4 518 résultats
réf. 23781Paris Librairie ancienne Honoré Champion, 1923-1934 1923 in 8 (22,5x14,5) 5 volumes brochés, couvertures rempliées, 2 couvertures légérement jaunies. Tome 1, (Journal 1801-1805): XLI et 448 pages, avec 4 planches et une carte dépliante hors-texte, bien complet du fascicule de complément du tome 1: Texte intégral des pages du tome 1 (tiré sur vélin pur fil). Tome 2 (Journal 1805-1808): 521 pages [2], avec 6 planches hors-texte, bien complet du fascicule de complément du tome 2: Texte intégral des pages du tome 2 (tiré sur vélin pur fil). Tome 3 (Journal, 1809-1811): 512 pages, avec 3 planches hors-texte. Tome 4 (Journal, 1811-1812): 340 pages [2], avec 3 planches de fac-similés hors-texte. Tome 5 (Journal, 1813-1818): 342 pages, avec 2 planches de fac-similés hors-texte. Texte établi et annoté par Henry Debraye et Louis Royer. Edition numérotée, celui-ci un des 1100 exemplaires numérotés sur vélin pur fil des Papeteries de Voiron. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 14972Marseille Les Bibliophiles de Provence 1957-1959 1945 in 8 (29x19) 1 volume broché, en faux-feuillets sous couverture, chemise et étui de l'éditeur. Ouvrage illustré de 35 gravures sur bois par Fred Macé. Tirage limité à 150 exemplaire sur papier vélin pur fil des papéteries du Marais, celui-ci un des 100 exemplaires réservés aux membres titulaires de la Société des Bibliophiles de Provence, cet exemplaire renferme un fascicule de suites, et un dessin original signé par Fred Macé, ainsi que divers documents relatifs aux aspects techniques de la publication de cet ouvrage. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1970réf. SE2613mm 455x350. 72 pages. Ten original litographs in colour numbered and signed in pencil by the author. Loose sheets in printer's portfolio. Red clothes case on the front cover an illustration by Mattioli. Copy Esemplare XIX/XX. A very good uncut copy. A refined edition printed on handmade paper in one hundred copies numbered in Arabic numerals and twenty in Roman numerals. Vanina Vanini is a novella by Stendhal first published in 1829. The work tells the story of love and freedom that blossomed between the noblewoman Vanina Vanini and the Carbonaro Pietro Missirilli in a Romagna plunged into obscurantism after the transition from the mild government of Pius VII to the harshly repressive rule of Leo XII. The splendid lithographs illustrating the text are the work of Modena painter Carlo Mattioli who was mainly active in the field of graphic design in the 1960s. The first series of twenty illustrations created for the Guanda edition of Vanina Vanini dates back to 1961. The present edition interpreted by ten lithographs—all numbered and signed in pencil by the author— was printed in the presses of Giorgio Upiglio. Cerastico
1994réf. 5738481994. Softcover. Near Fine. Early uncorrected proof lacking formatting or any publication information possibly author published. Quarto. Comb bound printed pink wrappers. Front wrap with a few small soil marks and a faint sticker shadow near fine. Includes manuscript corrections and notes in facsimile throughout the text. The book was published in 1994 by Algonquin Books and a year later by Thames and Hudson. unknown
1994réf. 5738481994. Softcover. Near Fine. Early uncorrected proof lacking formatting or any publication information possibly author published. Quarto. Comb bound printed pink wrappers. Front wrap with a few small soil marks and a faint sticker shadow near fine. Includes manuscript corrections and notes in facsimile throughout the text. The book was published in 1994 by Algonquin Books and a year later by Thames and Hudson. unknown books
réf. 8972569"Short description: In Russian. Steklov, Yuri Mikhailovich. Socialists. Moscow; Petrograd: State Publishing House, 1923-1924. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU8972569"
réf. 9174276Short description: In Russian. Steklov, Yuri Mikhailovich. Grave of the Leader. Leningrad: State Publishing House, 1924. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU9174276
réf. 8972587Short description: In Russian. Stendhal. Parma Monastery. Moscow; Petrograd: State Publishing House 1923. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU8972587 unknown
réf. 013376Henri Beyle dit Stendhal, Vies de Haydn, de Mozart et de Métastase. Paris, Michel Lévy, 1854. In-12, 341-[2]p. Nouvelle édition entièrement revue, certainement la plus intéressante, faisant partie des ouvres complètes de Stendhal publiées par Lévy de 1853 à 1867. Reliure signée Pierre-Lucien Martin, demi-maroquin brun à coins, dos à nerfs, tête dorée sur témoins, couvertures et dos conservées. Superbe exemplaire.
1951réf. 73409Le Divan | Paris 1951 | 10.50 x 16.50 cm | broché
réf. 937261Le Cercle Des Bibliophiles - Portal Et Cie Paris 1946 2 volumes grand et fort in-8 ( 255 X 195 mm, en feuilles sous couvertures rempliées, chemises et étuis. Nombreuses illustrations gravées sur bois dans le texte de Pierre NOËL. Dos des chemises passés, livres en parfait état, 1 des quelques exemplaires hors-commerce, celui-ci sur vélin du Marais signé au crayon par Pierre NOËL enrichi hors justification d'un dessin original à l'encre collé sur papier fort et d'une suite des bois en bistre.
1829réf. 665731829 Paris, Delaunay libraire,1829, In huit, iv-450 pp, 592 pp Le tome I est broché et à relier ( page de couverture en partie déchirée ,dos fendu mais complet, intérieur frais ,papier très peu piqué ) Tome II d'un format plus petit , reliure d'époque en demi-veau noir ternie et usagée mais solide,coiffes frottées. Edition originale : "Clouzot -257"
1945réf. 16140Paris La Belle Edition 1945 2 Aquarelles de Paul DOMENC. Paris, La Belle Edition, (V. 1945), 2 volumes in-8, broché, couvertures illustrées en couleurs, sous étui.
1933réf. 103427Paris: Le Divan 1933. Pocketbook. Paperback. Good. Correspondance 1800-1842 Volumes 1-10 Journal 1801-1823 Volumes 1-5 Roman et Nouvelles Volumes 1 & 2 Pensees Volumes 1 & 2 Melanges Intimes et Marginalia Volumes 1 & 2 Lettres A Stendhal Volumes 1 & 2. text in French wraps covers soiled and worn Standard shipping no tracking or insurance / Priority with tracking / Custom quote for large or heavy orders. Le Divan paperback
1837réf. 100463(Paris, Victor Magen, 1837), in-8, paginé 330 à 409, Demi-toile brune postérieure, Deuxième édition en librairie de cette nouvelle, précédemment publiée dans la Revue de Paris (1830). Elle est extraite du Dodecaton ou le Livre des Douze, recueil romantique paru à Bruxelles en 1836 (Wahlen) puis à Paris (Magen) en 1837. Reliure modeste. Carteret I, 219. [Exposition 1983] Stendhal et l'Europe, Paris, BNF, p. 10. Vicaire III, 280-281. Couverture rigide
réf. 8603P., Michel Lévy, 1854. 2 vol. in-12. 362pp. - 372pp. Demi-basane brune, dos lisses, filets à froid, titres dorés. Coins émoussés, des rousseurs.
1889réf. 89585Paris 1889. Fine. Paris 1889 11.8 x 18.9 cm Relié First edition on ordinary paper.Half black shagreen binding spine with five raised bands framed by gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt top edge.Scattered foxing a few reading marks in red and blue pencil in the margins of certain paragraphs printed stamp of the Armand Colin bookshop on the title page. hardcover
1867réf. 89582Paris: Michel Lévy frères 1867. Fine. Michel Lévy frères Paris 1867 12 x 18.7 cm Relié Partly original edition with no mention of a deluxe paper issue. Half black shagreen binding spine with five raised bands tooled with gilt garlands gilt date at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges contemporary binding. Pleasant copy. Â Michel Lévy frères hardcover
1890réf. 89586Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 11.7 x 18.8 cm Relié First edition of which no copies were printed on deluxe paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot marbled paper boards combed paper endpapers and pastedowns gilt top edge original wrappers preserved.Scattered foxing some reading marks in red and blue pencil in the margins of certain paragraphs ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page a library shelfmark at the head of the title page. G. Charpentier & Cie hardcover
1855réf. 89588Paris: Michel Lévy frères 1855. Fine. Michel Lévy frères Paris 1855 11.8 x 18.8 cm 2 volumes reliés First edition. Bound in black half shagreen spines with five raised bands decorated with gilt garlands gilt dates at foot marbled paper boards comb-marbled endpapers and pastedowns gilt edges. Some foxing mainly at the beginning and end of the volumes. Preface by Prosper Mérimée. Michel Lévy frères hardcover
1972réf. FB4152 (1 to 10) /L11Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. There may be extra carriage cost on this item due to weight. A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus. Chez Jean De Bonnot. hardcover
1983In-4 p., legatura editoriale in mz. pelle con tit. oro al dorso, piatti in cartonato, custodia, pp. 43,(3), con 6 belle incisioni all’acquaforte nel t. (di cui 3 a piena pagina nel testo) firmate da Luca Crippa (1924-2002). Edizione di soli 145 esempl. numerati, con testo composto in carattere Bembo e impresso a torchio da Ruggero Olivieri su carta appositamente fabbricata a tino dalla Sicars di Catania. Le incisioni sono state tirate coi torchi a mano nella stamperia Franco Sciardelli. La ns. copia, n. 41, appartiene alla tiratura di 120 esempl. contrassegnati con numeri arabi. In ottimo stato.
1970réf. 158041970 Paris, Marcel Lubineau, 1970. 3 volumes petit in-4 (27,3 x19 cm), en feuilles, couvertures imprimées, sous chemises-étuis décorées de l'éditeur, dos titrés or. 54 AQUARELLES D' HENRY LEMARIÉ reproduites aux pochoirs par Beaufumé et Couet, dont 3 frontispices et 51 importants in-texte. tirage limité à 1200 exemplaires, celui-ci n° 339 sur vélin de Rives.
réf. 200610333Paris, Bordas, 1946 ; grand in-8, 225-489 pp., broché. Les 2 volumes. Il a été tiré de cet ouvrage 300 exemplaires sur vélin blanc à la forme des papeteries de rives. 100 exemplaires numérotés de I à C sont réservés à l'illustrateur aux éditeurs et à leurs amis. Exemplaire n°2594.
1934réf. 17726Avec des gravures sur cuivre de Pierre Guastalla.Édition tirée à 120 exemplaires. Celui-ci (N°67) sur papier vélin blanc BFK de Rives. Exemplaire enrichi d'un dessin original signé de l'artiste, monté sur onglet et relié. Envoi autographe de l'artiste sur la page du faux titre.A Paris, Maurice d'Arentière - 1934 - 45 pages.Reliure plein maroquin bleu, signée "Lor. Defilippi-Torino". Dos lisse avec titre doré vertical. Tête dorée sur témoins, non rogné. Large débordement de maroquin sur les contreplats orné de 3 filets (dont un pointillé) et d'arabesques dorés. Garde de soie moirée grise. Petits frottements sur les mors. Pas de rousseur. Très bon état. Format in-4°(29x23).Pierre Guastalla, un artiste complet!Ingénieur de l'École centrale, Pierre Guastalla fut à la fois peintre, graveur, écrivain et historien de l'art. En 1925, il crée avec ses amis le « Groupe des 11 » qui, lors de sa quatrième exposition à la Galerie Armand Drouant, en 1928, consacre une salle à la gravure, embryon de La Jeune Gravure contemporaine, avec Louis-Joseph Soulas, Léon Lang, André Jacquemin, Mily Possoz, Joseph Hecht.