Updike, Daniel BerkeleyBiblio.com
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1937Best.-Nr. 005282Oxford: Oxford University Press 1937 2 volumes 8vo 24 cm XL 292 pp 192 illustrations one folding; xix 326 pp ill. 193-367 one folding. Publisher's cloth first volume slightly sunned. An extensively revised second edition of the classic study on the art of typography spanning from the invention of printing to the 20th century authored by Daniel Berkeley Updike 1860-1941 an American printer and historian of typography. Originally published in 1922 this seminal work played a pivotal role in elevating typographical standards. Volume I delves into the inception of printing the evolution of typefaces in the 15th century and examines German Italian and French typographies from 1500 to 1800. In Volume II Updike further explores Dutch Spanish and English typographies from the same period elucidating on 19th-century "classical" typefaces such as those of Bodoni and Didot as well as English types from 1800 to 1844 and American typographical developments. Additionally practical considerations such as selecting typefaces for a composing room and historical industrial conditions are analyzed in their relevance to contemporary printing challenges. Second edition second printing. Oxford University Press hardcover
1951Best.-Nr. 023303Cambridge Massachusetts: Harvard University Press 1951. Very Good condition in Very Good in mylar dust jackets. NO chips NO tears. 2 volumes complete. 332pp/345pp. NO owner's name or bookplate. Clean and unmarked. Sharp corners. 1951. Second printing of the SECOND REVISED EDITION. 367 illustrations some folding. The preface calls some changes in this edition "of major importance." According to Webber p.126 this work by the head of the Merrymount Press "is not likely to be superseded as a standard authority on typography." Hart 25 says: "These volumes are without doubt the result of the most scholarly research that has been done in the history of the development of printing and the numerous illustrations have been carefully selected." In his article in THE PRIVATE LIBRARY Summer 1989 Robert Jones of the Glad Hand Press wrote "If I were King I would decree that no personal printing would be permitted until an applicant had studied the following volumes." He then lists this as one of five books that are "all the guidelines one will ever need." Uniformly bound in the original maroon cloth stamped in gold on the spine. Oversize Hardcover heavy. This heavy 2 volume set will require extra postage for Priority and International shipments. But for media mail you pay only our standard charge for 1 volume and we ship the other volume at no extra cost. Second Edition Revised. Oversize Hardcover. Very Good condition/in mylar dust jackets. Illus. by NOT a library discard. 2 volumes: 332pp/345pp. Great Packaging Fast Shipping. Harvard University Press Hardcover
1980Best.-Nr. 51506New York: Dover Publications Inc. 1980. 2 volumes 8vo pp. xl 292; xvii 1 3-326; type specimens throughout; blue cloth-backed marbled boards gilt-lettered spines; fine. A reprint of the second 1937 edition publish by Harvard University Press. Standard and respected work. Dover Publications, Inc. unknown
1966Best.-Nr. CCC15-14943Belknap Press 1/1/1966 12:00:00 AM. 3rd. Hardcover. Good. 0x0x0. Two volumes. Ex-Library hardcovers no dj red boards with all the usual markings attachments and library wear. Sunned spines. Text blocks clean and unmarked. Tight bindings. Belknap Press hardcover
1923Best.-Nr. 026964Harvard University Press: 1923. First published in 1922 these two volumes are the second printing from January 1923. Volume I has 276 pages illustrated. Volume II has 308 pages illustrated. "The lectures on which this book is based were delivered as part of a course on the Technique of Printing in the Graduate School of Businesss Administration of Harvard University during the years 1911- 1916 and since then I have recast the material into a form suitable for publication.The chapters on Spanish printing are new- not having been part of the series of lectures." 2 VERY GOOD HARDCOVERS black cloth covers show a little scuffing lettering is bright on both spines. Internally nice clean tight copies with a previous owner's name present. Hard Cover. Very Good/No Dust Jackets Present. 8vo - over 7¾" - 9¾" tall. Harvard University Press: Hardcover
1951Best.-Nr. 128369Cambridge Mass.: Harvard U. P. 1951. 2nd edition. Very Good. large octavo. hardbacks with dust jackets xlvi 292 xix 326pp. illusts. notes index Neat ownership signatures & tape-marks on end papers o/w very good set Harvard U. P. hardcover
1966Best.-Nr. 73058Cambridge:: Harvard University Press. Very Good in Very Good dust jacket. 1966. Hardcover. B00AH5CY4I . Complete in two volumes. With illustrations. Second printing of the third edition. Both volumes are very good in a very good price clipped dust jackets. . Harvard University Press, hardcover
1966Best.-Nr. 125055Cambridge Mass.: Belknap Press of Harvard U. P. 1966. 3rd edition. Nice copies. large octavo. hardbacks with dust jackets xlvi 292 xix 326pp. illusts. notes index Belknap Press of Harvard U. P. hardcover
Best.-Nr. DADAX1584560606Brand: Oak Knoll Pr 0000-00-00. Reprint. paperback. New. 5.75x3.00x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oak Knoll Pr paperback
1951Best.-Nr. 41875Cambridge: Harvard University Press 1951. Second edition second printing 2 volumes 8vo plates some folding and illustrations in text; a fine bright set in original red cloth gilt-lettered spines. Standard reference. Harvard University Press unknown
2001Best.-Nr. 171066New Castle DE : Oak Knoll Press ; London : British Library 2001. Fourth Edition. Paperback. Fine paperback copy. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new with shrink-wrap.; 8vo 8"" - 9"" tall; 0 pages; Physical desc.:2 v. in 1 xlvi 292 xix 329 p. : ill. ; 24 cm. Subjects: Type and type-founding --Printing --History --Specimens. art / Typography / General HistoryType and type-founding Typography ; History of specific subjects. Summary: This study of typography traces the development of type design over the past five centuries and discusses the lessons they hold for today's designers. The 367 illustrations reproduce selected pages from rare and beautiful books. The accompanying text examines the historical and artistic significance of these specimens which represent the best work of printers and type founders from Gutenberg to Bruce Rogers. The two original books are here reproduced in one huge volume of over 1000 pages. This work should belong in the library of a typographer or those interested in printing history. New Castle, DE : Oak Knoll Press ; London : British Library paperback
Best.-Nr. SONG1584560606Brand: Oak Knoll Pr 0000-00-00. Reprint. paperback. Used: Good. 5.75x3.00x8.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Oak Knoll Pr paperback
1951Best.-Nr. 142006Harvard University Press 1951. Hardcover. Top edges foxed corners lightly bumped else very good clean & tight condition / dust jackets sunned price clipped chipped & slightly torn but still useful. Second edition. Two volumes. 292pp. 326pp. Harvard University Press hardcover
1937Best.-Nr. 12396DACambridge MA: Harvard University Press 1937. Original red cloth covers w/ gilt title on spine. Binding very bright and clean. Previous owner's name on front paste-down. DJ lightly soiled w/ light chipping to spine ends; spine sunned. Contents nice. Hard Cover. Very Good/Very Good-. 8vo - over 7¾" - 9¾" tall. Harvard University Press Hardcover
Best.-Nr. 34725Other: Other. Very Good. Hardcover. 2nd ed Cambridge 1951. 2 vols clothbound very good condition in dust jackets. Fly-leaves have stamp of previous owner Editor Inland Printer. . Other hardcover
1937Best.-Nr. 2025-R258Boston: The Merrymount Press 1937. 1st Edition. Hardcover. Very Good. New Edmund Hort. Historical work on his native Rhode Island by Daniel Berkeley Updike founder of the Merrymount Press. Presentation copy with laid in letter on Merrymount Press letterhead and inscription on free endpaper to Edward K. Robinson an editor at Ginn and Company. Slight bumping and wear to red covers. Pages unopened. xix 1 118pp. The Merrymount Press hardcover
Best.-Nr. 1258038439.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1941Best.-Nr. 490New Haven: William Edwin Rudge 1941. Updike Daniel Berkeley. Some Aspects of Printing Old and New. New Haven: William Edwin Rudge 1941. 4to. 265 x 195 mm. 10 1/4 x 7 1/2 inches. vi 73 pp. Illustrated with one half-tone portrait of the author at his desk. Bound in slate grey linen cloth title in gilt on upper board. With chapters on Gutenberg characteristics of a well-made book modern typography the educated man in the printing industry and American university presses. William Edwin Rudge unknown
1941Best.-Nr. 0508R569771William Edwin Rudge. Good. 1941. Hardcover. SIGNED by author limited 75 copies specially bound for Society of Printers Boston. Additional non-authorial ink gift inscription on e.p. Marbled paper boards cloth spine gilt. Edgeworn tips bumped.; 72 pages . William Edwin Rudge hardcover
Best.-Nr. 41167UPDIKE Daniel Berkeley. Some Aspects of Printing Old and New. Original cloth. New Haven: William Edwin Rudge 1941. First edition. Very good. unknown
1893Best.-Nr. 174802New York: Printed at the De Vinne Press for the Committee 1893. The flowering of American Arts and Crafts sensibilities First Updike edition deluxe limited issue one of 500 large copies on handmade paper. Planned by the distinguished printer Daniel Berkeley Updike 1860-1941 this issue features pages framed with garlands of various plants each appropriate to the text it adorns. The deluxe binding is similarly gilt with thistles and Tudor roses alluding to the British origins of the Episcopal church. Updike's rationale for the decoration is elucidated in the loosely inserted pamphlet which accompanies this copy. While his initial intention was to emulate medieval devotional volumes he was limited by the typography common to the entire first edition which would not allow for the introduction of ornate initials. Since the borders could not be illuminated it was decided that the simple monochrome patterns must be elevated by the use of symbolism. This would be botanical befitting the style of the Middle Ages. Bertram Grosvenor Goodhue an architect who often lent his skills to publishing created the designs for the binding and the borders. Although Updike's Merrymount Press was also founded in 1893 they were not prepared for the printing of The Book of Common Prayer and the presswork went to Theodore Low De Vinne 1828-1914 one of the founders of the Grolier Club. While Updike subsequently moved away from Kelmscott-inspired printing this early project is part of his cultivation of Arts and Crafts book production in late 19th-century America. Folio. Elaborate foliate borders throughout text printed in red and black. Original vellum spine and front cover lettered in gilt Gothic script and elaborately decorated with gilt foliate design with Tudor roses and Scottish thistle cornerpieces twin metal clasps endpapers patterned with gilt rose and thistle design top edge gilt fore and bottom edges uncut white bookmarker. Near-contemporary bookplate recording the volume as part of J. William Smith's bequest to Syracuse Public Library. Gilt bright vellum a little soiled small puncture to foot of front board a couple of minor bumps to extremities contents clean. A very good copy. Griffiths 1893/7. hardcover
1961Best.-Nr. 48422Iowa City: Prairie Press 1961. Broadside approximately 13½" x 9" printed in black blue and red on wove paper; old bookseller's description taped to verso and from whence the following comes else fine. "Nowhere on this broadside does it show that it was printed at the Prairie Press but it is pictured in the article "Carroll Coleman on Printing - Excerpts from a 36-Year's Correspondence with Emerson G. Wulling" Books at Iowa no. 23 1975. In a personal conversation Carroll Coleman told me that he had always admired this quote and as he had just acquired Eric Gill's "Joanna" type he decided to make the first use of it for the body of this broadside." This is a distinct edition from that of the same text which is twice folded and printed on two sides. Not in Cheever. Prairie Press unknown
2002Best.-Nr. 027126West New York NJ: Mark Batty Pub 2002. First Edition Limited . Hardcover. Fine. 4to - over 9¾ - 12" tall. Special Edition". One of only 40 copies specially hand-bound containing tipped-in original specimens of Daniel Berkeley Updike's work referred to in the text. Signed on the colophon page by the editor William S. Peterson. Housed in a matching slipcase. Laid in is a typed letter hand signed by the publisher Mark Batty to the purchaser of the book. The special section bound-in at rear contains the following specimens of books designed & printed by Daniel Berkeley Updike: 1. An adaptation of the title page of The Life of Benvenuto Cellini. 2. A digital copy of a photograph of Daniel Berkeley Updike. 3. Vexilla Regis Quotidie. 4. Stevenson's Attitude to Life with Readings from His Essays and Letters. 5. The Marching Morrows. 6. A Renaissance Courtesy-Book / Galateo of Manners & Behaviors. 7. The Form of Consecration of St. George's Chapel Middleton Rhode Island. 8. Notes by Lady Louisa Stuart on George Selwyn and his Contemporaries. 9. The Life of Our Lord Written During the Years 1846-1849. Charles Dickens. 10. Some Aspects of Printing Old and New. daniel Berkeley Updike. 11. Facsimile of a page from The Book of Common Prayer of the Protestant Episcopal Church in the United States of America together with the Psalter folded in rear pocket. . Mark Batty Pub hardcover
2002Best.-Nr. 56982West New York NJ: Mark Batty Publisher. Fine in Fine dust jacket. 2002. First Edition; First Printing. Cloth. 097156874x . A handsome first Edition/First Printing in Fine condition in an equally unblemished dust-jacket; The Well-Made Book is a compilation of essays and lectures written by the Pulitzer Prize-winning author Updike and the editor William W. Peterson. The book is divided into four sections: "The Writer" "The Reader" "The Work of Making a Book" and "The Business of Books." In "The Writer" Updike discusses the importance of being a good writer and the techniques that he has used to achieve success. In "The Reader" he discusses the importance of reading and how it can transform a person. In "The Work of Making a Book" he discusses the process of book making and the importance of having a good editor. In "The Business of Books" he discusses the different aspects of the book business and the importance of bookselling.; 8vo; 383 pages . Mark Batty, Publisher hardcover
2002Best.-Nr. 55512West New York NJ: Mark Batty Publisher. Fine in Fine dust jacket. 2002. First Edition; First Printing. Cloth. 097156874x . A Fine first edition/first printing in an equally handsome dust-jacket; The Well-Made Book is a collection of essays and lectures by celebrated authors and thinkers including David Foster Wallace J.D. Salinger and William Updike. Edited by William W. Peterson the book is a unique and illuminating exploration of the craft of writing from conception to publication.; 8vo; 383 pages . Mark Batty, Publisher hardcover
