STENDHAL, Henry BeyleBiblio.com
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1988ref. 50067AMadrid: Aguilar. 1988. 17 x 13 cm. Plena piel editorial con sobrecubierta buen estado de conservacion. LEA LAS CONDICIONES DE ENVIO DE LA LIBRERÃA. 1780 Aguilar. unknown
1992ref. ZB1354324Easton Press 1992. Gilt-stamped full brown leather hardcover moire endpapers and pastedowns a.e.g. 1 tiny speck of wear to bottom edge of back cover else fine. Includes Notes from the Archives laid in. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Easton Press hardcover
ref. 0140442901-7-18Penguin. First Thus. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Penguin unknown
1927ref. 92452Paris: Editions de la Pléiade 1927. Fine. Editions de la Pléiade Paris 1927 17.8 x 24.5 cm Broché First edition one of 280 numbered copies on mould-made wove paper this copy one of 30 hors commerce copies in special wrappers reserved for the 30 private subscribers to all of Paul Valéry's works. Fine copy. Decorated with typographical ornaments by René Ben Sussan. Precious signed autograph presentation inscription from Paul Valéry to his friend the bookseller publisher and bibliophile Ronald Davis: ""à Ronald Davis pour sa collection et avec les bons souvenirs de Paul Valéry."" Editions de la Pléiade unknown
1999ref. SBBIH-PACBAIRD5ECXSheep Meadow PressU.S. 1999. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Sheep Meadow Press,U.S. hardcover
ref. 35254Sur les presses des trois Audin à Lyon 1948 grand in/8 en feuilles sous étui 67 pages. Cuivres au burin d'Albert Decaris Albert Decaris en a conçu et réalisé l'illustration au burin Didier Baron en a établi la maquette et la présentation typographique. Marcel Boureau a tiré les cuivres au repérage sur ses presses à bras à Lyon. Cent cinquante exemplaires numérotés de 41 à 190 sur vélin pur fil de Johannot notre exemplaire N° 168 unknown
1921ref. 102371Berlin: Propyläen 1921. XVIII 570 S. 1 Bl.; mit SW-Frontispiz; aus dem Französischen u mit Vorwort von Arthur Schurig; Einband u. Satzanordnung von Hugo Steiner-Prag; Kopfgoldschnitt zweiseitig unbeschnitten Rücken in modern anmutender Goldprägung mit goldenen senkrechten geprägten Zierlinien in Gold möglicherweise Privat- oder Luxuseinband; Kanten leicht berieben. Erste Auflage dieser Ausgabe. Halbleder. Gut. 231 cm. Privateinband. Propyläen Hardcover
1814ref. 91120Paris: Chez H. NicolleDe l'Imprimerie de C.-F. Patris 1814. Fine. Anonymous work attributed to Anna Maria Porter which inspired Stendhal's masterpiece ""La Chartreuse de Parme"" Chez H. Nicolle De l'Imprimerie de C.-F. Patris Paris 1814 10.2 x 17.4 cm Relié First edition of the French translation by Élisabeth de Bon gathering in 2 volumes the 4 parts of this anonymous English novel originally printed in 1809 which according to André Marc in his Dictionnaire des romans anciens et modernes of 1819 is the work of Anna Maria Porter younger sister of the novelist Jane Porter. The Porter sisters contemporaries of Jane Austen and famous before the Brontës were close to the Scottish poet Walter Scott. Contemporary full brown tree sheep smooth spines divided into compartments richly gilt in decorative rolls of laurels annulets and lozenges two compartments with a lozenge network formed by interlacing fillets with fleurons at the corners red and green morocco lettering-piece and numbering-piece blind-tooled fillet border to boards gilt fillet to turn-ins edges sprinkled red marbled endpapers in pebbled pattern. Some light surface wear and minor offsetting to boards corners slightly worn. On volume 1 a charming error in the decorative roll at foot of spine corrected by the binder. On volume 2 small piece of leather at the edge of the numbering-piece slightly detaching. Scattered foxing and faint marginal damp-staining to upper margins. In volume 3 two minor marginal repairs to half-title and p. 8. Several period textual corrections in brown ink and pencil: volume 1 p. 131 volume 2 p. 90 and volume 3 p. 21. In the early nineteenth century English novels were widely translated into French. According to the critic signing as ""E."" in the Journal de l'Empire Les Frères Anglais is a success and according to another reviewer writing for the Gazette de France the French translation as much as the original text deserves praise: ""We have already had the opportunity in this Gazette to praise the translator. English novels are much vaunted but the choice is vast; some prove mediocre and even detestable. This one does honour to the good sense of Madame Elisabeth de B. The situations are lively and varied the characters well drawn; the work pleases and holds one's attention from beginning to end."" Gazette de France December 4 1814 ""What astonishes readers who cannot transport themselves into the society whose customs are depicted and who insist on judging everything by the habits of their own circle is the liberty of young English ladies. If their novels offer a faithful picture of their manners and habits these young women converse familiarly in tête-à-tête with their suitors; they write to them even give them their portraits; they tell their parents without ceremony that their heart is engaged. Never would a French demoiselle make such a frank avowal; at most she allows her secret to be guessed."" Journal de l'Empire May 10 1815 our own translation Two women of letters were behind this literary success: Élisabeth de Bon a translator renowned in her lifetime also a novelist short-story writer and co-proprietor of the periodical the Mercure de France and a mysterious authoress. The name of Anna Maria Porter absent from the title-page would be revealed by the bookseller André Marc as that of the author in 1819. Precocious and prolific Anna Maria began writing and publishing books during adolescence nearly a decade before her elder sister Jane. In 1807 she published The Hungarian Brothers and in 1809 she is thought to have written The English Brothers. These two works with their near-identical titles like false twins are the starting point according to Richard Bolster for the attribution of the latter novel to Anna Maria Porter. It was precisely the same translator Élisabeth de Bon who undertook the translation of the third edition of The Hungarian Brothers in 1818 and in 1815 that of another of the author's works The Recluse of Norway. The En Chez H. NicolleDe l'Imprimerie de C.-F. Patris hardcover
2003ref. 1-0679642846Random House Inc 2003. Hardcover. New. 524 pages. 5.50x8.50x1.25 inches. Random House Inc hardcover
ref. 2301ABParis Gallimard 1962-68. Old. m. transparentem Schutzumschlag. Dünndruck. Name a. Vorsatz. Biblothèque de la Pléiade. Paris, Gallimard 1962-68. unknown
ref. 2d6677Gallimard Paris 1952 - 1992 Zusammen ca. 10200 S Ganzledereinbände mit Goldprägung und Lesebändchen. - sehr gute Exemplare/French Edition / Volume 4/13/109/304/249/386/158/196/199 de la "Bibliotheque de la Pleiade" / Dünndruckausgabe - unknown
ref. 6h6632Insel Verlag Lpz. 1920-1927. Zusammen ca. 4000 S. grüne flexible goldgeprägte Ganzledereinbände mit Lesebändchen und Kopfgoldschnitt im Dünndruck ein Namenskürzel auf einem Vorsatz. - enthalten. Zwölf Novellen/Von der Liebe/Gedanken. Meinungen. Geschichten/Rot und Schwarz/Das Leben eines Sonderlings - unknown
ref. 6h7181Calmann-Levy Paris um 1880. 248/256 S. Halbleder-Einbände auf 5 Schmuckbünden mit goldgeprägten Rückentiteln gering berieben und bestossen/Rücken gebräunt/Papier leicht gebräunt. unknown
ref. 6c6387Le Divan Paris 1927. XIX/420/473 S. rote original Halbledereinbände auf je 5 Schmuckbünden und goldgeprägten Rückentiteln. Ecken mit Leder bezogen. Halbfranzbände mit marmorierten Vorsatzpapieren und Kopfgoldschnitt Rücken fleckig. - Numerierte Exemplare mit schönen Handeinbänden. Kartonierte original Einbände vorgebunden - unknown
1831ref. 88395Paris Paris: A. Levavasseur 1831. Fine. First edition in contemporary binding of one of the rarest and most sought-after Romantic novels A. Levavasseur Paris Paris 1831 14 x 22 cm 2 volumes reliés First edition untrimmed with wide margins very rare and highly sought-after see Clouzot. Some occasional foxing. Illustrated on the title pages of both volumes with two engraved vignettes by Porrêt. This copy contains the publishers notice leaf in the first volume and the authors note leaf in the second volume. Contemporary red half calf over marbled boards calf corners spines ruled in gilt with double gilt panels decorated with typographic gilt tooling black calf title and volume labels some minor rubbing to joints marbled endpapers and pastedowns lower corners a bit worn bookplate pasted on the front pastedown of volume one contemporary bindings. A very rare and desirable copy entirely untrimmed and preserved in a handsome contemporary binding an even rarer feature. As noted by Clouzot: Contemporary bindings are most often rather plain; one should not be overly particular regarding their quality. A. Levavasseur hardcover
ref. 34724Editions Jacques Vautrain 1946. Deux volumes grand In/8 broché 215 et 273 pages. Présentation d'André Ferran. Illustrations de Georges Trouillot. Exemplaire numéroté sur vergé antique. unknown
ref. 66106Diane de Selliers 2002. hardcovers 2 vols Couverture originale de l'éditeur 708 pages notes 26 x 8.2 x 34 cm Texte en Francais Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. nummeroté 222 / 300 exemplaires ISBN 9782903656270. Stendhal est passionné par l'Italie qu'il découvre en 1800 lors des batailles napoléoniennes. Tout dans ce pays le séduit l'émeut. « Mes voyages en Italie me rendent plus original plus «moi-même». J'apprends à chercher le bonheur avec plus d'intelligence. » Cette Italie mythique décrite par Stendhal dans Rome Naples et Florence et Promenades dans Rome au rythme de ses élans et de ses émotions s'accompagne ici de 316 peintures romantiques de 123 peintres européens du début du XIXe siècle et de 45 chefs-d'oeuvre antérieurs admirés par l'auteur.316 peintures du début du XIXe siècle entraînent le lecteur mot à mot et pas à pas dans Rome Naples et Florence mais aussi dans Milan Bologne Parme Piacenza ou les lacs italiens. Ces Voyages en Italie ressuscitent la rencontre profondément romantique entre Stendhal et les 120 peintres européens contemporains de l'auteur présents dans l'ouvrage. Turner Ingres Corot Caffi Friedrich. nous font découvrir l'Italie à travers leur sensibilité d'artiste. Leurs oeuvres témoignent d'une grande diversité et d'une richesse picturale en étonnante symbiose avec les récits de voyage de Stendhal. 45 peintures antérieures au XIXe siècle aimées de Stendhal : celles de Michel-Ange Raphaël Corrège Guido Reni le Caravage. accompagnent également les Promenades dans Rome. Chaque image suggérée se retrouve en regard du texte à l'endroit précis où Stendhal en parle renforçant ainsi la magie et la puissance de l'évocation. Diane de Selliers 2002 hardcover
2004ref. SKU0648946Modern Library 2004-05-11. paperback. New. 5x1x7. New Textbook Ships with Tracking Modern Library paperback
2013ref. SONG2070118010GALLIMARD 2013-05-08. First Edition. leather_bound. Used: Good. 6.69x1.54x4.13. Buy with confidence. Excellent Customer Service & Return policy. GALLIMARD hardcover
2015ref. 1-3955635260Leseklassiker 2015. Paperback. New. 412 pages. German language. 8.27x5.83x0.93 inches. Leseklassiker paperback
1965ref. 30832Seca 1965. hardcover. Bueno. Paris 1965. Seca. Piel con dorados. 17x12. 338348 pp. Ilustrado. Texto en FRANCÉS. Punto de lectura. Cantos superiores dorados. Seca hardcover
1902ref. 96979William Heinemann. London. 1902. William Heinemann. 1902. First edition thus. Bound in full green crushed morocco gilt by Ramages. Very professionally rebacked with original spine laid down almost invisibly repaired. Marbled endpapers gilt inner dentelles all edges of pages gilt. Sepia portrait frontis with tissue guard plus 4 coloured plates. Edges of boards rubbed spine sunned boards slightly marked. Prelims foxed pages browned otherwise a very clean and sound copy. hardcover
1930ref. 00288701Paris : Javal et Bourdeaux 1930. Softcover. Good. Justification du tirage. L'abbesse de Castro de Stendhal illustré de 19 compositions de Malassis gravées sur cuivre par Delzers et Feltesse a été tiré a 200 exemplaires sur Japon Impérial contenant en supplément un état en couleurs avec remarques un état en sanguine un état en blue et la décomposition d'une planche nous ajoutons une suite de 14 aquarelles de Siméon Faite pour une édition qui devait paraitre précédemment et qui a été interrompue pa la mort de l'artiste. Nos 15 a 50 : exemplareis sur Japon Impérial contenant en supplément un état en sanguine un état en blue et la décomposition d'une planche. Nos 51 a 80: exemplaures sur annam avec en supplément : un état en sanguine et un état en blue. Nos 81 a 200 : exemplaires sur vélin. Exemplaire No. 79. --------------- Cette édition de l'Abbesse de Castro a été achevée de imprimer en Garamond Peignot corps 16 le 25 Novembre 1929 par le maitre imprimeur Coulouma a argenteuil H. Barthélemy directeur. Les dix-neuf compositions de Malassis gravées sur cuivre par Delzers et Feltesse ont été imprimées en couleurs au repérage et tirées sur les presses d'Adolphe Valcke.; Mounted paper on slipcase damaged pieces missing. Please ask for all available photos. Paris : Javal et Bourdeaux paperback
1935ref. 00290087Paris : Le Divan 1935. Hardcover. Good. 21 uniform gilt lettered half leather bindings with marbled boards: Courrier Anglais 5 volumes; Journal 5 volumes; Correspondance 10 volumes; Molière Shakspeare La comédie et le rire 1 volumes. 21 volumes in total.; Some volumes stained at bottom spine. Paris : Le Divan hardcover
1886ref. 064334Paris: Lemerre 1886. Stendhal Oeuvres; 2 Bände; LV 408 430 S.; mit 1 Stahlstichfrontispiz je 1 Titelvignette u. Kapitelbordüren; unikater Handeinband in weinrotem Ganzleder aus der Buchbinderwerkstatt Rönsberg Langenberg/Wuppertal rundum Rotschnitt. Leder. Sehr gut. 157 cm. Handeinband. Lemerre Hardcover
