852 résultats
1935réf. 66287Paris, Les Pharmaciens bibliophiles, 1935. 4°. Mit 37 radierten Vignetten u. 18 radierten Tafeln von Raoul Serres nach Albert Guillaume. 302 S., 2 Bll., Roter HMaroquin-Bd. d. Zt. m. farb. intarsierter Rückenillustration, goldgepr. Rückentitel, Kopfgoldschnitt, marmor. Vorsätzen u. dem eingeb. OUmschlag (sign. ?Trinckvel?).
Paris, La Table Ronde, 1964. In-8, cartonnage éditeur, couverture illustrée (Toulouse Lautrec), 525 pp.
Paris, Les Quatre Jeudis, Les Maitres de l'humour, 1954. In-8, broché, couverture illustrée en couleurs, 257 pp. Dessins en noir hors-texte. Bel exemplaire.
Paris, La Table Ronde, 1964. In-8, cartonnage éditeur, couverture illustrée (Capiello), 604 pp.
Paris, Librairie Paul Ollendorff, 1906. In-12; [VIII] (fx titre, titre, dédicace, préface)-284 pp. Demi-basane havane, dos à nerfs, pièce de titre chagrin rouge, couvertures impr. conservées. Neuvième édition. (L'édition originale est parue en 1894).
Paris, non daté [1901-1902.]. Fort in-4, reliure éditeur demi-chagrin bordeaux, non paginé. (10 pages environ par revue du N° 1 à 29 et ensuite pour la Nouvelle série 20 pp) Cet album contient le N° 1 jusqu'au n° 29 (manque le n° 28) et ensuite les N° de La Nouvelle série du N° 30 au N° 40. Soit 39 numéros. Ecrivains ayant publié dans la revue : Alphonse Allais, (N°10 : Une bonne maison. N° Macédoine. N°17 : Une innovation à laquelle tout le monde applaudira. N° 21 : La malheureuse prononciation. N° 27 : La Science et la Religion - enfin - marchent main dans la main. Etc.)- Jean Lorrain, Tristan Bernard, Maurice Donnay, Jules Clarétie, Félix Galipaux, Charles Quinel, Marcel Prévost, Tené Maizeroy, Xanroff, G. Courteline, Yvette Guilbert, Henri Lavedan, Alfred Capus, etc, etc...La majorité des photographies n'est pas attribuée, mais pour les grandes compositions photographiques : E. Lagrange Notes : Revue paraissant à la suite de La Grande Vie en 1901. Image et texte monochrome, noir, brun, violet ou bleu. Gérant du n° 1: Henri Chevallier. Gérant des autres numéros : E. Le Barbier. Grandes compositions photographiques attribuées à A. [sic] Lagrange, fréquemment cité comme le photographe dans les romans parus chez Nilsson/Per Lamm (sous le nom « E. Lagrange »). A partir du N° 30 la couverture est illustrée en couleurs, ce numéro est consacré à La Vie au Cirque (18 pages). Très nombreuses publicités dans chaque revue, planches dans et hors-texte et certaines sur double-page en couleurs (Morin Au bois de Boulogne). Un seul numéro ne possède pas sa première de couverture, n° 31 (Les Boulevards Parisiens). Bel état intérieur mais fente sur un mors de la reliure.
Paris, Félix Juven, 1902. In-12, demi-chagrin rouge, dos à 5 nerfs, 283 pp. Rare édition originale sans grand papier. (Dans la bibliographie des auteurs modernes (1801-1927) de Talvart et Place il est noté - Le Captain Cap. La Renaissance du livre, 1913. Edition originale.)
Marchisio, Lodovico Guida ai Parchi di Torino e dintorni. Grugliasco (Torino), Edizioni Arti Grafiche San Rocco (Via Carlo Del Prete, 13) 1994 italian, in ottavo pp. 128 I ed.: Aprile 1994 (aggiornato al 28/2/1994). VIII/128/brossura illustrata a colori con risvolti. Illustrazioni a colori e in b/n (con più di 50 fotografie). Fotografie: Lodovico Marchisio, Pierantonio Milone, Walter Marchisio, Claudio Allais, Marcello Calemme, Diego Romar, Ezio Capello. Progetto grafico e copertina: Diego Romar. Stato buono (usura della copertina ai margini - copertina e pagine leggermente brunite).
Paris, La Renaissance du Livre, sd. Collection "In Extenso". Un fascicule de format in 8° de 78 pp, texte sur deux colonnes. Couverture de Capy. Couverture légèrement piquée. Edifiantes recettes de cocktail sur les deux dernières pages. Edition Originale.
Un volume de format in 8° de 190 pp.; reliure cartonnée blanche de l'éditeur; jaquette illustrée. Parfait état. Voir photo.
Mm 190x260 Brossura editoriale di pp. 119, con illustrazioni in bianco e nero, in lingua francese, in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Alphonse Allais Un dramma davvero parigino e altri racconti. , Editori Riuniti - Albatros 1987-01-01, Copertina originale leggermente scolorita. Sovraccoperts ingiallita, segnata dal tempo.Tagli bruniti. Pagine ingiallite, alcune con segni di pieghe ma complessivamente in buono stato. Buono (Good) . Copertina rigida 318 8835931266
1947réf. 16078Paris: Imprimerie National 1947. First edition of Allais' groundbreaking work. Octavo 2 volumes original wrappers as issued. Inscribed by Maurice Allais on the title page of volume one. From the library of fellow Nobel Prize-winning economist Kenneth Arrow with his name in each volume. In near fine condition with light shelfwear minor mending to the first few pages of volume one. A nice association linking these two Nobel Prize winning-economists and giants of twentieth century economics. In Economie & Interet Maurice Allais introduced the first overlapping generations model later popularized by Paul Samuelson in 1958 introduced the golden rule of optimal growth later popularized by Edmund Phelps or described the transaction demand for money rule later found in William Baumol's work. In 1988 Maurice Allais became the first French citizen to receive the Nobel Prize in economics. He won it for his contribution to the understanding of market behavior and the efficient use of resources. Allais also showed that his insights could be applied to help set efficient prices for state-owned monopolies of which France had many. Allais's work paralleled and sometimes preceded similar work done by English-speaking economists Sir John Hicks and Paul Samuelson. He also proved a result in growth theory in 1947 that had been credited to Edmund Phelps. Allais did not get credit as early as his English counterparts because his work was in French. "Had Allais' earliest writings been in English" commented Paul Samuelson "a generation of economic theory would have taken a different course. Imprimerie National unknown books
1971réf. 265157New York: Albondocani Press 1971. First edition copy 69 of 300 numbered and signed by the illustrator. 36 pp. illustrated by Edward Gorey. 1 vols. 5 x 6 inches. Yellow paper wrappers text printed on yellow paper. Faint rubbing to edges of the wrappers otherwise fine. First edition copy 69 of 300 numbered and signed by the illustrator. 36 pp. illustrated by Edward Gorey. 1 vols. 5 x 6 inches. Publisher's promotional postcard laid in. Albondocani Press unknown books
1971réf. 100842New York: Albondocani Press 1971. First edition. Stapled wrappers. A fine as new copy. Prospectus for the edition laid in. One of 300 numbered copies Signed by Gorey. Albondocani Press unknown books
1961réf. 25119Lyon: Cinématographiques. Very Good. 1961. First Edition. Softcover. lightly worn slight bump to bottom corner of rear cover Premier Plan 16 Series B&W photographs An account of Welles's filmmaking career to date that date of course being including bibliography and filmography. Also included are script extracts from CITIZEN KANE and THE MAGNIFICENT AMBERSONS and a concluding essay by Andre Bazin. All text is in French. . Cinématographiques) paperback books
1806réf. SAVLD129Paris: Detournelle & J. Charles 1806. Hardcover. Very Good. Elephant folio 500 x 340mm. Collation complete: 120 plates of French Architecture and plans including the Arc de Triomphe Place de la Concorde and other famous Academy projects. With woodcut vignette of cornucopia and muse on title-page table generale listing architectural designs and copper engraved title-page listing academy members. Three-quarter calf-backed over tree-design boards; scattered marginal foxing. Late 19th-century armorial bookplate of Hoffmann Josef Franz Maria Hoffmann on front pastedown. Hoffmann 1870-1956 was an influential Austrian architect who won the Rome Prize in 1895. Known for his contributions to the arts and crafts movement Hoffmann also designed rooms for the Paris Expositions Universelle in 1900. Second series of this magnificent collection of the 1806 Projets dArchitecture 120 fine French Academy competition plates by Allais Detournelle and Vaudoyer which followed a previous publication of Prieur c. 1787-1801 originally issued in 20 cahiers. As these Grands Prix engravings show Academy neoclassicists revived eclectic motifs from antiquity with their prominent use of obelisks pyramids and blank walls in their design. Egpytianizing forms were becoming part of the landscape of Parisian architecture and were used to achieve a solemn appearance; this style was fascinating to young Academics who still wanted to maintain regal tradition. Notably the Grands Prix drawings contain the Chapelle Sepulchrale by la Barre which demonstrated many of these Egyptian design elements including Pantheon-domes pyramids sphinxes and sarcophagi. This fine production of accomplished watercolors was primarily meant for the education of young Academics in this successful architectural style. Many plates include the scale given in French toises or metres. It continued the Collection des Prix 1787-1801 and was continued as the Grands Prix dArchitecture in 1818. Second series of this magnificent collection of the 1806 Projets dArchitecture 120 fine French Academy competition plates by Allais Detournelle and Vaudoyer which followed a previous publication of Prieur c. 1787-1801 originally issued in 20 cahiers. As these Grands Prix engravings show Academy neoclassicists revived eclectic motifs from antiquity with their prominent use of obelisks pyramids and blank walls in their design. Egpytianizing forms were becoming part of the landscape of Parisian architecture and were used to achieve a solemn appearance; this style was fascinating to young Academics who still wanted to maintain regal tradition. Notably the Grands Prix drawings contain the Chapelle Sepulchrale by la Barre which demonstrated many of these Egyptian design elements including Pantheon-domes pyramids sphinxes and sarcophagi. This fine production of accomplished watercolors was primarily meant for the education of young Academics in this successful architectural style. Many plates include the scale given in French toises or metres. It continued the Collection des Prix 1787-1801 and was continued as the Grands Prix dArchitecture in 1818. Detournelle & J. Charles hardcover books
1946réf. 18240Paris: Editions Fournier 1946. Paperback. Orig. printed tan wrappers over boards. Fine in nicked portofolio with stains to backstrip. Hallo Charles. 174 pages. 22 1/2 x 17. Original colored wood engravings by Charles Hallo. Limited edition copy 561 of 900. Preface by Sacha Guitry. Fresh bright copy. Editions Fournier paperback books
1992réf. 241996Roma: Stampa alternativa 1992. 14p. staplebound booklet very good. Text in Italian. Millelire. Stampa alternativa unknown books
1964réf. WRCLIT52763Paris: Editions Bellenand 1964. Pictorial wrappers. Illustrations by Sempé. First edition ordinary issue. One of 2925 numbered copies on vélin bouffant from a total edition of 2950 copies issued in the series LES MAITRES DE L'HUMOUR. White wrappers lightly dust soiled else very good unopened. Editions Bellenand unknown books
1976réf. mon0000508685Chatto & Windus 1976-11-01. Hardcover. Good. 2.1983 in x 21.1839 in x 14.1892 in. Ex-Library copy. Chatto & Windus hardcover
2026réf. __3035628416Birkhäuser 2026. perfect. New. 256 pages. 9.45x2.00x6.69 inches. Birkhäuser unknown
réf. 49982136-20BRILL. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. BRILL unknown
réf. DADAX0198747136OXFORD UNIVERSITY PRESS 2015-11-03. hardcover. New. 9.22x6.15x0.82. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
2010réf. DADAX1170653049Gale Ecco Print Editions 2010-05-29. paperback. New. 7.44x0.92x9.69. Buy with confidence. Excellent Customer Service & Return policy. Gale Ecco, Print Editions paperback