1.085 resultados
1954ref. 57671954 Illustrations en couleurs de Marcel Jeanjean. P., H. Piazza, 1954, In-8, 273 pp. Exemplaire hors-commerce sur vélin du Marais Dans une reliure superbe ; demi maroquin bordeaux à coins , dos superbe,, tranche superieure dorée photos supplementaires sur demande
1947ref. 86911947 Paris, Piazza, 1947. Un volume in-8 broché, couverture illustrée et rempliée, 240 pages, illustrations en couleurs de Marty. Très bon état, exemplaire numéroté.
1990ref. Q-0553285726Bantam 1990-07-01. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Bantam paperback
2020ill., br. L'idea di questo libro è nata per raccontare quello che ha voluto dire per i lavoratori del Monte dei Paschi di Siena confrontarsi con un evento fondamentale nella storia del Paese; nel 2009 infatti era entrata a far parte di Montepaschi la Banca Nazionale dell'Agricoltura nella cui sede di Piazza Fontana fu consumata la strage, dunque in seguito alla fusione i lavoratori e i sindacalisti della banca si sono sentiti, se possibile, ancora più coinvolti. Viene così raccontato tutto ciò che, negli anni, il coordinamento Fisac Cgil del Monte dei Paschi ha realizzato per ricordare quei tragici avvenimenti, dando con tinuità al lavoro compiuto precedentemente dal sindacato della Banca Nazionale dell'Agricoltura. Sono stati inoltre coinvolti giornalisti, storici, militanti politici e sindacali, scrittori, artisti, familiari delle vittime, per acquisire la loro conoscenza e memoria sulla strage e per dare voce anche ai sentimenti evocati dal ricordo. Vengono inoltre ospitati nel libro gli interventi di una scrittrice e di un gruppo di cartoonists che, pur non avendo vissuto direttamente gli anni di cui si parla nel libro, hanno fornito contributi preziosi utilizzando le loro specifiche for me d'arte. Si è così composto nel libro un concerto di voci, un tributo, un coro, un corteo di parole, «Parole per Piazza Fontana». Con il contributo di Carlo Arnoldi, Alessio Atrei, Simona Baldanzi, Marco Cattaneo, Lido Contemori, Francesco Del Casino, Saverio Ferrari, Paolo Lombardi, Paolo Morando, Antonio Pizzinato, Saro Pizzuto, Tiziano Riverso, Vanessa Roghi, Guido Scalvinelli, Fortunato Zinni. Prefazione di Luciana Castellina.
ref. 2296549918.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2016ref. x-3319264184Springer 2016. Hardcover. New. 193 pages. 9.25x6.10x0.50 inches. Springer hardcover
ref. 3319264184.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 3319799517.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2343059802.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2336545349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 51276802like new. unknown
ref. 2296991939.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 2343121060.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018ref. 2-1644610973De Vecchi Ediciones 2018. Paperback. New. 176 pages. Spanish language. 10.63x8.27x0.42 inches. De Vecchi Ediciones paperback
1992ref. 400201180EDITIONS DE VECCHI 1992 1992.
1992ref. 400201566EDITIONS DE VECCHI 1992 1992.
1992ref. 400201920EDITIONS DE VECCHI 1992 1992.
1992ref. 400202333EDITIONS DE VECCHI 1992 1992.
1992ref. 400202727EDITIONS DE VECCHI 1992 1992.
2008ref. 5001357842008 175 pages 2008. 175 pages.
1965Mm 235x310 Opera realizzata dall'Editore per conto della Cassa di Risparmio di Roma - Volume rilegato in piena tela blu con titolo oro al piatto e al dorso, sovraccoperta originale, custodia protettiva in tela muta, 337 pagine con 199 illustrazioni in nero su tavole, anche ripiegate, non comprese nel testo. Copia ottima. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
ref. 124183Milan: 2024. 343 pages illustrated throughout in colour. Paperback ISBN: 9788857252971. A study of the careers and networks developed by Moretto Romanino and Salvoldo developed in Brescia. A catalogue of forty paintings drawings and objects is divided into five thematic sections. Each work is illustrated and discussed in detail. Followed by eleven essays contextualising the city’s visual culture largely around the figure of Fortunato Martinengo who was depicted by Moretto. The essays discuss the effects of conflicts with the French an surge of cultural and religious anxieties surrounding female virtues and mysticism developments in music and science and luxury present in the home and in public events. . Text in Italian. Milan: 2024. paperback
2024ref. 124183D'Adda R, F. Piazza, E. Valseriati: Il Rinascimento a Brescia. Moretto, Romanino, Savoldo 1512-1552. Milan: 2024. 343 pages, illustrated throughout in colour. Paperback. A study of the careers and networks developed by Moretto, Romanino and Salvoldo developed in Brescia. A catalogue of forty paintings, drawings, and objects is divided into five thematic sections. Each work is illustrated and discussed in detail. Followed by eleven essays contextualising the city's visual culture largely around the figure of Fortunato Martinengo who was depicted by Moretto. The essays discuss the effects of conflicts with the French, an surge of cultural and religious anxieties surrounding female virtues and mysticism, developments in music and science, and luxury present in the home and in public events. . Text in Italian.
2024ref. 124183D'Adda R, F. Piazza, E. Valseriati: Il Rinascimento a Brescia. Moretto, Romanino, Savoldo 1512-1552. Milan: 2024. 343 pages, illustrated throughout in colour. Paperback. A study of the careers and networks developed by Moretto, Romanino and Salvoldo developed in Brescia. A catalogue of forty paintings, drawings, and objects is divided into five thematic sections. Each work is illustrated and discussed in detail. Followed by eleven essays contextualising the city's visual culture largely around the figure of Fortunato Martinengo who was depicted by Moretto. The essays discuss the effects of conflicts with the French, an surge of cultural and religious anxieties surrounding female virtues and mysticism, developments in music and science, and luxury present in the home and in public events. . Text in Italian.