Mann, ItamarBiblio.com
16 452 résultats
réf. 1316602656.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9998956900.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3596166349.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1986réf. 625546St. Louis: The C. V. Mosby 1986. Hardcover. Near Fine. Fifth edition. Quarto. xviii 833pp. With over 1500 illustrations in black and white. Binding very slightly cocked a bit of rubbing at the corner tips near fine. The C. V. Mosby hardcover
réf. 45394038like new. unknown
réf. 305448-nnew. unknown
réf. 1480812048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021réf. 1528431V&R unipress 2021. 1st. hardcover. New. 9x6x0. V&R unipress hardcover
réf. 1032898097.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 048447068X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1886458871.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0786417870.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1799936511.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1912réf. 2495Berlin: S. Fischer Verlag 1912. First edition. Original wrappers. Very Good. FIRST PRINTING IN EXCEEDINGLY SCARCE ORIGINAL WRAPPERS of arguably Thomas Mann's most celebrated work. "At the beginning of 1911 Mann's health was poor and his development sluggish. Nothing he had published since Buddenbrooks had been received with such universal acclaim. He had planned but abandoned several long works and had published chiefly short stories. Convinced that he needed to make a mark with a new piece that would appeal to current tastes he poured all his mastery into Death in Venice . The story was written between July 1911 and July 1912 . Mann had intended it for S. Fischer's magazine by that time merely called Die Neue Rundschau but was uncharacteristically hesitant about submitting it once it was done-it was too innovative and personal. His wife convinced him to send it in. It was first published in the October and November 1912 issues" S. Appelbaum. The publication in the October and November issues of Die Neue Rundschau preceded the rare limited edition printed by Hans von Weber. In: Die neue Rundschau October and November issues 1912; pp. 1368-1398; 1499-1526. Berlin: S. Fischer Verlag 1912. Octavo original publisher's printed wrappers; custom box. Minor foxing to text block edges very light edgewear to wrappers. SCARCE IN THE ORIGINAL WRAPPERS. S. Fischer Verlag unknown
1934réf. 2522New York: n.p. 1934. Very Good. POWERFUL STEICHEN PORTRAIT OF THOMAS MANN FROM CHANCE MEETING IN NEW YORK. Edward Steichen was one of the early pioneers of photographic art leading the movement of photography from its established position as a utilitarian medium to a mode of creative expression. As a major contributor to Alfred Stieglitz's Camera Work magazine in the first decades of the twentieth century Steichen had cemented his reputation as a new kind of photographer enjoying both artistic and commercial success-working as chief photographer for Condé Nast and later heading the Met's photography department. In 1959 having completed the first decade in his tenure as director of the Museum of Modern Art's photography division Steichen was approached by Tas Toth about curating a new display to serve as a counterpart to Steichen's astronomically successful The Family of Man-a MoMA exhibition that would become and remains to-date the most-viewed photographic exhibition. Toth's exhibition to be called Das menschliche Antlitz Europas The Human Face of Europe would mirror The Family of Man's thematic emphasis on shared humanity principally by showcasing images by distinguished figures including Cartier-Bresson Boubat Brassai and Doisneau alongside works by lesser-known artists. Initially the renowned artists were hesitant to contribute towards this unique concept and it was only after Steichen endorsed Toth by allowing him to exhibit his portrait of Thomas Mann that a large number of eminent photographers agreed to contribute to the group exhibition. Steichen's impactful photograph is the work present here. Steichen had taken the image in the United States where Mann would emigrate in 1939 to avoid mounting persecution in his native Germany and where Mann would remain until 1952. It was in 1934 that Mann to promote his Jospeh series made his first journey to America- embarking on RMS Volendam and arriving in New York to great fanfare-"scarcely dreaming" writes biographer Nigel Hamilton "he would one day become an American citizen" p. 283. The image of Mann follows in a line of portraits by Steichen of leading world figures from Churchill and FDR to Chaplin and Gershwin. Furthermore the present photograph preserves in addition to Mann's likeness the providential meeting of two of the most impactful twentieth century creatives who would both make their homes in the New World. Provenance: -Donated by Steichen to the original owner when he worked on the organization of the exhibition 'Das Menschliche Antlitz Europas'. -Christie's lot 218 Sale 7415 21 Nov. 1996 Exhibited: 'Das Menschliche Antlitz Europas' Municipal Museum of Munich 1959. STEICHEN EDWARD. Thomas Mann New York 1934. Gelatin silver print before 1959. 23.8 x 18.8 cm 9 ⅜ x 7 ⅜ in. Mounted on paperboard signed on the reverse in what does not appear to be Steichen's hand: "Edward Steichen" and numbered in pencil. With a tiny amount of touch-up at extreme top corner almost entirely beneath the matte. Handsomely framed. References: Hamilton Nigel The Brothers Mann New Haven: Yale University Press 1979 Steichen Edward A Life in Photography New York: Bonanza 1984. n.p. unknown
réf. 8420639125.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0826409547.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2070230740.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 0762416491.Gboard_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 1906727155.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. BAY_24_SH_040062McFarland Publishing. New. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped. McFarland Publishing unknown
réf. 1161362878.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0814251412.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1470823888.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 1588320251.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
