Stendhal (Henry Beyle)Biblio.com
4.359 Ergebnisse
1928Best.-Nr. 004664Paris: Henri Cyral 1928. Book. Illus. by Henri Arrault. Near Fine. Full-Leather. First Edition Thus. 8vo - over 7¾" - 9¾" tall. Copy # 307 of 600 copies printed on Papier Velin de Rives. Beautifully rebound in full dark-blue leather gilt lettering and decorations ribbon marker marbled endpages profuse color illustrations by Henri Arrault. This edition RARE. Book is Near Fine leather ever-so-lightly rubbed at the spine tips two bookbinders labels front endpages. From the limitation page - "Ce livre le quatrieme des oeuvres illustrees de stendhal tire a 629 exemplaires a ete acheve d'imprimer le quinze Avril mil neuf cent vingt-huit a Argentuil sue les presses du maitre imprimeur R. Coulouma H. Barthelemy etant directeur pour Henri Cyral editeur a Paris. No. 1 a 29: 29 exemplaires sur Papier de Madagascar renfermant chacun deux dessins originaux de Henri Arrault; No. 30 a 629: 600 exemplaires sur Papier Velin de Rives .". Henri Cyral Hardcover
1928Best.-Nr. 004664Paris: Henri Cyral 1928. Book. Illus. by Henri Arrault. Near Fine. Full-Leather. First Edition Thus. 8vo - over 7¾" - 9¾" tall. Copy # 307 of 600 copies printed on Papier Velin de Rives. Beautifully rebound in full dark-blue leather gilt lettering and decorations ribbon marker marbled endpages profuse color illustrations by Henri Arrault. This edition RARE. Book is Near Fine leather ever-so-lightly rubbed at the spine tips two bookbinders labels front endpages. From the limitation page - "Ce livre le quatrieme des oeuvres illustrees de stendhal tire a 629 exemplaires a ete acheve d'imprimer le quinze Avril mil neuf cent vingt-huit a Argentuil sue les presses du maitre imprimeur R. Coulouma H. Barthelemy etant directeur pour Henri Cyral editeur a Paris. No. 1 a 29: 29 exemplaires sur Papier de Madagascar renfermant chacun deux dessins originaux de Henri Arrault; No. 30 a 629: 600 exemplaires sur Papier Velin de Rives .". Henri Cyral Hardcover books
1928Best.-Nr. 206759New York: Boni and Liveright 1928. Two ownership inscriptions touches of wear but nice copies in sharp dust jacket with a few small chips. Seven vols. 8vos 290 343 288 350 2 269 420 282; uniform green cloth save for one in blue. An assembled set of the complete Boni & Liveright edition of Stendhal comprising: The Charterhouse of Parma 1925 2 vols. of which Vol. 2 is a second printing in blue cloth; The Red and the Black 1926 2 vols.; The Abbess of Castro 1926; On Love Translated by H.B.V. Under the Direction of C.K. Scott-Moncrieff with a Canadian bookseller's sticker on the spine of the jacket; Armance 1928. The projected further volumes in what was meant to be "The Complete Works of Stendhal" never appeared. Boni and Liveright unknown
1929Best.-Nr. 87917Paris : Editions du Trianon 1929. broché. STENDHAL.L’oeuvre romanesque. Tomes I à XI 11 volumes. Paris Editions du Trianon1929 200x160mm frontispices illustré broché. Couverture rempliée. Edition originale sur papier vélin de fil du Marais numérotée n.° 912 / 1960. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions du Trianon unknown
Best.-Nr. 1072P., Champion, 1923-1934. Cinq volumes in 8 broché, couverture rempliée. Texte établi et annoté par Henri Debraye et Louis Royer. Nombreux hors texte. Numroté sur alfa.
Best.-Nr. 132365aafLausanne: André et Pierre Gonin, 1973, gr. in-4to, 25,5 x 33,5 cm, 88 p. + 4 ff.. non ch., ill. de 26 aquarelles en couleurs, un des 38 ex. sur vélin de Rives, num. de I à 38, Ex. n° I, En feuilles sous chemise imprimée avec le titre, reliure en d.-parchemin, plats en toile bleue, étui.
1890Best.-Nr. 53354BBParis, G. Charpentier 1890. In-8°. XIV, 327 p. Reliure demi toile bleu avec pièce de titre doré.
1818Best.-Nr. 031792London: Henry Colburn 1818. First English Language Edition 1st Printing. Hardcover. Very Good. Xi339 Pp. First English Edition And First English Translation 1818 Following The 1817 First Edition Published In France. Half Calf Colored Morocco Spine Labels Gilt One Recent Calf Tips Over Peach Cloth Marbled Endpapers 5 Bands Gilt Spine With Center Tools Top Edge Gilt. Light Wear Fraying At Tips Small Repaired Chip At Lower Left Edge Of Spine Refurbished. Stendhal's Too Frank Travel Observations Scarce In This First English Translation. His Observations At Geneva Begin "The Prudery Of The Women At Geneva Is Incredible And Truly Ridiculous. I Have Observed That They Say Exactly The Same Thing To Every Stranger Presented To Them. To Repeat A Certain Formula Taught Them By Their Nurses. I Would Fain Know Who The Traveler Is That First Asserted There Was Such A Thing As Liberty In Switzerland. At Geneva And Berne There Are Four Hundred Surveillans. If You Offend Them Only By The Manner In Which Your Cravat Is Tied You Immediately Become An Object Of Their Persecution." Further Observations Made The Likelihood Of A Further English Translation Small Indeed: "Nothing Can Equal My Admiration Of The English Legislature Unless It Be The Repulsion I Feel From English Society. They Are The Most Unsocial Of Beings; Perhaps For That Reason The Least Happy. To Be Held In Consideration By An Englishman The Most Perfect Air Of Coldness Must Be Assumed." I Don't See Such Observations In My Michelin Or Lonely Planet Guides Perhaps We Have Evolved Or Perhaps We Are Too Terrified To Speak Out. Henry Colburn hardcover
1933Best.-Nr. 932T3Paris: Le Divan 1933-1934. Hardback. Very Good Indeed. 6.5" by 4". None. A complete ten volume set of this limited edition collection of the correspondence of the French writer known as Stendhal in the original French. French. Complete in ten volumes. Limited to one-thousand eight-hundred and twenty-five copies of which this is number five hundred and twenty-five. The correspondence of Marie-Henri Beyle better known by his pen name Stendhal a French writer. Best known for the novels Le Rouge et le Noir 1830 and La Chartreuse de Parme 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the foremost practitioners of realism. Stendhal used many aliases in his autobiographical writings and correspondence and often assigned pseudonyms to friends. It is believed that he used more than one-hundred pseudonyms which were astonishingly diverse and usually comic to appear even more bourgeois than he truly was. One of his correspondents Prosper Merimee said "He never wrote a letter without signing a false name." Volume one contains letters from 1800-1805. Volume two contains letters from 1805-1808. Volume three contains letters from 1808-1811. Volume four contains letters from 1812-1816. Volume five contains letters from 1816-1820. Volume six contains letters from 1821-1830. Volume seven contains letters from 1830-1832. Volume eight contains letters from 1832-1834. Volume nine contains letters from 1834-1836. Volume ten contains letters from 1836-1842. Edited with a preface by Henri Martineau a French literary critic and journalist. Bound in half calf with marbled boards with the original paper wraps bound in. Externally smart with light rubbing and minor wear to the extremities. Fading to the spine with the odd small mark to the boards. Internally firmly bound. Pages are very bright with the odd small spot or handling mark. Minor age toning to the endpapers. Bookseller's label to the front pastedown. Very Good Indeed Le Divan hardcover
1934Best.-Nr. 17726Avec des gravures sur cuivre de Pierre Guastalla.Édition tirée à 120 exemplaires. Celui-ci (N°67) sur papier vélin blanc BFK de Rives. Exemplaire enrichi d'un dessin original signé de l'artiste, monté sur onglet et relié. Envoi autographe de l'artiste sur la page du faux titre.A Paris, Maurice d'Arentière - 1934 - 45 pages.Reliure plein maroquin bleu, signée "Lor. Defilippi-Torino". Dos lisse avec titre doré vertical. Tête dorée sur témoins, non rogné. Large débordement de maroquin sur les contreplats orné de 3 filets (dont un pointillé) et d'arabesques dorés. Garde de soie moirée grise. Petits frottements sur les mors. Pas de rousseur. Très bon état. Format in-4°(29x23).Pierre Guastalla, un artiste complet!Ingénieur de l'École centrale, Pierre Guastalla fut à la fois peintre, graveur, écrivain et historien de l'art. En 1925, il crée avec ses amis le « Groupe des 11 » qui, lors de sa quatrième exposition à la Galerie Armand Drouant, en 1928, consacre une salle à la gravure, embryon de La Jeune Gravure contemporaine, avec Louis-Joseph Soulas, Léon Lang, André Jacquemin, Mily Possoz, Joseph Hecht.
1898Best.-Nr. 16359(Oeuvres posthumes).Édition originale. Paris, Éditions de la Revue Blanche - 1897 (titre) et 1898 (couverture) - xxv et 260 pages. L'Introduction est illustrée de 2 dessins.Envoi autographe signé "à Lucien Descaves ce témoignage d'une très sincère et déjà ancienne sympathie littéraire Jean de Mitty". Joint 2 coupures de presse de l'époque de Gérard Bauer et de Philippe Amiguet (sous plastique). Paraphe de Mitty sur la justification.Reliure cartonnée à la bradel de l'époque. Étiquette manquante au dos. Tête dorée sur témoins, non rogné. Couverture conservée. Pas de rousseur. Bon état. Format in-8°(20x13).
Best.-Nr. 200610333Paris, Bordas, 1946 ; grand in-8, 225-489 pp., broché. Les 2 volumes. Il a été tiré de cet ouvrage 300 exemplaires sur vélin blanc à la forme des papeteries de rives. 100 exemplaires numérotés de I à C sont réservés à l'illustrateur aux éditeurs et à leurs amis. Exemplaire n°2594.
1983In-4 p., legatura editoriale in mz. pelle con tit. oro al dorso, piatti in cartonato, custodia, pp. 43,(3), con 6 belle incisioni all’acquaforte nel t. (di cui 3 a piena pagina nel testo) firmate da Luca Crippa (1924-2002). Edizione di soli 145 esempl. numerati, con testo composto in carattere Bembo e impresso a torchio da Ruggero Olivieri su carta appositamente fabbricata a tino dalla Sicars di Catania. Le incisioni sono state tirate coi torchi a mano nella stamperia Franco Sciardelli. La ns. copia, n. 41, appartiene alla tiratura di 120 esempl. contrassegnati con numeri arabi. In ottimo stato.
1970Best.-Nr. 158041970 Paris, Marcel Lubineau, 1970. 3 volumes petit in-4 (27,3 x19 cm), en feuilles, couvertures imprimées, sous chemises-étuis décorées de l'éditeur, dos titrés or. 54 AQUARELLES D' HENRY LEMARIÉ reproduites aux pochoirs par Beaufumé et Couet, dont 3 frontispices et 51 importants in-texte. tirage limité à 1200 exemplaires, celui-ci n° 339 sur vélin de Rives.
1972Best.-Nr. FB4152 (1 to 10) /L11Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. There may be extra carriage cost on this item due to weight. A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus. Chez Jean De Bonnot. hardcover
1889Best.-Nr. 89585Paris 1889. Fine. Paris 1889 11.8 x 18.9 cm Relié First edition on ordinary paper.Half black shagreen binding spine with five raised bands framed by gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt top edge.Scattered foxing a few reading marks in red and blue pencil in the margins of certain paragraphs printed stamp of the Armand Colin bookshop on the title page. hardcover
1867Best.-Nr. 89582Paris: Michel Lévy frères 1867. Fine. Michel Lévy frères Paris 1867 12 x 18.7 cm Relié Partly original edition with no mention of a deluxe paper issue. Half black shagreen binding spine with five raised bands tooled with gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges contemporary binding. Pleasant copy. Â Michel Lévy frères hardcover
1890Best.-Nr. 89586Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 11.7 x 18.8 cm Relié First edition of which no copies were printed on deluxe paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot marbled paper boards combed paper endpapers and pastedowns gilt top edge original wrappers preserved.Scattered foxing some reading marks in red and blue pencil in the margins of certain paragraphs ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page a library shelfmark at the head of the title page. G. Charpentier & Cie hardcover
1855Best.-Nr. 89588Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm 2 volumes reliés First edition. Bound in black half shagreen spines with five raised bands decorated with gilt garlands gilt dates at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges. Some foxing mainly at the beginning and end of the volumes. Preface by Prosper Mérimée. Michel Lévy frères hardcover
Best.-Nr. 013376Henri Beyle dit Stendhal, Vies de Haydn, de Mozart et de Métastase. Paris, Michel Lévy, 1854. In-12, 341-[2]p. Nouvelle édition entièrement revue, certainement la plus intéressante, faisant partie des ouvres complètes de Stendhal publiées par Lévy de 1853 à 1867. Reliure signée Pierre-Lucien Martin, demi-maroquin brun à coins, dos à nerfs, tête dorée sur témoins, couvertures et dos conservées. Superbe exemplaire.
1951Best.-Nr. 73409Le Divan | Paris 1951 | 10.50 x 16.50 cm | broché
1945Best.-Nr. 16140Paris La Belle Edition 1945 2 Aquarelles de Paul DOMENC. Paris, La Belle Edition, (V. 1945), 2 volumes in-8, broché, couvertures illustrées en couleurs, sous étui.
1837Best.-Nr. 100463(Paris, Victor Magen, 1837), in-8, paginé 330 à 409, Demi-toile brune postérieure, Deuxième édition en librairie de cette nouvelle, précédemment publiée dans la Revue de Paris (1830). Elle est extraite du Dodecaton ou le Livre des Douze, recueil romantique paru à Bruxelles en 1836 (Wahlen) puis à Paris (Magen) en 1837. Reliure modeste. Carteret I, 219. [Exposition 1983] Stendhal et l'Europe, Paris, BNF, p. 10. Vicaire III, 280-281. Couverture rigide
Best.-Nr. 937261Le Cercle Des Bibliophiles - Portal Et Cie Paris 1946 2 volumes grand et fort in-8 ( 255 X 195 mm, en feuilles sous couvertures rempliées, chemises et étuis. Nombreuses illustrations gravées sur bois dans le texte de Pierre NOËL. Dos des chemises passés, livres en parfait état, 1 des quelques exemplaires hors-commerce, celui-ci sur vélin du Marais signé au crayon par Pierre NOËL enrichi hors justification d'un dessin original à l'encre collé sur papier fort et d'une suite des bois en bistre.
Best.-Nr. 8603P., Michel Lévy, 1854. 2 vol. in-12. 362pp. - 372pp. Demi-basane brune, dos lisses, filets à froid, titres dorés. Coins émoussés, des rousseurs.
