réf. 1018118349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1018114130.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2186696Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186693Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186694Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186695Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1910réf. 465799Paris: Edm. Richardin 1910. No dust jacket. Hardcover. Number 73 of a limited print run - number is stamped on reverse of fourth FEP. Text is in French. Very worn faded and dirty boards. Some foxing on boards. Front board is warped. Spine plate is very worn and creased. Part of foot of spine plate is missing. Hardcover spine ends are bumped. Leading corners are worn; lower front leading corner is split. Two or three marks on page block. Two chips on upper edge of front pastedown. Some fading on first FEP. Initials of former owner are penned on second FEP. Minor foxing at a few points. Binding appears intact. Text and illustrations are clear. AF. Hardcover. Acceptable. Used. Edm. Richardin Hardcover
réf. 1934543616.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009réf. DADAX1934543616Hollywood Comics 2009-11-27. Illustrated. paperback. New. 6.00x1.26x9.00. Buy with confidence. Excellent Customer Service & Return policy. Hollywood Comics paperback
réf. 1024111229.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 50481451like new. unknown
réf. 1026046769.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1014196639.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1017022356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1919réf. 13329Milano: Casa Editrice Sonzogno Stab. Grafico Matarelli SD 1919ca. Lievi segni del tempo sulla legatura conservato il solo piatto anteriore della brossura che racchiudeva le dispense. Non presente la carta geografica ripiegata segnalata in altre edizioni ma in questa non prevista stando ad ICCU. Legatura in tela con brossura illustrata applicata sul piatto anteriore cm 23 x 17.5 pp 804 450 illustrazioni in nero. Lievi segni del tempo sulla legatura conservato il solo piatto anteriore della brossura che racchiudeva le dispense. Non presente la carta geografica ripiegata segnalata in altre edizioni ma in questa non prevista stando ad ICCU. Fantasioso romanzo scritto e illustrato da Albert Robida visionario nelle sue anticipazioni del futuro come in questa rocambolesca narrazione d’avventura affine a quelle del celebre connazionale Jules Verne omaggiato fin dal titolo. L’edizione originale francese apparve nel 1879 in cinque parti Le Roi des singes Le Tour du monde en plus de 80 jours Les Quatre Reines À la recherche de l’éléphant blanc S. Exc. M. le Gouverneur du Pole Nord raccolte in volume unico nel 1882; la prima edizione italiana per Sonzogno nel 1884 fu come le successive dell'opera completa. Qui raccolta l'edizione a dispense che l'editore pubblicò attorno al 1919 con le 450 illustrazioni di Robida in nero nel testo o a piena pagina. Casa Editrice Sonzogno (Stab. Grafico Matarelli) hardcover
réf. 2012633412.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0332784711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1928réf. 7855Paris: Henri Laurens 1928 Bumped corners. ; Book is in excellent condition - exception noted. Bright gilt and color on front cover. Top edge gilt. Tight binding and clean unmarked interior. 8 colored illustrations and numerous black & white by noted artist Robida who was a French illustrator etcher lithographer caricaturist and novelist. Text is in French. Would make a wonderful gift. ; 4to 11" - 13" tall; 128 pages. Hardcover. Very Good. Henri Laurens hardcover
1909réf. 44985Paris: Boivin. Very Good with no dust jacket. 1909. Hardcover. Publisher's oversized gilt-titled pictorial cloth. All edges gilt. Corner/edge wear slight soil to cloth. 80 2pp. Full page color illustrations. Pages lightly toned. ; Folio 13" - 23" tall . Boivin hardcover
1909réf. 19877Paris: Boivin & Cie. Very Good with no dust jacket. 1909. First Edition; First Printing. Hardcover. Folio 13" - 23" tall; 80 pages; Full page color illustrations throughout. Very light rubbing and wear to the covers. . Boivin & Cie hardcover
1909réf. 6544Paris: Ancienne Librairie Furne/Boivin & Cie Editeurs 1909. First Edition Thus. Hardcover. Near Fine. No DJ as Issued. First Edition Thus. Hardcover. Part of the series "Collection d'Albums Historiques". Text in French. 38 full page plates including double page. A very handsome copy. Light shelf/edge wear touch of gilt toning at spine else tight bright and unmarred. Teal cloth boards gilt and black ink lettering gilt and full color pictorial elements blue paper endpages chromolitho textblock on tabs aeg. Small fo. 80pp. Illus. color plates. Index of Plates. Ancienne Librairie Furne/Boivin & Cie, Editeurs hardcover
1909réf. Lopes023Lush lovely elaborate pictorial biography of François I / Francis of Orléans / Francis I of France 1515-1547 see Wikipedia for biography. At head of title: A. Robida et G. Gustave Toudouze. series: Collection d'Albums Historiques "Format grand in-4o Illustré d'Aquarelles en Chromotypogravure." Full-page color illustrations throughout by Albert Robida. Hardcover. 3 preliminary leaves 80 pages including two double-page and 36 full-page color illustrations 2 pages at end: "Table des Gravures". 37.5 x 30 cm. Ink inscription on first flyleaf: "Francis Budlong from Morris Gallagher Feb. 14 1913". Small Brentano's of New York label inside rear cover. Color pictorial front cover all edges gilt; hinges beginning to crack but sturdy; Good. Stock#Lopes023/h. Ancienne Librairie Furne. Boivin & Cie Éditeurs. hardcover
1895réf. 32791Paris: Libraries-Imprimeries Réunuies 1895. First edition. Albert Robida. 2 preliminary leaves iv 230 pages 1 leaf illustrations color plates facsimiles in colors. 30 cm. Bound by Jill Oriane Tarlau signed on front turn-in dark green Oasis goat skin with onlays of various colors gilt and blind tooling rough-gilt edges brocade endsheets wrappers preserved chemise and slipcase. Fine condition. Libraries-Imprimeries Réunuies unknown
1895réf. 002873Paris: Librairies-Imprimeries Reunies 1895 Bound in three quarter grained leather with raised bands over salmon colored cloth 230 pp with numerous illustrations. This copy with wear at extremities missing the top quarter of the spine and the front board is detached. Contents are very good. This is #163/1000. Bound by Brentanos of New York Librairies-Imprimeries Reunies hardcover
1895réf. 1298Paris: Ancienne Maison Quantin Librairies-Imprimeries Reunis 1895. First printing. LIMITED FRENCH EDITION SUMPTUOUS COLLECTION OF STORIES ILLUSTRATED WITH ORIGINAL ETCHINGS LITHOGRAPHS AND PHOTOGRAVURES INCLUDES "THE END OF BOOKS"--PREDICTING TODAY'S eBOOKS AND AUDIOBOOKS. 12 inches tall hardcover 3/4 green pebbled leather binding gilt rules marbled paper covered boards decorative gilt title to spine marbled endpapers 2x2.5 inch photographic bookplate to front free endpaper "Ex. Lib. E. C. 1895" original art deco color lithographed paper covers by Auriol bound in title page with hand colored vignette by Robida and facing limitation notice volume 467 of 1000 printed on Japanese vellum iv 230 pp colophon printed on presses of the former Quantin Paris November 27 1894. 17 plates comprising 2 original etchings by Robida and 15 photogravures or lithographs including 4 handcolored 170 figures in text. Wear to cover edges and corners binding tight light browning to pages text and plates unmarked bright and clean with tissue guards intact. Very good in custom archival mylar cover. CONTENTS: Un Almanach des Muses de 1789; L'Heritage Sigismond; Le Bibliothecaire van der Boecken de Rotterdam; Un Roman de chevalerie franco-japonais; Les Romantiques inconnus; Le Carnet de notes de Napoleon 1er; La Fin des Livres; Poudriere et bibliotheque; L'Enfer du chevalier de Kerhany; Les Estrennes du poete Scarron; Histoires de Momies recits authentiques. OCTAVE UZANNE 181-1931 was a 19th-century French bibliophile writer publisher and journalist. He founded the Société des Bibliophiles Contemporaines of which he was president. In the early 1890s Uzanne was considered to be ". the best authority that book lovers know on subjects specially interesting to book lovers". In contrast to most bibliophiles of his time Uzanne was chiefly interested in the creation of new luxurious bibliophile works collaborating closely with printers binders typographers and artists especially the Symbolists and early Art Nouveau artists. Among them were such painters as James McNeill Whistler Adolphe Lalauze and Jules Barbey d'Aurevilly. Uzanne's bibliophile activity in the early 1880s coincided with the gradual abandonment of manual methods of printing illustrations kin favour of photomechanized methods. As a journalist sometimes employing the pseudonym "la Cagoule" Uzanne wrote for L'Écho de Paris Le Gaulois and other newspapers. In addition for other French and foreign magazines like The Studio Magazine of Art and Scribner's Magazine for which he wrote in 1894 an article "The End of Books" which he thought would come because of the rise of phonography where he predicted the rise of radio and television. The original illustrated La fin des Livres is included in Contes des Bibliophiles offered here. Uzanne was fascinated by modern technology and the possibilities it offered for the reproduction and dissemination of words sounds and images which was evidenced not only in that article or in his groundbreaking work in book publishing but also in an article he wrote in 1893 for the French newspaper Le Figaro about a visit he made to US President Grover Cleveland and the inventor Thomas Edison during the EXPO Chicago 1893 where he witnessed the Kinetograph shortly before it went public. Contes Pour les Bibliophiles offered here was translated into English as Tales for bibliophiles Chicago The Caxton Club 1929. ALBERT ROBIDA 1848-1926 was a French illustrator etcher lithographer caricaturist and novelist. He edited and published La Caricature magazine for 12 years. Through the 1880s he wrote an acclaimed trilogy of futuristic novels. These works drew comparison with Jules Verne. Unlike Verne he proposed inventions integrated into everyday life not creations of mad scientists and he imagined the social developments that arose from them often with accuracy: social advancement of women mass tourism pollution etc. His La Guerre au vingtième siècle describes modern warfare with robotic missiles and poison gas. His Téléphonoscope was a flat screen television display that delivered the latest news 24-hours a day the latest plays courses and teleconferences. GEORGE AURIOL 1863-1938 was a French poet songwriter graphic designer type designer and Art Nouveau artist. He worked in many media and created illustrations for the covers of magazines books and sheet music. Ancienne Maison Quantin, Librairies-Imprimeries Reunis hardcover