1 357 résultats
1890réf. 10167Paris E. Dentu 1890 Petits In-4° XXXI+666+618+ album non paginé. (.) Grand ouvrage illustré historique, encyclopédique, descriptif publié sous le patronnage de M. le Ministre du Commerce, de l'Industrie et des Colonies. Frontispice dans le tome I, très nombreuses illustrations en noir dans les tomes I et II ; tome III : album, suite de gravures. Les titres sont estampés à chaud sur les plats et les dos avec décors estampés à froid ; têtes dorées. Frottis d'usage, percaline restaurée sur un mors. Rousseurs éparses.
1984réf. 84864S. n. | s. l. [Paris] avril 1984 | 24 x 30.50 cm | une feuille
1984réf. 84864s. l. Paris: S. n. 1984. Fine. S. n. s. l. Paris avril 1984 24 x 30.50 cm une feuille Original photograph. Vintage black and white gelatin silver print. Artist's proof signed on verso. Portrait of writer Théodore Monod. In 1983 Bruno de Monès began a regular collaboration with Le Magazine littéraire which would last until the mid-1990s. S. n. unknown
1890réf. 1256956Paris: E. Dentu 1890. first edition. Thick folios in grey hardcovers with brown gilt and gold letters; VG; boards have moderate soiling; volume one corners slightly bumped; edges dusty; paper clean; text clean; in French; foxing on a few pages; app. 600 pages each volume; shelved above French section; please contact us for shipping costs. 1256956. Shelved Dupont Bookstore. E. Dentu unknown
1890réf. 1256956Paris: E. Dentu 1890. first edition. Thick folios in grey hardcovers with brown gilt and gold letters; VG; boards have moderate soiling; volume one corners slightly bumped; edges dusty; paper clean; text clean; in French; foxing on a few pages; app. 600 pages each volume; shelved above French section; please contact us for shipping costs. 1256956. Shelved Dupont Bookstore. E. Dentu unknown books
1992réf. 36521Ides et Calendes Jaquette en très bon état Couvertures rigides toile Neuchâtel 1992
1899réf. 74834Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars) 1899 | 30.50 x 25 cm | une feuille
1969réf. EEKMANNI007239Pierre Cailler Gen�ve. 1969. First edition. Square octavo. pp 29 1 81 plates several in colour and tipped in. Glossy card wrappers. Includes ''une biographie une bibliographie et une documentation compl�te sur le peintre et son oeuvre''. The Belgian figurative artist and illustrator born Nikolaas Mathijs Eekman was known variously as Nico Eekman Nic Eekman and Ekma.Number 6 of fifty de luxe copies with two laid-in original dry-point etchings signed and numbered ''Luxe 6/50'' by the artist. The etchings are in his fantasy-allegorical style which has strong echoes of Rackham's.Front cover slightly creased at bottom corner. Very good indeed. The etchings are in fine state. Pierre Cailler, Gen�ve. unknown
réf. BN106133Editions Ereme. Softcover. AMBROISE MONOD LE RECUP'ART AMBROISE MONOD LE RECUP'ART Editions Ereme paperback
réf. ORD-7498Prix atteints dans les ventes. Suites et états. Biographies et Bibliographies. Aide-Mémoire de l'Amateur et du Professionnel. Paris. Morancé. 1920-1931. 9 volumes in-8 (165 x 252mm) brochés, couverture imprimées et ornées en rouge et noir, XVI, 276; 3ff., 280; 3ff., 287; 3ff., 277; 3ff., 280; 3ff., 292; 3ff., 288; 3ff., 279 et 3ff., 280, (3) pages. Classement alphabétique. Qq. pages un peu brunies mais bon exemplaire, complet.
1863réf. 691571 vol. in-4 reliure demi-chagrin noir, dos à 4 nerfs, 1863 - 1864, environ 150 ff. dont 92 ff. manuscrits (le feuillet de titre partiellement imprimé, complété à la plume)
1899réf. 74834Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille Rare original lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso some foxing. Lithograph inspired by an extract from a work by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1890réf. RO30011424E. Dentu. 1890. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Tome 1: 664 pages, petit accroc sur le dos, et couverture un peu abîmée. Tome 2: 618 pages, dernier plat un peu abîmé. Tome 3: 667 pages, légères tâches sur les plats et dos légèrement plié. Néanmoins les trois sont en bon état. Les trois volumes sont illustrés de gravures noir et blanc, dans et hors-texte. Relié toilé, titre doré.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
1930réf. 43483Saigon: Édition Photo Nadal 1930. First edition oblong 4to pp. 113 1; profusely illustrated throughout with sepia toned and black & white photographic illustrations of various people places and way of life in Saigon & Cholon; parallel text in French and English; marbled endpapers front hinge cracked corners bumped and chipped else very good in quarter brown calf over marbled boards with gilt lettering and decoration on spine with raised bands. Édition Photo Nadal unknown
1930réf. 43483Saigon: Édition Photo Nadal 1930. First edition oblong 4to pp. 113 1; profusely illustrated throughout with sepia toned and black & white photographic illustrations of various people places and way of life in Saigon & Cholon; parallel text in French and English; marbled endpapers front hinge cracked corners bumped and chipped else very good in quarter brown calf over marbled boards with gilt lettering and decoration on spine with raised bands. Édition Photo Nadal unknown books
réf. 77661, vers 19508, in-4, 43 p, fig. dans le texte, Broché, Document tapuscrit original dans lequel Jacques Monod fait état de l'ensemble de ses titres et travaux scientifiques jusqu'à la date de 1958 : curriculum vitae, rapports et conférences, résumé de ses travaux de recherche et publications. Jacques Monod remporta le Prix Nobel en 1965 grâce à son travail de recherche à L'Institut Pasteur. Envoi manuscrit à l'encre brune de Jacques Monod à Louis De Broglie sur la première de couverture. Couverture rigide
1991réf. 008423Paris Futuropolis Gallimard 1991 Cartonnage de L'éditeur
1899réf. 74833Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars 1899) | 30.50 x 25 cm | une feuille et une serpente
1899réf. 74833Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille et une serpente Rare original color lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title and text. Lithograph inspired by an extract from a work by Henri de Régnier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1890réf. R300140104E.DENTU. 1890. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 666 pages + 618 pages + 670 pages + album contenant environ 70 planches en noir et blanc - nombreuses illustrations en noir et blanc dans et hors texte - 7 photos disponibles.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
1940réf. 32687Saïgon Edition photo Nadal s.d. [vers 1940] in-4 oblong broché
1920réf. 007893Paris: Librairie Lutetia 1920. Limited First Edition. Wraps. Fine. No. 150 of 250 copies and now truly scarce with no copies located on OCLC First Search nor in commerce on the date of this listing. Exquisite Art Deco pochoir leporello with 12 humorous caricature panels one for each month. The leporello is housed in a larger light card stock wrapper which is basically a folded sheet and the leporello is loosely held in by a string. The cover of the wrapper has a lovely stylized pochoir illustration of a woman in a panniered dress. The rear has a simple woodcut of a potted tree and the date of publication. The inside of the wrappers is a repeat motive of a potted plant against a blue background. The characters of "caricature" are mostly a French everyman. Each illustration has two lines of captioning at the base. The artist whose real name was Samuel Monod was accomplished in many aspects of letters. He was not just a cartoonist and illustrator but also a writer publisher journalist art critic and theorist and finally a historian of typography. Librairie Lutetia unknown
1920réf. 007893Paris: Librairie Lutetia 1920. Limited First Edition. Wraps. Fine. No. 150 of 250 copies and now truly scarce with no copies located on OCLC First Search nor in commerce on the date of this listing. Exquisite Art Deco pochoir leporello with 12 humorous caricature panels one for each month. The leporello is housed in a larger light card stock wrapper which is basically a folded sheet and the leporello is loosely held in by a string. The cover of the wrapper has a lovely stylized pochoir illustration of a woman in a panniered dress. The rear has a simple woodcut of a potted tree and the date of publication. The inside of the wrappers is a repeat motive of a potted plant against a blue background. The characters of "caricature" are mostly a French everyman. Each illustration has two lines of captioning at the base. The artist whose real name was Samuel Monod was accomplished in many aspects of letters. He was not just a cartoonist and illustrator but also a writer publisher journalist art critic and theorist and finally a historian of typography. Librairie Lutetia unknown books
1890réf. 61004Paris: E. Dentu Editeur Libraire de la Societe des Gens de Letteres 1890. Four Vols. Folio. 9.75 x 13 in. xxxi 1 666 2; 4 618 2; 4 670 2; 8 pp unpaginated. with 82 engravings on 70 plates many double-page. Extra-illustrated title page frontispiece in vol. I 100’s of text woodcut-engravings tables diagrams charts decorated head- and tail-pieces decorated initials. Uniformly bound in elaborately decorated gray-lilac-coloured cloth embossed decorative borders in burgundy-colour gilt lettering front covers & spines t.e.g. minor edgewear inner hinges starting in a few places due to weight of the textblock minor wear and slight bumping to corners darkening and more wear to Atlas volume still a VG set. First edition of this nicely printed and weighty set chronicling the fourth great Paris World’s Fair an extraordinary Exposition which refashioned Paris and celebrated the Centennial of the French Revolution and the storming of the Bastille. The Exposition was intended to pull France out of a ruinous recession and attracted over 61000 exhibitors as well as 32 million visitors many of whom came to view the iconic Eiffel Tower and even a profit of 8000000 francs. This lavish production details the development and history of the Exposition the construction of the Eiffel Tower as well as the development of the sites along the Seine. The companion album includes 82 woodcut-engraved images executed by such artists as Baude Baulenaz and Hauger many of them from original photographs shot by Messiers J. Levy et Cie. Levy had also shot photographs for the 1867 Paris L’Exposition Universelle and his photos captured many views of the exhibition grounds and buildings and focused on many in the Javanese Tonkin and Streets of Cairo attractions. E. Dentu, Editeur, Libraire de la Societe des Gens de Letteres, hardcover
2012réf. 106472Kehrer Verlag Heidelberg. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. 72 pages; illustrated. -- with a bonus offer-- . 2012. 3868283145 . Kehrer Verlag Heidelberg hardcover
