HEMON, Louis.Livre Rare Book
Roberta PiazzaBiblio.com
The Discourse of Italian Cinema and Beyond
réf. Bloomsbury-9781441178879Continuum. Paperback. New. 272 pages Continuum paperback
1 089 résultats
réf. 25745Paris, Edition d'Art H. Piazza, 1932 12.6x19.2 cm., 252 pp., edition introduit par Edmond Pilon et illustree par Jean Droit, relie demi-maroquin havane a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos orne, dos a 4 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. Tirage limite. Tirage de 3200 exemplaires papier chiffon, numerotes de 301 a 3500.
réf. Bloomsbury-9781441178879Continuum. Paperback. New. 272 pages Continuum paperback
réf. Bloomsbury-9781441178879Continuum. Paperback. New. 272 pages Continuum paperback
2002réf. 1-0130221449Prentice Hall 2002. Paperback. New. illustrated edition. 418 pages. 10.50x8.00x0.75 inches. Prentice Hall paperback
2021réf. SKU0574129The Guilford Press 2021-07-14. hardcover. Good. 7x1x10. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking The Guilford Press hardcover
1772réf. 61338In Bergamo: Locatelli 1772. Cm. 19 pp. 8 lxix 3. Bell'antiporta figurata. Leg. coeva in cart. alla rustica. Qualche macchietta marginale peraltro esemplare genuino e marginoso. Locatelli unknown
1765réf. 4838209Licenza de Superiori 1765. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. Re-bound by library. Smaller 8vo with marbled boards and brown leather half binding. Backstrip missing. Bumped corners and some general wear. Frontispiece. Interior is secure and clear of markings. Page are age toned with some foxing. A few are a little creased. Brown speckled trimmed edges. Please note the Image in this listing is a stock photo and may not match the covers of the actual item500grams ISBN: Licenza de Superiori hardcover
2021réf. x-0520357485Univ of California Pr 2021. Hardcover. New. 354 pages. 8.74x5.75x1.06 inches. Univ of California Pr hardcover
1870Bella e decorativa litografia in bianco e nero, mm. 290x390 . Tratta dalla monumentale opera di Felix Benoist "Rome dans sa grandeur. Vues, monument ancient et modernes " stampata in 3 volumi, da Henri Charpentier, nel 1870. . .
1870Bella e decorativa litografia a colori, mm. 290x390 . Tratta dalla monumentale opera di Felix Benoist "Rome dans sa grandeur. Vues, monument ancient et modernes " stampata in 3 volumi, da Henri Charpentier, nel 1870. . .
1870Bella e decorativa litografia a colori con rialzi "à la gomme"., mm. 290x400 applicata su cartoncino coevo. Titolo in francese ed italiano e dati tipografici, lungo il margine inferiore. Tratta dalla monumentale opera di Felix Benoist "Rome dans sa grandeur. Vues, monument ancient et modernes " stampata in 3 volumi, da Henri Charpentier, nel 1870.. .
1870Bella e decorativa litografia in bianco e nero, mm. 290x390 . Tratta dalla monumentale opera di Felix Benoist "Rome dans sa grandeur. Vues, monument ancient et modernes " stampata in 3 volumi, da Henri Charpentier, nel 1870. . .
1870Bella e decorativa litografia in bianco e nero, mm. 290x390 . Tratta dalla monumentale opera di Felix Benoist "Rome dans sa grandeur. Vues, monument ancient et modernes " stampata in 3 volumi, da Henri Charpentier, nel 1870. . .
1702réf. 012744Roma: Zenobi 1702. Due parti in un volume 11x17 cm di 20-544-8-146-6 pagine. La seconda parte "PRECI CHE SI PONNO USARE nella visita delle sacre stazioni romane secondo l'uso de' primitivi secoli della Chiesa…" ha titolo e paginazione a parte. Testo inquadrato. Timbro di raccolta dismessa e firma di possesso alla pagina di titolo fori di tarlo al margine bianco delle prime 7 e delle ultime 3 carte fioriture sparse ma nel complesso buonissime condizioni interne. Legatura coeva in piena pergamena titolo manoscritto al dorso. Difetti alla pergamena del dorso cerniera posteriore fenduta due mancanze e uno strappetto una piccola mancanza sul bordo del piatto anteriore usure ai margini del piatto posteriore. Edizione originale di questo libro sulle feste religiose romane con minuziosa descrizione delle chiese dei loro tesori degli addobbi quadri statue paramenti e cerimonie. Di notevole interesse storico. Zenobi
réf. 43790Piazza.1926.In-8 demi-relié avec coins.Ex.108 sur Japon.Décoration d'après les dessins de Pierre Courtois.165 p. TBE.Couv.conservées.Dos romantique.Tète dorée.
1951réf. 28647Paris, L'Edition d'art H. Piazza, (1951). Un fort vol. au format in-4 (267 x 193 mm) de 298 pp., broché, sous couverture à rabats rempliés et étui-chemise de pleine suédine crème, dos lisse orné d'une pièce de titre cerise, titre doré, doubles filets dorés.
Paris, Librairie d'Art Piazza, 1948. Petit in-4, 247 pp., broché, couverture rempliée et illustrée. 17 belles illustrations en couleurs de Brunelleschi dont un frontispice, 6 bandeaux et 9 vignettes insérées dans le texte. Cinq titres : Carmen - La Vénus d'Ille - Mateo Falcone - Le Vase étrusque - La Dame de Pique. Exemplaire numéroté sur vélin de Rives. Exemplaire en parfait état.
2016réf. x-3319264184Springer 2016. Hardcover. New. 193 pages. 9.25x6.10x0.50 inches. Springer hardcover
réf. ria9783110325034_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The book sets out to analyze the notion of a priori justification and of a priori knowledge. The most influential explanations of the a priori within the contemporary analytic tradition are analyzed. It is shown that the theories which hardcover
2011réf. 83437New York: Harper Perennial HarperCollins Publishers 2011. First Edition Stated First Printing Stated thus. Trade Paperback. Good. xviii 262 20 4 pages. Autographed copy sticker on front cover portion loose. Cover has some wear and soiling. Signed by author on title page. Includes Acknowledgments and Introduction. Also includes chapters on Jimmie Rodgers Died for Your Sins; A Light Went On and He Sang; The Blues: A Musical Journey; Sacred and Profane in Clarksdale; True Adventures with the King of Blugrass; Jimmy Martin RIP; The Lost Man of Rock and Roll; Elegy for Carl Perkins; Trust the Song; Bob Dylan 1997; Leaving the Farm; Gotta Serve Somebody; World Gone Wrong Again; Charlie Chan in New Orleans!; Blues Streak; Going Back to New Orleans; Seer and Seen: An Onlne Chat About New Orleans; An Exchange of Letters about Why New Orleans Matters; Other People's Houses; Intercontinental Drift; Citizen Mailer; Norman Mailer: A Remembrance; An Interview with Tom Piazza on the Future of the Book The Devil and Gustave Flaubert and Note in a Bottle. At the end there is a section that includes: About the Author About the Book and Read On: Further Listening and Reading. Tom Piazza is an American historical fiction and non-fiction writer best known for his Award-winning novel Why New Orleans Matters. He also has an impressive collection of books to his name. Tom's writing has featured in The New York Times The Oxford American and The Bookforum among other periodicals. He is a Grammy Award winner for the album notes he made for Martin Scorsese Presents the Blues. Derived from a Kirkus review: Diverse work about roots and catastrophe by the gifted essayist and novelist. This collection of short pieces by Piazza mirrors the versatile author's many great strengths. The first of the three sections contains his writing about music much of it drawn from his tenure as Southern Music columnist for the Oxford American. It is highlighted by his unforgettable wildly colorful profile of the idiosyncratic bluegrass musician Jimmy Martin. Piazza also provides thoughtful considerations of prewar bluesman Charley Patton one of whose songs supplies the book's title country pioneer Jimmie Rodgers and pathfinding New Orleans jazzman Jelly Roll Morton; some smart pieces about Bob Dylan; the Grammy-winning notes for a boxed set overview of the blues; and sensitive profiles of rockabilly great Carl Perkins and gospel singer Rev. Willie Morganfield cousin of bluesman Muddy Waters. The second section is on New Orleans where Piazza is a longtime resident and several of the pieces focus on his reactions to the aftermath of Hurricane Katrina. The best of them weighs the disaster through the unlikely prism of several old Charlie Chan films. Also included are homages to Norman Mailer Piazza's friend and literary mode. A brief third section wraps the book with a meditation on the moral core or lack thereof of Gustave Flaubert's fiction and a lovely report about shopping for 78s at a New Orleans flea market after the deluge. A good one. Harper Perennial [HarperCollins Publishers] paperback
2005réf. 250613058OVSProject Roar Publishing 2005-10-01. hardcover. Very Good. 10x8x0. Limited Edition Autographed & numbered 78/100. Dust jacket has light wear. Text unmarked pages clean & bright binding tight. Ships Next Business Day. Project Roar Publishing hardcover
réf. 2253(Montréal), Cercle du Livre de France, (1965). In-16 (19.7 cm) 174 pages, (1) feuillet. Broché. Couverture illustrée imprimée en bleu et noir, en très bel état. Édition originale et premier tirage, (octobre 1965). Envoi signé par l'auteur à l'éditeur de Image et Verbe: « À François Piazza. Hommage de l'auteur. Hubert Aquin ». DOLQ IV, 733-738.
1996réf. x-0691029059Princeton Univ Pr 1996. Paperback. New. abridged edition. 428 pages. 11.00x8.75x0.75 inches. Princeton Univ Pr paperback
1982Cartonato con legatura in tela e cofanetto illustrato; fotografie e illustrazioni in bn e colori; pp. 414; tav. in custodia separata; ottimo
