Craftsman magazine this glossy periodical featured Seattle bungalows and articles about California residences Eastern Craftsman homes and occasionally lifted articles directly from the Craftsman. The Bungalow Magazine attracted a nationwide audience included feature articles on a variety of Craftsman style homes their technology and mechanical systems and amateur projects in furniture design and construction to enhance the prospective home owner’s bungalow. At the time Yoho and his firms were actively constructing speculative houses in Seattle’s northern neighborhoods served as new advertising for many of the Pacific Northwest’s builders small architects and real estate developers. The innovative inclusion of “Supplement Bungalow Plans” not only presented the potential reader and home owner with a sample home but Yoho and other connected “Craftsman” home builders pioneered a technique of easy home financing and extended home ownership to many who could not otherwise have purchased a home. As the Craftsman bungalow craze waned in Seattle during World War I Yoho divested his interest and began producing his “Colonial Homes” plan books and during the severe post-World War I recession moved to Arkon OH where he opened an architectural and building firm with D.E. Hooker former editor of The Bungalow Magazine. Original individual issues seldom appear in the market and almost never with the original large folding plan supplements and this archive includes nearly all of the last two years of magazines 14 of 15. No copies or runs located in Worldcat Seattle Public Lib. houses nearly a complete run. See: Lawrence Kreisman & Glenn Mason The Arts and Crafts Movement in the Pacific Northwest 2007 pp. 159-167; Jud Yoho “The Bungalow Craftsman” and the Development of the Seattle Suburbs Perspectives in Vernacular Architecture Vol. 6 1997 pp. 231-243; Erin Doherty Jud Yoho and the Craftsman Bungalow Company: Assessing the Value of the Common House 1997; Jud Yoho & Dennis Andersen Craftmsan Bungalows Edition de Luxe Book Club of Washington 2007. Bungalow Publishing Co., Inc.; Otis Publishing Co., paperback
1811réf. 79039London: John Booth 1811. First Edition. hardcover. good. With fine folding colored map as frontispiece but lacking the other 4 color plates. Offsetting on the title page otherwise a nice clean copy. Rebound in the early 1900s in 3/4 leather over marbled boards; corners bumped spine worn Joints cracked but have been repaired. London: John Booth 1811. First Edition. A good copy of this scarce book. John Booth unknown
1934réf. 2522New York: n.p. 1934. Very Good. POWERFUL STEICHEN PORTRAIT OF THOMAS MANN FROM CHANCE MEETING IN NEW YORK. Edward Steichen was one of the early pioneers of photographic art leading the movement of photography from its established position as a utilitarian medium to a mode of creative expression. As a major contributor to Alfred Stieglitz's Camera Work magazine in the first decades of the twentieth century Steichen had cemented his reputation as a new kind of photographer enjoying both artistic and commercial success-working as chief photographer for Condé Nast and later heading the Met's photography department. In 1959 having completed the first decade in his tenure as director of the Museum of Modern Art's photography division Steichen was approached by Tas Toth about curating a new display to serve as a counterpart to Steichen's astronomically successful The Family of Man-a MoMA exhibition that would become and remains to-date the most-viewed photographic exhibition. Toth's exhibition to be called Das menschliche Antlitz Europas The Human Face of Europe would mirror The Family of Man's thematic emphasis on shared humanity principally by showcasing images by distinguished figures including Cartier-Bresson Boubat Brassai and Doisneau alongside works by lesser-known artists. Initially the renowned artists were hesitant to contribute towards this unique concept and it was only after Steichen endorsed Toth by allowing him to exhibit his portrait of Thomas Mann that a large number of eminent photographers agreed to contribute to the group exhibition. Steichen's impactful photograph is the work present here. Steichen had taken the image in the United States where Mann would emigrate in 1939 to avoid mounting persecution in his native Germany and where Mann would remain until 1952. It was in 1934 that Mann to promote his Jospeh series made his first journey to America- embarking on RMS Volendam and arriving in New York to great fanfare-"scarcely dreaming" writes biographer Nigel Hamilton "he would one day become an American citizen" p. 283. The image of Mann follows in a line of portraits by Steichen of leading world figures from Churchill and FDR to Chaplin and Gershwin. Furthermore the present photograph preserves in addition to Mann's likeness the providential meeting of two of the most impactful twentieth century creatives who would both make their homes in the New World. Provenance: -Donated by Steichen to the original owner when he worked on the organization of the exhibition 'Das Menschliche Antlitz Europas'. -Christie's lot 218 Sale 7415 21 Nov. 1996 Exhibited: 'Das Menschliche Antlitz Europas' Municipal Museum of Munich 1959. STEICHEN EDWARD. Thomas Mann New York 1934. Gelatin silver print before 1959. 23.8 x 18.8 cm 9 ⅜ x 7 ⅜ in. Mounted on paperboard signed on the reverse in what does not appear to be Steichen's hand: "Edward Steichen" and numbered in pencil. With a tiny amount of touch-up at extreme top corner almost entirely beneath the matte. Handsomely framed. References: Hamilton Nigel The Brothers Mann New Haven: Yale University Press 1979 Steichen Edward A Life in Photography New York: Bonanza 1984. n.p. unknown
1937réf. 218960New York 1937. Bust portrait of the author with building in background. Vintage gelatin silver print. Verso docketed with holograph notations in pencil giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "XXIV K". 1 vols. 13-7/8 x 10-7/8 inches. Matted and framed. Bust portrait of the author with building in background. Vintage gelatin silver print. Verso docketed with holograph notations in pencil giving the name of the sitter date of the photograph and Van Vechten's reference to negative and print "XXIV K". 1 vols. 13-7/8 x 10-7/8 inches. Published in Portraits: The Photography of Carl Van Vechten 1978 edited by Saul Mauriber. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown
1934réf. 83578New York: Alfred A. Knopf 1934. First American edition of Mann's first novel in his acclaimed tetralogy. Octavo original cloth pictorial endpapers. Lengthily inscribed in the year of publication by Thomas Mann. Near fine in a very good dust jacket with some rubbing and chipping to the extremities. Translated from the German by H. T. Lowe-Porter. Rare and desirable signed and inscribed. Joseph and His Brothers is a four-part novel by Thomas Mann written over the course of 16 years. Mann retells the familiar stories of Genesis from Jacob to Joseph chapters 27–50 setting it in the historical context of the Amarna Period. Mann considered it his greatest work. Alfred A. Knopf hardcover
1948réf. 163j2677New York NY: Chedney Press. Good in Good dust jacket. 1948. Second Edition. Hardcover. "An account of the history of the medical organization in the United States. Relates the plain unvarnished truth a tale of the humbug chicanery and skullduggery that underlies the pretension of service to the public and to the profession of organized medicine as exemplified in the American Medical Association AMA the American College of Surgeons and many other organizations; and exposes how they exploit both the public and medical profession for the commercial advantage of the controlling gangs. Reveals how the rank and file of the medical profession however honest and sincere they may be are forced to become the serfs pawns and puppets of gigantic rackets which often endanger the livelihood of the profession and the health and lives of the public." - dust jacket. "Dr. Emanual Josephson b. 1895 is an example of one of the rarest phenomena in modern medicine a man who has resolutely maintained his independence of all institutions and cliques and is therefore free to tell the truth. He is the author of hundreds of papers on medical science and of several books including The "Federal" Reserve Conspiracy & Rockefellers". - dust jacket. 8 9-256 p. Tight and unmarked with moderate wear to original beige cloth. Average wear to unclipped dust jacket now in glossy new archival-grade protection. A well-preserved vintage example of this early conspiracy classic.; Sm 4to . Chedney Press hardcover
1922réf. 75905Munich 1922. Fine. Munich 22 février 1922 8.70 x 13.70 cm une carte postale Signed autograph postcard from Thomas Mann addressed to Friedrich Karl Roedemeyer written on both sides in black ink. Professor Friedrich Karl Roedemeyer 1894-1947 taught linguistics at Frankfurt University where he invited Thomas Mann for the Goethe Festival. This is a letter of apology from the writer announcing that he will unfortunately not be able to give the lecture he was supposed to deliver. unknown
1866réf. 625631866. MANN Herman. Female Review. Life of Deborah Sampson the Female Soldier in the War of the Revolution. Boston: J.K. Wiggins & Wm. Parsons Lunt 1866. 4to. 267pp. Portrait frontis. Orig. 3/4-black morocco and marbled boards raised spine bands compartments decorated in gilt marbled endpapers T.e.g. A little light scattered foxing to preliminary leaves else a near fine copy. HOWES M-258. One of 35 numbered large-paper copies of an entire edition of 250 copies. "Exploits--not too credible--of Deborah Sampson in the Revolution; that she actually served under the name of Robert Shurtleff is however a matter of indisputable record"--Howes. Deborah Sampson 1760-1827 and her adventures masquerading as a male soldier during the American Revolution under the name Robert Shurtleff. Sampson was wounded in action twice and received an honorable discharge when her sex was discovered. Mann 1771-1833 a newspaperman and educator was a neighbor and friend of Sampson's in Dedham. Howes states that while Mann's work is "not too credible. That she actually served.is however a matter of indisputable record." Mann's book was published over a decade after the Revolutionary War amidst Sampson's protracted battle for an ongoing pension for military service. Struggling financially in 1792 Sampson by then married and known as Deborah Gannett successfully petitioned the Massachusetts legislature for back pay; she continued to petition the federal Congress until an intercession by her neighbor Paul Revere in 1805 led to a regular pension of $4 a month; she continued to seek further backdated compensation until 1816. Sampson has become an important figure in discussions of early American sexuality and gender presentation. The narrative here describes romantic and/or sexual encounters Sampson had with other women while appearing as a male soldier; one paramour identified only "the Baltimore Lady" reappears several times in Mann's text. Pages 233-238 usually missing from the original edition is the final part of the narrative proper before an appendix dwelling on cross-gendered dressing more generally include further if at times opaque discussion of these same-sex liaisons. In spite of the clear popularity of this text - the present edition was subscribed to by many neighbors in eastern Massachusetts and the. unknown
1935réf. 2132622/04/1935. This letter was acquired from the family of the recipient and has never been offered for sale before In 1900 at the age of 25 Thomas Mann wrote and in 1901 published Buddenbrooks chronicling the decline of a wealthy north German merchant family over the course of four generations. Mann drew deeply from the history of his own family the Mann family of Lübeck and their times. It was Mann’s first novel and it made him a major literary figure. The work led to a Nobel Prize in Literature for Mann in 1929; although the Nobel award generally recognizes an author’s body of work the Swedish Academy’s citation for Mann identified “his great novel Buddenbrooks” as the principal reason for his prize. Mann began writing the book in October 1897 when he was twenty-two years old. Henry Hart was an American publisher who worked mainly for Scribner’s in New York. He was working with Mann on the publication of English-language versions of his works including Nocturns. The League of American Writers was established by the First American Writers Congress a gathering held from April 26–28 1935. It was an association of American novelists playwrights poets journalists and literary critics launched by the Communist Party USA in 1935. The group included Communist Party members and so-called ""fellow travelers"" who closely followed the Communist Party's political line without being formal party members as well as individuals sympathetic to specific policies being advocated by the parrty. In 1933 after the takeover of the Nazi party while travelling in the South of France Mann heard from his eldest children Klaus and Erika in Munich that it would not be safe for him to return to Germany. The family except these two children emigrated to Küsnacht near Zürich Switzerland but received Czechoslovak citizenship and a passport in 1936. Typed letter signed April 22 1935 to Hart his publisher. ""It is not easy for me to answer your suggestion in regards to this business news. I have read very carefully the appeal of the American writer’s congress. However I have unsurmountable concerns about contributing a statement to the congress. In the second half of the appeal there is mention of ‘civil liberties’. It stands in logical contradiction to all previous statements which have a purely communist character. A telegram on my part as you have asked me to send would be a clear support of communism which I am not able to force myself to give. I have a true love of civil liberties as much as I am against fascism and war. I much prefer the communist revolution to that of the fascists. Nevertheless the wording of this appeal and the political orientation it lends to this congress does not allow me to follow your wishes to send a note of unrestricted sympathy to the congress. I beg you to understand and not interpret my position as a lack of courage. It is an act of good conscience of what is my duty and what is not. ""Earlier than planned my wife and I will have the opportunity to see you again. In June a little bit later than last time we will come to America and stay for a short while in New York."" This letter was acquired from the family of the recipient and has never before been offered for sale. unknown
réf. BOS-M-06f-01656Palgrave Macmillan. Used - Very Good. A bright square and overall a nice copy Palgrave Macmillan unknown