920 resultados
ref. DADAX1846825296New unknown
ref. DADAX1437356850New unknown
ref. Darragon, Eric, Julia GarIn Pristine Condition. unknown
19518vo. First Edition with coloured frontispiece (original tissue guard present) title in red and black and numerous coloured and tinted plates(all caption tissue guards present) inscription on front free endpaper; ivory buckram upper board and backstrip bl
1983ref. 2083002116205651Goma Shobo Sumitomo Corporation Human Resources Department/Kanebo Beauty Research Institute 1983. Soft Cover. Fine. Number of books: 2 Goma Shobo Sumitomo Corporation Human Resources Department/Kanebo Beauty Research Institute paperback
1994ref. 2080202105601323Not Available 1994. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1974Ex-library copy with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 334 pages. Many b&w line drawings. Crease on spine. Bookplate inside.
ref. 1103JC0392.ª Edição. Remodelada e acrescida com novos documentos. Edição do Autor. Lisboa. S/d. 1957 De 25x19 cm. Com 201 págs. Encadernação em percalina vermelha preservando as capas de brochura no final da obra. 2.ª edição tendo sido a primeira publicada em 1955. I-38-J-18 unknown
ref. CD9436At(H)Ome CD COMME NEUF AVEC SOUS BLISTER
ref. 6139679567.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. About 165 pages (paginated in two sections) with a great many b&w illustrations.
1992ref. 2092902141208179Shanhai bungei 1992. Soft Cover. Fine. Volume: 1 Shanhai bungei paperback
ref. 0874838126New. New. Satisfaction Guaranteed or your money back. unknown
1975Ex-library book with the usual stickers, stamps, etc. Binding is solid and text/interior is clean and free of marking of any kind. From the reference section, book shows very light wear to lower cover edges only. 512 page enclopedic reference of types of embroidery from all over the world arranged in two sections: The nations and The stitchery, each in alphabetical order. Heavily illustrated with photographs, mostly in b&w, some color, many full and half page
1930ref. 2110502150415089Warakujiya 1930. Soft Cover. Fine. Volume: 1 Warakujiya paperback
1970Book shows light wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 119 pages with essays by the above authors, chapters include essays on art, acting, painting, poetry photography, and Siegel's Is Beauty the making one of opposites?
1971ref. 208851971. Photo archive of African American fashion models and a regional beauty pageant winner 1960s-1970s documents Black women's participation in commercial modeling and organized pageantry during a period of changing representation in American media. The images center on professional studio photography and promotional portraiture recording how Black women were presented within fashion and beauty industries that had long limited their inclusion. The archive includes a press photograph of Fern Tresvan crowned Miss Black Colorado and advanced to national competition at Madison Square Garden alongside a sustained series of modeling images of Carol King a Los Angeles based model whose career intersected with music and entertainment industries. Seven black and white silver gelatin photographs most measuring approximately 8 x 10 inches with one elongated print measuring about 5 x 10 inches. Six studio photographs depict Carol King across multiple shoots in Los Angeles attributed to Models International and Greg Mendes studios showing variations in hairstyle dress and pose over roughly a decade. Early images show King in a poolside setting with short hair while later photographs present her in a range of late 1960s and early 1970s fashions including a belted one piece swimsuit with heels a sleeveless dress posed against a leopard patterned textile a mini dress and a long sleeve floral gown. The remaining photograph is a 1971 press image of Tresvan documenting her title as Miss Black Colorado and participation in national pageant competition. Produced during the decades surrounding the Civil Rights Movement the archive situates Black women within expanding but still contested spaces of visual culture fashion and public recognition. The combination of studio modeling and pageant imagery reflects parallel avenues through which African American women gained visibility in print media and public events supporting research into race gender and representation in mid twentieth century American culture. Minor edge wear; prints remain clean and well preserved; overall very good condition. unknown
1970ref. 208981970. Photo archive of Miss Black America and Miss Black Teenage America pageants 1970s-1980s documents the creation and expansion of Black controlled beauty competitions as a response to exclusion from mainstream pageants. Founded in 1970 in Philadelphia with support from organizations such as the NAACP Miss Black America emerged as a direct counterpoint to the Miss America pageant and became a nationally recognized platform celebrating Black beauty talent and achievement. The photographs record contestants and winners in ceremonial and performance contexts providing visual evidence of how these pageants functioned as sites of representation professional opportunity and cultural affirmation. Archive of Six black and white silver gelatin photographs most measuring approximately 6.75 x 9 to 8 x 10 inches several with press captions or printed articles affixed to verso or margins. One image shows Stephanie Clark of Washington D.C. crowned as the third Miss Black America wearing a tiara and holding a large trophy following competition among entrants from multiple states. Additional photographs document early Miss Black Teenage America winners including Sharon Sexton of Detroit and Cynthia Lewis of Houston shown at Madison Square Garden during national competitions. Later images include studio and event photographs of regional titleholders such as Beryl Roberts and Sonya Robinson as well as a crowning ceremony involving Kimberly Arlette Pierce and her successor. Produced during decades shaped by the Civil Rights Movement and its cultural aftermath the archive situates Black beauty pageants within broader efforts to redefine standards of beauty and expand access to public platforms for African American women. These competitions offered scholarships professional visibility and pathways into fashion and media while also asserting aesthetic and cultural autonomy. Minor wear consistent with handling; captions and images remain clear; overall very good condition. unknown
1970ref. 208981970. Photo archive of Miss Black America and Miss Black Teenage America pageants 1970s-1980s documents the creation and expansion of Black controlled beauty competitions as a response to exclusion from mainstream pageants. Founded in 1970 in Philadelphia with support from organizations such as the NAACP Miss Black America emerged as a direct counterpoint to the Miss America pageant and became a nationally recognized platform celebrating Black beauty talent and achievement. The photographs record contestants and winners in ceremonial and performance contexts providing visual evidence of how these pageants functioned as sites of representation professional opportunity and cultural affirmation. Archive of Six black and white silver gelatin photographs most measuring approximately 6.75 x 9 to 8 x 10 inches several with press captions or printed articles affixed to verso or margins. One image shows Stephanie Clark of Washington D.C. crowned as the third Miss Black America wearing a tiara and holding a large trophy following competition among entrants from multiple states. Additional photographs document early Miss Black Teenage America winners including Sharon Sexton of Detroit and Cynthia Lewis of Houston shown at Madison Square Garden during national competitions. Later images include studio and event photographs of regional titleholders such as Beryl Roberts and Sonya Robinson as well as a crowning ceremony involving Kimberly Arlette Pierce and her successor. Produced during decades shaped by the Civil Rights Movement and its cultural aftermath the archive situates Black beauty pageants within broader efforts to redefine standards of beauty and expand access to public platforms for African American women. These competitions offered scholarships professional visibility and pathways into fashion and media while also asserting aesthetic and cultural autonomy. Minor wear consistent with handling; captions and images remain clear; overall very good condition. unknown books
1971ref. 208851971. Photo archive of African American fashion models and a regional beauty pageant winner 1960s-1970s documents Black women's participation in commercial modeling and organized pageantry during a period of changing representation in American media. The images center on professional studio photography and promotional portraiture recording how Black women were presented within fashion and beauty industries that had long limited their inclusion. The archive includes a press photograph of Fern Tresvan crowned Miss Black Colorado and advanced to national competition at Madison Square Garden alongside a sustained series of modeling images of Carol King a Los Angeles based model whose career intersected with music and entertainment industries. Seven black and white silver gelatin photographs most measuring approximately 8 x 10 inches with one elongated print measuring about 5 x 10 inches. Six studio photographs depict Carol King across multiple shoots in Los Angeles attributed to Models International and Greg Mendes studios showing variations in hairstyle dress and pose over roughly a decade. Early images show King in a poolside setting with short hair while later photographs present her in a range of late 1960s and early 1970s fashions including a belted one piece swimsuit with heels a sleeveless dress posed against a leopard patterned textile a mini dress and a long sleeve floral gown. The remaining photograph is a 1971 press image of Tresvan documenting her title as Miss Black Colorado and participation in national pageant competition. Produced during the decades surrounding the Civil Rights Movement the archive situates Black women within expanding but still contested spaces of visual culture fashion and public recognition. The combination of studio modeling and pageant imagery reflects parallel avenues through which African American women gained visibility in print media and public events supporting research into race gender and representation in mid twentieth century American culture. Minor edge wear; prints remain clean and well preserved; overall very good condition. unknown books
1993A clean, unmarked book with a tight binding. 8 1/2"w x 9 7/8"h. 338 pages. Black and white illustrations.
1975ref. 2082702114603042Rokumeiso 1975. Soft Cover. Fine. Number of books: 1 Rokumeiso paperback
2011Exhibition catalog in excellent condition with light scuffing/shelf wear to Skull / A. McQueen's face lenticular on chocolate brown cover only. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 240 pages with hypnotic fake woodgrain illustrated endpapers. Filled with oversize full color full page photos of the clothing designs of the subject hanging on bruised mannequins. Sorta hot, if you like that kind ot thing. Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art. Published to coincide with an exhibition at The Metropolitan Museum of Art, organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography, a lenticular cover by Gary James McQueen. Alexander McQueen: Savage Beauty celebrates the astounding creativity and originality of a designer who relentlessly questioned and confronted the conventional parameters of fashion to express ideas about culture, politics, and identity.
2011Exhibition catalog in excellent condition with light scuffing/shelf wear to Skull / A. McQueen's face lenticular on chocolate brown cover only. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 240 pages with hypnotic fake woodgrain illustrated endpapers. Filled with oversize full color full page photos of the clothing designs of the subject hanging on bruised mannequins. Sorta hot, if you like that kind ot thing. Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own world-renowned London house. It features his most iconic and radical designs, revealing how McQueen adapted and combined the fundamentals of Savile Row tailoring, the specialized techniques of haute couture, and technological innovation to achieve his distinctive aesthetic. It also focuses on the highly sophisticated narrative structures underpinning his collections and extravagant runway presentations, with their echoes of avant-garde installation and performance art. Published to coincide with an exhibition at The Metropolitan Museum of Art, organized by The Costume Institute, this stunning book includes a preface by Andrew Bolton; an introduction by Susannah Frankel; an interview by Tim Blanks with Sarah Burton, creative director of the house of Alexander McQueen; illuminating quotes from the designer himself; provocative and captivating new photography, a lenticular cover by Gary James McQueen. Alexander McQueen: Savage Beauty celebrates the astounding creativity and originality of a designer who relentlessly questioned and confronted the conventional parameters of fashion to express ideas about culture, politics, and identity.
2002ref. 58948London, Annely Juda Fine Art, 2002. origi.Leinenband, 4°, 23 Abbildungen.
