847 résultats
1991Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 224 pages. Many color illustrations.
1961Ex-library book with the usual markings. Interior pages clean and unmarked. 364 pages. Many black & white and color illustrations. Text in Italian. Creased spine and edge wear to cover. This is Volume V in the "Enciclopedia Dell'Abbigliamento / Serie Culturale" series. Title translates to "The Costume in the times from the Renaissance to the Modern Times."
1971Ex-institutional library book with the usual stamps, stickers, etc. Text/interior is clean and unmarked in any way. Text block and boards both have sharp corners, no edge or corner wear, binding is very tight. Dust jacket is worn with multiple small tears and chipping at edges, heavy scuffing, no large or open tears. 160 pages on heavy paper with color plates on glossy paper. Profusely illustrated in b&w and color. Contents include costume of Balkans, Caucasus, Ukraine, Near East, Iran, (Persia) Afghanistan, Central Asia, India and Pakistan, High Borderlands, Kashmir, Nepal, Sikkim, Bhutan, tibet, Southeast Asia, China, Japan and Korea, Southeast Siberia, Manchuria, Hokkaido, Bonins & Siberia with b&w illustrations of typical clothing and then several full-page museum quality color photos of examples of actual clothing for MOST of the above regions.
198796 page book with fold-out map at back, usually one large color photo per page depicting traditional dress and costume and dance from region throughout (the former) Yugoslavia. Regions include six ethnographic zones: the Alpine, Pannonian, Adriatic, Dinaric, Moravian and Vardarian and the book is divided into chapters on Slovenia, with the Kurenti from the Ptuj region) Croatia, Bosnia and Herzegovina, Montenegro, Serbia and Macedonia. Text is in Croatian. Institutional library stamp and (unused) "due date" sheet on inside back cover.
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. About 165 pages (paginated in two sections) with a great many b&w illustrations.
2008A clean, unmarked book with a tight binding. 223 pages. Slight edge wear to dust jacket.
1998A clean, unmarked book with a tight binding. 240 pages. Edge wear to dust jacket. Many color photos. Chronicles the work of the author making sometimes outlandish window displays along with a list of practical tips of what to do and what not in working with fashion designers, models, dummies, etc.
1975A clean, unmarked book with a tight binding. 280 pages. Full blue cloth boards show wear at edges. Edge wear and small tears on dust jacket. 8 1/2"w x 11 5/8"w. Includes work by Chanel, Poiret, Patour, Lanvin, Rochas, Molyneux, Vionnet, Mainbocher, Schiaparelli, Balenciaga, Harntell, Hardie Amies, and Dior. "In Fashion Illustrated Deborah Torrens reviews the spring and fall haute couture collections of thirty great years of fashion as presented in the more exclusive magazines that illustrated the clothes created by the top designers of Paris, New York, and London."
2006A clean, unmarked book with a tight binding. 288 pages. 8 3/4"w x 11 1/8"h. Slight edge wear to dust jacket. Many color photos. The definitive story of Punk, from Anarchy in the UK to American Idiot.
2004Book is in excellent condition with covers showing light shelf wear/scuffing only with creaseless covers and spine. Binding is solid and square, text/interior is clean and free of marking of any kind. Publisher's sticker on front. A great many full page color prints. 463 pages. Producing a book on fashion in the 1980s is not merely a question of immortalizing one of the most feverish periods of invention, creativity, and variety in our recent history. It also means providing a window on the increasingly pervasive advance of show-business society, and on the origins of the designer "total living" environment in which we are now permanently submerged. Ralph Lauren pillowcases, anyone? How about a sip of Absolut from my Calvin Klein Home champagne glasses? ~Excess: Fashion and the Underground in the 80s chronicles the achievements of the fashion establishment in Italy and the rest of the world via its protagonists and trends. It considers the who, what, where, when, and why of an industry that has become an economic phenomenon, with enormous influence on global culture and communication. It catalogues a world in which fashions by Armani, Versace, Valentino, Gianfranco Ferr, Fendi, Missoni, Moschino, Dolce & Gabbana, Fiorucci, Thierry Mugler, Jean Paul Gaultier, Vivienne Westwood, Katherine Hamnett, Azzedine Alaa, Calvin Klein, and John Galliano appear in magazines like Vogue, Elle, Donna, Mondo Uomo, Harpers Bazaar, The Face, i-D, Interview, Vanity Fair, GQ, and Visionaire. It features work by 80s hotshot artists like Helmut Newton, Bruce Weber, Cindy Sherman, Nan Goldin, Andy Warhol, Jenny Holzer, Robert Mapplethorpe, Barbara Kruger, Gilbert & George, Pierre et Gilles, and Leigh Bowery.~Empirically organized as an index, Excess offers an indispensable point of reference for fashionistas, critics, and students. Rather than operating chronologically, it functions thematically, under such categories as Career Women, Sexy Women, American Gigolo, Night Clubbing, Wild Boys, Yuppies, and Graffiti. A special section curated by Peter de Potter is dedicated to the Neo 80s, featuring fashions by Jeremy Scott, Louis Vuitton, Berhard Willhelm, Balenciaga, Veronique Branquinho, and Bottega Veneta, as seen in the pages of Butt, Dazed & Confused, SleazeNation, Spin, Self Service, and Another Magazine. Additionally included are a series of appendices--equally balanced between mainstream and underground--which catalogue the new professions, new words, and new fashions.
1997Full blue cloth boards with illustration of shoemaker hunched over bench printed on cover. 6 3/8"w x 9"h. 239 pages. Many b&w photos. Small tears on the edges of a few pages. Small tears on edge worn dust jacket. The life story of the high-end shoesmaker to the stars and retailer of Italian footwear, bags, accessories & more for men & women.
1999A clean, unmarked book with a tight binding. 128 pages. 7 1/2"w x 8 1/2"h. Full black cloth boards. Small 1/2" tear at top of front pastedown endpaper. Edge wear to dust jacket. Many color photos.
1981A clean, unmarked book with a tight binding. 144 pages. 6 3/4"w x 9 1/4"h. "Here is a descriptive and pictorial survey of American and British costume from the middle ages to the 20th century, which documents costume changes, not with the usual line drawings, but with over 150 reproductions of contemporary paintings, drawings, carvings, prints, and photographs, ranging from the 12th century illuminated manuscripts to fashion photographs of the 1930's."
2006Small format hardback: 5"w x 6 1/2"h. More than 600 prints, 100 designers, and 30 countries, organized by chapeter: Animals, jokes, miscellany, people, places, typography. Interviews with six top designers.
1996A clean, unmarked book with a tight binding. 224 pages. 8 3/4"w x 10 1/4"h. Full color photos, detailed descriptions of clothes, and instructions for creating nine outfits. Many detailed b&w line drawings.
2004A clean, unmarked book with a tight binding. 320 pages. Oblong format: 6 1/2"w x 5"h.
1976New ed., revised and enlarged. Light shelf wear with bumped corners, text/interior is pristine with a great many b&w, some color illustrations. 239 pages with illustrated appendices, contents include Sartorial morality, Sumptuosity, The nature of fashion, Theories of fashion, The mechanism of fashion, Revolution, Vicarious consumption -- Archaism, Recent history, Deviations from Veblen
1987A clean, unmarked book with a tight binding. Slight edge wear to dust jacket. Slight waviness to bottom edge of last half of book. Full blue cloth boards. 96 pages. 8 1/2"w x 11 7/8"h. Over 90 illustrations, 8 in full color.
1998A clean, unmarked book with a tight binding. 80 pages. 6 1/4"w x 8 3/4"h. Part of the "Universe of Fashion" series. Many color photos.
1951A clean, unmarked book with a tight binding. Full brown cloth boards show a bit of edge wear and a small ink smudge. Previous owner's attractive bookplate inside. 258 pages. 7 1/2"w x 11 1/4"h. Many b&w illustrations.
1979A clean, unmarked book with a tight binding. Slight edge wear to dust jacket. 240 pages -- 105 photographs -- 10 line drawings. 6 1/8"w x 9 1/4"h.
2015Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Book shows light wear only with creaseless covers and spine. Impressive 312 page compilation of outrageous fashion from around the world displayed in large, full color prints featuring some 70+ current and past fashion designers. Highly entertaining with short bios/statements from the subjects.
2008A clean, unmarked book with a tight binding. 208 pages.
1987Exhibition catalog published to coincide with the show held at the publisher's gallery from April 15 to June 14, 1987. Covers show light shelf wear only with some sunning at upper edge and page end edge. Previous owner's signatue and date on half title page. Printed endpapers. Text/interior is in Fine condition and filled with large format full color, often full page photos, prints, designs, fabric samples. Perfect bound, spine is intact and unblemished but appears somewhat fragile due to the age and size of the book. Shouldn't be handled roughly. "Lavishly illustrated, this book shows how the Aschers united elements from the complex worlds of fabrics, art and fashion, providing fashion designers with a constant flow of inventive textiles from the immediate post-war years until today. Art for fabric, Zika Ascher's liason with artists in the later 1940s which produced a remarkable series of screen-printed head squares, is investigated and the works are illustrated in color for the first time. The list of notables who designed these squares reads like a roll call of mid twentieth-century art, and included Christian Berard, Alexander Calder, Andre Derain, Barbara Hepworth, Marie Laurencin, Ben Nicholson, Graham Sutherland and Feliks Topolski. Four immense printed linen wall panels of 1948 by Henry Moore and Henri Matisse represent the adventurous extremes to which Ascher took this artist/producer venture. Fashion begins with fabric. This part of the Ascher story highlights the firm's output from the 1940s. Illustrious designers including Hardy Amies, Balenciaga, Capucci, Cardin, Dior, Fabiani, Givenchy, Madame Gres, Lanvin-Castillo, Yves Stint Laurent, and Mary Quant were supplied with selections of printed and woven textiles, which were the starting points for their modish clothes. Full-scale fabric samples from the Ascher records are reproduced, alongside photographs of models wearing designer garments in the same materials, together offering a uniqe view of the varied used of trend-setting fashion fabrics...... 263 pages.
2014A clean, unmarked book with a tight binding. 184 pages. Many color illustrations.