Stendhal, Marie-Henri BeyleBiblio.com
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1980réf. 108091Norwalk Connecticut: Easton Press 1980. First Edition; First Printing. Hardcover. Fine Leather Bound. Book accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; First Easton Press Edition.; 8vo 8" - 9" tall. Easton Press hardcover
1984réf. 138302Franklin Center Pennsylvania: Franklin Library 1984. First Edition; First Printing. Hardcover. Fine Accented in 22kt gold printed on archival paper with gilded edges smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Owner pressed in stamp. The Collector's Library of the World's Best-Loved Books. A Limited Edition.; First Franklin Library Edition.; 8vo 8" - 9" tall. Franklin Library hardcover
réf. BN116878Die größten Liebesromane der Weltliteratur: Madame Bovary - Effi Briest - Rot un Die größten Liebesromane der Weltliteratur: Madame Bovary - Effi Briest - Rot un unknown
1989réf. BN356038Insel Verlag 1989. 1989. Hardcover. Die Kartause von Parma : Vollständige Ausgabe. Aus dem Französischen von Arthur Schurig. Bearbeitet von Hugo Beyer. Mit einem Nachwort von Uwe Japp Die Kartause von Parma : Vollständige Ausgabe. Aus dem Französischen von Arthur Schurig. Bearbeitet von Hugo Beyer. Mit einem Nachwort von Uwe Japp Stendhal Insel Verlag hardcover
réf. 108277Paris G. Crès et Cie 1922. kl.4° Fronti. 587 s. zahltr Texillustr. HLdr. d. Zeit goldgeprägt über 5 Zierbünden. Rücken min beschienen tadell. = Collection des Grands Livres Bd. 2. Eins der 380 Ex. der Normalausgabe; «sur vélin à la forme». Iorderem fliegendem Vorsatzblatt. «Illustré et imprimé sous la direction de René Kieffer éditeur et relieur d'art».Sprache: franz. 010 Paris, G. Crès et Cie, 1922 unknown
1922réf. feb119146Socec 1922. Used. For more details please contact me Socec unknown
1980réf. 335801Norwalk Connecticut: Easton Press 1980. First Edition; First Printing. Hardcover. Illustrated by Rafaello Busoni. Near Fine Leather Bound. Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines.; The 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
réf. 5178638Short description: In Russian. Stendhal. Red and Black. Moscow: The Power Guard 1937: Type. The Spark of the Revolution. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU5178638 unknown
1926réf. 122195Paris: Henri Cyral 1926. Softcover. VG- A few very light spots of discoloration to wraps; Some very faint discoloration to pages due to age; Set is in overall great shape. Andre Fournier. Off-white illus. wraps; Vol. I: 338 pp. Vol II: 379 pp.; Profusely illustrated with color illustrations. Text in French; Stendhal's 1839 novel about the adventures of Italian nobleman Fabrice del Dongo; 718 of 1000 copies in this edition. Henri Cyral paperback
1854réf. 1-375221854. Couverture souple. Moyen Paris. Michel Lévy Frères Libraires-Éditeurs 1854. 1 volume format In-12 1 volume in-12 demi chagrin vert dos orné à nerfs frotté coins écrasés ébarbés intérieur frais malgrè quelques rousseurs nouvelle édition entièrement revue. Envoi avec numéro de Suivi - shipping with tracking number. Michel Lévy Frères Libraires-Éditeurs unknown
1982réf. 312782New York: Franklin Library / Oxford University Press 1982. First Edition; First Printing. Hardcover. Near Fine Bound in one quarter premium full leather. Accented in 22kt gold. Printed on archival paper with gilded edges. Decorated endsheets and with a silk ribbon page marker. Smyth sewing and concealed muslin joints.; First Franklin Library Edition. Franklin Library / Oxford University Press hardcover
1929réf. 121421Paris : Editions Orion 1929. broché. STENDHAL. - LABOUREUR J.-E. illustrations de.Le Chasseur vert. Gravures de J.-E. Laboureur. Paris Editions Orion1929 250x195mm frontispiceV - 248 pages 7 eaux fortes broché. Couverture rempliée. Papier cristal d’origine conservée. Exemplaire sur papier vélin blanc à la cuve B. F. K. numéroté n° 284 / 336. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions Orion unknown
1888réf. 89597Paris 1888. Fine. Paris 1888 11.8 x 18.8 cm Relié First edition on ordinary paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot a small tear at the foot of the spine marbled paper boards comb-marbled endpapers and pastedowns gilt top edge.Scattered foxing. hardcover
1855réf. 89587Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm Relié Partly first edition.Half black shagreen binding spine with five raised bands decorated with gilt garlands date gilt at foot marbled paper boards combed paper endpapers and pastedowns gilt edges.Some scattered foxing. Michel Lévy frères hardcover
1839réf. 29030404Boston: J.H. Wilkins & R.B.Carter 1839. Gilt decorated blue ribbed cloth. Spine edges worn to boards in several places previous owner's name on endpaper front hinge lightly cracked and reglued: VG-/no dj. 12mo. J.H. Wilkins & R.B.Carter hardcover
1929réf. vgb89Fine signed binding by Alain Lobstein in slip case matching the end-papers. Number 1 of 20 copies on japon printed in red and black with a double suite of the etchings printed on Japon and Hollande. Text in French. 90 pages plus suites. Spine very slightly darkened. Fine copy. A.A.M.Stols hardcover
1928réf. 193453London: Chatto & Windus 1928. First British edition of this translation by the only son of Oscar Wilde Vyvyan Holland. This philosophical treatise was originally published in French in 1822 translated into English in 1914 and Holland's translation was first published in America in 1927. Octavo. Original green cloth spine lettered in gilt blind rule to covers top edge green bottom edge untrimmed. With dust jacket. Spine faded extremities bumped scattered marks on covers foxing on edges and initial leaves; jacket unclipped spine toned covers a little soiled shallow chips to edges: a very good copy in like jacket. hardcover
1997réf. BN536946Batsford 1997. 1997. Cecilia Bartoli: The Passion of Song Cecilia Bartoli: The Passion of Song Chernin Kim und Renate Stendhal Batsford unknown
1928réf. 004664Paris: Henri Cyral 1928. Book. Illus. by Henri Arrault. Near Fine. Full-Leather. First Edition Thus. 8vo - over 7¾" - 9¾" tall. Copy # 307 of 600 copies printed on Papier Velin de Rives. Beautifully rebound in full dark-blue leather gilt lettering and decorations ribbon marker marbled endpages profuse color illustrations by Henri Arrault. This edition RARE. Book is Near Fine leather ever-so-lightly rubbed at the spine tips two bookbinders labels front endpages. From the limitation page - "Ce livre le quatrieme des oeuvres illustrees de stendhal tire a 629 exemplaires a ete acheve d'imprimer le quinze Avril mil neuf cent vingt-huit a Argentuil sue les presses du maitre imprimeur R. Coulouma H. Barthelemy etant directeur pour Henri Cyral editeur a Paris. No. 1 a 29: 29 exemplaires sur Papier de Madagascar renfermant chacun deux dessins originaux de Henri Arrault; No. 30 a 629: 600 exemplaires sur Papier Velin de Rives .". Henri Cyral Hardcover
1928réf. 206759New York: Boni and Liveright 1928. Two ownership inscriptions touches of wear but nice copies in sharp dust jacket with a few small chips. Seven vols. 8vos 290 343 288 350 2 269 420 282; uniform green cloth save for one in blue. An assembled set of the complete Boni & Liveright edition of Stendhal comprising: The Charterhouse of Parma 1925 2 vols. of which Vol. 2 is a second printing in blue cloth; The Red and the Black 1926 2 vols.; The Abbess of Castro 1926; On Love Translated by H.B.V. Under the Direction of C.K. Scott-Moncrieff with a Canadian bookseller's sticker on the spine of the jacket; Armance 1928. The projected further volumes in what was meant to be "The Complete Works of Stendhal" never appeared. Boni and Liveright unknown
1929réf. 87917Paris : Editions du Trianon 1929. broché. STENDHAL.L’oeuvre romanesque. Tomes I à XI 11 volumes. Paris Editions du Trianon1929 200x160mm frontispices illustré broché. Couverture rempliée. Edition originale sur papier vélin de fil du Marais numérotée n.° 912 / 1960. Bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Editions du Trianon unknown
1818réf. 031792London: Henry Colburn 1818. First English Language Edition 1st Printing. Hardcover. Very Good. Xi339 Pp. First English Edition And First English Translation 1818 Following The 1817 First Edition Published In France. Half Calf Colored Morocco Spine Labels Gilt One Recent Calf Tips Over Peach Cloth Marbled Endpapers 5 Bands Gilt Spine With Center Tools Top Edge Gilt. Light Wear Fraying At Tips Small Repaired Chip At Lower Left Edge Of Spine Refurbished. Stendhal's Too Frank Travel Observations Scarce In This First English Translation. His Observations At Geneva Begin "The Prudery Of The Women At Geneva Is Incredible And Truly Ridiculous. I Have Observed That They Say Exactly The Same Thing To Every Stranger Presented To Them. To Repeat A Certain Formula Taught Them By Their Nurses. I Would Fain Know Who The Traveler Is That First Asserted There Was Such A Thing As Liberty In Switzerland. At Geneva And Berne There Are Four Hundred Surveillans. If You Offend Them Only By The Manner In Which Your Cravat Is Tied You Immediately Become An Object Of Their Persecution." Further Observations Made The Likelihood Of A Further English Translation Small Indeed: "Nothing Can Equal My Admiration Of The English Legislature Unless It Be The Repulsion I Feel From English Society. They Are The Most Unsocial Of Beings; Perhaps For That Reason The Least Happy. To Be Held In Consideration By An Englishman The Most Perfect Air Of Coldness Must Be Assumed." I Don't See Such Observations In My Michelin Or Lonely Planet Guides Perhaps We Have Evolved Or Perhaps We Are Too Terrified To Speak Out. Henry Colburn hardcover
1933réf. 932T3Paris: Le Divan 1933-1934. Hardback. Very Good Indeed. 6.5" by 4". None. A complete ten volume set of this limited edition collection of the correspondence of the French writer known as Stendhal in the original French. French. Complete in ten volumes. Limited to one-thousand eight-hundred and twenty-five copies of which this is number five hundred and twenty-five. The correspondence of Marie-Henri Beyle better known by his pen name Stendhal a French writer. Best known for the novels Le Rouge et le Noir 1830 and La Chartreuse de Parme 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the foremost practitioners of realism. Stendhal used many aliases in his autobiographical writings and correspondence and often assigned pseudonyms to friends. It is believed that he used more than one-hundred pseudonyms which were astonishingly diverse and usually comic to appear even more bourgeois than he truly was. One of his correspondents Prosper Merimee said "He never wrote a letter without signing a false name." Volume one contains letters from 1800-1805. Volume two contains letters from 1805-1808. Volume three contains letters from 1808-1811. Volume four contains letters from 1812-1816. Volume five contains letters from 1816-1820. Volume six contains letters from 1821-1830. Volume seven contains letters from 1830-1832. Volume eight contains letters from 1832-1834. Volume nine contains letters from 1834-1836. Volume ten contains letters from 1836-1842. Edited with a preface by Henri Martineau a French literary critic and journalist. Bound in half calf with marbled boards with the original paper wraps bound in. Externally smart with light rubbing and minor wear to the extremities. Fading to the spine with the odd small mark to the boards. Internally firmly bound. Pages are very bright with the odd small spot or handling mark. Minor age toning to the endpapers. Bookseller's label to the front pastedown. Very Good Indeed Le Divan hardcover
1972réf. FB4152 (1 to 10) /L11Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. There may be extra carriage cost on this item due to weight. A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus. Chez Jean De Bonnot. hardcover
1889réf. 89585Paris 1889. Fine. Paris 1889 11.8 x 18.9 cm Relié First edition on ordinary paper.Half black shagreen binding spine with five raised bands framed by gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt top edge.Scattered foxing a few reading marks in red and blue pencil in the margins of certain paragraphs printed stamp of the Armand Colin bookshop on the title page. hardcover
