SEBAH, PascalBiblio.com
14.601 risultati
rif. 77256c.1865. . Collection of three albumen prints. Credit title and number in negative pasted on original thin card. [c.1865]. unknown
1880rif. 36797Istanbul 1880. Oblong 8vo. 6 x 7 3/4 inches. 10 albumen photographs mounted on thick card and bound in concertina folds as issued length 70 inches. Occasional spotting. Publisher's red grained cloth upper cover tooled in gilt and lettered in French and Arabic. A smaller version probably published at the same time of "Panorama de Constantinople pris de la Tour de Galata." A photographic panorama offering a sweeping view of the city walls and seven towers the great Mosques of Sultan Ahmed and Santa Sophia the 'Green Mosque' and Mosque of Oulon the Golden Horn tower of Galatea and the Bosphorus. unknown
rif. 61375c.1880. . Albumen print. Rich tonal range and in good condition. Photographer's number title and credit in negative; Dimensions: 260 x 195mm. 10 x 8 inches. [c.1880]. unknown
1888rif. 167887Istanbul: Sébah & Joaillier c. 1888. Remarkable photographic panorama of Istanbul A superb panoramic view of the city taken from the Galata Tower looking over the Bosporus towards the Asian side; across the Golden Horn can be seen the Topkapi Palace and the great mosques of the city Haghia Sophia the Blue Mosque the Yeni Mosque and the Süleymaniye. In 1857 Pascal Sébah opened one of the first photographic studios in Constantinople. Having met with great success in 1873 he expanded the business setting up a further establishment in Cairo near to the renowned Shepheard's Hotel. In 1883 he suffered a stroke and the business was taken over by his son Jean who styled himself J. Pascal Sebah so as not to break the continuity of the business and was to become a talented photographer in his own right. In 1888 he went into partnership with a French photographer resident in Istanbul Policarpe Joaillier the firm in time becoming official photographers of the Sultan. In various forms this business continued down to the middle of the 20th century when in 1952 its last incarnation Foto Sabah finally closed its doors. "From the 1870s Sébah and Joaillier were major suppliers of evocative imagery to the increasing number of people who undertook the Victorian Grand Tour" Hannavy p. 1261. Landscape folio 310 x 375 mm. With 10 albumen prints mounted on card panels and joined with linen tape leporello-style to form a panorama approximately 3.47 m over 11 feet in length card panels 3054 x 340 mm; photographic prints 247 x 340 mm. Original red sand-grain cloth over bevelled boards red roan backstrip title gilt to front cover within elaborate ornamental gilt panel and incorporating images of the Galata and Maiden's towers gilt stamp to back cover of the ay-y ld z star and crescent within a laurel wreath. Covers variably sunned old splash stain to head of front cover a few marks to back light foxing and marginal dust marking the images bright and clean. A very good example. John Hannavy ed. Encyclopaedia of Nineteenth-Century Photography Vol. I 2005; Engin Özendes From Sebah & Joaillier to Foto Sabah: Orientalism in Photography 2004. hardcover
1880rif. ABC_487181880. Housed in a clear plastic sleeve. Two albumen prints each ca. 27 x 21 cm signed and numbered in the negative. Two beautiful photographs by Jean Pascal Sébah 1872-1947 one of the most famous photographers of his time who specialised in Orientalist photography. He continued the business of his father Pascal Sébah 1823-1886 one of the first photographers working in Egypt. Apart from their photographs of important locations in the Middle East the Sébahs were known to stage genre scenes which were used as illustrations in scientific Orientalist publications. The present photographs were likely one of those scenes. They show four Arabic men demonstrating the positions of the raka'ah. The first photographs shows the first and second position standing and bowing or qiyam and ruku. The second photographs shows kneeling and the beginning of prostration or jalsa and sujud.Father and son Sébah rose to prominence because of their well-organized compositions careful lighting and quality of their prints. The present photographs are indeed beautifully lit and composed and still in very good condition despite their age. They are wonderful examples of Jean Pascal Sebah's craftmanship.The photographs are slightly creased and discoloured around the edges but otherwise in very good condition. unknown
1880rif. 729951880. SBAH J. Pascal and BCHARD Emile et al. Photograph Album. Twenty-two Albumen Prints of Egypt with Views of the Pyramids. Egypt circa 1880. Oblong quarto period style full green morocco gilt raised bands gilt and blind-stamped boards watered silk endpapers; 22 vintage albumen prints each measuring 8 by 10 inches mounted on heavy card stock total of each measuring 10 by 14 inches. $3800.Original photograph album of the Middle East circa 1880 with 22 splendid exhibition-size albumen prints from glass negatives featuring the work of renowned photographers J. Pascal Sbah mile Bchard Langahi and others including Sbah's images of Alexandria's Column of Pompey Nile yachts and desert vistas Langahi's view of Nubian tribesmen and Bchard's iconic image of people climbing the massive stones of the Great Pyramid. Splendidly bound.Near the end of the 19th century many ""were captivated by photography's capacity to 'take them there' and bring them directly in contact with the long ago and far away"" Parr & Badger I:18. With that Egypt's majestic pyramids and exotic worlds beckoned. This rare album of 22 vintage albumen prints characteristically produced for England and France highlights the work of two highly respected photographers: J. Pascal Sbah and mile Bchard. The Turkish-born Sbah especially possessed a keen sense of his subjects' ""interaction with one anotherÉ His outside work involving people is very dramatic: for example the well-known images of camel caravans in the desert where a string of camels and their riders walk across the picture place."" Those very qualities are seen here in Sbah's ""Marshe aux Chameaux"" March of Camels ""Chameliers"" Camels and his images of crowded bazaars and Nile River yachts. In addition Sbah's striking views of Alexandria include one of its catacombs and another of the Column of Pompey one of the best known ancient monuments standing today. Like Sbah French photographer Bchard worked in Egypt in the 1870s and 80s where he was ""known primarily for his photographs of Egyptian antiquities and archaeological sitesÉ characterized by a dramatic sense of presentation"" Micklewright and Brassey Victorian Traveler 118-120. One of his most famous photographs is that featured at the close of this album: ""Ascension de la grand pyramide."" With the misleading signature of Sbah's brother Cosimi who ran Sbah's studio after his death Bchard's evocative view of people climbing the massive stones of the Great Pyramid is one of the era's most iconic. This impressive album also features several unattributed prints: a view of the Great Pyramid and Sphinx that closely resembles Francis Frith's distinctive photograph panoramas of Smyrna in Sbah's Turkish homeland and the portrait of an Ottoman soldier together with a print of Nubians astride camels by Langahi and the image of a veiled woman seated on a donkey unclear in-negative caption. With 22 vintage albumen prints from glass negatives each measuring 8 by 10-1/2 inches individually mounted on heavy card stock most with in-negative captions and signatures. See Rosenblum 163. Photographs fresh with only light scattered margin foxing not affecting prints. A rare album of vintage prints in about-fine condition. Beautifully bound. hardcover books
1880rif. 729951880. SBAH J. Pascal and BCHARD Emile et al. Photograph Album. Twenty-two Albumen Prints of Egypt with Views of the Pyramids. Egypt circa 1880. Oblong quarto period style full green morocco gilt raised bands gilt and blind-stamped boards watered silk endpapers; 22 vintage albumen prints each measuring 8 by 10 inches mounted on heavy card stock total of each measuring 10 by 14 inches. $3800.Original photograph album of the Middle East circa 1880 with 22 splendid exhibition-size albumen prints from glass negatives featuring the work of renowned photographers J. Pascal Sbah mile Bchard Langahi and others including Sbah's images of Alexandria's Column of Pompey Nile yachts and desert vistas Langahi's view of Nubian tribesmen and Bchard's iconic image of people climbing the massive stones of the Great Pyramid. Splendidly bound.Near the end of the 19th century many ""were captivated by photography's capacity to 'take them there' and bring them directly in contact with the long ago and far away"" Parr & Badger I:18. With that Egypt's majestic pyramids and exotic worlds beckoned. This rare album of 22 vintage albumen prints characteristically produced for England and France highlights the work of two highly respected photographers: J. Pascal Sbah and mile Bchard. The Turkish-born Sbah especially possessed a keen sense of his subjects' ""interaction with one anotherÉ His outside work involving people is very dramatic: for example the well-known images of camel caravans in the desert where a string of camels and their riders walk across the picture place."" Those very qualities are seen here in Sbah's ""Marshe aux Chameaux"" March of Camels ""Chameliers"" Camels and his images of crowded bazaars and Nile River yachts. In addition Sbah's striking views of Alexandria include one of its catacombs and another of the Column of Pompey one of the best known ancient monuments standing today. Like Sbah French photographer Bchard worked in Egypt in the 1870s and 80s where he was ""known primarily for his photographs of Egyptian antiquities and archaeological sitesÉ characterized by a dramatic sense of presentation"" Micklewright and Brassey Victorian Traveler 118-120. One of his most famous photographs is that featured at the close of this album: ""Ascension de la grand pyramide."" With the misleading signature of Sbah's brother Cosimi who ran Sbah's studio after his death Bchard's evocative view of people climbing the massive stones of the Great Pyramid is one of the era's most iconic. This impressive album also features several unattributed prints: a view of the Great Pyramid and Sphinx that closely resembles Francis Frith's distinctive photograph panoramas of Smyrna in Sbah's Turkish homeland and the portrait of an Ottoman soldier together with a print of Nubians astride camels by Langahi and the image of a veiled woman seated on a donkey unclear in-negative caption. With 22 vintage albumen prints from glass negatives each measuring 8 by 10-1/2 inches individually mounted on heavy card stock most with in-negative captions and signatures. See Rosenblum 163. Photographs fresh with only light scattered margin foxing not affecting prints. A rare album of vintage prints in about-fine condition. Beautifully bound. hardcover
1890rif. 54541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover. Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall. The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890. Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total. Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover books
1890rif. 055023Sebah & Joaillier. ca. 1890 1890. No Binding. Very Good. A small original albumen print photograph by Sebah & Joaillier mounted on paper. Size: 65x8 cm. Rare albumen print photograph mounted on a grey album paper taken by Sebah & Joaillier photograph studio of Constantinople showing Syrian women and men in their traditional clothes. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople today Istanbul Turkey. Photographing city views daily activities and ancient ruins in the surrounding area Sébah sold many of his prints to visiting tourists a prosperous and common market for other contemporary photographers such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888 two years after Pascal J. Sébah passed away his 16-year-old son Jean Johannes became involved in the studio work. Jean started a partnership with another photographer from Istanbul the Frenchman Policarpe Joaillier which became a great success. Jean worked both on assignments for the studio and as an individual photographer which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier" and others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships the studio was taken over by Ismail Insel and renamed "Foto Sabah" i.e. Photo Morning. Sebah & Joaillier., [ca. 1890] unknown
1890rif. 54541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover. Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall. The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890. Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total. Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover
2011rif. 500022127National Geographic 2011 320 pages 13x21x2cm. 2011. Broché. 320 pages.
2011rif. 500028635National Geographic 2011 320 pages 13x21x2cm. 2011. Broché. 320 pages.
2011rif. 500034729National Geographic 2011 320 pages 13x21x2cm. 2011. Broché. 320 pages.
rif. 1948232677.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2020rif. __1657178552Independently published 2020. Paperback. New. 302 pages. 9.00x6.00x0.76 inches. Independently published paperback
2020rif. 2-1657178552Independently published 2020. Paperback. New. 302 pages. 9.00x6.00x0.76 inches. Independently published paperback
2020rif. 2-1659499062Independently published 2020. Paperback. New. 371 pages. 9.00x6.00x0.93 inches. Independently published paperback
2020rif. 2-1661574637Independently published 2020. Paperback. New. 325 pages. 9.00x6.00x0.82 inches. Independently published paperback
rif. lc_35654LES LIENS QUI LIBERENT EDITIONS (4 mai 2016)
1989In-8 (cm. 21.30), brossura illustrata, con alette, pp. 197, (3). Prima edizione. In buono stato (good copy).
rif. 11116647like new. unknown
rif. 11116647-nnew. unknown
rif. 2747521818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2015rif. x-1137508590Palgrave Macmillan 2015. Hardcover. New. 291 pages. 8.50x5.75x0.75 inches. Palgrave Macmillan hardcover
2016rif. 500066974Luc Pire 2016 250 pages 15x1 6x22 8cm. 2016. Broché. 250 pages.
