POE, Edgar AllanABAA
5 792 résultats
1846réf. 460487Philadelphia: George R. Graham & Co 1846. Hardcover. Good. 12 monthly issues in one volume: January-December 1846. Octavo. Illustrated with steel engraved plates and color fashion plates. Contemporary half morocco and marbled paper over boards gilt spine with owner's name stamped in gold at the tail of spine color tinted endpapers. Rubbing and wear to the edges of the boards light scattered foxing and some dampstaining to the margins of the final four issues a good or better copy. Contains the first printed appearances of Parts 5 8 and 9 of Marginalia in the March November and December issues Poe published seventeen parts of the Marginalia from 1844-1849 and his essay on writing: The Philosophy of Composition in the April issue. Other noteworthy contributions included in this volume are: "The Builders" by Henry W. Longfellow "To the Past" by J.R. Lowell "Sorrow as on the Sea" by Lydia H. Sigourney and multiple poems by J. Bayard Taylor William C. Bryant and Frances Osgood. A complete run of 12 monthly issues from 1846 with a fine steel engraved plate of "Washington at Princeton" and mezzotint plates by Philadelphia's famous engraver John Sartain. Heartman & Canny 210. George R. Graham & Co hardcover books
1843réf. 1609026Graham 1843. 1st Edition. Hardcover. Very Good. First appearance of Poe's The Conqueror Worm. Philadelphia: Graham 1842. Large thick quarto half roan over marbled boards. Spine with raised bands and simple gilt borders to compartments. Contents clean and fresh. A very good copy. Graham hardcover books
1846réf. 537044New York: Thomas Prentice Kettell 1846. Hardcover. Very Good. One volume of six monthly issues January-June 1846. Octavo. Illustrated with one lithographic plate and four engraved plates. Bound in contemporary quarter calf and marbled paper over boards gilt spine marbled endpapers. Tiny ink stamp on back free endpaper. The boards and spine are rubbed modest wear at the joints and edges of the boards moderate scattered foxing overall very good. Contains the first appearance of Edgar Allen Poe's Marginalia embracing critical notices of Carlyle Dr. Cheever Mr. Street Dr. Bush &c. Also included are two poems and one biographical sketch by John G. Whittier and the first thirteen chapters of Papers of an Old Dartmoor Prisoner edited by Nathaniel Hawthorne. The magazine is noted for its articles on the abolition of slavery women's rights New England transcendentalism and socialist movements. A well-preserved copy in the original boards. Thomas Prentice Kettell hardcover books
1885réf. 460714New York: E.P. Dutton & Company 1885. Hardcover. Good. Later printing. Small quarto. Illustrated by W.L. Taylor. Brown decorative cloth over beveled boards with a pictorial design stamped in gold silver blue and black on front cover dark blue endpapers all edges gilt. Small contemporary inscription in neat ink on front fly leaf. Boards are rubbed and a little bowed a few small stains on back cover small strip of tape residue on front free endpaper good or better overall with light scattered foxing. A beautifully designed illustrated edition. E.P. Dutton & Company hardcover books
1973réf. 1055636Gerry de la Ree 1973. First Edition. Hardcover. Near Fine. Two different sets of limited editions the 450 first editions and what this is no 5 of 50 bound and signed editions. This was Stephen E. Fabian's personal copy signed to him by Gerry de la Ree. He also signed the copyright page. Bumped corners. Light reading wear. Large 9' x 11' oversize design. Jet black full cloth boards crisp gilt impressed cover and spine titles. Gerry de la Ree hardcover
1923réf. 192942London: George G Harrap & Company Limited 1923. First published in 1908 Clarke's illustrated edition was released in 1919 with only the black and white plates. This was the first edition issued with the colour plates. Loosely inserted is a 1927 prize bookplate for a midwifery award given to one Miss D. Rees. Quarto. Tipped-in colour frontispiece and 7 colour plates 24 black and white plates all by Clarke. Original black cloth titles to spine gilt illustrated label to front board black endpapers top edge black. 1927 gift inscription to front endpaper. A few splits to spine ends extremities rubbed and bumped a little foxing to outer leaves a few gatherings unopened. A very good copy. hardcover
1936réf. 28981Editions A.Sedrowski 1936. Chemise in-4 au format 32,5 x 24 cm. Couverture à rabats illustrée.s au format 22 x 27,5 cm. Dos carré muet avec infime manque au bas. Plats et intérieur frais, malgré d'infimes frottis aux coins et de rares et minuscules brunissures aux couvertures. Contient un frontispice et 12 magnifiques illustrations en noir par Robert West. Présentation de Yves-Gérard Le Dantec, Les planches sont numérotées ainsi : Frontispice : Le Corbeau - I : Le Scarabée D'Or. II : Révélation Magnétique. III : Metzengerstein. IV : Le Démon de la Perversité. V : Le Chat Noir. VI : Bérénice. VII : La Chute de la Maison Usher. VIII : Le Masque de la Mort Rouge. IX : Le Roi Peste. X : Colloque entre Monos et Una. XI : Silence. XII : L'Ange du Bizarre. Les illustrations sont tirés en phototypie et portent au bas un extrait du texte original de Edgar Allan Poe. Superbe état général. Tirage à 260 exemplaires numérotés en chiffres arabes sur vélin teinté ( n° 191 ), après 12 exemplaires en chiffres romains, sur japon impérial, signés par Robert West. Rarissime édition originale illustrée.
1920réf. LIQ-7112P. René Kieffer 1920.Grand in-8° pleine basane havane gauffrée ornée d’un motif central représentant “une bouteille à la mer”, dos lisse, titre et tête dorée, couverture et dos conservés (KIEFFER).
1924réf. 22422Paris Edouard Pelletan . Helleu et Sergent, 1924 -in-8 demi-Maroquin 1 volume, reliure demi-maroquin bleu-roi et mosaïqué de rouge in-octavo à coins (half morocco binding in-8 with corners) (21 x 16,2 cm), RELIURE D'EPOQUE MOSAÏQUEE, signée : AD LAVAUX Rel., dos long (spine without raised band), décoré or et mosaïqué de maroquin rouge (gilt decoration), titre frappé "or" dans un encadrment d'un filet "or", avec de part et d'autre un decor à fleurons à froid sur cuir maroquin rouge mosaïqué (3 mosaïque pour la partie basse et deux pour la partie haute)au centre, enveloppés d'un décor feuillage avec fleurs "Roccoco" "or" dans un encadement général d'un filet "or", double filets "or" en tête et en pied, date "or" en pied, plats décorés d'un filet"or" aux mors et aux coins, papier peigné bleu-roi et "or" aux plats, tête lisse dorée, gouttière et tranche de queue non-rognées, dos et couverture grises imprimés en noir et rouges et ornés d'une vignette en noir par Deslignères conservés, Tirage indisponible. Copie sur papier vergé à la Forme, justifié à l'encre brune avec les Initiales Autographes Manuscrites de l'éditeur (N°518). Incluant 40 vignettes et dessins en noir et blanc gravé par Deslignères ainsi qu'un portrait de l'auteur par J.L. Perrichon, 237 pages, 1924 Paris, Edouard Pelletan . Helleu et Sergent, Editeur,
1927réf. 104663Prague 1927 Prague, Odeon, décembre 1927, 235x182mm, 40p. numérotées de 89 à 128, broché sous couverture illustrée d'une composition typographique de Karel Teige. Collaboration de Marcel Breuer, Julius Fucik, Walter Gropius, Frant. Halas, Jindrich Honzl, Chirico, Karel Konrad, Fernand Léger, Mallarmé, O. Mrkvicka, Moholy-Nagy, St. K; Neumann, Vitez, Netzval, Vit Orbel, Picasso, E.A. Poe, Henry Rousseau, Philippe Soupault, F.X. Salda, Styrsky, Karel Teige, Toyen, J. Trsicky, V. Vancura, B. Vaclavek, F.C. Weiskopf. (104663)
1884réf. 52882Paris Quantin 1884 2 vol. reliés 2 vol. gr. in-8, demi-maroquin marron foncé à coins, dos à nerfs, têtes dorées, couvertures et dos conservés, non rognés (Champs-Stroobants), XXXII + 382 et XXIX + 407 pp. Agréable édition illustrée de 2 frontispices gravés par Chifflart et de 24 planches hors-texte, la plupart gravées à l'eau-forte par Wögel. Très bel exemplaire imprimé sur vergé dans une fine reliure signée de l'époque avec ex-libris gravé.
1884réf. 52882Paris Quantin 1884 2 vol. reliés 2 vol. gr. in-8, demi-maroquin marron foncé à coins, dos à nerfs, têtes dorées, couvertures et dos conservés, non rognés (Champs-Stroobants), XXXII + 382 et XXIX + 407 pp. Agréable édition illustrée de 2 frontispices gravés par Chifflart et de 24 planches hors-texte, la plupart gravées à l'eau-forte par Wögel. Très bel exemplaire imprimé sur vergé dans une fine reliure signée de l'époque avec ex-libris gravé.
1935réf. 001789London: George G. Harrap & Co. Ltd 1935. 1st Edition . Hardcover. Very Good. Arthur Rackham 1867-1939. First Edition with illustrations by Rackham. 4to pp318 plus 12 full page colour illustrations with descriptive tissue guards and 17 full page b/w illustrations all by Arthur Rackham. Hardcover with dust jacket. DJ in protective sleeve in good only condition with pieces missing from top and bottom of spine and edges. Original publishers black cloth binding with gilt lettering and decoration to spine and gilt titles and skeleton design to front board in very good condition with a little rubbing to top & tail of spine edges and tip of boards. Inside decorative end papers designed by Rackham with all pages and plates with black top edge in very good condition although there is an previous ink inscription to half title page and what looks like a front free end paper has been taken out. The book itself is a little cocked leaving the binding a little slack but still solid. Overall a good copy of a desirable edition in a scarce DJ. George G. Harrap & Co. Ltd hardcover
réf. 24374LITBoston MA: Dana Estes & Company 1884 Original green cloth covers w/ gilt titles on spines. Bindings a bit rubbed at extremities but quite nice with the spine of volume 1 being more worn and soiled than the rest. Top edges gilt. Light scattered foxing. Several leaves in each volume dog-eared. Each volume illustrated w/ b/w plates one volume also illustrated w/ fold-outs. Overall a nice set for the collector. Hard Cover. Very Good/No Dust Jacket. 8vo - over 7¾" - 9¾" tall. Dana Estes & Company Hardcover
1934réf. 85172Paris: Gallimard 1934. Fine. Gallimard Paris 1934 12 x 19 cm broché First collected edition of this selection of tales translated into French by Marie Bonaparte Maurice Sachs and Matila C. Ghyka a Service de Presse advance copy. Boards marginally soiled and foxed light foxing to edges. Original preface by Paul Morand. Our copy is enhanced with an exceptional autograph inscription in English by Maurice Sachs accompanying his two drawings representing a sphinx and a bear: ""The Sphinx asked the Bear: who likes honey and trout and candies and ginger We do said the Big Bear we bears. So the Sphinx changed into a bear and they lived happy together 1934"" ; Maurice Sachs's inscription continues in the lower left margin: ""and for a pastime the Big Bear translated English stories into French stories and these are some that he gives to M. L. B. with much affection. M.S."" ""Le Sphinx demanda à l'Ours : qui aime le miel et la truite les bonbons et le gingembre Nous dit le Gros Ours nous les ours. Alors le Sphinx se transforma en ours et ils vécurent heureux ensemble 1934"" ; ""et comme passe-temps le Gros Ours traduisait des histoires anglaises en français et en voici quelques-unes qu'il donne à M. L. B. avec beaucoup d'affection. M.S."" Gallimard hardcover
réf. 323112grosset & dunlap universal photoplay edition 6 stills one two page still movie scenes on ep bela lugosi hardcover. near fine book in a good to very good dust jacket . scan available larger chips in the corners edge creases. front picture complete except for corners grosset & dunlap hardcover
1839réf. 37475Philadelphia: William E. Burton 1839. 8vo pp. iv 360; 4 steel engraved plates and illustrations throughout; full contemporary calf slightly soiled gilt-stamped spine in five compartments some shelf wear; ex-Hill Library with usual markings; losses to front free endpapers foxing. Includes fiction pieces poetry book reviews and essays on "manly" passtimes such as ice skating dogs and travel narratives. Poe served as co-editor of the magazine starting with the June issue and also contributed hackwork on "The Natural History of the Dog" dervied entirely from other sources. William E. Burton unknown
1839réf. 37475Philadelphia: William E. Burton 1839. 8vo pp. iv 360; 4 steel engraved plates and illustrations throughout; full contemporary calf slightly soiled gilt-stamped spine in five compartments some shelf wear; ex-Hill Library with usual markings; losses to front free endpapers foxing. Includes fiction pieces poetry book reviews and essays on "manly" passtimes such as ice skating dogs and travel narratives. Poe served as co-editor of the magazine starting with the June issue and also contributed hackwork on "The Natural History of the Dog" dervied entirely from other sources. William E. Burton unknown books
1910réf. ACCL-100Harper and Brothers circa 1915. All ten volumes are in fair condition with dark green cloth boards with decorative gilt spines. Texts are clean and unmarked. Boards are sturdy. Bindings in Volumes II and IV are weakening and Volume I shows slight separation. Covers show some stains and fading. Edge wear is primarily at spines. Gilt lettering and decoration on spines is faded. Harper and Brothers Publishers hardcover
1986réf. 804F40Bruxelles: Le Creuset 1986. First edition. Leather. Fine/Near Fine. 16" by 12.5". Anna Velghe. A very scarce Limited Edition of this revenge tale from Edgar Allan Poe illustrated and signed by the artist Anne Velghe and housed in a beautiful half calf box. Translated into French by Charles Baudelaire. The first edition thus only 360 copies of this work were produced of which numbers 21 to 150 were placed in this half calf box - styled to look like a large book - numbered signed by the artist and with the publisher's blind stamp to the limitation page. This copy is no. 105A beautifully illustrated edition of this short tale from Edgar Allan Poe one of Poe's memorable revenge stories in which a murderer apparently escapes without punishment a dwarf court jester who kills his king.Illustrated by artist Anne Velghe with five double page and eight full page illustrations accompanied by fourteen vignette illustrations. Of the two prints taken from her original lithographic stone called for only one is present.A beautifully illustrated and very scarce signed Limited Edition of this short horror story from Poe first published in 1849. Unbound as issued. Housed in a half calf box with marbled paper boards. Light rubbing to box board extremities and back strip head otherwise externally lovely. Signed and numbered to limitation page with publisher's blind stamp to title page and limitation page. Pages exceptionally bright and clean. One tissue guard lightly creased to perimeters. Fine Le Creuset hardcover
1935réf. 028001London UK: Gerorge C Harrap &Co 1935. 1st Thus . Hardcover. Very Good/N/A. 4to - over 9¾ - 12" tall. Rackham Arthur. None. 1st thus trade preceded by a signed numbered edition limited to 460 copies bound in vellum. 318pp plus colour plate frontispiece and 11 further colour plates all with captioned tissue-guards and seventeen further monochrome plate illustrations all by Arthur Rackham. In publisher's fine black cloth with blind embossed decorations and gilt lettering from and spine. illustrated endpapers illustrated title page and occasional page decorations and illustrations in line. 4to. Cloth a little shelf worn gently rounded on corners and a little pushed at spine ends. Internally neat clean bright and tight. A handsome and very good copy. Gerorge C Harrap &Co hardcover
1884réf. 80497A. C. Armstrong & Son NY 1884. hardback. near very good condition in 1/2 leather and marbled boards - somed ageaneral wear- no dust jackets A. C. Armstrong & Son, NY hardcover
1988réf. BN152815Verlag im Unteren Tor 1988. 1988. Hardcover. Der Untergang des Hauses Usher Der Untergang des Hauses Usher Edgar A Poe Verlag im Unteren Tor hardcover
réf. 4098Traduction de Charles Baudelaire
1856réf. 8546Rare édition originale (conforme à Vicaire) à la bonne date de 1856 de cette célèbre traduction. Reliure modeste, page de titre salie, mais ensemble correct. 1/2 basane bleue, dos long. Bon Paris Michel Lévy 1856 1 volume in-12°
