929 résultats
1995réf. x-0792325788Kluwer Academic Pub 1995. Hardcover. New. 371 pages. 10.00x6.75x1.25 inches. Kluwer Academic Pub hardcover
2016réf. 1-3330020784LAP LAMBERT Academic Publishing 2016. Paperback. New. 80 pages. 8.66x5.91x0.19 inches. LAP LAMBERT Academic Publishing paperback
2024réf. x-0226826201Univ of Chicago Pr 2024. Hardcover. New. 592 pages. 9.00x6.00x9.00 inches. Univ of Chicago Pr hardcover
2023réf. x-1529224632Bristol Univ Pr 2023. Paperback. New. 208 pages. 9.21x6.14x0.49 inches. Bristol Univ Pr paperback
1680réf. 16107Paris 1680. Folio. chez l'auteur Contemporary calf gold-tooled spine with title in second compartment marbled paste-downs. With large woodcut vignette of a flower basket on the letterpress title page a woodcut headpiece 2 woodcut decorative initials decorations built up from cast arabesque fleurons an engraved calligraphic title page and 22 of 23 engraved leaves with calligraphic writing samples and illustrations all engraved by Louis Senault. Lacking 1 engraved leaf without writing samples. 4 12 pp. plus 23 of 24 engr. ll. First edition of a very elaborate basic writing course and copy book minutely explaining the composition of the various calligraphic hands françoises bâtardes financieres as well as pen decorations and drawings. The engraved title-page reads "L'art d'écrire ou Le moyen d'exceler en cet art sans maistre" suggesting a break with the ancient tradition of learning by apprenticeship or under a school master. The writing examples include numerous exercises of single letters and many alphabets. It also includes illustrations of posture at the writing table the way to hold the pen and nibs with the angle of cutting and of the nib to the paper. Instructions are often added as well engraved in a small neat hand and attention is given to the lay-out of a manuscript. The course was designed by Jean Baptiste Allais dit le Beaulieu and engraved by Louis Senault who was a leading writing master in his own right and therefore ideally suited to engrave his colleague's writing book. At this date the pointed pen was replacing the broad-nibbed pen and one of the illustrations present here shows the nib of a pointed pen with the split tip spread open. Some copies were issued with only 4 letterpress leaves quire A and many copies are missing letterpress leaves or plates. With several calligraphic exercises by owners on the endpapers one with "Fait par moy René Brisson" another "fait par moy Bernard le Brot . a Paris" and a calligraphic title signed "Guerbois fils".Lacking the leaf on cutting the pen which included no writing samples but otherwise a good copy with one decorative flourish on the title-page shaved and some spots and stains. The binding is worn with some cut marks and scrapes and 3 small parts of the backstrip have been restored with gold-tooling. A rare attractive and detailed 17th-century French writing book in a contemporary binding.l Becker Practice of letters 91 without pi1-2 B1-2; Berlin Kat. 5117 lacking pi1-2 A1; Muller Cat. Calligr. 1 22 ll.; Marzoli 56; not in Ekström Coll. unknown
2020réf. x-0198859910Oxford Univ Pr 2020. Hardcover. New. 258 pages. 9.25x6.25x0.75 inches. Oxford Univ Pr hardcover
1947réf. 126465Paris: Imprimerie Nationale 1947. On the "golden rule of accumulation"; in the original wrappers First edition. Economie et Intérêt is Allais's second major publication a massive work on capital and interest which has formed the basis for the so-called "golden rule of accumulation". This states that to maximise real income the optimum rate of interest should equal the growth rate of the economy. Allais did not publish in English until late in his career and as a result was slow to receive the international recognition that was his due. 2 vols octavo. Original printed paper wrappers. Shelf marks to lower spines and front covers hand written in ink. Spines creased with very minor loss to ends wrappers toned with the occasional chip. Vol. 1: wrapper partly separated along inner hinge at head of spine. Vol. 2: two ink marks to front pastedown and facing endpaper some creasing to lower corners of text block. Overall a very good set. unknown
1680réf. 88O9NF01U79OParis: chez l'auteur 1680. Disbound sewn on top. Folio. With large woodcut vignette of a flower basket on letterpress title-page a woodcut headpiece a woodcut decorative initials an engraved calligraphic title-page and 18 of 23 engraved leaves with calligraphic writing samples and illustrations all engraved by Louis Senault. First edition of a very elaborate basic writing course and copy book minutely explaining the composition of the various calligraphic hands franoises btardes financieres as well as pen decorations and drawings. The engraved title-page reads "L'art d'crire ou Le moyen d'exceler en cet art sans maistre" suggesting a break with the ancient tradition of learning by apprenticeship or under a school master and spells the author's name "Allais" while the letterpress title-page spells it "Alais". The course was designed by Jean Baptiste Allais dit le Beaulieu and engraved by Louis Senault who was a leading writing master in his own right and therefore ideally suited to engrave his colleague's writing book. Some copies were issued with 12 letterpress leaves and many copies are missing letterpress leaves or plates.Lacking five engraved leaves and browned along the edges.l Becker Practice of letters 91; Berlin Kat. 5117; Muller Cat. Calligr. 1; Marzoli 56. chez l'auteur, unknown
1947réf. 16078Paris: Imprimerie National 1947. First edition of Allais' groundbreaking work. Octavo 2 volumes original wrappers as issued. Inscribed by Maurice Allais on the title page of volume one. From the library of fellow Nobel Prize-winning economist Kenneth Arrow with his name in each volume. In near fine condition with light shelfwear minor mending to the first few pages of volume one. A nice association linking these two Nobel Prize winning-economists and giants of twentieth century economics. In Économie & Intérêt Maurice Allais introduced the first overlapping generations model later popularized by Paul Samuelson in 1958 introduced the golden rule of optimal growth later popularized by Edmund Phelps or described the transaction demand for money rule later found in William Baumol's work. In 1988 Maurice Allais became the first French citizen to receive the Nobel Prize in economics. He won it for his contribution to the understanding of market behavior and the efficient use of resources. Allais also showed that his insights could be applied to help set efficient prices for state-owned monopolies of which France had many. Allais’s work paralleled and sometimes preceded similar work done by English-speaking economists Sir John Hicks and Paul Samuelson. He also proved a result in growth theory in 1947 that had been credited to Edmund Phelps. Allais did not get credit as early as his English counterparts because his work was in French. “Had Allais’ earliest writings been in English” commented Paul Samuelson “a generation of economic theory would have taken a different course.” Imprimerie National unknown
2026réf. __3035628416Birkhäuser 2026. perfect. New. 256 pages. 9.45x2.00x6.69 inches. Birkhäuser unknown
réf. ria9780226840079_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1959réf. 99461Lyon 1959 - 1960. BUACHE Freddy. - MARDORE. - GUYON François D. - DELAHAYE Michel. - COLPI Henri. - KAST Pierre. - ALLAIS Jean-Claude. - LE BOLZER Guy. - CURTELIN Jean. - BORDE Raymond. - GAUTIER Henri. - RENZI Renzo.Premier Plan. Hommes oeuvres problèmes du cinéma. Nos. 1 - 12. Sept. n.° 1 1959 Georges Franju. - Oct. n.° 2 1959 Roger Vadim. - Nov. n.° 3 1959 Ingmar Bergman. - Dec. n.° 4 1959 Hiroshima Resnais. - N.° 5 Jean Crémillon. - N.° 6 John Huston. - N.° 7 Alfred Hitchcock. - N.° 8 Gérard Philippe. - N.° 9 nouvelle vague I. Marée Montante. - N.° 10 nouvelle vague II. Cinéma d’aujourd’hui. - N.° 11 jazz et cinéma. - N.° 12 Federico Fellini. Lyon 1959 - 1960 215x135mm photos n/b relié pleine toile noir. Etiquette de titre imprimé au dos. Couvertures conservées. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance unknown
1809réf. 23431Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 70 x 51.50 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes Imprimerie Impériale unknown
réf. 49982136-20BRILL. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. BRILL unknown
réf. 55085499-6BRILL. Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. BRILL unknown
1989réf. 100145657Pug 1989. proche du très bon état intérieur propre bonne tenue. in8. 1989. Broché. 716 pages. Pug unknown
1992réf. 100145681Clément Juglar 1992. Très bon état. 381x69x559cm. 1992. Broché. Dans cet essai Maurice Allais prix Nobel d'économie analyse les défauts structurels du projet européen. Il identifie les erreurs et impasses de la construction européenne et propose des pistes de réflexion pour une meilleure intégration notamment en révisant les traités sur les institutions l'union économique et monétaire et la protection du marché Maurice Allais construction européenne critique européenne union économique monnaie unique traités européens intégration européenne défauts structurels Prix Nobel économie institutions européennes Essai économique Critique politique Construction européenne Analyse institutionnelle Politique monétaire Intégration européenne Clément Juglar unknown
réf. A9780226826202Hardback. New. hardcover
réf. #[71663]Oval portrait of François Jacques Ducellier 1726-1801 a French politician deputy and member of the National Assembly. Aquatint portrait in etched decorative border on hand laid paper sheet size 232 x 174 mm. Engraved by Louis Jean Allais after Jacques Delaplace published in the series 'Collection générale des Portraits de MM. les Députés à l'Assemblée Nationale Constituante tenue à Versailles le 4. Mai 1789'. This series was published by Nicolas-François Le Vachez in 1789. Louis Jean Allais 1762-1833 was a French engraver and printmaker in aquatint. Jacques Delaplace Vernon 1767-after 1831 was a French court painter and miniature portrait painter. In very good condition cropped within platemark. Some faint soiling in the margin edges. A small spot in the border around the portrait. unknown
réf. Z1-F-067-00861Brill. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Brill unknown
1947réf. HAY372801947. Paris Éditions Flèche. broché. Petit manque de 2 cm. en pied du dos ; très fins plis peu visibles en coins du premier plat ; rares et faibles rousseurs en première garde et un tampon en deuxième ; petite et faible tache bleue en garde de fin sinon très bon état. in-4. avec de nombreuses photos techniques en noir et blanc hors texte de Pierre Boucher dont quelques-unes en couleurs ; avec une signature autographe de l'auteur en garde de fin ; sous cellophane bon état. unknown
réf. 54682031like new. unknown
réf. 54682031-nnew. unknown
1885réf. 92462Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 2 mai 1885 31.2 x 45 cm First edition. The issue consists of four pages and includes a caricature titled ""Le jury de Peinture. - Esquisse du tableau de M. Gervex"". Literary contributions by Alphonse Allais with ""La Petite coquette"" Albert Samain with the poem ""Le Sabre"" Georges d'Esparbès with ""L'Avarice"" General Francis Pittié with the poem ""L'Enfant caméléon"" Rosario. A pleasing copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885réf. 92466Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 31 janvier 1885 31.7 x 45.2 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Jules Grévy: ""Une Farce à Yeddo"". Literary contributions by Alphonse Allais with ""Obsession"" Albert Samain with the poem ""Le Fouet"" George Auriol with ""La Famille des Houzelles"" Jean Lorrain with ""Prince héritier"" Germain Nouveau with ""Kathoum"". A pleasing copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
