Roterodamus, Desiderius ErasmusBiblio.com
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ref. 1104721716.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1104617927.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1165951762.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009ref. DADAX1104617927Kessinger Publishing 2009-06-13. paperback. New. 6.00x1.39x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
ref. A9781165949519New. unknown
ref. B9781165949519New. unknown
2010ref. DADAX1165949512Kessinger Publishing 2010-09-10. paperback. New. 6.00x1.22x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
ref. 1104617897.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1165949512.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1531ref. 94471531 Parisiis in via Iacobaea, apud Ludouicum Cyaneu sub duobus Gallis & Ionnem Roigninum sub Basilisco, 1531. Un volume in-12 (12 x 16,5 cm), [16]-746-[36] pp. (epistola nuncupatoria + lib. I-VI + index). Signatures: aii-cciiiib. Colophon: « Parisiis ex officina ludovici Cyanei sub duobus gallis in via Iacobea, Anno M.D.XXXI, mense Augusto». Livre bien complet de tous ses feuillets. Dans une reliure dépoque en cuir marron foncé, les plats estampés à froid, dos à cinq nerfs, tranches rouges. La couverture, notamment le dos, ont été habilement restaurés au XXe siècle, tout comme la page de titre et la dernière garde. Pages salies en début et fin d'ouvrage, écritures anciennes à la plume au verso de la page de titre, quelques soulignages dans le corps du texte, sinon ouvrage en bon état et parfaitement lisible.
ref. 1571 Relié, dos mors et coiffes endommagés, angles amortis, arêtes et plats frottés, petite trace de mouillure claire en marge des 1ers et derniers ff., quelques annotations. 16 x 11 cm, [16]-751-[57] p. [Bâle], Froben, 1545.
ref. 1571 Relié, dos mors et coiffes endommagés, angles amortis, arêtes et plats frottés, petite trace de mouillure claire en marge des 1ers et derniers ff., quelques annotations. 16 x 11 cm, [16]-751-[57] p. [Bâle], Froben, 1545.
1969ref. 8483Berlin, Christlicher Zeitschrifttenverlag, ca 1969. 8°, 256 S. Schnitt min. eingeschm., altersbedingte Bräunungen, min. Gebr.sp., kartoniert
ref. 0259258814.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0666172110.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1913ref. 78968Roma 1913. Cm. 245 pp. 4 622. Legatura del tempo in piena percallina azzurra con titoli e filetti in oro al dorso. Ex libris nobiliare inciso. Esemplare genuino e ben conservato. Non comune. unknown
2026ref. LRB550726Paris: Editions Recreasoft 2026 Lingua: Italiano. Circa 640 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1913. Studio letterario e storico dedicato ad Antonio Cammelli e ai suoi Sonetti faceti con inquadramento dell'autore e analisi della produzione poetica. Opera di interesse per gli studi sulla letteratura italiana del Rinascimento la poesia satirico-burlesca e la tradizione dei sonetti umoristici. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1913. Literary and historical study devoted to Antonio Cammelli and his Sonetti faceti with an examination of the author and an analysis of his poetic production. A work of interest for studies of Italian Renaissance literature satirical and burlesque poetry and the tradition of humorous sonnets. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
ref. 1025390598.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1559ref. 1807040010Basel: Frobenium et Nicol. Episcopium Froben 1559. Hardcover. Good. Bound in contemporary 1/2 vellum. Worn cover edges. Collated: 10 of 12 preliminary pages 886 pages blank 16 leaves. Lacking 2nd preliminary leaf and top half of 3rd. Handsome Froben printer's device on title and final leaf. Internally clean. Larger figurative initials at the start of each section and smaller historiated initials throughout. All edges red. Not in Adams See Adams J 360 for first edition of 1534 De bello Judaico; Contra Apionem; De imperio rationis Later Latin edition of one of the main works of the ancient historian Flavius Josephus 38-100 on Roman-Jewish history. Basel: Frobenium et Nicol. Episcopium (Froben) hardcover
ref. 1391777999.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 1391777948.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1806ref. 56703Kiöbenhavn Trykt paa kongelig Bekostning hos Andreas Seidelin 1806. 4to. Samtidigt hellæderbind i flammet kalv. Rig rygforgyldning. Nogle revner i skindet nederst på ryggen. Titeletiketten bortslidt. 41262 pp. samt 5 store foldede kobberstukne plancher heriblandt de 2 tre-sidede foldede afbildninger af de to guldhorn. Kobberne er stukket af Lahde. Trykt på skrivepapir. Nogle få brunpletter. Den sjældne originaludgave som blev prisbelønnnet af Vienskabernes Selskab. Müller's undersøgelse af guldhornene var ikke særlig vellykket idet han byggede tolkningen på at guldhornene var af keltiberisk oprindelse. unknown
1520ref. 375736Basel: Froben 1520. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Eighteenth-century marbled boards ink label. Some toning to spine. Very good fresh copy. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Ignorantiam esse superbiae matrem. Eruditionem contra modestiam parere. Ignorance is the mother of pride; it is from learning on the contrary that modesty is born. First edition of Antibarbari Erasmus' manifesto "defending the arts against the scruples of the barbarians" Tracy. Erasmus argues for the primacy of poetry among the liberal arts for the importance of critical understanding of the writers of classical antiquity and for appropriating what is good in their work. He is also scornful of rote learning and blind repetition of earlier scholarship where "cuckoo calls to cuckoo". In Petro summus erat ardor fidei in Hieronymino summa doctrina: alterius animum alterius studia imitar. In Peter there was the ardour of faith at its highest; in Jeronme there was learning at its best. It is for you to imitate the spirit if the one and the scholarship of the other. This was a work of very long ripening. Erasmus began the earliest version circa 1490 when he was a newly ordained monk but that manuscript was left behind in his wanderings. Decades later when he came across his earlier work he was at the center of intellectual controversy following publication of of his edition of the New Testament. He revised his Antibarbari to assert the humanist position and Froben published it in May 1520. There were six editions of the work in the early 1520s Froben himself published another edition later the same year and ten editions in his lifetime. "it is ignorance rather than erudtion which makes men insolent" FIRST EDITION OF A KEY WORK BY ERASMUS. VD16 E1997; Valentina Sebastiani Johann Froben Printer of Basel 170; Bibliotheca Erasmiana p. 9; Adams E-463; Bezzel 157. The standard modern text iwith translation by Margaret Mann Phillips˜The Antibarbarians" is in the Toronto Collected Works vol. 23 1978 Froben unknown books
1520ref. 375736Basel: Froben 1520. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Eighteenth-century marbled boards ink label. Some toning to spine. Very good fresh copy. First edition printed in May. Woodcut borders to title leaf and dedication by Hans Holbein printer's device on last page. 150 2 imprint pp. 4to. Ignorantiam esse superbiae matrem. Eruditionem contra modestiam parere. Ignorance is the mother of pride; it is from learning on the contrary that modesty is born. First edition of Antibarbari Erasmus' manifesto "defending the arts against the scruples of the barbarians" Tracy. Erasmus argues for the primacy of poetry among the liberal arts for the importance of critical understanding of the writers of classical antiquity and for appropriating what is good in their work. He is also scornful of rote learning and blind repetition of earlier scholarship where "cuckoo calls to cuckoo". In Petro summus erat ardor fidei in Hieronymino summa doctrina: alterius animum alterius studia imitar. In Peter there was the ardour of faith at its highest; in Jeronme there was learning at its best. It is for you to imitate the spirit if the one and the scholarship of the other. This was a work of very long ripening. Erasmus began the earliest version circa 1490 when he was a newly ordained monk but that manuscript was left behind in his wanderings. Decades later when he came across his earlier work he was at the center of intellectual controversy following publication of of his edition of the New Testament. He revised his Antibarbari to assert the humanist position and Froben published it in May 1520. There were six editions of the work in the early 1520s Froben himself published another edition later the same year and ten editions in his lifetime. "it is ignorance rather than erudtion which makes men insolent" FIRST EDITION OF A KEY WORK BY ERASMUS. VD16 E1997; Valentina Sebastiani Johann Froben Printer of Basel 170; Bibliotheca Erasmiana p. 9; Adams E-463; Bezzel 157. The standard modern text iwith translation by Margaret Mann Phillips˜The Antibarbarians" is in the Toronto Collected Works vol. 23 1978 Froben unknown
