[Stendhal] Beyle, Marie-HenriBiblio.com
Stendhal,Biblio.com
Le Rouge Et Le Noir
réf. 45459400like new. unknown
GreatBookPrices · États-Unis62,63 $US≈ 55,95 €
4 761 résultats
réf. FORT904432Used - Very Good. Fully-bound in richly coloured leather. Raised bands and gilt lettering on spine; Gold decoration on spine and boards. Silk moire endpapers matching sewn-in bookmark and all edges gilt. hardcover
réf. FORT784683Used - Good. unknown
réf. 45459400like new. unknown
1926réf. 0088907Paris: Henri Cyral 1926. Paperback. Very Good. Volume one only. First edition with the Fournier illustrations. Wraps illustrated in color clean unmarked text very good minor soiling to the covers some edgewear to the covers uncut pages. Text in French. Henri Cyral paperback
1920réf. N4721aLeipzig: Insel Verlag 1920. Original Full Leather. Near Fine. 8vo. 1920-1928. Dünndruck. Einbandgrössse; 115 x 175cm. RARE ORIGINAL FULL RED LEATHER. SELTENE ORIGINAL GANZLEDERAUSGABE. Very insignificant unnoticeable wear to head of spine. A VERY GOOD CLEAN AND FRESH COPY. Minimalste kaum sichtbare Gebrauchsspuren am Kopf der Rücken innen sehr sauber und frisch. EIN SEHR SCHÖNES EXEMPLAR! Insel Verlag hardcover
réf. 1017190623.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1144376157.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1024469050.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1517171911.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3368375199.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 9788574480855ESTACAO LIBERDADE. new. Armance � cronologicamente o primeiro dos grandes romances de Stendhal. Quando comparado a obras-primas como O vermelho e o negro e A cartuxa de Parma por�m este romance de 1827 � considerado amb�guo - e isso por uma raz�o muito simples: toda a trama � articulada ao redor de um segredo sobre a vida do protagonista que nunca � revelado. A chave para se entender a trama estaria numa carta de Stendhal a M�rim�e publicada na presente edi��o na qual ele explicita o motivo que impede a consuma��o do amor entre o visconde Octave de Mart e sua prima Armance de Zohiloff: seu her�i sofre de babilanismo ou seja impot�ncia sexual. A julgar pelo tom l�brico que permeava sua correspond�ncia com M�rim�e ele queria escrever um romance que satirizasse o ideal do amor rom�ntico. O resultado por�m � bem diferente: como a suposta anomalia permanece oculta toda a torturante aproxima��o dos dois amantes se d� sob o signo do desafio a preconceitos sociais pol�ticos e econ�micos. Stendhal faz da misantropia de Octave e da integridade de Armance a meton�mia de um ardor passional que sobrevive a uma sociedade de nobres decadentes e banqueiros um mundo regido por contratos matrimoniais em que o casamento poderia pacificar o tumulto do cora��o. ESTACAO LIBERDADE unknown
réf. 9788563560384PENGUIN. new. Escrito em inacredit�veis 53 dias no final de 1838 ""A Cartuxa de Parma"" narra as desventuras de Fabrice Del Dongo um jovem idealista e imaturo que decide se unir ao ex�rcito de Napole�o Bonaparte. O not�vel tratamento dado por Stendhal �� batalha de Waterloo por onde o protagonista vagueia sem saber que est� no meio de um acontecimento importante entusiasmou autores como Liev Tolst�i que assume a influ�ncia sobre Guerra e paz e Ernest Hemingway e logo no lan�amento a obra mereceu elogios at� do conterr�neo Honor� de Balzac. A prosa �gil de Stendhal e a estrutura epis�dica da trama d�o ainda mais charme ��s intrigas e conspira��es de bastidores. Esta edi��o inclui introdu��o do jornalista liter�rio brit�nico John Sturrock que contextualiza o romance na conturbada biografia de Stendhal. PENGUIN unknown
réf. 9788582850725PENGUIN. new. O vermelho e o negro conta a hist�ria de Julien Sorel um jovem pobre e talentoso que nos convulsivos anos de 1830 deixa para tr�s sua origem provinciana para circular entre as altas esferas da sociedade parisiense. Mas o passado � tra�o dif�cil de apagar e t�o fortes quanto a determina��o de Julien s�o as paix�es que o dominam: o jovem tenta sufocar lembran�as pessoais e a admira��o ardente que nutre por Napole�o figura non grata nos sal�es burgueses da Restaura��o mas o faz em v�o. Cr�nica mordaz de seu tempo e romance inaugural do g�nero psicol�gico n�o � �� toa que esta obra cumpriria �� risca o destino vaticinado por seu autor vindo a ser compreendida apenas muitos anos ap�s sua publica��o. PENGUIN unknown
réf. ABAA25-44Paris Dupont 1839. 2 parts in 2 volumes 8vo of : I/ 2 ll. for the half-title and the title 402 pp. ; II/ 2 ll. for the half-title and the title 445 pp. Full red morocco six gilt fillets around the covers ribbed spines decorated the same way inner border of five gilt fillets gilt edges. Elegant binding by Chambolle-Duru. 213 x 126 mm. First edition printed on vellum of one of the most coveted novels of the 19th century. Carteret Le Trésor du bibliophile romantique 358; Vicaire Manuel de l'amateur de livres du XIXe siècle 458; Picot Catalogue du baron Rothschild 1584. "Very rare and extremely sought after". M. Clouzot 257. "Balzac published a glowing article about Stendhal and his book in the Revue parisienne of 25 September 1840: 'M. Beyle has written a book in which the sublime bursts forth from chapter to chapter. He has produced at an age when men rarely find grandiose subjects and after having written some twenty extremely spiritual volumes a work that can only be appreciated by truly superior souls and people. Finally he wrote the modern Prince the novel that Machiavelli would write if he lived banished from Italy in the nineteenth century". Stendhal dreamed of writing a novel about the life of Alexander Farnese 1468-1549; he was also working on a story about the Battle of Waterloo. His work took shape on 3 September 1838 when he decided to bring the events revealed to him by the Italian chronicle into the 19th century so that his hero would be at Waterloo and Stendhal could indulge in a satire of absolutism by depicting a small Italian court around 1820. "In this 'Chartreuse de Parme' Stendhal excels in translating all his ideals of art and life the now distant mirage of glory and the Napoleonic epic the passion for adventure the deep love for contemporary Italy and for the much admired Italy of the Renaissance but above all the love of love. The refined psychological analyses the obstinate and precise rigour of the style the philosophical and moral considerations everything is transfigured in the rare joy of a lyrical vision which in the best pages reaches the rhythmic purity of a song". It has now taken its place in French literature as one of the landmark books of 19th century literature and the culmination of the refined psychology of the 18th century. Bibliographers are unanimous in emphasizing the rarity of this first edition. Stendhal wrote La Chartreuse de Parme between 4 November and 26 December 1838 after having written L'Abbesse de Castro. La Chartreuse de Parme written in a state of grace lasting fifty-two days has since become the perfect image of the "joy of writing". His novel grew out of his plans for a Napoleonic narrative centered on the Battle of Waterloo and his interest in the history of Alexander Farnese the future Pope Paul III whose life overlapped with many of the events in Fabrice del Dongo's life. Stendhal's contemporaries gave the novel an enthusiastic reception as evidenced by Balzac's famous letter to Stendhal: "La Chartreuse is a great and beautiful book I tell you without flattery without envy because I would be incapable of doing it". A very fine copy of this great classic of French literature preserved in a superb binding by Chambolle-Duru. FR Paris Dupont 1839. 2 tomes en 2 volumes in-8 de : I/ 2 ff. pour le faux titre et le titre 402 pp. ; II/ 2 ff. pour le faux-titre et le titre 445 pp. Plein maroquin rouge large encadrement de six filets dorés autour des plats dos à nerfs ornés de même double filet or sur les coupes encadrement intérieur de cinq filets dorés tranches dorées. Élégante reliure signée de Chambolle-Duru. 213 x 126 mm. Edition originale imprimée sur vélin de l'un des romans les plus convoités du XIXe siècle. Carteret Le Trésor du bibliophile romantique 358 ; Vicaire Manuel de l'amateur de livres du XIXe siècle 458 ; Picot Catalogue du baron Rothschild 1584. " Très rare et extrêmement recherché ". M. Clouzot 257. Balzac publia dans la Revue parisienne du 25 septembre 1840 un article élogieux sur Stendhal et son livre : 'M. Beyle a fait un livre où le sublime éclate de chapitre en chapitre. Il a produit à l'âge où les hommes trouvent rarement des sujets grandioses et après avoir écrit une vingtaine de volumes extrêmement spirituels une œuvre qui ne peut être appréciée que par les âmes et par les gens vraiment supérieurs. Enfin il a écrit le Prince moderne le roman que Machiavel écrirait s'il vivait banni de l'Italie au dix-neuvième siècle'. Stendhal rêvait de tirer un roman de la vie d'Alexandre Farnèse 1468-1549 ; il travaillait aussi à un récit de la bataille de Waterloo. Son œuvre prend forme le 3 septembre 1838 quand il décide de transporter au XIXè siècle les événements que lui a révélés la chronique italienne ainsi son héros sera à Waterloo et Stendhal pourra se livrer à une satire de l'absolutisme en peignant une petite cour italienne vers 1820. " Dans cette " Chartreuse de Parme " Stendhal excelle à traduire tout son idéal d'art et de vie le mirage désormais lointain de la gloire et de l'épopée napoléonienne la passion de l'aventure l'amour très profond pour l'Italie contemporaine et pour l'Italie si admirée de la Renaissance mais surtout l'amour de l'amour. Les analyses psychologiques raffinées la rigueur obstinée et précise du style les considérations philosophico-morales tout est transfiguré dans le rare bonheur d'une vision lyrique qui atteint dans les meilleures pages à la pureté rythmique d'un chant. " Elle prend place à présent dans la littérature française comme un des livres phares de la littérature du XIXe siècle et l'extrême aboutissement de la psychologie si raffinée du XVIIIe siècle. Les bibliographes sont unanimes à souligner la rareté de cette édition originale. Stendhal écrivit La Chartreuse de Parme entre le 4 novembre et le 26 décembre 1838 après avoir composé L'Abbesse de Castro. La Chartreuse de Parme rédigée dans un état de grâce de cinquante-deux jours est devenue depuis l'image parfaite du " bonheur d'écrire ". Son roman naquit de son projet de récit napoléonien centré sur la bataille de Waterloo et de son intérêt pour l'histoire d'Alexandre Farnèse futur pape Paul III dont la vie recoupe bien des événements de la vie de Fabrice del Dongo. Les contemporains de Stendhal firent un accueil enthousiaste au roman comme en témoigne la célèbre lettre de Balzac à Stendhal : " La Chartreuse est un grand et beau livre je vous le dis sans flatterie sans envie car je serai incapable de le faire ". Très bel exemplaire de ce grand classique de la littérature française conservé dans une superbe reliure de Chambolle-Duru. hardcover
1962réf. 978Pittsburgh PA: The Chanter Press 1962. Wraps. Very Good. Stapled brown paper wraps. 12mo. Creasing to bottom right edge of text block. Designed and printed by the 1962 senior Typographic design class under the direction of Jack W. Stauffacher at the college of Fine Arts Department of Graphic Arts Carnegie Institute of Technology PIttsburgh Pennsylvania. Edition Limited to 185 copies. Curtis Tweedweave cover Curtis Colophon Text Seafoam bond tissue. Chanter Press Project Two. The Chanter Press unknown
2007réf. 2-2070118010Editions Gallimard 2007. Leather Bound. New. 1488 pages. French language. 7.17x4.41x1.57 inches. Editions Gallimard hardcover
1992réf. 76294Norwalk Connecticut: Easton Press 1992. Full Leather. Near Fine. 24 x 16.5 cm. Octavo. 392pp. Bound into full tan leather with gilt design lettering and foredges. 3 raised bands to spine moire endpapers silk ribbon. Translated by Lady Mary Lloyd revised by Robert Cantwell preface by Honore de Balzac illustrated by Rafaello Busoni. Part of "The Collector's Library of Famous Editions" with "Notes from the Archives" laid-in. Small scratch to gilt foredge. Easton Press unknown
réf. uocl08iaab-6661Nova Fronteira. New. Nova Fronteira unknown
réf. 9788574480855-11-03063Esta���o Liberdade. New. Esta���?o Liberdade unknown
réf. 9788544001653-11-69474Martin Claret. New. Martin Claret unknown
réf. NK-91Y8-RZLHPenguin - Companhia das Letras. New. Penguin - Companhia das Letras unknown
réf. 2322572438.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1911réf. 4446923four volumes nicely illustrated #627/1000 corners edges and spine worn unmarked. A. Ferroud hardcover
réf. 18361Norwalk: Easton Press. First Edition Thus; Collector's Edition. Hardcover. Book condition is Near Fine bound in full genuine leather with gilt accents 22kt gold page edges and a hubbed spine. Smyth sewn interior vaunts moire end papers acid-neutral paper won't yellow or become brittle over time and silk ribbon page marker. Text is clean and unmarked still in factory shrink-wrap. ; The 100 Greatest Books Ever Written Series; Small 4to 9" - 11" tall. Easton Press hardcover
réf. 1179039637.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
