14.562 risultati
2015rif. 1-1422616150Mesorah Pubns Ltd 2015. Hardcover. New. 208 pages. 9.13x6.57x1.11 inches. Mesorah Pubns Ltd hardcover
2014rif. 81193Paris: Arléa 2014. Fine. Arléa Paris 2014 11 x 18 cm broché First edition in paperback format. Handsome copy. Autograph inscription signed by Pascal Quignard to Chantal Labre. Arléa paperback
rif. 2070309126.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1986rif. 051361The Free Press A Division of Macmillan Inc. 1986. 1st Edition 1st Printing. Hardcover. Fine/Fine. Xx 244 Pp. Dark Blue Cloth Spine Gilt. First English Language Printing Indicated. Fine In Fine Albeit Yellowed Dust Jacket Priced $17.95 But Extensive Marginalia By Ucla Cultural Scholar Martha Banta. The Free Press, A Division of Macmillan Inc. hardcover
rif. 0802165095.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. DADAX0199656363New unknown
2005rif. 049859Vercelli Italy: Vmb / White Star 2005. 4th Edition . Hardcover. Fine/Fine. 528 Pp. Massive 9 1/2 Pound Photo History Stunning Color Photographs Of Modified And Decorated Harleys Etc. Illustrated Black Boards. 2005 Publication Date First Printing Indicated New Isbn Number. Either Third Or Fourth Edition We Think 4Th. Fine In Fine Dust Jacket. No International Orders As Shipping Would Be Prohibitively Expensive. Vmb / White Star hardcover
1877rif. 00265358Paris Alphons Lemerre Éditeur 1877. Hardcover. Good. Texte revu sur le manuscrit autographe. Avec une Préface et des Notes par Auguste Molinier. 2 hleather boindings with marbled endpapers. LXXXIII326420p.; Edges worn; small damages. Paris, Alphons Lemerre Éditeur hardcover
1994rif. 00266412Éditions La Regordane 1994. No binding. Good. Name place and date on endpaper; spine dust jacket slightly sunned. Éditions La Regordane unknown
rif. DADAX0081009062Woodhead Publishing 2016-10-11. 1. hardcover. New. 6.10x1.50x9.10. Buy with confidence. Excellent Customer Service & Return policy. Woodhead Publishing hardcover
1984rif. 79029Paris: Gallimard 1984. Fine. Gallimard Paris 1984 14 x 20.50 cm broché The first edition of which there were no deluxe copies Handsome copy despite a small discoloration stain on the first cover. Autograph inscription signed by Pascal Quignard to Ulrike Bergweiler then secretary to Antoine Gallimard: ""Pour Ulrike avec toute mon amitié. Pascal."" ""For Ulrike with all my friendship. Pascal."" Gallimard unknown
2010rif. 2-1439825386Productivity Pr 2010. Paperback. New. 2nd edition. 220 pages. 8.03x5.35x0.55 inches. Productivity Pr paperback
rif. 0553492306.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 2246637414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0553566334.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 2070427803.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 0553567314.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
rif. 0553486020.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0006722970.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1884rif. 1295No place listed: No publisher listed 1884. Leather bound. Very good. PHOTO ALBUM. Folio; 64 cream-colored mat board leaves; three-quarters black pebbled-leather over dark green textured cloth gilt-stamped title to front board beveled edges; 5 raised band spine blind-stamped ornaments gilt-stamped date "1884"; all edges gilt; gray marbled endpapers; 161 albumen and collotype photographs mounted on cream-colored mat board some signed sizes vary from the smallest 3" x 4" to largest 7" x 9" although most are in a mid-range of about 3 ½" x 5"; laid in is a 10pp manuscript with photograph descriptions corresponding to the hand-numbered mat boards; five mat boards have been removed as evidenced by the skip in pagination from the small pencil numbering of pages in the upper right corner and from the owner's written listing of images; scuffing to boards a few finger smudges one photograph with a creased edge; very good. A large photography album of natural scenery street scenes buildings and bridges and works of art stretching from Vienna to London passing through Germany and Switzerland. Images can be attributed to: Pascal Amarante by his monogram; Albert Bonnier by his initial signature "AB;" Dresden photographer Rudolf Tamme using a blind-stamp oval in the lower right corner of the photograph "F&O Brockmann's Nachf. R.Tamme Dresden" or the Nachflagor or the successor to Brockmann; Photographische Gesellschaft Berlin Berlin Photographic Company with offices in Berlin London and New York using a blind-stamp; German photographer C. Hertel by his printed name; J. Patrick John or James by his printed name; Two Scottish photographers James Valentine by his initial signature "JV" and George Washington Wilson by his initial signature "GWW." Two unidentified photographers have signed their work "X Phot." and "Davis's Series.". No publisher listed unknown
1890rif. 716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
1901rif. 716591901. Fine. 23 octobre 1901 9.80 x 15.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret requesting his correspondent's assistance in finding a position for a young clerk. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1896rif. 716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
1904rif. mon0000108929Dent 1904-01-01. Hardcover. Good. in x in x in. Jm dent blue leather pocket edition Dent hardcover
1990rif. 72046Paris: P.O.L. 1990. Fine. P.O.L. Paris 1990 14 x 20.50 cm broché The first edition of which there were no deluxe copies. Signed autograph inscription from Pascal Quignard to Frédéric Verney. P.O.L. unknown
