SADLER, Henry .:Biblio.com
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réf. 42329London: Diprose & Bateman Sheffield Street; Spencer & Co.; 15 Great Queen Street; George Kenning 16 & 16A Great Queen Street W.C. 1891 . First Edition. A very good original Victorian binding. 8vo. 8.75" x 5.75" x 1.25". pp.24/pp.316/2pp. - Adverts. Blue cloth over bevelled boards with bright gilt titles to front board and to spine wear to top and tail of spine and edges rubbed. Brown patterned endpapers illustrated owner's bookplate Peter Saunders to verso of the front board: Clean text throughout with subscriber's list and adverts at the end. 4 plates as called for: Portrait frontis of Dunckerley; Portrait of Frederick Prince of Wales; Portrait of King George II.; and Dunckerley's Seal of the Knights Kadosh. A very good copy of this scarce book. "Thomas Dunckerley was born on 23 October 1724 and died on 19 November 1795. After a naval career Dunckerley became a prominent freemason being appointed Provincial Grand Master of several provinces promoting Royal Arch Masonry introducing Mark Masonry to England and instituting a national body for Templar masonry. This was made possible by an annuity of �100 rising to �800 which he obtained from King George III by claiming to be his illegitimate half brother. Albert Mackey blamed Dunckerley for inventing Royal Arch Masonry and splitting the third degree in the process removing the true word of a mason to the new degree and losing the original "pure" form of the ritual forever. This is unlikely as the Royal Arch degree was worked for at least a decade before Dunckerley's initiation. He published a number of Charges Lectures and songs related to different branches of Freemasonry. Together with Grand Secretary Heseltine and William Preston he campaigned and raised funds for the first dedicated headquarters of English Freemasonry the first Freemason's Hall. During his lifetime he held various high masonic offices: Past Senior Grand Warden of England Provincial Grand Master for the Counties above mentioned and Past Grand Master and Grand Superintendent of Royal Arch Masons over eighteen counties. His major contribution was to the emerging "higher degrees" the Templar Royal Arch Ark Mariner and Mark degrees. Not only did he successfully promote them he organised them standardised their ritual and forced them to keep proper records. For this alone historians of Freemasonry have cause to be grateful to him." - See Wikipedia. London: Diprose & Bateman, Sheffield Street; Spencer & Co.; 15, Great Queen Street; George Kenning, 16 & 16A, Great Queen Stree hardcover
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réf. 70560, Brepols, 2025 Paperback, Pages: 620, Size:156 x 234 mm, Illustrations:3 col., Languages: Spanish, French, English. ISBN 9782503611280.
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1820réf. 46404128Lyon, Blacke, 1820 ; petit in-8, basane fauve racinée, encadrement de dentelles, dos lisse orné. (Reliure de l’époque) XII pp., 412 pp.Cet ouvrage célèbre parut pour la première fois en 1741. Sur le Père André, jésuite cartésien, voir la longue notice dans Levot I, 23-25. Il est né à Châteaulin dans le Finistère en 1675. En 1693 il entra chez les jésuites chez lesquels il fut victime de nombreuses tracasseries à cause de son amitié avec Malebranche et pour son cartésianisme. Il est mort en 1764 après avoir enseigné les mathématiques à Caen de 1726 à 1759.Dans cet ouvrage, il définit toutes les espèces de beau avec précision. Le chapitre qui regarde le beau dans les ouvrages d’esprit est plein de réflexions profondes, instructives, lumineuses. Il semble y être l’interprète des Muses et de la Nature.
2003réf. ART5940MRelié, 1150 pages, paru le 5 décembre 2003 chez Seuil, livre en très bon état général.
1908Volume in 8°, legato in pelle, titolo inciso al dorso, sguardie, occhiello, frontespizio, dedicatoria, prefazione, sommario, XXIII, 581 pp., indice e bianca finale. Opera composta di una parte teorica e di una parte storica, ossia due libri indipendenti, ma che si aiutano a vicenda. La prima parte riguarda l'estetica come scienza dell'espressione linguistica generale ed illustra le analogie tra il teoretico ed il pratico, la distinzione del bello e del brutto, gli errori nascenti dalla confusione tra fisica ed estetica e la storia della letteratura e dell'arte. La seconda parte descive le idee estetiche delle diverse epoche storiche, da Vico a Kant, l'estetica dell'idealismo di Schiller, Schelling, Solger, Hegel, Schopenhauer ed Herbart, nonchè la filosofia del linguaggio di Humboldt, Steinthal e degli estetici tedeschi minori, lo psicologismo estetico e dei nuovi indirizzi e le altre dottrine particolari. Terza edizione scarsamente reperibile. In perfetto stato.
réf. c4690Paris, Editions du Salon des Arts Ménagers, Vincent Fréal et Cie, 1959 ;petit in-4° carré, pleine toile grise de l'éditeur, titre en blanc au 1er plat et dos; (166)pp.Illustré de très nombreuses photographies en noir.Couverture un peu jaunie, manque la jaquette ( ?), sinon bon exemplaire.
2006A CURA DI GRAZIANO ARRIGHETTI GIOVANNI INDELLI GIULIANA LEONE FRANCESCA LONGO AURICCHIO FRIDERICIANA EDITRICE UNIVERSITARIA 2006 2 volumi, RISPETTIVAMENTE XX-591 E 437 PP. FONDO DI MAGAZZINO: VOLUMI PERFETTI E INTONSI A cinque anni dalla scomparsa, amici e allievi di Marcello Gigante hanno voluto raccogliere i suoi scritti, apparsi in varie sedi nell'arco di oltre un cinquantennio, sulla poesia greca e latina, che Gigante considerava come aspetti inscindibili di un'unica civiltà. Accanto agli affreschi sulla cultura letteraria antica dalla Magna Grecia alla Campania, quel Mezzogiorno d'italia dove Gigante aveva le sue radici alle quali è rimasto sempre profondamente legato, i volumi comprendono saggi di ampio respiro e lavori più puntuali su molti temi e autori della letteratura greca, da Omero, Esiodo, i lirici fino agli Epigrammatisti della Corona di Meleagro, e latina, da Ennio, Catullo, Virgilio, Orazio fino a Ovidio. La silloge consente di seguire l'evoluzione spirituale dell'autore, uno dei più insigni filologi classici del Novecento, che ha praticato la filologia come disciplina storica, in cui l'analisi del documento è unita a quella del monumento "a spiegare un fenomeno di un'epoca determinata". Nei due volumi si possono anche ripercorrere le tappe più significative della cultura classica negli ultimi sessanta anni: i congressi omerici a Itaca, le grandi celebrazioni per i bimillenari virgiliano e oraziano, le "Festschriften" e le "Denkschriften" per studiosi illustri.
réf. 579612Paris, Boivin, éditeur, 1939. Grand in-8 broché, 515pp, appendice: Sur une anthologie et les origines de l'idéalisme, notice bibliographique des ouvrages cités (soulignements effaçables), index des citations et références, index alphabétique, table analytique.
1872in-8, pp. XXI, (1), 406, leg. coeva in m. marocchino, titolo e filetti in oro su dorso a nervi. Curioso saggio di estetica, dell' illustratore e scrittore svizzero Rodolphe Töpffer (1799-1846), considerato uno dei fondatori del moderno fumetto.. .
1908réf. 19708H.Floury - Coll. les Maitres de l’art Moderne 1908 In-8, Broché, sous jaquette illustrée rempliée. 174 p + 2 p de catalogue. Illustrations en N&B et 36 hors-texte dont le frontispice et une eau-forte originale de LEQUEUX le Christ en Croix d'après CARRIERE. Tranche irrégulière Petit manque et déchirure en pied du dos. Charnière int. fendillée. Premier ff. délié. Assez Bon état
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réf. 71515aafParis, (René et Paul Deslis à Tours pour) Dunod, 1934, in-4to, XVI + 247 pp., ill. de 53 fig. + 8 planches en couleurs + 7 pp. de text explic. en regard, non rogné, brochure originale. Bel exemplaire.
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réf. 36371London: John M. Watkins 1942. First impression of 5000 copies. "This handbook concerning the spiritual meaning underlying the Ceremonials of Initiation is issued after many requests and comprises a record of certain studies undertaken in a Lodge of Instruction extending over a decade." Pp.viii/172 clean throughout. Blue/green cloth a few small bleached spots to spine edge wear to top and tail to spine and corner tips. Scarce. VG. London: John M. Watkins, 1942. hardcover
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1970SIGNED BY IGAEL TUMARKIN (b.1933) - an eminent Israeli painter and sculptor. There appear to be two signatures by Tumarkin - in English and Hebrew, both on front endpaper. This album contains numerous color and b&w reproductions of Tumarkin's works alongside his personal notes and an epilogue by W. Sandberg. 345x245mm. 147 pages. Brown cloth oblong Hardcover with illustrated dust-jacket. Gilt lettering on front cover. Jacket, cover, spine and text block edges yellowing. Jacket edges and corners tattered/partly torn. Cover rubbed and slightly curved. Rear cover upper edge and corner bumped. Text block edges stained/age-stained. Pages slightly yellowing. [SUMMARY]: This extremely rare album of works by an eminent modern sculptor and painter, signed twice by him, is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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