Beauty BraggBiblio.com
847 résultats
réf. ria9780739188781_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination describes the hardcover
réf. B9781498507141Paperback / softback. New. This book covers several distinctive moments of the post-civil rights era; the black power period the affirmative action period and the neoliberal period. It inspects representative texts and critical approaches associated with each period covering a variety of authors and genres from Toni Morrison's mythic fiction to Wahida Clark's street lit. paperback
réf. ria9781498507141_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination describes the paperback
réf. 21875354-nnew. unknown
réf. 21875354like new. unknown
2014réf. x-073918878XLexington Books 2014. Hardcover. New. 119 pages. 10.00x6.50x0.50 inches. Lexington Books hardcover
réf. DADAX073918878XLexington Books 2014-11-12. hardcover. New. 6.37x0.63x9.28. Buy with confidence. Excellent Customer Service & Return policy. Lexington Books hardcover
2016réf. x-149850714XLexington Books 2016. Paperback. New. reprint edition. 119 pages. 9.25x6.25x0.50 inches. Lexington Books paperback
2020réf. 2-6200582521Novas Edições Acadêmicas 2020. Paperback. New. 56 pages. 8.66x5.91x0.13 inches. Novas Edições Acadêmicas paperback
1996réf. 20371ABVarengeville-sur-Mer, Centre d'Art Floral, ©1996. 19,5 x 29 cm. 182 S., davon 63 brillanten Farbtafeln des Verfassers. Illustrierte Einschlagbroschur (Softcover), Fadenheftung. Neuwertiges Exemplar.
2009réf. 2082702114605372Kyushu University Press 6200yen 2009. Soft Cover. Fine. Number of books: 1 Kyushu University Press 6200yen paperback
1995réf. 20827021146018127550 Yen 1995. Soft Cover. Fine. Number of books: 1 7550 Yen paperback
2020réf. 2-6200560714Edizioni Accademiche Italiane 2020. Paperback. New. 56 pages. Italian language. 8.66x5.91x0.13 inches. Edizioni Accademiche Italiane paperback
2021réf. BN198387LIGHTNING SOURCE INC 2021. 2021. Hardcover. RICOSTRUZIONE UNGHIE - LIBRO IN ITALIANO SU COME PROTEGGERE E RICOSTRUIRE LE UNGHIE IN MODO PROFESSIONALE - Hardback Version - Italian Language Editio RICOSTRUZIONE UNGHIE - LIBRO IN ITALIANO SU COME PROTEGGERE E RICOSTRUIRE LE UNGHIE IN MODO PROFESSIONALE - Hardback Version - Italian Language Editio Female Beauty - World LIGHTNING SOURCE INC hardcover
1977réf. 019801Librairie Larousse Reliure Rigide Illustrée Paris 1977 140 pages en format 23 - 29 cm - nombreuses photographies en couleurs
réf. 21008On letterhead of 44 Old Bond Street W.1. London 30 September 1931. The Sunday Times 20 March 2002 carries an article by Ann Treneman 'The real face of Rubinstein' discussing the discovery among Hollay's papers of her correspondence with Helena Rubinstein. The correspondence was made use of by Lindy Woodhead in her 2017 book 'War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives their Times Their Rivalry'. Hollay was Rubinstein's London manager from 1914. In 1929 she severed her connection with Rubinstein announcing in The Times 10 April 1929 'that she has entirely severed her connexion with the establishment which she managed for so many years and has ACQUIRED the BUSINESS of SUZANNE VERDI 4 OLD BOND STREET' Hollay was Verdi's 'successor' but in 1933 the firm could still be listed as 'Verdi Mme. Suzanne Beauty Specialist 44 Old Bond II st.' On 8 August 1934 The Times carried a 'false report of death' for Hollay. And on 16 October 1942 she vacated the premises continuing to deal with her High Society customers from her home 31 Kensington Square. 1p. 12mo. In good condition lightly aged. She begins by apologising for sending a typed letter 'it is late and I can type more than I can write!' and thanking her for an enjoyable evening 'I am afraid I was dull company but after all it is good to feel at peace with ones companion – don't you think so'. References follow to Coury's 'little enamel case' a day 'of warts moles hairs etc' 'this weeks Queens' whether Coury would really 'like a block of me in your pages'. The letter concludes: 'Please don't forget to make use of this place just when and as you please. Keep a frock or case here and change and titivate when you wish. It would make me happy to know you were finding this little Home of Beauty of some use to you. You must try and save fatigue all you can said the pot calling the kettle black!' Autograph postscript: 'You did look so amazingly handsome last night in spite of fatigue.' On letterhead of 44 Old Bond Street, W.1. [London] 30 September 1931. unknown
19981 v. (unpaged) : ill. (some col.) ; 26 x 40 cm. Hardcover very good condition The unexpected runway moment, the candid dressing room expression, the steely eyed scrutiny of the front-row denizens. Runway Madness is a personal invitation to New York's infamous Fashion Week. More than 100 arresting photographs by Pulitzer Prize- winning photographer Lucian Perkins many never published until now tell the behind-the-scenes story of this unparalleled fashion event. Perkins captures the models up-close and personal: Kate Moss without make-up, Naomi Campbell in curlers, and Shalom Harlow, Amber Valetta, Christy Turlington, and many others in high pomp as well as unguarded circumstance. Also exposed are the fashion editors and buyers, journalists, and stars whose high-visibility presence is essential. Quotes from fashion insiders provide a running commentary and captions by Washington Post fashion writer Robin Givhan explain each image. The beat, the lights, the cascade of beauty and color: this is not only a performance, but also a performance art. Long and lean like the runway itself, Runway Madness is the total high fashion experience.
1988réf. 2082702114608434Ryuno-cho Oshima-gun Kojishima 1988. Soft Cover. Fine. Number of books: 1 Ryuno-cho, Oshima-gun, Kojishima paperback
2020réf. 2-6139557488Éditions universitaires européennes 2020. Paperback. New. 52 pages. French language. 8.66x5.91x0.12 inches. Éditions universitaires européennes paperback
2018réf. 2081502111904006old books in shanghai 2018. Soft Cover. Fine. The book is in fine condition. old books in shanghai paperback
1971Features: Class A Yachts get good grades in SORC; Dorothy Crossley's Virgin Island Interlude - a life of cruising; A day of hard winter sailing; Swedish Mistress - a liberated gal; Yankee 30 - for MORC or offshore competition; Ericson's Dramatic look matched by high performance features; Allied's new 30-footer - a good chance to win; Schock's Santana 37 features expansive rig; Thunderbird; FUN is pretty, fast, seaworthy - and was built in a basement; Bolero on Satin; and more. Clean and unmarked with light wear. Nice copy. Magazine
1974Features: Blue Peter Design - Jinker, Clark Sweet's 40 foot cutter; Those one ton darlings - 1974 S.O.R.C. results; Motorsailing; Happiness is a Swedish Beauty - Sachi; Wintery Mid-Winters; Ned McCrea's design for the simple sailing life - the Balao 18 sailor; New Paceship PY23 is sophisticated trailerable yacht; Pretty S&S design imported from Sweden - the IW 31; C&C one ton design is flat out racer - Windquest; For the Cruising Life - Henrik Aas' White Lady 51; Flat-out 'log' racing in the Chesapeake; and more. Clean and unmarked with light wear. A nice copy. Magazine
