Meuthen Copertino, Tanja Herausgegeben Von Beauty, Awaken; Meuthen Copertino, Tanja; Beauty, AwakenBiblio.com
Bragg, BeautyBiblio.com
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réf. 25291421-nnew. unknown
réf. 25291421like new. unknown
réf. 21875354-nnew. unknown
réf. SONG3034318855Peter Lang UK 2016-11-30. New. paperback. Used: Good. 5.75x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Peter Lang UK paperback
réf. DADAX073918878XLexington Books 2014-11-12. hardcover. New. 6.37x0.63x9.28. Buy with confidence. Excellent Customer Service & Return policy. Lexington Books hardcover
1952réf. 237181952. Japanese American art and craft survey published in 1952 documenting the cultural practices sustained within the War Relocation Authority camps during the Second World War. Allen H. Eaton records calligraphy painting embroidery wood carving miniature landscapes flower arrangement garden construction and tea ceremony as practices carried into confinement and adapted to barracks mess halls and the materials available within camp boundaries. Photographs identify artists teachers and makers at Amache Heart Mountain Manzanar Rohwer Poston Tule Lake and other incarceration sites preserving names and objects that official administrative accounts often treated as incidental to camp operations. Eaton Allen H. Beauty Behind Barbed Wire: The Arts of the Japanese in Our War Relocation Camps. New York: Harper & Brothers 1952. Foreword by Eleanor Roosevelt. Illustrated. 8vo. 128 pages. Eaton organizes the volume around the work produced by incarcerated Japanese Americans with photographs and extended captions describing materials makers and camp settings. Subjects include pine bark panels carved at Amache; miniature landscapes developed at Amache; a Rohwer calligrapher whose skill was "deeply respected by his neighbors"; flower arrangement classes and exhibitions at Rohwer; Estelle Ishigo's painting "Winter" depicting snowbound barracks at Heart Mountain; ornamental entrances and planted yards at Poston and Manzanar; and tea ceremony classes at Tule Lake intended to preserve "dignity and poise while meeting difficult problems." The frontispiece reproduces an embroidery made at Heart Mountain by Mrs. Makagawa combining the camp barracks barbed wire and the snow covered mountain beyond. Published a decade after Executive Order 9066 initiated the forced removal and incarceration of more than 120000 people of Japanese ancestry Eaton's book shifted attention from federal policy and camp administration to the objects and environments created by those confined. Its pages record how residents transformed scrap lumber desert plants stones discarded containers and improvised tools into carved panels gardens bonsai furnishings paintings and ceremonial spaces. Eleanor Roosevelt's foreword places these works within a critique of wartime incarceration while Eaton's captions preserve both the language of the period and detailed evidence of artistic instruction exhibition and exchange inside the camps. Jacket heavily worn stained chipped and torn with substantial losses at the spine and upper edges; with text and illustrated pages generally clean and legible. Overall good condition. A detailed postwar record of cultural continuity artistic labor and the remaking of domestic and ceremonial space under Japanese American incarceration. unknown
1965réf. 221891965. Chinese American Fashion & Beauty Chinese American beauty pageant "Miss China Town USA" held in San Francisco photo archive 1965. Archive of 12 silver gelatin photographs. Each measure 4" x 6" and comes in the original developer's envelope "Schaefer's Camera Shop -- 137 Kearny Street." This striking archive captures a rare and vibrant moment in Chinese American cultural expression during the post Chinese Exclusion Act era with all images centered on young Chinese American women participating in a public pageant event-likely held in Chinatown or Union Square as suggested by background buildings and signage such as the visible Alitalia storefront. Participants wear qipao dresses and Western coats adorned with pageant sashes identifying their affiliations. Their elaborate bouffant hairstyles upright posture and elegant bearing assert a hybridized ideal of beauty that both incorporates and subtly defies dominant mid-century Western standards-privileging Chinese dress language and poise at a time when Asian Americans were largely excluded from national representations of glamour. The women are shown seated before crowds posing for press photos and participating in ceremonial or interview portions of the event. The audience includes a racially diverse set of onlookers who line the streets and engage with the proceedings suggesting both the public scale of the event and its significance beyond the Chinese American community alone. Several city officials and professional photographers also appear emphasizing the civic prominence of the occasion. While one photo is duplicated the remaining eleven are unique. These images offer a vivid glimpse into the aesthetics aspirations and public pride of Chinese American womanhood at a time when race and representation were under increasing renegotiation. Light edge wear overall very good condition. A rare visual record of Chinese American pageantry and public assertion of cultural identity in defiance of mainstream erasure during the civil rights era. unknown
1971réf. 208851971. Photo archive of African American fashion models and a regional beauty pageant winner 1960s-1970s documents Black women's participation in commercial modeling and organized pageantry during a period of changing representation in American media. The images center on professional studio photography and promotional portraiture recording how Black women were presented within fashion and beauty industries that had long limited their inclusion. The archive includes a press photograph of Fern Tresvan crowned Miss Black Colorado and advanced to national competition at Madison Square Garden alongside a sustained series of modeling images of Carol King a Los Angeles based model whose career intersected with music and entertainment industries. Seven black and white silver gelatin photographs most measuring approximately 8 x 10 inches with one elongated print measuring about 5 x 10 inches. Six studio photographs depict Carol King across multiple shoots in Los Angeles attributed to Models International and Greg Mendes studios showing variations in hairstyle dress and pose over roughly a decade. Early images show King in a poolside setting with short hair while later photographs present her in a range of late 1960s and early 1970s fashions including a belted one piece swimsuit with heels a sleeveless dress posed against a leopard patterned textile a mini dress and a long sleeve floral gown. The remaining photograph is a 1971 press image of Tresvan documenting her title as Miss Black Colorado and participation in national pageant competition. Produced during the decades surrounding the Civil Rights Movement the archive situates Black women within expanding but still contested spaces of visual culture fashion and public recognition. The combination of studio modeling and pageant imagery reflects parallel avenues through which African American women gained visibility in print media and public events supporting research into race gender and representation in mid twentieth century American culture. Minor edge wear; prints remain clean and well preserved; overall very good condition. unknown
1970réf. 208981970. Photo archive of Miss Black America and Miss Black Teenage America pageants 1970s-1980s documents the creation and expansion of Black controlled beauty competitions as a response to exclusion from mainstream pageants. Founded in 1970 in Philadelphia with support from organizations such as the NAACP Miss Black America emerged as a direct counterpoint to the Miss America pageant and became a nationally recognized platform celebrating Black beauty talent and achievement. The photographs record contestants and winners in ceremonial and performance contexts providing visual evidence of how these pageants functioned as sites of representation professional opportunity and cultural affirmation. Archive of Six black and white silver gelatin photographs most measuring approximately 6.75 x 9 to 8 x 10 inches several with press captions or printed articles affixed to verso or margins. One image shows Stephanie Clark of Washington D.C. crowned as the third Miss Black America wearing a tiara and holding a large trophy following competition among entrants from multiple states. Additional photographs document early Miss Black Teenage America winners including Sharon Sexton of Detroit and Cynthia Lewis of Houston shown at Madison Square Garden during national competitions. Later images include studio and event photographs of regional titleholders such as Beryl Roberts and Sonya Robinson as well as a crowning ceremony involving Kimberly Arlette Pierce and her successor. Produced during decades shaped by the Civil Rights Movement and its cultural aftermath the archive situates Black beauty pageants within broader efforts to redefine standards of beauty and expand access to public platforms for African American women. These competitions offered scholarships professional visibility and pathways into fashion and media while also asserting aesthetic and cultural autonomy. Minor wear consistent with handling; captions and images remain clear; overall very good condition. unknown
réf. DADAX0201139901Addison-Wesley 0000-00-00. First Edition. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Addison-Wesley hardcover
réf. DADAX3034318855Peter Lang UK 2016-11-30. New. paperback. New. 5.75x0.50x8.75. Buy with confidence. Excellent Customer Service & Return policy. Peter Lang UK paperback
1967réf. L10145Continental Beauty College 1967. Book. Good. Hardcover. GOOD Blue cloth hardcover. NO jacket. 1967. Light staining to front cover at bottom edge. Notation written to text other wise clean. Diagrams and instruction throughout. Binding solid. 494 pp. . Continental Beauty College Hardcover
réf. 46083100like new. unknown
2021réf. BN198387LIGHTNING SOURCE INC 2021. 2021. Hardcover. RICOSTRUZIONE UNGHIE - LIBRO IN ITALIANO SU COME PROTEGGERE E RICOSTRUIRE LE UNGHIE IN MODO PROFESSIONALE - Hardback Version - Italian Language Editio RICOSTRUZIONE UNGHIE - LIBRO IN ITALIANO SU COME PROTEGGERE E RICOSTRUIRE LE UNGHIE IN MODO PROFESSIONALE - Hardback Version - Italian Language Editio Female Beauty - World LIGHTNING SOURCE INC hardcover
2021réf. BN227379LIGHTNING SOURCE INC 2021. 2021. Softcover. Latin Girl Photobook: Hidden Beauty Series Latin Girl Photobook: Hidden Beauty Series Call of Beauty Publisher LIGHTNING SOURCE INC paperback
réf. BN270433Herrscherin der tausend Sonnen Herrscherin der tausend Sonnen Rhoda Belleza unknown
réf. 47689537-nnew. unknown
1900réf. 47798New York: Wemple & Company 1900. Very Good. New York: Wemple & Company 1900 Fold-out and free-standing chromolithographed triptych trade card with advertising on verso for both Floreston Cologne and Parker's hair balsams and tonics 14cm. Two outer panels show vases with flowers pink peonies and blue forget-me-nots while the middle panel features a pensive child wearing a heavy bonnet. Margins rubbed and corners gently bumped; Verso margins scuffed and joint printing lightly faded. A scarce and Very Good or better example of quackery ephemera. For the low price of a bottle of perfume or by sending in your six cents and address you too could own one of these "screens. Wemple & Company unknown
1931réf. 63302Hollywood CA: Beauty Arts Institute 1931. 8vo. 240 pp. With text illustrations throughout by Winfield Scott Hoskins. Red publisher’s cloth Art Deco cover art illustration by Hoskins minor sunning & soiling to spine minor fraying to head of spine faint tidemark at gutter margin foot ffep. still a G bright copy. Third printing of this surprisingly uncommon cosmetology work issued by this husband and wife team who operated the Beauty Arts Institute industrial school of cosmetology in Hollywood CA during the studio system heyday. They also offered classes treatments and advice on diet health exercise hair and skin treatments plastic surgery and beauty improvements to increase the woman’s self-esteem and improve opportunities with suitors and employers. Unfortunately during the Great Depression the school closed and Viola 1894-1978 became a home economics teacher until retirement with Fremont High School in Los Angeles. Hoskins 1905-1961 was a Fleischer Studio cartoonist and animator in Hollywood who became a book illustrator gained recognition for his illustrations of the 1942 “Golden Book of Fairytales” for Little Golden Books and also an artist in Los Angeles during the 1930’s and following World War II. Worldcat locates 6 copies Stanford Claremont DLC Cleveland Pub. Free Lib. of Phil. LA Public. Beauty Arts Institute, hardcover
1936réf. 62308Chicago IL: American Hairdresser 309 West Jackson Blvd. 1936. 4to. 159 1 pp. With over 150 text illustrations photos diagrams tables charts. Colour-illustrated softcovers wire comb-binding as issued minor edgewear slight rubbing some age toning still VG copy w/ faint former ownership marking on front cover. 8th edition of this uncommon work issued by American Hairdresser trade magazine during the Great Depression designed to not only offer the latest hair styles techniques products and equipment but also offering advice on how to expand the business increase sales introduce properly lighted window displays and introduce massage and other health & beauty services. Kozlay 1898-1987 was columnist printer editor and publisher for American Hairdresser following the death of her father Charles Kozlay in 1924 and was the essential force behind the in-house magazine quickly expanding in the 1930’s. She contracted with such names as Oster Belvedere Andis Takara Belmont and Helene Curtis along with Revlon to introduce new products and marketing strategies. The American Hairdresser also actively promoted chemical products developed by Inecto Zotos which would both permanently wave hair without electric curling and straighten curly hair for the African-American market. No copies in Worldcat 1934 6th ed. at Bowling Green. American Hairdresser, 309 West Jackson Blvd., paperback
1940réf. 62380New York: Good Housekeeping Magazine 1940. Seven pieces. 6 - 12mo.; 1 - 8vo. 154 pp separately paginated numbered & unpaginated. First five as 12mo. w/ text illustrations & diagrams colour-printed softcovers w/ die-cut window to illustration on title; 6th mimeographed text stapled at gutter margin w/ pink & white litho cover art by Felten 7th - 12mo. Blue & black printed softocovers NF all. First editions of these exceedingly scarce Good Housekeeping cosmetics beauty and hair-care from the noted columnist and editor of Good Housekeeping magazine’s Ruth Murrin. Although she lacked a medical degree she established her professional status and credentials by overseeing the magazine’s Beauty Clinic which was a practical laboratory run by women and specialists in order to offer correct health advice and beauty tips to their readership. She was a key advocate of the Good Housekeeping Bureau which had originally been founded by Harvey W. Wiley considered the “Father” of the Federal Pure Food and Drug Acts. The guide included here encompasses hundreds of cosmetic and pharmaceutical products available for women on the eve of World War II. No copies in Worldcat 1 copy located of similar Buying Guide half the size in 1938 -- Harvard; See: Kim Chuppa-Cornell Filling a Vacuum: Women’s Health Information in Good Housekeeping’s Articles and Advertisements 1920-1965 The Historian Vol. 67 No. 3 Fall 2005 pp. 454-473. Good Housekeeping Magazine, paperback
réf. 1928986145.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 10626-9380836368Paperback. New. Book Condition is in New Paperback Original Edition. Shipped Same Day. We do not ship APO and FPO. Will be dispatched fast. Please send me an email if you have any questions. 100% Satisfaction. paperback
2026réf. __1035354306Edward Elgar 2026. Hardcover. New. 290 pages. 6.14x0.59x9.21 inches. Edward Elgar hardcover
