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réf. 1528370082.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1016197578.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2091202133300668Kyoto University Academic Press N.A. Soft Cover. Fine. Number of pages: 478 10p Size: 20cm Kyoto University Academic Press paperback
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réf. 1332993109.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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réf. 1017652015.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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1966réf. 51705Indianapolis: Bobbs-Merrill 1966. Alternate Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Open tear to jacket crown at front panel with creasing. Rubbing to edges of boards.; 8vo 8" - 9" tall. Bobbs-Merrill hardcover
réf. 68181254-20Palgrave Macmillan. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Palgrave Macmillan unknown
réf. 0267383800.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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réf. 1165188228.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
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2010Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism. ; 254 pages
1937réf. 445467New York: Random House 1937. Hardcover. Very Good. Reprint. Volume two only of two. Thick octavo. 939pp. Translated in English by B. Jowett. Introduction by Professor Raphael Demos. Pages lightly age-toned corners lightly bumped very good lacking the dustwrapper. Random House hardcover books
1937réf. 302667New York: Random House 1937. Hardcover. Very Good. Reprint. Volume two only of two. 939pp. Translated in English by B. Jowett. Introduction by Professor Raphael Demos. Random House hardcover books
