Robida, AlbertBiblio.com
206 résultats
réf. 2175490Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1911. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2175493Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1911. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1885réf. 65556Paris: La librairie illustrée 1885. Fine. La librairie illustrée Paris 1885 - 1886 24.50 x 32 cm 2 volumes reliés Illustrated edition by Robida first printing with 49 plates 8 in color 35 in camaieu and 6 in black and numerous text illustrations approximately 600. Publisher's polychrome illustrated boards signed Souze and bound by Engel. Special gilt and blue plate on red ground. Spine similar. Rear board with a half-timbered house in a central roundel and blind angular cornerpieces. Front board of first volume very good that of the second with a 1cm diameter stain and soiling to the upper part of the black border. Lower corners bumped others rubbed. A tear to the spine of the first volume. Headcaps rubbed those at head turned in. Soiling to rear boards. Scattered and unevenly distributed foxing. Some leaves sprung. Despite flaws a handsome copy overall of this rare binding. Robida's masterpiece of illustration with genuine imaginative profusion baroque and delightfully exuberant. La librairie illustrée hardcover
réf. 51904Paris: Librairie Illustrée. Rabelais François between 1483-94 - 1553. Oeuvres de Rabelais. 2 vols. 4 viii 494 2; 4 484pp. 42 plates some in color; text illustrations by Albert Robida 1848-1926. Paris: Librairie Illustrée 1885-86. 313 x 227 mm. Original publisher's binding of red cloth elaborately stamped in blue black and gilt signed "Engel rel." in the binding; slipcase. Slight edgewear hinges a trifle weak traces of bookplate removal on front endpapers of both volumes but a fine example with the covers clean and bright. First Robida Edition. Robida an illustrator and caricaturist provided the artwork for this famous edition of the works of Rabelais including the design for the striking publisher's binding. . Librairie Illustrée unknown
1895réf. 1298Paris: Ancienne Maison Quantin Librairies-Imprimeries Reunis 1895. First printing. LIMITED FRENCH EDITION SUMPTUOUS COLLECTION OF STORIES ILLUSTRATED WITH ORIGINAL ETCHINGS LITHOGRAPHS AND PHOTOGRAVURES INCLUDES "THE END OF BOOKS"--PREDICTING TODAY'S eBOOKS AND AUDIOBOOKS. 12 inches tall hardcover 3/4 green pebbled leather binding gilt rules marbled paper covered boards decorative gilt title to spine marbled endpapers 2x2.5 inch photographic bookplate to front free endpaper "Ex. Lib. E. C. 1895" original art deco color lithographed paper covers by Auriol bound in title page with hand colored vignette by Robida and facing limitation notice volume 467 of 1000 printed on Japanese vellum iv 230 pp colophon printed on presses of the former Quantin Paris November 27 1894. 17 plates comprising 2 original etchings by Robida and 15 photogravures or lithographs including 4 handcolored 170 figures in text. Wear to cover edges and corners binding tight light browning to pages text and plates unmarked bright and clean with tissue guards intact. Very good in custom archival mylar cover. CONTENTS: Un Almanach des Muses de 1789; L'Heritage Sigismond; Le Bibliothecaire van der Boecken de Rotterdam; Un Roman de chevalerie franco-japonais; Les Romantiques inconnus; Le Carnet de notes de Napoleon 1er; La Fin des Livres; Poudriere et bibliotheque; L'Enfer du chevalier de Kerhany; Les Estrennes du poete Scarron; Histoires de Momies recits authentiques. OCTAVE UZANNE 181-1931 was a 19th-century French bibliophile writer publisher and journalist. He founded the Société des Bibliophiles Contemporaines of which he was president. In the early 1890s Uzanne was considered to be ". the best authority that book lovers know on subjects specially interesting to book lovers". In contrast to most bibliophiles of his time Uzanne was chiefly interested in the creation of new luxurious bibliophile works collaborating closely with printers binders typographers and artists especially the Symbolists and early Art Nouveau artists. Among them were such painters as James McNeill Whistler Adolphe Lalauze and Jules Barbey d'Aurevilly. Uzanne's bibliophile activity in the early 1880s coincided with the gradual abandonment of manual methods of printing illustrations kin favour of photomechanized methods. As a journalist sometimes employing the pseudonym "la Cagoule" Uzanne wrote for L'Écho de Paris Le Gaulois and other newspapers. In addition for other French and foreign magazines like The Studio Magazine of Art and Scribner's Magazine for which he wrote in 1894 an article "The End of Books" which he thought would come because of the rise of phonography where he predicted the rise of radio and television. The original illustrated La fin des Livres is included in Contes des Bibliophiles offered here. Uzanne was fascinated by modern technology and the possibilities it offered for the reproduction and dissemination of words sounds and images which was evidenced not only in that article or in his groundbreaking work in book publishing but also in an article he wrote in 1893 for the French newspaper Le Figaro about a visit he made to US President Grover Cleveland and the inventor Thomas Edison during the EXPO Chicago 1893 where he witnessed the Kinetograph shortly before it went public. Contes Pour les Bibliophiles offered here was translated into English as Tales for bibliophiles Chicago The Caxton Club 1929. ALBERT ROBIDA 1848-1926 was a French illustrator etcher lithographer caricaturist and novelist. He edited and published La Caricature magazine for 12 years. Through the 1880s he wrote an acclaimed trilogy of futuristic novels. These works drew comparison with Jules Verne. Unlike Verne he proposed inventions integrated into everyday life not creations of mad scientists and he imagined the social developments that arose from them often with accuracy: social advancement of women mass tourism pollution etc. His La Guerre au vingtième siècle describes modern warfare with robotic missiles and poison gas. His Téléphonoscope was a flat screen television display that delivered the latest news 24-hours a day the latest plays courses and teleconferences. GEORGE AURIOL 1863-1938 was a French poet songwriter graphic designer type designer and Art Nouveau artist. He worked in many media and created illustrations for the covers of magazines books and sheet music. Ancienne Maison Quantin, Librairies-Imprimeries Reunis hardcover
réf. 0428529380.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1895réf. 002280Paris: Libraire Illustree 1895. First . Hardcover. Very Good/No Jacket. Folio. A.Robida. 8 412 with 25 plates eau-forte couleur 8. lithographie with tissue guards and c. 248 illustrations in-text. Original illustrated paper covers front back and spine mounted on sheets at the back. Full vellum gilt titles to spine and dentelles teg marbled eps. A little spotting of prelims and fore edge spine bleached boards dust stained bookplates of Edward Penton and Charles M. Hutt on fpd. Folio Libraire Illustree hardcover
réf. 936473436X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 936473372X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 49443763like new. unknown
réf. 0428069924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1018118349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1018114130.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1912réf. feb10209Librariei Alcalay 1912. Used. 1912; Romanian Edition of PE CLOPOTNITA; For more details please contact me Librariei Alcalay unknown
1890réf. 66271Paris : Charavay - Mantoux - Martin Librairie d’Education de la Jeunesse sans date vers 1890. BROWN A. - ROBIDA A.Perdus dans les sables. Illustré de cinquante illustrations de A. Robida. Paris Charavay - Mantoux - Martin Librairie d’Education de la Jeunesse sans date vers 1890 315x215mm 318 pages cartonnage polychrome de l’éditeur. Bon état. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Charavay - Mantoux - Martin Librairie d’Education de la Jeunesse unknown
réf. 51-4782Paris: Librairie L. Conquet 1897. One sheet printed in 2 colors on Arches 32.5 x 50cm. Unfolded. Short marginal tear. Paris: Librairie L. Conquet, 1897 unknown
réf. 2186696Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186693Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186694Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2186695Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1910réf. 465799Paris: Edm. Richardin 1910. No dust jacket. Hardcover. Number 73 of a limited print run - number is stamped on reverse of fourth FEP. Text is in French. Very worn faded and dirty boards. Some foxing on boards. Front board is warped. Spine plate is very worn and creased. Part of foot of spine plate is missing. Hardcover spine ends are bumped. Leading corners are worn; lower front leading corner is split. Two or three marks on page block. Two chips on upper edge of front pastedown. Some fading on first FEP. Initials of former owner are penned on second FEP. Minor foxing at a few points. Binding appears intact. Text and illustrations are clear. AF. Hardcover. Acceptable. Used. Edm. Richardin Hardcover
1914réf. RobidaXX1914. Print. New. Albert Robida. Etching by Albert Robida on Paper. SIGNED NUMBERED PRINT. Size: 6" x 9" 160mm x 240mm. This is a beautiful etching signed and numbered by the artist #59/120 and signed lower left. The image depicts the 254th Territorial Regiment marching through Compeigne in August 1914. Signed by the artist Albert Robida 1848 - 1926. unknown
réf. 7719282-nnew. unknown
réf. 7719282like new. unknown
réf. 6101653389HollywoodComics.com LLC . Papeback. New. pp. 564 HollywoodComics.com, LLC unknown
