8 008 résultats
1610In 16, pp. 28. Br. coeva. Libello antigesuitico pubblicato subito dopo il regicidio Henry IV Le Grand, avvenuto per mano di Ravaillac. Questi, fanatico cattolico, perseguitato da visioni, si convinse che il Re volesse far guerra al Papa. Decise di ucciderlo, cosa che fece il 14 maggio 1610 in Rue de la Ferroviere, pugnalandolo sulla sua carrozza. Durante il processo, nonostante le torture cui fu sottoposto, non rivelo' di avere altri complici. Mori' il 27 maggio, squartato da 4 cavalli, tra atroci torture. Subito dopo si scateno' una feroce diatriba tra coloro che indicavano i gesuiti come i mandanti del regicidio, e i gesuiti che, con alcuni scrittori come il Mariana, Coton e il Bellarmino, arrivavano addirittura a sostenere la legittimita' del tirannicidio quando il sovrano fosse eretico o senza una forte convinzione religiosa. Quando il 6 giugno il parlamento emano' un 'arret' che condannava il tirannicidio, inizio' la lunga querelle portata avanti a forza di libelli, perlopiu' anonimi quelli antigesuitici, con autore dichiarato invece quelli redatti dalla Compagnia. Il primo a comparire e' proprio questa 'Remostrance' con la quale si afferma che la mano di Ravaillac fu armata dai buoni padri. Tornando pero' al regicidio di Ravaillac, occorre considerare che se in ogni infrazione c?e' un crimen majestatis e nel piu' infimo dei criminali un regicida in potenza, il regicida a sua volta e' il criminale assoluto. Invece di fare la lotta al potere, attaccando la volonta' del potere sovrano, egli ne attacca il principio nella persona fisica del Principe. La punizione ideale per il regicida dovrebbe formare la somma di tutti i supplizi possibili: la vendetta infinita. Non esistendo una pena specifica per questo reato, per Ravaillac era stato necessario inventarla, combinando tra loro le piu' crudeli. Lo stesso accadra' nel 1757 a Damiens, fallito regicida di Luigi XV. Si puo' persino considerare che queste due atroci esecuzioni rappresentarono una moderazione dell?efferatezza della vendetta del potere, paragonata all?esecuzione dell?omicida di Guglielmo d?Orange nel 1582, durata addirittura 18 giorni. Cfr. Foucault, Sorvegliare e punire, p. 58. Duchini, Faire voir, faire croire, pp. 90-91.
1892réf. 43449Chicago: Bloch 1892. paperback. 1st edition original printed green paper wrappers 8vo. 49 pages. Singerman 4345. Rabbi Emil G. Hirsch 1851-1923 "who headed Chicago's Sinai Congregation for forty-two years and led Reform Judaism into the Progressive movement and down social justice pathways was born in Luxemburg. One of several Jews involved in founding the NAACP Hirsch was married to the daughter of abolitionist rabbi David Einhorn and served in his father-in-law's former pulpit in Baltimore before moving to Louisville Kentucky and then Chicago. He was professor of rabbinical literature and philosophy at the University of Chicago in 1892 active in the Republican Party and editor of several influential Jewish publications" Lawrence Bush in Jewish Currents "Hirsch and his congregants struggled to come to terms with the large number of Jewish immigrants who moved to Chicago after 1880 boosting the Jewish community from about 10000 in 1880 to over 300000 in 1920.For the established Jews represented by Sinai the Jewish 'Ghetto' - the immigrant neighborhood on the city's West Side - appeared to represent a world apart and a sharp contrast to Sinai's radical and inclusive reform agenda: a highly visible expression of Jewish ethnicity and traditional Judaism which Reform Jews associated with isolation discrimination and exclusion." Nevertheless during the 1890s "Hirsch spoke up against the deplorable condition of Jews in the Russian Empire and reached out to West Side residents. His support for workers' rights also won him much support among Jewish immigrants who overwhelmingly belonged to the working class. "Hirsch worked closely with Jane Addams and other members of the Hull House circle. In 1908 Hirsch and Addams were among the co-founders of the NAACP. Hirsch inspired several members of Sinai congregation: Sears and Roebuck president and philanthropist Julius Rosenwald was one of Hirsch's closest associates so was legal scholar Julian Mack who presided over a widely noted juvenile court in Chicago in the first decade of the 20th century. Hannah Solomon was one of the founders of the organized Jewish women's movement in the United States. Joseph Schaffner and Harry Hart were the leading partner of the clothing manufacturer Hart Schaffner & Marx one of Chicago's largest employers. Influenced by Hirsch's social theology Schaffner and Hart settled with their workers during the 1910-1911 clothing strike recognizing their right to form a union" Tobias Brinkmann. SUBJECT S : Jesus Christ -- Jewish interpretation. Jewish Christ -- Crucifixion.OCLC: 13532781. Light wear excellent condition a beautiful copy Very Good Condition B AMR-2-2-XLF#. Chicago: Bloch unknown
réf. 0282242643.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967réf. 2111902156001677Ethnological Society of Japan 1967. Soft Cover. Fine. The book is in fine condition. Ethnological Society of Japan paperback
1996réf. 209290213760206725th anniversary of Professor Yamauchi's death 1996. Soft Cover. Fine. Number of pages: 282p version 119p size: B5 26cm number of books: 1 25th anniversary of Professor Yamauchi's death paperback
1967réf. 2110502150413265Volume 12 No. 8 Shinchosha 1967. Soft Cover. Fine. Volume: 1 Volume 12, No. 8, Shinchosha paperback
2023réf. __081319783XUniv Pr of Kentucky 2023. Hardcover. New. 1200 pages. 9.00x6.00x2.25 inches. Univ Pr of Kentucky hardcover
2025réf. ATLASLIB5Fantagraphics 2025. Hard Cover. New. Joe Maneely Robert Q. Sale Gene Colan Art Peddy Mort Lawrence Werner Roth Bob Powell Don Heck. Pre-Code cops and robbers' action from the early 1950s! The fifth stand-alone genre-themed collection in Fantagraphics' archival series of mid-century Marvel Comics. Before focusing on tales of justice via superheroes under the Marvel banner the publisher covered ground-level crime across a range of comics titles and true-crime magazines. Under the Timely imprint from 1947 and Atlas from 1951 up to eleven graphic series including Justice Comics Official True Crime Cases All-True Crime Crime Cases Crime Can't Win Crime Must Lose and Crime Exposed all muscled each other and competitors for space on the newsstands. For the first crime-themed volume in Fantagraphics' ongoing project to restore and resurrect pre-Marvel pulp classics the Atlas Library has selected a book that debuted as the genre peaked just before a Senate hearing and the institution of the Comics Code banned the use of the word "Crime" from even appearing in a comic's title. Escaping that fate Police Action had a seven-issue run of violent and noir-ish morality plays pitting the officers of the law against the forces of urban malevolence and was produced by the cream of the Atlas freelance roster including Joe Maneely Robert Q. Sale Gene Colan Art Peddy Mort Lawrence Werner Roth and Bob Powell. Rounding the volume off also presented is a post-Code one-shot Police Badge #479 a snapshot of the industry's attempts to adapt to new strictures on the genre: here we view "our boys in blue" in the fight against rank corruption highlighting the work of Don Heck and Joe Maneely. 254 pages. Full Colour illustrations. 8" x 12" 198mm x 297mm. 2.5 Fantagraphics hardcover
réf. 226859[Paris], Imprimerie nationale, s.d. (1793) in-8, 23 pp., dérelié.
2010réf. LFA-126716689Numéro 104 (Janvier 2010) : 82 pages, format 210 x 295 mm, broché couverture couleurs, illustré, bon état
1973réf. LFA-126738192Revue culturelle, économique et sociale des activités dauphinoises, savoyardes, provençales et vivaroises : 80 pages, format 210 x 270 mm, illustrée, brochée, bon état
1986réf. 9948Canberra: National Gallery of Australia 1986. Four accordion fold leaves 13x13cm folded printed on one side only in blue 6 panels each with UV and XY appearing together to make 24 panels in total. Housed in blue printed box. Fine condition box with some wear. Eirene Mort's 1879-1977 charming Australian Alphabet printed by the National Gallery which purchased the designs from the artist's estate in 1984. The designs were drawn in London in 1902 when Mort was 23 and were intended to be produced as a book though it was never published. OCLC cites just the Australian Alphabet book publication from 1986 with introduction by John McPhee. Perhaps this frieze was published alongside or at a later date by the gallery. In any event we find not mention of it. National Gallery of Australia unknown
1981réf. 29366New York:: Harcourt Brace Jovanovich 1981. First Printing of the First US Edition. A Very Good plus copy in a Very Good unclipped dust jacket with light edge wear to the estremities. Donald Knox tells the story of the Bataan campaign the Death March and prison camp life under the Japanese in the words of the survivors themselves. Over a period of seven years he interviewed over 200 veterans; the voices of sixty-eight were selected to provide the personal side of the horrors and heroism experienced in these events. The interviewees all American are mostly enlisted men; however a few officers and nurses also tell their story. Harcourt Brace Jovanovich, unknown
1946réf. LFA-126724454Une revue de 24 pages, format 150 x 230 mm, illustrée, brochée, publiée en 1946, bon état
1959réf. 18361Guy Lévis Mano, 1959. Broché, couverture beige imprimée et illustrée, non coupé. 21,7 x 15,1 cm.
1953réf. 2094S. l., Société Bibliophile "Hippocrate et ses amis", 1953 ; in-folio, en feuillets sous chemise-étui bordeaux, dos en cuir gris, titre doré, couverture beige imprimée rouge à rabats, 26 lithographies en couleurs par Yves Brayer dont une en frontispice ; (3) ff., 133 pp., (6) ff.
réf. 863A Francfort, en Foire, Chez J.F. Bassompierre, libraire à Liège, 1761 ; in-12, 1ff. bl., 361pp., 3ff. n. ch. dont 2 bl. Plein veau moucheté, dos lisse orné, pièce de titre rouge ; petits manques aux coiffes, coins légèrement émoussés, petit travail de vers sur le dos, une charnière fendue sur deux centimètres. Une rousseur sur le titre, sinon intérieur frais.
1943réf. 58524Pomona CA: Frashers Inc. 1943. Oblong 12mo. 3.75 x 2.5 in. 12 miniature Real Photo Postcards w/ text w/in the negative preserved in original mailing portfolio die-cut window on recto canceled stamp & address on verso minor dustsoiling shelfwear to portfolio still NF set of RPPC’s from the library of George Stein 1914-1988 stationed at Camp Haan in World War II and was a longtime driver and heavy equipment operator for the Clark County Highway Dept. son of Gran Duchy of Luxembourg immigrant farmers and later builder in Vancouver WA. This complete miniature set of Real Photo Postcards shot by the iconic California photographer includes such images as “20 Mule Team Borax Wagons”; “Furnace Creek Camp”; “Salt Pool and the Devil’s Golf Course”; “Death Valley Scotty”; “Mushroom Rock”; and others. Frasher 1888-1955 opened a commercial photography studio with his wife Josephine Angel in 1912 with her shooting portraits and Frasher traveling Eastern California by automobile in the 1920’s and 1930’s on photographic expeditions. He would eventually produce over 60000 negatives and his stock-in-trade Real Photo Postcards were very popular. See: Peter Hiller Visions of the West; The Photographic Legacy of Burton Frasher Sr. Postcard History March 30 2020. Frashers, Inc., unknown
1999réf. LFA-126745036Revue trimestrielle de formation spirituelle : 128 pages, format 155 x 220 mm, brochée, bon état
réf. 41689P., Fayard, 1960, in 8° broché, 331 pages ; couverture illustrée (très légèrement fanée) ; prière d'insérer.
1863réf. Cat320Concord Massachusetts: Benjamin Tolman 1863. Printed broadside 11 ¼ x 10 inches. Some tearing at folds very good. A straightforward but telling piece documenting the expansion of a Massachusetts burying ground during the American Civil War signed in type by three trustees of the North Sudbury Burying Ground. As casualties mounted and remains were returned to hometowns existing cemeteries were frequently enlarged with new land enclosed and improved by contract. The specification of “25 rods” over 400 feet of wall indicates a substantial addition typical of mid-war efforts to increase capacity in established town burial grounds rather than create entirely new sites. Sudbury contributed roughly 150–170 men to Union service of whom approximately eleven died a scale of loss consistent with small Massachusetts towns and sufficient to register locally in burial and memorial practices. We find no other records of ephemera or broadsides relating to Civil War-era cemetery expansion. This notice is not at AAS. Benjamin Tolman unknown
1863réf. Cat320Concord Massachusetts: Benjamin Tolman 1863. Printed broadside 11 ¼ x 10 inches. Some tearing at folds very good. A straightforward but telling piece documenting the expansion of a Massachusetts burying ground during the American Civil War signed in type by three trustees of the North Sudbury Burying Ground. As casualties mounted and remains were returned to hometowns existing cemeteries were frequently enlarged with new land enclosed and improved by contract. The specification of “25 rods” over 400 feet of wall indicates a substantial addition typical of mid-war efforts to increase capacity in established town burial grounds rather than create entirely new sites. Sudbury contributed roughly 150–170 men to Union service of whom approximately eleven died a scale of loss consistent with small Massachusetts towns and sufficient to register locally in burial and memorial practices. We find no other records of ephemera or broadsides relating to Civil War-era cemetery expansion. This notice is not at AAS. Benjamin Tolman unknown books
réf. 7902LES APPELS D'ORPHEE N° 1 À 3. Paris, Association pour la défense des cimetières, 1985-1991. Trois fascicules in-8 carré, plaquettes agrafées, reproductions.
1993réf. 18070Bruxelles, Fondation Europalia, 1993 1 volume 21,2 x 26,1cm Cartonnage éditeur illustré. 158p., 3 feuillets; très nombreuses illustrations in texte, vignettes et pleines pages, en noir et en couleurs. Bon état.
1993Catalogue de l'exposition présentée en 1993 au centre culturel de la Communauté française, Wallonie, Bruxelles, Le Botanique, sur la tradition mexicaine de "la mort en fête": textes de Thierry ZENO, Salvador RUEDA SMITHERS et Ariane FRADCOURT sur l'histoire du culte de la mort mexicain, les rites funéraires et les créations artistiques qui l'illlustrent, en particulier les fameuses "calaveras" (squelettes en action), avec notes et références, photos (scènes et objets), reproductions de gravures; texte de Miriam MOLINA sur l'illustrateur et graveur José Guadalupe Posada (1852-1913) et la société de son temps, avec 66 reproductions de gravures de calaveras de José Guadalupe POSADA, "Mexicain au point de faire rire le peuple, avec ses estampes, de sa misère et de l'injustice, voire de la mort", et de M. MANILLA, V.G. GAONA, L. MENDEZ et A.ZALCE; bibliographie. Français