4,761 results
ref. 14453Edition de 1927.
1960ref. 201735Paris: Editions Garnier Freras 1960. Very Good. Illus. Ed. Very good. Browning of the cover. Stain on corner of pages. Shelf rubbing to cover. Former owner's name inside. Written in French. Editions Garnier Freras unknown books
1950ref. 116528New York: New Directions 1950. Hardcover. Good. Good hardcover. Translated by Louise Varese. Smudge on bottom corners of pages. Light yellow from age. Clean text. Spine faded. Edges of spine lightly bumped. Solid book. New Directions hardcover books
1981ref. 135094PA: Franklin Library 1981. Hardcover. Fine. Later. Illustrated by John Paul Quint. Fine. A very nice clean copy. Gold edging on pages. Franklin Library hardcover books
1970ref. 133625New York: Orion 1970. Hardcover. Fine/Very Good. First edition. Fine in very good plus dust jacket. Orion hardcover books
1945ref. 709888Murray UT: Pharos. 1945. Publication. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Pharos paperback books
1955ref. 468108New York: The Heritage Press 1955. Hardcover. Near Fine. Reprint. Translated by Lady Mary Loyd. Revised by Robert Cantwell. Preface by Honoré De Balzac. Illustrated by Rafaello Busoni. Small quarto. Spine lightly toned near fine in a very good modestly soiled slipcase with small chips and tears. Laid in is a pamphlet for "The Heritage Club: Sandglass. Number XV: 20 The Heritage Press hardcover books
1980ref. 015106Norwalk Connecticut: The Easton Press 1980. All edges gilt. Covers and spine decorated in gilt. Silk bookmark. Illustrated by Rafaello Busoni. From the Easton series "The 100 Greatest Books Ever Wrotten". First published in 1830. The author lived from 1783-1842.450pp. Collector's Edition. Full Burgundy Leather. Fine/No Dust Jacket. Super Royal Octavo. The Easton Press Hardcover books
1943ref. 456407New York: Liveright Publishing Corp 1943. Hardcover. Very Good. Black and gold edition. Two volumes in one. Translated by C.K. Scott-Moncrieff. Gutter before title cracked spine and edges sunned spine cocked very good lacking the dust jacket. Liveright Publishing Corp hardcover books
1997ref. 272188New York: HarperCollins 1997. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Illustrated with black and white photographs. HarperCollins hardcover books
1985ref. 586739London and New York: John Calder/Riverrun Press 1985. Softcover. Very Good/Very Good. Second edition. Translated and annotated by Richard N. Coe. 566pp. Pictorial wrappers. Margins lightly toned modest rubbing and edgewear very good in a very good dust jacket with sticker remnants on the rear panel a few small creases and a tiny tear. John Calder/Riverrun Press unknown books
1957ref. 202557Maryland: Penguin Books 1957. Very Good. Reprint. Very good. Penguin Books unknown books
1957ref. 427614Harmondsworth: Penguin Books 1957. Softcover. Very Good. Reprint. Mass market paperback. Translated with an introduction by Margaret R.B. Shaw. Age-toned pages with a few chips on the spine ends very good. Penguin Classics number #L30. A historical psychological novel. Penguin Books unknown books
1972ref. 51637NY:: Grossman Publishers. Very Good in Very Good dust jacket. 1972. Hardcover. 0670364177 . Translated from the French introduced and edited by Richard N. Coe. First edition thus. Previous owner's name on front free endpaper else very good in a very good dust jacket. . Grossman Publishers, hardcover books
1952ref. 108405NY:: New Directions. Good in Good dust jacket. 1952. Hardcover. Number 23 in The Direction Series. Translated from the French and introduced by T. W. Earp. First edition thus. Light staining on fore and bottom edges else good in a good moderate to heavy rubbing fading along the spine a few small chips dust jacket with $1.50 price on front flap. Dust jacket design by Alvin Lustig. . New Directions, hardcover books
1959ref. 92493NY:: Grove Press. Very Good in Very Good dust jacket. 1959. Hardcover. B0000CKBIN . With translations of other critical writings. Edited and with an introduction by Geoffrey Strickland. First edition thus. Previous owner's name blacked out on front free endpaper else very good in a very good minor edge wear with tape repairs on verso dust jacket. . Grove Press, hardcover books
1958ref. ABE-992941902836 PAGES FORMAT 30X42-ANNIE GIRARDOT EN UNE,PHOTO DALMAS-ECONOMIE "IL N'Y A PAS DE RECESSION",2P PAR MICHEL BOSQUET,2 PHOTOS-A QUOI SERT UN DEPUTE?,1P PAR PIERRE MENDES FRANCE-CINEMA,"LES GRANDES FAMILLES",PHOTO JEAN GABIN-COULISSES,UN METTEUR EN SCENE FATIGANT,LUCHINO VISCONTI,PHOTO-ENQUETE,REPONSES A ANDRE CAYATTE,2P,PHOTO-ROMANS FRANCAIS,LES HEURES QUI RESTENT DE BORIS SCHREIBER,CRITIQUE PAR MADELEINE CHAPSAL,PHOTO BS-"LA LEZARDE" PAR EDOUARD GLISSAN,PHOTO,CRITIQUE PAR CLAUDE EDMONDE MAGNY-"LES BRAISES" DE SANDOR MARAI,PHOTO,CRITIQUE PAR BERNARD PINGAUD-STENDHAL OU L'HOMME ROMANCIER,1P PAR MICHEL ZERAFFA,PORTRAIT-
1954ref. ABE-172228475802510 PAGES-43 CM X 60 CM-EN UNE: 10 RAISONS DE SIGNER CONTRE LES ACCORDS DE LONDRES ET DE PARIS-TENTATIVE DE SUICIDE MAIS LE RIDICULE NE TUANT PLUS M. ET MME LAZAREFF DE "FRANCE-SOIR" AUTEURS DE "L'URSS A L'HEURE MALENKOV" SONT TOUJOURS VIVANTS, PHOTO-GERARD PHILIPE LE COMEDIEN LE PLUS STENDHALIEN DU MONDE, PHOTO GERARD PHILIPE ET DANIELE DARRIEUX 13,5 CM X 28,5 CM-DESSIN DE MITELBERG (TIM), - UN PETIT FOUR, CHER AMI?, ADENAUER-P2: HENRI MATISSE UN DES PLUS GRANDS PEINTRES DU MONDE, DESSIN-P3: VOICI COMMENT S'ECRIRAIT L'HISTOIRE SI LES ACCORDS DE LONDRES ET DE PARIS ETAIENT RATIFIES, 2 TIERS DE PAGE, 2 PHOTOS-P4: DOMINIQUE DESANTI VOUS RACONTE UNE HISTOIRE VRAIE: JE NE SUIS PAS CHARLOT MAIS JE VIS "LES TEMPS MODERNES", 1/3 PAGE, PHOTO-P5: L'URSS A L'HEURE LAZAREFF, PAR ROGER GARAUDY, 1 PAGE, 2 PHOTOS, 3 DESSINS-P7: LE ROUGE ET LE NOIR DE STENDHAL, 1 PAGE, 2 PHOTOS (MEDAILLE-SCENE DU FILM DE CLAUDE AUTANT-LARA), 18 CM X 24,5 CM-P8: LE ROUGE ET LE NOIR HOMMAGE A STENDHAL, PAR CLAUDE ROY, 2 TIERS DE PAGE, 7 PHOTOS DU FILM
1968ref. ABE-112752149114 PAGES FORMAT 42X58-CUBA SI!,PAR MAX POL FOUCHET,SUITE P10-QU'EST CE QUE LA VIE?,PAR ALBERT DELAUNAY,SUITE P6-EN UNE PHOTO PIERRE FRESNAY ET YVONNE CLECH DANS "TRUFFATOR" DE JEAN CANOLLE 21X20-CRITIQUE DE FRANCOIS NOURISSIER POUR "IL ETAIT DEUX FOIS.",ROMAN DE BENOITE ET FLORA GROULT,PHOTO-L'AFFAIRE STENDHAL-L'APPETIT DE VIVRE,JEAN CAYROL,PAR CAMILLE BOURNIQUEL,PHOTO-NOS ANCETRES LES GYMNASTES,PAR A T'SERSTEVENS-LES BANDERILLES DE GOYA,1P PAR CLAUDE POPELIN,2 ILL-BRAYER,PEINTRE DE COUR,PAR JEAN DALEVEZE,PHOTO BRAYER ET LE PRINCE REZA-QUAND BUFFET ECHOUE SUR LES PLAGES,PAR JEAN DALEVEZE-LES GALERIES,PHOTO MAX ERNST-L'AUTRE MARIE LAURENCIN-UN DOCUMENT INEDIT,LETTRE A MON BON ANGE,DEMI PAGE PAR GEORGE SAND,PORTRAIT PIERRE LEROUX-AVANT PREMIERE,UNE TRAGEDIE EN PROVINCE,"LA BONIFAS DE JACQUES DE LACRETELLE-DEMI PAGE PAR GINETTE GUITARD AUVISTE,PHOTO ALICE SAPRITCH SUR CHEVAL-THEATRE,"BIEDERMANN ET LES INCENDIAIRES" DE MAX FRISCH,PHOTO CHRISTIAN BARBIER,ETIENNE BIERRY ET JEAN PARADES-LA TELEVISION,PHOTO EMMANUELLE RIVA DANS "LA FORET NOIRE" DE FRANCOIS REGIS BASTIDE-CINEMA,"ALEXANDRE ET LE BIENHEUREUX",PAR YVES ROBERT,UNE PINTE DE BON SANG,"LE BAL DES VAMPIRES" DE ROMAN POLANSKI
1948ref. ABE-100119943826 PAGES FORMAT 43X56-EN UNE:PHOTO CLAIRE MAFFEI 16X19,"THERMIDOR"-AVONS NOUS TRAHI STENDHAL EN ADOPTANT "LA CHARTREUSE DE PARME"?,PAR PIERRE VERY,SUITE P5-THEATRE DE LA SCALA DE MILAN,FESTIVAL RAVEL,SUITE P3,3 PHOTOS,LIFAR,RAVEL AU PIANO,MAQUETTE-PAUL LADMIRAULT,PAR EMILE VUILLERMOZ-DEBUSSY A BICHAIN-THEATRE HEBERTOT,"L'ANNONCE FAITE A MARIE",CLAUDEL-CHEVAUX ET CAVALIERS A LA GALERIE CHARPENTIER,PAR MAXIMILIEN GAUTHIER,PHOTO "ECUYERE 1900" DE VAN DONGEN-CLAUDE AUTANT LARA DEMANDE L'INTERDICTION DE 3DERNIERES VACANCES" C'EST LE PLAGIAT DE MON PROCHAIN FILM "LE BLE EN HERBE" DE COLETTE-PAUL MEURISSE S'ENGAGE DANS L'ARMEE DE NAPOLEON-DANS UN RESTAURANT PARISIEN DANNY KAYE A FAIT UN EXCELLENT NUMERO DE VOLTIGE,PHOTO
ref. 201102603Paris, Émile-Paul frères, 1929 ; in-8, 28 pp., demi-toile bleue marine. Bon état - exemplaire N°50/925 sur papier pur fil lafuma - publiées et précédées d'une introduction par Henri Malo.
ref. 28443En marge des manuscrits de Stendhal .1803-1820 .Suivi en appendice d'un courrier italien . 1955 . P.U.F. , In 8° br. 434 pp.Facs-simile H.T.
ref. 4502Numéro entièrement consacré à Stendhal. In 12 broché, paginé 61 à 228.
ref. 45535P., Amiot Dumont (Collection "Artistes et Ecrivains"), 1955, in 8° broché, 312 pages ; couverture illustrée (avec des rousseurs).
1983In 4°, pp.91, numerose illustrazioni nel testo, brossura editoriale figurata.