4 945 résultats
1945réf. 709888Murray UT: Pharos. 1945. Publication. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Pharos paperback books
1950réf. 1390342New York: A New Directions Book 1950. Hardcover. Octavo Two volumes. In Good condition with Good dust jackets. Spines are black and white with white print. Dust jackets have light edge wear light shelf wear. Price unclipped: “$3.50” each volume. Boards in pink cloth. Light wear to spine caps and corners. Text blocks have bookplate inside front flyleaf. CONTENTS: Book 1. The Green Huntsman xxv 388 pages — Book 2. The Telegraph xvii 415 pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Netdesk Column P. 1390342. FP New Rockville Stock. A New Directions Book hardcover books
1972réf. 51637NY:: Grossman Publishers. Very Good in Very Good dust jacket. 1972. Hardcover. 0670364177 . Translated from the French introduced and edited by Richard N. Coe. First edition thus. Previous owner's name on front free endpaper else very good in a very good dust jacket. . Grossman Publishers, hardcover books
1979réf. 100758Franklin Center:: Franklin Library. Fine. 1979. Hardcover. Translated from the French. Limited edition "The 100 Greatest Books of All Time". Octavo fully bound in red leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Fine.; 495 pages . Franklin Library, hardcover books
1980réf. 97414Norwalk:: Easton Press. Near Fine. 1980. Hardcover. Translated from the French by C. K. Scott-Moncrieff. Introduction by Hamilton Basso. Collector's edition. Quarto fully bound in red leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. About fine.; 450 pages . Easton Press, hardcover books
1992réf. 102154Norwalk:: Easton Press. Fine. 1992. Hardcover. Translated from the French by Lady Mary Loyd. Revised by Robert Cantwell. Preface by Honore de Balzac. Collector's edition. Publisher's "Notes from the Archives" laid in. Octavo fully bound in light brown leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon bookmark. Fine.; 392 pages . Easton Press, hardcover books
1970réf. 1353449Paris: Marcel Lubineau 1970. Limited Edition #756/1200. Loose folio. Quartos three volumes. In Very Good condition. Bound in grey paisley cloth and housed in publisher's matching slipcase and two-fold with gilt titling to spines. Minor wear to slipcases. Volumes in sheets. Limited Edition #756/1200 one of the 1050 copies on velin de Rives paper. With 54 works by Henry Lemarié reproduced in color including 3 frontispieces and 51 large in-text illustrations. Shelved above US Pol Bios. 1353449. Shelved Dupont Bookstore. Marcel Lubineau unknown books
1937réf. 60131Paris: Editions De Cluny. Very Good. 1937. Paperback. 316pp. paperback light toning otherwise Very Good in chipped dust wrapper. Volume 2 Only. . Editions De Cluny paperback books
1999réf. 1029New York: The Modern Library 1999. 8vo. 205 x 135 mm. 8 x 5 1/2 inches. 14 507 11 pp. Illustrated with two maps and full-page illustrations in the text. Publisher's grey cloth dust jacket. Near fine copy. Set during the Napoleonic wars The Charterhouse of Parma is set in the aristocratic court of Parma and the battles leading up to Waterloo and portrays and through its characters and historical perspective "illuminates an entire epoch of European history." Called by Balzac the most important French novel of its time this translation by the Pulitzer Prize winning poet Richard Howard presents for a new audience Stendhal's epic tale of romance adventure and court intrigue set in the early nineteenth century Italy. This edition is beautifully produced by the Modern Library. . The Modern Library unknown books
1977réf. 95754London:: Folio Society. Very Good. 1977. Hardcover. Translated from the French by C. K. Scott Moncrieff. Wood-engravings by Zelma Blakely. First edition thus. Near fine in a very good fading slipcase. . Folio Society, hardcover books
1959réf. 92493NY:: Grove Press. Very Good in Very Good dust jacket. 1959. Hardcover. B0000CKBIN . With translations of other critical writings. Edited and with an introduction by Geoffrey Strickland. First edition thus. Previous owner's name blacked out on front free endpaper else very good in a very good minor edge wear with tape repairs on verso dust jacket. . Grove Press, hardcover books
réf. 14562NY ORION 1970. FIRST EDITION THUS VERY GOOD. F. NY, ORION, 1970 unknown books
1968Volume brossurato in cartonato semirigido lucido, copertina in buono stato,con alette integre, illustrata da tavola in bianco e nero e leggermente segnata da polvere. Molto ben tenuto l' interno, fogli integri e perfettamente conservati, sebbene ossidati da tonalità brunita, tagli perfetti ma ombrati. Prefazione di Bruno Cagli. A cura di Antonio Rigon. Volume n. LVI ( 56 ) della collana. Numero pagine 295. USATO
19532 volumi
1949Versione e notizia introduttiva di Maria Ortiz p. 537
1942Grandi ritorni Bompiani Letteratura
1931Volume numero 22 collana letteratura italiana e straniera 3 volumi
1931Volume numero 22 collana letteratura italiana e straniera
1991ill., ril.
2003br. Come appare evidente da questi scritti, qui per la prima volta radunati, Sciascia aveva per Stendhal un'ammirazione appassionata e intima, imparagonabile a quella che nutriva per altri autori amati. E questo lo ha naturalmente indotto a studiarlo in tutte le giustapposizioni, le efflorescenze e le cristallizzazioni della sua scrittura, nel tentativo di coglierne le strutture e gli scatti psicologici più celati. E, come osserva Colesanti nel saggio contenuto nel volume, Sciascia ha indagato, con gusto poliziesco, "i congegni, le 'finzioni', i trucchi anche, di cui quella scrittura è costruita".
2017ill., br. Scritto per il convegno su "Stendhal e Milano" (Milano, 19-23 marzo 1980), questo, a quanto pare, è l'ultimo testo di Roland Barthes (Cherbourg, 12 novembre 1915 - Parigi, 26 marzo 1980). La prima pagina era stata dattiloscritta. La seconda pagina risulta inserita nella macchina per scrivere il 25 febbraio 1980, il giorno in cui Barthes fu investito da un camioncino (ricoverato in ospedale, morì dopo circa un mese). Si tratta di un testo terminato, stando al modo in cui esso si presenta, anche se, forse, come era solito fare, Roland Barthes vi avrebbe apportato qualche modifica, come risulta che abbia fatto sulla prima pagina.
